Complete Fictional Works of Washington Irving (Illustrated) (42 page)

They had now reached the road which turns off to Sleepy Hollow; but Gunpowder, who seemed possessed with a demon, instead of keeping up it, made an opposite turn and plunged headlong down hill to the left. This road leads through a sandy hollow shaded by trees for about a quarter of a mile, where it crosses the bridge famous in goblin story, and just beyond swells the green knoll on which stands the whitewashed church.

As yet the panic of the steed had given his unskillful rider an apparent advantage in the chase; but just as he had got halfway through the hollow the girths of the saddle gave away and he felt it slipping from under him. He seized it by the pommel and endeavored to hold it firm, but in vain, and had just time to save himself by clasping old Gunpowder round the neck, when the saddle fell to the earth, and he heard it trampled under foot by his pursuer. For a moment the terror of Hans Van Ripper’s wrath passed across his mind, for it was his Sunday saddle; but this was no time for petty fears; the goblin was hard on his haunches, and (unskilled rider that he was) he had much ado to maintain his seat, sometimes slipping on one side, sometimes on another, and sometimes jolted on the high ridge of his horse’s backbone with a violence that he verily feared would cleave him asunder.

An opening in the trees now cheered him with the hopes that the church bridge was at hand. The wavering reflection of a silver star in the bosom of the brook told him that he was not mistaken. He saw the walls of the church dimly glaring under the trees beyond. He recollected the place where Brom Bones’ ghostly competitor had disappeared. “If I can but reach that bridge,” thought Ichabod, “I am safe.” Just then he heard the black steed panting and blowing close behind him; he even fancied that he felt his hot breath. Another convulsive kick in the ribs, and old Gunpowder sprang upon the bridge; he thundered over the resounding planks; he gained the opposite side; and now Ichabod cast a look behind to see if his pursuer should vanish, according to rule, in a flash of fire and brimstone. Just then he saw the goblin rising in his stirrups, and in the very act of hurling his head at him. Ichabod endeavored to dodge the horrible missile, but too late. It encountered his cranium with a tremendous crash; he was tumbled headlong into the dust, and Gunpowder, the black steed, and the goblin rider passed by like a whirlwind.

The next morning the old horse was found, without his saddle and with the bridle under his feet, soberly cropping the grass at his master’s gate. Ichabod did not make his appearance at breakfast; dinner-hour came, but no Ichabod. The boys assembled at the schoolhouse and strolled idly about the banks of the brook but no schoolmaster. Hans Van Ripper now began to feel some uneasiness about the fate of poor Ichabod and his saddle. An inquiry was set on foot, and after diligent investigation they came upon his traces. In one part of the road leading to the church was found the saddle trampled in the dirt; the tracks of horses’ hoofs, deeply dented in the road and evidently at furious speed, were traced to the bridge, beyond which, on the bank of a broad part of the brook, where the water ran deep and black, was found the hat of the unfortunate Ichabod, and close beside it a spattered pumpkin.

The brook was searched, but the body of the schoolmaster was not to be discovered. Hans Van Ripper, as executor of his estate, examined the bundle which contained all his worldly effects. They consisted of two shirts and a half, two stocks for the neck, a pair or two of worsted stockings, an old pair of corduroy small-clothes, a rusty razor, a book of psalm tunes full of dog’s ears, and a broken pitch-pipe. As to the books and furniture of the schoolhouse, they belonged to the community, excepting Cotton Mather’s History of Witchcraft, a New England Almanac, and a book of dreams and fortune-telling; in which last was a sheet of foolscap much scribbled and blotted in several fruitless attempts to make a copy of verses in honor of the heiress of Van Tassel. These magic books and the poetic scrawl were forthwith consigned to the flames by Hans Van Ripper, who from that time forward determined to send his children no more to school, observing that he never knew any good come of this same reading and writing. Whatever money the schoolmaster possessed — and he had received his quarter’s pay but a day or two before — he must have had about his person at the time of his disappearance.

The mysterious event caused much speculation at the church on the following Sunday. Knots of gazers and gossips were collected in the churchyard, at the bridge, and at the spot where the hat and pumpkin had been found. The stories of Brouwer, of Bones, and a whole budget of others were called to mind, and when they had diligently considered them all, and compared them with the symptoms of the present case, they shook their heads and came to the conclusion that Ichabod had been carried off by the galloping Hessian. As he was a bachelor and in nobody’s debt, nobody troubled his head any more about him, the school was removed to a different quarter of the hollow and another pedagogue reigned in his stead.

It is true an old farmer, who had been down to New York on a visit several years after, and from whom this account of the ghostly adventure was received, brought home the intelligence that Ichabod Crane was still alive; that he had left the neighborhood, partly through fear of the goblin and Hans Van Ripper, and partly in mortification at having been suddenly dismissed by the heiress; that he had changed his quarters to a distant part of the country, had kept school and studied law at the same time, had been admitted to the bar, turned politician, electioneered, written for the newspapers, and finally had been made a justice of the Ten Pound Court. Brom Bones too, who shortly after his rival’s disappearance conducted the blooming Katrina in triumph to the altar, was observed to look exceedingly knowing whenever the story of Ichabod was related, and always burst into a hearty laugh at the mention of the pumpkin; which led some to suspect that he knew more about the matter than he chose to tell.

The old country wives, however, who are the best judges of these matters, maintain to this day that Ichabod was spirited away by supernatural means; and it is a favorite story often told about the neighborhood round the intervening fire. The bridge became more than ever an object of superstitious awe, and that may be the reason why the road has been altered of late years, so as to approach the church by the border of the millpond. The schoolhouse, being deserted, soon fell to decay, and was reported to be haunted by the ghost of the unfortunate pedagogue; and the plough-boy, loitering homeward of a still summer evening, has often fancied his voice at a distance chanting a melancholy psalm tune among the tranquil solitudes of Sleepy Hollow.

POSTSCRIPT

FOUND IN THE HANDWRITING OF MR. KNICKERBOCKER.

THE preceding tale is given almost in the precise words in which I heard it related at a Corporation meeting of the ancient city of Manhattoes, at which were present many of its sagest and most illustrious burghers. The narrator was a pleasant, shabby, gentlemanly old fellow in pepper-and-salt clothes, with a sadly humorous face, and one whom I strongly suspected of being poor, he made such efforts to be entertaining. When his story was concluded there was much laughter and approbation, particularly from two or three deputy aldermen who had been asleep the greater part of the time. There was, however, one tall, dry-looking old gentleman, with beetling eyebrows, who maintained a grave and rather severe face throughout, now and then folding his arms, inclining his head, and looking down upon the floor, as if turning a doubt over in his mind. He was one of your wary men, who never laugh but upon good grounds — when they have reason and the law on their side. When the mirth of the rest of the company had subsided and silence was restored, he leaned one arm on the elbow of his chair, and sticking the other akimbo, demanded, with a slight but exceedingly sage motion of the head and contraction of the brow, what was the moral of the story and what it went to prove.

The storyteller, who was just putting a glass of wine to his lips as a refreshment after his toils, paused for a moment, looked at his inquirer with an air of infinite deference, and, lowering the glass slowly to the table, observed that the story was intended most logically to prove —

“That there is no situation in life but has its advantages and pleasures — provided we will but take a joke as we find it;

“That, therefore, he that runs races with goblin troopers is likely to have rough riding of it.

“Ergo, for a country schoolmaster to be refused the hand of a Dutch heiress is a certain step to high preferment in the state.”

The cautious old gentleman knit his brows tenfold closer after this explanation, being sorely puzzled by the ratiocination of the syllogism, while methought the one in pepper-and-salt eyed him with something of a triumphant leer. At length he observed that all this was very well, but still he thought the story a little on the extravagant — there were one or two points on which he had his doubts.

“Faith, sir,” replied the storyteller, “as to that matter, I don’t believe one-half of it myself.”

D. K.

L’ENVOY.
*

Go, little booke, God send thee good passage,

And specially let this be thy prayere,

Unto them all that thee will read or hear,

Where thou art wrong, after their help to call,

Thee to correct in any part or all.

CHAUCER’S Belle Dame sans Mercie.

IN concluding a second volume of the Sketch Book the Author cannot but express his deep sense of the indulgence with which his first has been received, and of the liberal disposition that has been evinced to treat him with kindness as a stranger. Even the critics, whatever may be said of them by others, he has found to be a singularly gentle and good-natured race; it is true that each has in turn objected to some one or two articles, and that these individual exceptions, taken in the aggregate, would amount almost to a total condemnation of his work; but then he has been consoled by observing that what one has particularly censured another has as particularly praised; and thus, the encomiums being set off against the objections, he finds his work, upon the whole, commended far beyond its deserts.

* Closing the second volume of the London edition.

He is aware that he runs a risk of forfeiting much of this kind favor by not following the counsel that has been liberally bestowed upon him; for where abundance of valuable advice is given gratis it may seem a man’s own fault if he should go astray. He only can say in his vindication that he faithfully determined for a time to govern himself in his second volume by the opinions passed upon his first; but he was soon brought to a stand by the contrariety of excellent counsel. One kindly advised him to avoid the ludicrous; another to shun the pathetic; a third assured him that he was tolerable at description, but cautioned him to leave narrative alone; while a fourth declared that he had a very pretty knack at turning a story, and was really entertaining when in a pensive mood, but was grievously mistaken if he imagined himself to possess a spirit of humor.

Thus perplexed by the advice of his friends, who each in turn closed some particular path, but left him all the world beside to range in, he found that to follow all their counsels would, in fact, be to stand still. He remained for a time sadly embarrassed, when all at once the thought struck him to ramble on as he had begun; that his work being miscellaneous and written for different humors, it could not be expected that any one would be pleased with the whole; but that if it should contain something to suit each reader, his end would be completely answered. Few guests sit down to a varied table with an equal appetite for every dish. One has an elegant horror of a roasted pig; another holds a curry or a devil in utter abomination; a third cannot tolerate the ancient flavor of venison and wild-fowl; and a fourth, of truly masculine stomach, looks with sovereign contempt on those knick-knacks here and there dished up for the ladies. Thus each article is in condemned in its turn, and yet amidst this variety of appetites seldom does a dish go away from the table without being tasted and relished by some one or other of the guests.

With these considerations he ventures to serve up this second volume in the same heterogeneous way with his first; simply requesting the reader, if he should find here and there something to please him, to rest assured that it was written expressly for intelligent readers like himself; but entreating him, should he find anything to dislike, to tolerate it, as one of those articles which the author has been obliged to write for readers of a less refined taste.

To be serious: The author is conscious of the numerous faults and imperfections of his work, and well aware how little he is disciplined and accomplished in the arts of authorship. His deficiencies are also increased by a diffidence arising from his peculiar situation. He finds himself writing in a strange land, and appearing before a public which he has been accustomed from childhood to regard with the highest feelings of awe and reverence. He is full of solicitude to deserve their approbation, yet finds that very solicitude continually embarrassing his powers and depriving him of that case and confidence which are necessary to successful exertion. Still, the kindness with which he is treated encourages him to go on, hoping that in time he may acquire a steadier footing; and thus he proceeds, half venturing, half shrinking, surprised at his own good-fortune and wondering at his own temerity.

THE HUMORISTS, A MEDLEY

Part novel, part collection of sketches, this book was written while was Irving was still living in England in 1821. The collection contains a series of character sketches in the location of Bracebridge Hall, an English manor, featuring numerous individual plots. The tales were inspired by Irving’s visit to Aston Hall, near Birmingham.

Irving and his publisher John Murray had been eager to follow up on the success of
The Sketch Book
, and the author spent much of 1821 travelling in Europe in search of new material, widely reading Dutch and German folk tales. Depressed by the death of his brother William, Irving worked slowly, finally delivering the completed manuscript of
Bracebridge Hall
to Murray in March 1822. The format of the work was similar to that of
The Sketch Book
, with Irving, as Crayon, narrating a series of more than fifty loosely connected short stories and essays. Although some reviewers thought the work to be a lesser imitation of
The Sketch Book
, it was well-received by readers and critics.