The Houdan hen was never drawn into the cult of Sredni Vashtar. Conradin had long ago settled that she was an Anabaptist. He did not pretend to have the remotest knowledge as to what an Anabaptist was, but he privately hoped that it was dashing and not very respectable. Mrs. de Ropp was the ground plan on which he based and detested all respectability.
After a while Conradin's absorption in the tool-shed began to attract the notice of his guardian. "It is not good for him to be pottering down there in all weathers," she promptly decided, and at breakfast one morning she announced that the Houdan hen had been sold and taken away overnight. With her short-sighted eyes she peered at Conradin, waiting for an outbreak of rage and sorrow, which she was ready to rebuke with a flow of excellent precepts and reasoning. But Conradin said nothing: there was nothing to be said. Something perhaps in his white set face gave her a momentary qualm, for at tea that afternoon there was toast on the table, a delicacy which she usually banned on the ground that it was bad for him; also because the making of it "gave trouble," a deadly offence in the middle-class feminine eye.
"I thought you liked toast," she exclaimed, with an injured air, observing that he did not touch it.
"Sometimes," said Conradin.
In the shed that evening there was an innovation in the worship of the hutch-god. Conradin had been wont to chant his praises, to- night he asked a boon.
"Do one thing for me, Sredni Vashtar."
The thing was not specified. As Sredni Vashtar was a god he must be supposed to know. And choking back a sob as he looked at that other empty corner, Conradin went back to the world he so hated.
And every night, in the welcome darkness of his bedroom, and every evening in the dusk of the tool-shed, Conradin's bitter litany went up: "Do one thing for me, Sredni Vashtar."
Mrs. de Ropp noticed that the visits to the shed did not cease, and one day she made a further journey of inspection.
"What are you keeping in that locked hutch?" she asked. "I believe it's guinea-pigs. I'll have them all cleared away."
Conradin shut his lips tight, but the Woman ransacked his bedroom till she found the carefully hidden key, and forthwith marched down to the shed to complete her discovery. It was a cold afternoon, and Conradin had been bidden to keep to the house. From the furthest window of the dining-room the door of the shed could just be seen beyond the corner of the shrubbery, and there Conradin stationed himself. He saw the Woman enter, and then he imagined her opening the door of the sacred hutch and peering down with her short-sighted eyes into the thick straw bed where his god lay hidden. Perhaps she would prod at the straw in her clumsy impatience. And Conradin fervently breathed his prayer for the last time. But he knew as he prayed that he did not believe. He knew that the Woman would come out presently with that pursed smile he loathed so well on her face, and that in an hour or two the gardener would carry away his wonderful god, a god no longer, but a simple brown ferret in a hutch. And he knew that the Woman, would triumph always as she triumphed now, and that he would grow ever more sickly under her pestering and domineering and superior wisdom, till one day nothing would matter much more with him, and the doctor would be proved right. And in the sting and misery of his defeat, he began to chant loudly and defiantly the hymn of his threatened idol:
Sredni Vashtar went forth, His thoughts were red thoughts and his teeth were white. His enemies called for peace, but he brought them death. Sredni Vashtar the Beautiful.
And then of a sudden he stopped his chanting and drew closer to the window-pane. The door of the shed still stood ajar as it had been left, and the minutes were slipping by. They were long minutes, but they slipped by nevertheless. He watched the starlings running and flying in little parties across the lawn; he counted them over and over again, with one eye always on that swinging door. A sour-faced maid came in to lay the table for tea, and still Conradin stood and waited and watched. Hope had crept by inches into his heart, and now a look of triumph began to blaze in his eyes that had only known the wistful patience of defeat. Under his breath, with a furtive exultation, he began once again the paean of victory and devastation. And presently his eyes were rewarded: out through that doorway came a long, low, yellow-and-brown beast, with eyes a-blink at the waning daylight, and dark wet stains around the fur of jaws and throat. Conradin dropped on his knees. The great polecat-ferret made its way down to a small brook at the foot of the garden, drank for a moment, then crossed a little plank bridge and was lost to sight in the bushes. Such was the passing of Sredni Vashtar.
"Tea is ready," said the sour-faced maid; "where is the mistress?"
"She went down to the shed some time ago," said Conradin.
And while the maid went to summon her mistress to tea, Conradin fished a toasting-fork out of the sideboard drawer and proceeded to toast himself a piece of bread. And during the toasting of it and the buttering of it with much butter and the slow enjoyment of eating it, Conradin listened to the noises and silences which fell in quick spasms beyond the dining-room door. The loud foolish screaming of the maid, the answering chorus of wondering ejaculations from the kitchen region, the scuttering footsteps and hurried embassies for outside help, and then, after a lull, the scared sobbings and the shuffling tread of those who bore a heavy burden into the house.
"Whoever will break it to the poor child? I couldn't for the life of me!" exclaimed a shrill voice. And while they debated the matter among themselves, Conradin made himself another piece of toast.
PHILIP MACDONALD
LOVE LIES BLEEDING
Cyprian didn't like rushing over dinner, so they had eaten early. And now, at eight o'clock, he was alone with coffee in Astrid's living room while Astrid herself was in the bedroom out of sight and sound, changing into some frock suitable for the rather tedious party they were going to together.
It was very quiet in Astrid's apartment, very comfortable. The maid had gone as soon as they had finished eating, so there weren't even sounds of movements from dining room and kitchen to disturb the peace. And there was plenty of time. Plenty. Because they needn't arrive at the Ballards' before nine-thirty at the earliest.
Cyprian stretched luxuriously. He picked his coffee cup from the mantel and drained it and set it down again, his fingers momentarily caressing the delicate texture of the thin china.
He strolled about the room, thinking how well Astrid had done with it, taking pleasure in the blendings and contrasts of color under the soft lights, the balance and position of furniture, the choice and subject of the few paintings.
He went back to the mantel, and took the fragile, thistle-shaped liqueur glass from beside his empty coffee cup. He couldn't remember what was in it, and sniffed at it, his thin sensitive nostrils quivering a little as the sharp, bitter-orange aroma stung them pleasantly. He smiled; he should have known that Astrid wouldn't make mistakes.
He sipped slowly, letting the hot stringency slide over his tongue.
He turned his back to the room and faced himself in the big mirror over the mantel and was pleased by what he saw. He could find this evening nothing at variance with the appearance of Cyprian Morse as he wished it to be. With absorbed interest he studied Cyprian-the graceful, high-shouldered slenderness so well set off by the dinner jacket of midnight blue; the fine-textured pallor of the odd, high-cheekboned face with its heavy-lidded eyes and chiseled mouth which seemed to lift at one comer in satire perpetual but never overstressed; the long slim fingers of the hand which twitched with languid dexterity at the tie which so properly enhanced the silken snowy richness of the shirt and its collar.
The blue gleam of the carved lapis lazuli in his signet ring made him think of Charles, and the time when Charles had given it to him. He turned away from the mirror and sipped at the liqueur again and wished Charles were here and wondered how long it would be before Charles returned from Venezuela. He was looking forward to Charles and Astrid meeting, though he wasn't too sure what Charles's initial reaction would be. Astrid would be all right, of course-and, after all, Charles would very soon find out what she was like, just an awfully nice girl, and a great, an inspired designer. He toyed with visions of making Charles work too. With Astrid doing the sets, and Charles letting himself go on weird, macabre decor, Cyprian Morse's Abanazar could well be the most sensational production ever seen in the theater.
Cyprian finished the liqueur, and set down the glass. Still musing on the possibilities of Abanazar, he dropped into a big low chair, and found himself-his eyes almost level with a coffee table- looking straight at a photograph of Astrid he hadn't seen before. It was an excellent portrait, oddly and interestingly lighted, and the camera had caught and registered that somehow astringent little smile which some people said spoiled her looks, but which had always been for Cyprian a sort of epitome of why he liked her. He werjt on looking at it now, and thought, as he had thought many tigaes looking at her in life, how necessary a smile it was. Without it there would be no way of knowing that the full-blown and almost aggressive femininity of Astrid's structure was merely an accident in design; no way of telling that in fact she had no nonsense about her but was simply the best of designers and-he was beginning to believe more and more as their association developed-the best of friends.
He stretched again and relaxed in the chair. He was in the after-dinner mood which he liked best, and which only seemed to come when he had had exactly the right amount of a-little-too-much-to-drink. All his senses, all his perceptions, were sharpened to a fine edge beneath a placid sheath of contentment. There was a magazine lying on the table near the photograph, and he reached out a lazy arm and picked it up. It was last month's Manhattan, and it fell open in his hands to the theatrical page and the beginning of Bum Heyward's long glowing review of The Square Triangle. He knew it nearly by heart, but nevertheless began to read and savor it afresh, starting with the headline, CYPRIAN MORSE DOES IT AGAIN, and going through its delicious paeans to the shiny super-plum of the very last paragraph,… There is no doubt left that, despite his youth and (in this instance at least) his dubious choice of subject, Morse is one of the really important playwrights of the day, certainly the most significant in America…"
He heard the door open behind him, and let the magazine fall shut on his knee and said, "Ready?" without turning around.
"Cyprian\u8221?" said Astrid's voice.
There was something strange about the sound, a quality which inexplicably, as if it had been some dreadful psychic emanation, seemed to change the shape of his every thought and sensation, so that where he had been relaxed and warmly content, he was now tense and chill with formless apprehension.
"Cyprian\u8221?" said the voice again, and he came to his feet in a single spasmodic movement, turning to face Astrid as he rose.
He stared at her in stunned amazement and a useless hope of disbelief. His flesh crept, and he seemed to feel the hairs on his neck rising like the hackles on a dog.
She came toward him, slowly-and he backed away. She mustn't touch him, she mustn't touch him.
She drew inexorably closer. She held out her arms to him. He didn't know he was still moving away until the edge of the mantelshelf came hard against his shoulders. He could feel sweat clammy cold on his forehead, his upper lip, his neck. Desperately, his mind struggled for mastery over his body. His mind knew that, in reality, this was merely a distressing incident hardly removed from the commonplace. His mind knew that a few simple words, a curl of the lip, a lift of the shoulders-any or all of these would free him not only now but forever. But the words had to be uttered, the gestures made -and his body refused the tasks.
She was close now. Very close. She was going to touch him.
She said, in the same thick voice, "Cyprian! Don't look at me like that." And she said, "I love you, Cyprian, you must know that..
There was a ringing in his ears, and the tight grip of nausea in his stomach. His throat worked as he tried to speak, but no words came from his mouth.
She touched him. She was close against him. His body could feel the dreadful soft warmness of her. There was a mist over his eyes and he could hardly see her through it.
And then her arms were around his neck, soft but implacably strong. His mind screamed something, but the arms tightened their hold. She was speaking, but he couldn't hear through the roaring in his head. Somehow, he tore himself free. Forgetting, he tried to retreat, and thudded against the brick of the mantel. With a scrabbling lunge, he went sideways-and almost fell.
He clutched wildly. His left hand caught the edge of the mantelshelf and checked his fall. His right hand, swinging, struck against something metallic and closed around it.
"Cyprian-" said the voice. "Cyprian…"
She was going to touch him again. Through the haze he could see her, the arms reaching.
There was a clatter of metal as the rest of the fire-irons fell, and his right hand, still grasping the logpick it had closed around, raised itself above his head and swung downward, with more than all his force.
Through the rushing in his ears, through the red-flecked haze over his eyes, he heard the sick dull crushing of the first blow, saw the slender shape crumple and collapse…
The haze and the roaring faded, and he found himself standing half-crouched over the thing on the floor-striking down at it again and again. It was as if some outside power had taken charge of him, so that the blows came without his conscious volition-thudding with the broadside of the heavy bar, then thrusting, slashing, tearing with the sharp point of the spike.…