Authors: William Shakespeare
Enter Sir Oliver Martext
Here comes Sir Oliver.— Sir Oliver Martext, you are well met.
Will you
dispatch us
55
here under this tree, or shall we go with
you to your chapel?
SIR OLIVER
Is there none here to give the woman?
TOUCHSTONE
I will not take her
on
58
gift of any man.
SIR OLIVER
Truly, she must be given, or the marriage is not
lawful.
Steps forward
JAQUES
Proceed, proceed I’ll give her.
TOUCHSTONE
Good even, good Master
What-ye-call’t
62
. How do
you, sir? You are very well met. God
’ild
you for your
last
63
company, I am very glad to see you. Even a
toy in hand
64
here,
sir. Nay, pray be
covered
65
.
JAQUES
Will you be married, motley?
TOUCHSTONE
As the ox hath his
bow
, sir, the horse his
curb
67
and
the falcon her
bells
68
, so man hath his desires, and as pigeons
bill
, so wedlock would be
nibbling
69
.
JAQUES
And will you, being a man of your breeding, be
married under a bush like a beggar? Get you to church, and
have a good priest that can tell you what marriage is: this
fellow will but join you together as they join
wainscot
73
, then
one of you will prove a shrunk panel and, like
green
74
timber,
warp
75
, warp.
Aside
TOUCHSTONE
I am not in the mind but
76
I were better to be
married
of
him than of another, for he is not
like
77
to marry
me
well
78
, and not being well married, it will be a good excuse
for me hereafter to leave my wife.
JAQUES
Go thou with me, and let me counsel thee.
TOUCHSTONE
Come, sweet Audrey:
We must be married, or we must live in
bawdry
82
.
Farewell, good Master Oliver. Not —
‘O sweet Oliver, O
brave
84
Oliver
,
but —
‘
Wind
87
away,
Begone, I say,
I will not to wedding with thee.’
SIR OLIVER
’Tis no matter; ne’er a
fantastical
90
knave of them all
shall
flout
91
me out of my calling.
Exeunt
[
separately
]
running scene 9 continues
Enter Rosalind and Celia
ROSALIND
Never talk to me. I will weep.
CELIA
Do, I prithee, but yet have the grace to consider that
tears do not become a man.
ROSALIND
But have I not cause to weep?
CELIA
As good cause as one would desire: therefore weep.
ROSALIND
His very hair is of the
dissembling
colour.
6
CELIA
Something browner than Judas’. Marry,
his kisses
7
ROSALIND
I’faith, his hair is of a good colour.
CELIA
An excellent colour,
your
10
chestnut was ever the
only
11
colour.
ROSALIND
And his kissing is as full of sanctity as the touch of
CELIA
He hath bought a pair of
cast
lips of
Diana
14
. A nun
of winter’s sisterhood
15
kisses not more religiously, the very ice
of chastity is in them.
ROSALIND
But why did he swear he would come this morning,
and comes not?
CELIA
Nay, certainly, there is no truth in him.
ROSALIND
Do you think so?
CELIA
Yes, I think he is not a pick-purse nor a horse-
stealer, but for his
verity
in love, I do think him as
concave
22
as
a
covered goblet
23
or a worm-eaten nut.
ROSALIND
Not true in love?
CELIA
Yes, when he is in, but I think he is not in.
ROSALIND
You have heard him swear downright he was.
CELIA
‘Was’ is not ‘is’. Besides, the oath of a lover is no
stronger than the word of a
tapster
28
: they are both the
confirmer of false
reckonings
29
. He attends here in the forest
on the duke your father.
ROSALIND
I met the duke yesterday and had much
question
31
with him: he asked me of what parentage I was; I told him, of
as good as he, so he laughed and let me go. But what talk we
of fathers, when there is such a man as Orlando?
CELIA
O, that’s a brave man! He writes brave verses, speaks
brave words, swears brave oaths and breaks them bravely,
quite
traverse
, athwart the heart of his lover, as a
puny tilter
37
,
that spurs his horse but on one side, breaks his staff like a
noble
goose
39
; but all’s brave that youth mounts and folly
guides. Who comes here?
Enter Corin
CORIN
Mistress and master, you have oft inquired
After the shepherd that
complained of
42
love,
Who you saw sitting by me on the turf,
Praising the proud disdainful shepherdess
That was his mistress.
CELIA
Well, and what of him?
CORIN
If you will see a
pageant
47
truly played,
Between the pale complexion of true love
And the red glow of scorn and proud disdain,
Go hence a little and I shall conduct you,
If you will
mark
51
it.
ROSALIND
O, come, let us
remove
52
:
The sight of lovers feedeth those in love.
Bring us to this sight, and you shall say
I’ll prove a busy actor in their play.
Exeunt
running scene 9 continues
Enter Silvius and Phoebe
SILVIUS
Sweet Phoebe, do not scorn me, do not, Phoebe.
Say that you love me not, but say not so
In bitterness. The common executioner,
Whose heart th’accustomed sight of death makes hard,
Falls
5
not the axe upon the humbled neck
But first begs pardon
6
: will you sterner be
Than
he that dies and lives
7
by bloody drops?
They stand aside
Enter Rosalind, Celia and Corin
PHOEBE
I would not be thy executioner.
I fly thee, for I would not injure thee.
Thou tell’st me there is murder in mine eye:
’Tis
pretty
11
, sure, and very probable,
That eyes, that are the frail’st and softest things,
Who shut their
coward gates
on
atomies
13
,
Should be called tyrants, butchers, murderers.
Now I do frown on thee with all my heart,
And if mine eyes can wound, now let them kill thee.
Now
counterfeit
17
to swoon, why now fall down,
Or if thou canst not, O, for shame, for shame,
Lie not, to say mine eyes are murderers.
Now show the wound mine eye hath made in thee:
Scratch thee but with a pin, and there remains
Some scar of it. Lean but upon a
rush
22
,
The
cicatrice
and
capable impressure
23
Thy palm some moment keeps. But now mine eyes,
Which I have darted at thee, hurt thee not,
Nor, I am sure, there is no force in eyes
That can do hurt.
SILVIUS
O dear Phoebe, If ever — as that ever may be near —
You meet in some fresh cheek the power of
fancy
29
,
Then shall you know the wounds invisible
That love’s
keen
31
arrows make.
PHOEBE
But till that time
Come not thou near me: and when that time comes,
Afflict me with thy mocks, pity me not,
As till that time I shall not pity thee.
Steps forward
ROSALIND
And why, I pray you? Who might be your mother,
That you insult, exult, and all at once,
Over the wretched?
What though
38
you have no beauty —
As, by my faith, I see no more in you
Than without candle may go dark to bed
40
—
Must you be therefore proud and pitiless?
Why, what means this? Why do you look on me?
I see no more in you than in the
ordinary
43
Of nature’s
sale-work
.
’Od’s
44
my little life,
I think she means to
tangle
45
my eyes too!
No, faith, proud mistress, hope not after it:
’Tis not your inky brows, your black silk hair,
Your
bugle
48
eyeballs, nor your cheek of cream
That can entame my spirits to your worship.
To Silvius
You foolish shepherd, wherefore do you follow her,
Like foggy
south
, puffing with
wind and rain
51
?
You are a thousand times a
properer
52
man
Than she a woman. ’Tis such fools as you
That makes the world full of ill-favoured children.
’Tis not her
glass
55
but you that flatters her,
And out of you she sees herself more proper
Than any of her
lineaments
57
can show her.
But mistress, know yourself: down on your knees,
And thank heaven, fasting, for a good man’s love;
For I must tell you friendly in your ear,
Sell when you can, you are not for all markets.
Cry
62
the man mercy, love him, take his offer:
Foul is most foul, being foul to be a scoffer
63
.
So take her to thee, shepherd. Fare you well.
PHOEBE
Sweet youth, I pray you chide a year
together
65
:
I had rather hear you chide than this man woo.
Aside or to
Phoebe/To
Silvius
ROSALIND
He’s fallen in love with your foulness—
and she’ll fall in love with my anger. If it be so, as
fast as she answers thee with frowning looks, I’ll
To Phoebe
sauce
70
her with bitter words.— Why look you so
upon me?
PHOEBE
For no ill will I bear you.
ROSALIND
I pray you do not fall in love with me,
For I am falser than vows made
in wine
74
.
Besides, I like you not. If you will know my house,
’Tis at the
tuft of olives
, here
hard
76
by.
Will you go, sister? Shepherd,
ply
77
her hard.
Come, sister. Shepherdess, look on him better,
And be not proud: though all the world could see,
None could be so
abused in sight
80
as he.
Come, to our flock.
Exeunt
[
Rosalind, Celia and Corin
]
PHOEBE
Dead Shepherd
, now I find thy
saw
of might
82
,
‘Who ever loved that loved not at first sight?’
SILVIUS
Sweet Phoebe—
PHOEBE
Ha, what say’st thou, Silvius?
SILVIUS
Sweet Phoebe, pity me.
PHOEBE
Why, I am sorry for thee, gentle Silvius.
SILVIUS
Wherever sorrow is, relief would be.
If you do sorrow at my grief in love,
By giving love your sorrow and my grief
Were both
extermined
91
.
PHOEBE
Thou hast my
love. Is not that neighbourly
92
?
SILVIUS
I would have you.
PHOEBE
Why, that were
covetousness
94
.
Silvius, the time was that I hated thee;
And yet it is not that I bear thee love,
But since that thou canst talk of love so well,
Thy company, which
erst
98
was irksome to me,
I will endure; and I’ll employ thee too.
But do not look for further recompense
Than thine own gladness that thou art employed.
SILVIUS
So holy and so perfect is my love,
And I in such a
poverty
103
of grace,
That I shall think it a most plenteous crop
To glean the broken
ears
105
after the man
That the main harvest reaps. Loose now and then
A scattered smile, and that I’ll live upon.
PHOEBE
Know’st thou the youth that spoke to me
erewhile
108
?
SILVIUS
Not very well, but I have met him oft,
And he hath bought the cottage and the
bounds
110
That the old
carlot
111
once was master of.
PHOEBE
Think not I love him, though I ask for him:
’Tis but a
peevish
113
boy, yet he talks well.
But what care I for words? Yet words do well
When he that speaks them pleases those that hear.
It is a pretty youth, not very pretty.
But sure he’s proud, and yet his pride becomes him;
He’ll make a proper man. The best thing in him
Is his
complexion
119
. And faster than his tongue
Did make offence his eye did heal it up.
He is not very tall, yet for his years he’s tall.
His leg is but so-so, and yet ’tis well.
There was a pretty redness in his lip,
A little riper and more
lusty
124
red
Than that mixed in his cheek. ’Twas just the difference
Betwixt the
constant
red and mingled
damask
126
.
There be some women, Silvius, had they marked him
In
parcels
128
as I did, would have gone near
To fall in love with him. But, for my part,
I love him not nor hate him not. And yet
Have more cause to hate him than to love him:
For what had he to do to chide at me?
He said mine eyes were black and my hair black,
And, now I
am remembered
134
, scorned at me.
I marvel why I answered not
again
135
.
But that’s all one:
omittance is no quittance
136
.
I’ll write to him a very taunting letter,
And thou shalt bear it. Wilt thou, Silvius?
SILVIUS
Phoebe, with all my heart.
PHOEBE
I’ll write it
straight
140
:
The matter’s in my head and in my heart.
I will be bitter with him and
passing
142
short.
Go with me, Silvius.