13 Ways of Looking at a Fat Girl (12 page)

She'll Do Anything

T
hey're finishing off their second round of drinks when Dickie starts wanting to tell them about this fat chick he's been banging lately. Being Dickie, he doesn't mind going into detail. How her tits clap when he's taking her from behind. How you'd assume—he'd assumed, anyway—that she would be, you know, loose down there, but actually, surprise, surprise. “Gastro sex,” Dickie says, draining his Fireball. “Best sex I've ever had, hands down.”

“She has this big scar down her stomach from this gastric bypass she had, like, a year ago,” Dickie says. He leans back from the bar and traces a line down his own shiny shirtfront with his long, slender fingers. “Guess it didn't work though or something because she's still—”

“For fuck's sake, Dickie,” Tom says, “I'm
eating
.” He stares down at his untouched mound of stale chips covered in half-melted Monterey Jack. The only thing grimmer than the Macho Nacho platter at the Dead Goat is the fact that he himself engineered the software that ensures its efficient expedition from the kitchen. Tom
looks at Hot Pocket for reinforcement—he is, after all, their supervisor of sorts—but Hot Pocket is grinning at Dickie over the rim of the shot he's about to take, saying, “You're a sick man, Dick.” It's so Dickie, these antics. Like the time he told them all about how he bought a rubber vagina and then returned it a week later—all banged up and soggy with baby oil—making a big stink in the sex store about how the pubes “didn't ring true.” Dickie has a unique ability to forage deep into the peripheries of the perverse and come back, polo shirt collar popped and grinning like a guy in a beer commercial, like life is just one big, hilarious frat boy stunt.

Hot Pocket announces they're going to need another round for this, even though he's too drunk to drive and has one DUI already. He signals to their waitress.

“So how fat are we talking anyway?” Hot Pocket says.

Dickie appears to consider the question. Considering it, Tom thinks, like it's a philosophical quandary. What is the sound of one hand clapping?

“Not like those chicks on the birthday cards that say, ‘Pick a Fold and Fuck It,'” he says at last, “but, you know, decent.”

“That's disgusting,” Hot Pocket says.

“Sure, the belly's not so hot.” Dickie shrugs with the air of a cult leader, above the understanding of the masses. “But I think pounding away at that ass might be curing me of PUP.” PUP is Dickie's shorthand for Potentially Unable to Perform.

“Anyway, the best thing about fucking her?” Dickie continues, ignoring Tom's dark look. “She'll do anything.”

Tom gazes at Dickie from across the table, sitting contentedly under the antlered shadow of a goat skull on the wall. “What do you mean she'll do anything?”

“I mean anything,” Dickie says, smiling.

They fall silent while their waitress approaches the table and sets down their drinks.

“I fucked Judy once,” Hot Pocket confesses quietly, after the waitress has left. He is referring to the plump, sad woman in IT who is in every way the physical opposite of Brindy, his ex-stripper-turned-freelance-interior-decorator wife, for whom he recently purchased breast implants.

“Judy doesn't count,” says Dickie, like he's a connoisseur of such things.

“What do you mean Judy
doesn't count
?”

“What's Judy, like, a size 12? I'm talking about an actual fat girl
.”

“Jesus, keep it down,” Tom says, eyeing the group of waitresses behind the bar giving each other
Can you believe him?
looks.

“Don't knock it till you've
actually
tried it is all I'm saying,” Dickie says. “In fact, you guys should. I'm sure she'd be up for it. She's a real trooper, like I said.”

“Think I'll pass,” Hot Pocket says.

“Don't know what you're missing. Tom knows what I'm talking about. Or he did anyway—right, Tom?”

“No idea,” Tom says, though his eyes say,
Little prick
.

 • • • 

Zigzagging down the interstate, Tom mutters
sick fuck
and
little prick
to the windshield. Between the summer storm and the shots, he can barely see the broken yellow line dividing the lanes, but thanks to Dickie, he can see the ass of the fat girl clear as a full moon on a winter night.

Tom lives with his wife in an apartment complex he hates just
off the highway. On top of it being largely filled with douche-bag executives, he got tricked into paying ninety-five extra dollars a month for what he was told would be a mountain view but what is in fact only a sliver of the foothills eclipsed by the gawdy lights of the steak house across the street. Normally he would never agree to live in the sort of place that gives you a complimentary Frappuccino and a biscotti upon signing your lease, but Beth no,
Elizabeth
—he must remember she wants to be called Elizabeth now—was keen because it was one of the few complexes in town with a fitness center. That two dusty treadmills, a StairMaster that makes the sound of a dying coyote when you step on it, and a rack of ancient weights were what stood between him and a nice floor of a house somewhere is something he still finds difficult to accept. “Just because you don't want to drive
five
minutes to Gold's Gym down the road, I'm supposed to
live
with a bunch of assholes?” is what he wanted to say, but didn't because he was being supportive.

He comes home to find Beth in the kitchen, surrounded by little piles of julienned vegetables, angrily grating jicama on a mandolin. She is wearing a dark, very tight cocktail dress. Probably new. Purchased during her break at work or perhaps online at night. A few months after she reached her goal and hit what she called a plateau, she started buying these sorts of dresses with an alarming greed and regularity. He is convinced she would devour them, these dark, tailored dresses, if she could, like the chips or ice cream she allows herself once every two weeks. Seeing her in one now still makes him think she'll want to go out somewhere, but he's starting to get used to the fact that this is just how she dresses now. Always. Am I overdressed? she always asks. Yes, he wants to say. You look great, is what he says. Does she look great? She does. Of
course she does—look at her. She is a sleek, beautiful young woman, younger looking even than her twenty-eight years, except maybe around the eyes. Even though he himself has borne witness to her transformation over the past three years, he is still getting used to the severely pared-down point of her chin, the now visible web of bones in her throat, how all the once-soft edges of her have suddenly grown knife sharp. How they seem pointed at him in perpetual, quiet accusation.

Like it has been every night for more than a year now, the kitchen is thick with the scent of boiled barn and burnt vegetable, like Mother Nature on fire.

“Something smells good, Beth,” he says, in the overly jolly voice he speaks in when he's been hanging around Hot Pocket all day.

She looks at him.

“What?”

“I told you not to call me that anymore, remember?”

“Sorry.” He puts his hands up like she's holding a gun. “Something smells good, Elizabeth.”

“Nearly ready,” she says. She pulls out of the oven a tray of what looks to him like burnt turds. Every night, she sullenly exercises this form of torture upon a green in the cabbage family. It used to be she would offer to make things for him—ham and cheese scones, potato leek soup—on top of whatever punishing concoctions of grain, bean curd, and sprout she'd cooked up for herself. Recently, though, she's been on what she calls “a slippery slope.” He doesn't know what this means, exactly, but he promised to “be more supportive.”

“Looks great,” he murmurs now, watching her pile a maggoty-
looking grain that smells like hoof onto his plate. He pokes tentatively at the mound with the tines of his fork.

“What are these little wormy things called again?”

“Quinoa.”

“What-wa?”

She takes a sip of Chilean white, which she first poured in a measuring cup before pouring it into a glass, and watches him push the larval beads around with his fork. “I could just make you a grilled cheese,” she says.

“I eat what you eat, remember? That another new dress?”

“This? Yes.”

“Looks good.”

“You think so? It isn't too much?”

He gazes at the odd bows on the sleeves, the asymmetrical neckline, the thin little belt around the severely tailored middle.

“Um, too much how?”

“I don't know. Too tight?”

He looks at her sitting eerily straight opposite him. It is so extraordinarily tight that she has to sit rigid in her chair.

“No.” And he quickly shoves in a forkful of the larvae. The face he makes when he swallows happens without him meaning it to.

“Jesus, Tom. Let me just make the sandwich, okay?”

“No, this is interesting. Really.” He takes another bite, this time quickly chasing it with the Fat Tire he brought to the table.

She snorts something into her wine.

“What was that?”

“Nothing. So how was work anyway?”

He takes a swig of his Fat Tire. Back when she used to visit him in her heavier days, she was content to enjoy dinner in what he
thought was an amicable silence, smoking a Camel Light while he slurped takeout in front of an old monster movie. Now that they eat boiled grains over candlelight, she demands dinner conversation. As he yammers on about various parts of his day, often trailing off, only to be prompted by a clipped
What else?
he feels like one of those old mechanical toy puppies being forced to do flips.

It's after her third
What else?
that he ends up telling her about Dickie's foray into gastro sex. “He even offered her to us. Hot Pocket and me. Isn't that sick?”

“Why are you telling me this?”

“Just thought you would find it funny,” he says, taking another swig of his Fat Tire.

He didn't mean to mention that last bit about the offer, but now it's out there. He can't take it back. He watches her grow eerily quiet as she chews on this new bit of knowledge along with a mouthful of sprouts.

“I don't know,” she says at last, lighting a cigarette and tipping ash into her plate. “Maybe you should take him up on it.”

“Beth.”

“It could be fun for you. Nostalgic.”

He sighs, picks a small yellow ball out of the wilted pile of California greens that comprise the side salad. He turns it around in his fingers, squinting at it like it's a miniature globe, like it contains the whole world.

“What is this anyway, a kumquat?”

What he intended was simply to change the trajectory of the conversation. Instead, her face, or what's left of it, becomes a throbbing red blotch. “
No
.”

“Huh,” he says, turning it around once more. “Looks like one.”

“Well it fucking
isn't
, okay?”

“Jesus. Get a grip. It's not a kumquat. Got it. Sorry I'm not a genius chef like some people.”

He thinks she'll laugh, but instead tears fill her eyes.

“What's wrong?”

“Nothing.”

He sighs, sips his Fat Tire, lets her cry for a while, his eyes on the thin white Doric pillar to the left of her. It's the most pointless pillar in the whole world, he thinks, eyeing it. It holds nothing up. It stands there, cutting off the living room from the dining room, because it is the kind of crap that impresses the kind of schmucks who go in for an apartment with free biscotti and a fitness center. She's strung some purple Christmas lights around it she never turns on, which only adds to its absurdity.

“I just hate how you see me is all,” she says, swatting the tears away like flies, but it's no good—they keep coming, causing her chin arrow to quiver pitifully.

“What do you mean how do I see you?” He looks at her intently, soberly through a dense and rippling puddle of drunk; she immediately lowers her eyes and turns her head, obscuring her face with a curtain of long black hair, a defensive gesture left over from her heavier days.

“I don't know,” she says, pretending to examine her nails. “As some fucking . . . you know . . .
kumquat
eater.”

“That's ridiculous,” he says. “You're being ridiculous.”

She rises from the table. He hears a lot of cupboard and fridge door slamming, the glugging sound of her pouring more wine into her measuring cup, then pouring it into a glass. She returns with a glass of what looks like another two ounces of white and,
her evening ritual, a square of dark chocolate from a bar she keeps at the back of the cupboard like an alcoholic's hidden stash of gin. Seeing her huddled over this small square is sadder to him than the vegetable turds or the larval grains or the carefully measured glasses of bone-dry white. It's like watching a woeful squirrel hunched over a piece of trash he has mistaken for a winter nut.

“You'd like to, wouldn't you?” she says quietly, after what feels like an interminable silence.

“Like to what?” he asks, knowing exactly, but he wants to hear her say it.

“Nothing,” she says.

“No, tell me,
Elizabeth
. What would I like?” He looks at her but she keeps her eyes on her ashed-up plate.

“To fuck that fat girl.”

Jesus. He did push her to say it but he still can't believe she's said it out loud. It feels like a slap. He leaves with a mild slam of the door, even though she calls his name twice to come back.

 • • • 

In the empty parking lot outside Del Taco, he sits in his Honda and drinks his super-size Coke, shoving damp chili fries into his mouth gluttonously, staring neither at the bug-streaked windshield nor at the starless night but straight ahead. Back when Beth first lost the weight, she used to treat herself to a biweekly plate of cheesy fries, which they'd get at a sit-down fast food place that had big fake leather booths with phones in them where you placed your order. She'd eat them with a mixture of ketchup and mayonnaise. Even though he grew up in the state where they invented this concoction, it grossed him out slightly, watching her greedily whip the red and white gloops together with a matchstick fry until
they formed an obscene bloody pink. He even made a face once at the sight. She saw the face and cried. Didn't eat anything but her draconian fare in front of him for months afterward.

Other books

I’ll Become the Sea by Rebecca Rogers Maher
Kill For Me by M. William Phelps
Too Sweet to Die by Ron Goulart, Ebook Architects, Llc
The Color of Death by Elizabeth Lowell
Mulberry and Peach by Hualing Nieh
Fixed in Fear by T. E. Woods
Paddington Races Ahead by Michael Bond