1635: Music and Murder (3 page)

Read 1635: Music and Murder Online

Authors: David Carrico

Courageous, him?

"And besides, Doc Nichols called me a she-lion; Aunt Susan called me a bear. What do you think I'm going to do to anyone who bad-mouths you?" She looked at him expectantly, and grinned in response as the corners of his mouth turned up.

"Franz," she continued more soberly, "we can find a way to make it work. If Grantville and Mike Stearns can remake Europe, then surely you and I can make a life together." She took his hands in hers again. "I ask you again, do you love me?"

"With all my heart," he said, his voice shaking.

"And you won't give me any more foolishness about your hand?"

"No," he told her, his voice stronger.

"Good." She hugged him and kissed his nose. "Now, it's dark and cold out, and after making me cry twice tonight you owe me a cup of coffee. Let's get to the Gardens."

They walked together hand in hand, his left in her right, contentedly. As they turned up the final walk, he said, "Marla?"

"Hmm?"

"If your name is Kristen Marlena, why do you say your name is Marla?"

She laughed. "I haven't gone by Kristen since the third grade. There was another girl in the same grade but a different class who was Kristin. Her name was spelled slightly differently, but sounded the same. She was a bully, and first she picked on me all the time saying I was stupid because I didn't spell my name like hers. Then she started calling me Kristin Junior, and trying to make me follow her orders during recess. So, I got sick of that name pretty quickly, but I didn't like Marlena either. According to Mom, Dad liked this German actress from old movies, so when they couldn't decide on a middle name for me, he suggested that one and it stuck. I told her, 'Gee, thanks.' Anyway, you remember the comics I showed you that my brother Paul used to have?"

He nodded.

"Well, at the time there was this one superhero comic book that had a strong female character in it named Marla. He started calling me that, and after he showed me the comic, I thought it was cool, so I started calling me that, too. Mom and Dad caved in pretty quickly. It took a couple of years for it to stick at school, though. I don't know how many times I got sent to the office for telling teachers, 'Call me Marla!' It wasn't until junior high that Mom was finally able to convince the teachers and principals that she wanted them to call me Marla even though that wasn't what was on my birth certificate. Mom was cool like that. And ironically enough, the cause of it all moved away from Grantville after fourth grade. I could have gone back to Kristen, but I liked Marla better. Marla it stayed."

"So, a name chosen and not bestowed. Appropriate for you, I would say."

She stared over at him suspiciously, making sure that he wasn't being sarcastic. He smiled back blandly as they walked through the door of the Gardens.

No sooner had they entered than a voice yelled, "Franz!"

Recognizing a voice from his past, he spun, looking for a familiar face. "Friedrich!"

A young man jumped up from a nearby table so quickly that his chair fell over backwards. Franz hurried to meet him, and they embraced in the aisle between tables, exclaiming loudly, pushing back for a moment to hold each other at arm's length, then embracing again in a ferocious hug. Franz literally picked his shorter friend up, then dropped him back on the floor and turned to the rest of the people at the table.

"Anna, it is good to see you!" She held her hands out, and as he took them she pulled him forward.

"Lean down, you oaf." He did so, and she stood on her tip-toes to kiss his cheek.

Next, the older man at the table received Franz's attention as he stood up straight and held out his hand. "Master Riebeck, I do not understand why you are here, but I am very happy that you are."

The gray-haired man shook his hand heartily, peering up at him and said, "These young ones said they would go. Old heads were needed, I said, so I come also."

"Even so, sir, thank you for coming."

Finally Franz turned to another young man of about his own age, one even taller than he was, thin but not gawky, and embraced him also. "Thomas, I knew you would come, even if the others did not. I knew the scent of new music would draw you like a starving hound."

"And draw me it did," Thomas rumbled in a full basso, face split by a large grin. "I hold you to your promise to show me all of the music from the future."

"Franz?" he heard from behind him. He turned and held out his hand to Marla. "Marla, here are most of my best friends from my old life, from the days before I left Mainz." He drew her up level with him, and said, "First, here are Friedrich Braun and Anna Riebeckin. You've heard me speak of them, my dearest friends. They are why I am alive today."

They smiled and nodded together. Friedrich was shorter than Franz, shorter than Marla as well, and Anna was just this side of tiny.

"Next, here is Master Hans Riebeck, Anna's father and Friedrich's craft master, maker of fine musical instruments." A distinguished looking older man, longish silver hair swept back, a short square-cut beard and faded blue eyes looking out from under bushy eyebrows nodded in turn.

"And finally, this human pikestaff is Thomas Schwarzberg, another good friend who stood by me in dark days." Thomas grinned and bobbed his head at her. Although unusual for a down-timer, he was taller than Marla, with an unruly shock of dark brown hair.

"Everyone, this is Kristen Marlena Linder—oof!" Her elbow took him under the ribs. They took in the sight of a tallish, well-made young woman with long black hair, high cheekbones and piercing blue eyes that at the moment seemed to be dancing.

"Call me Marla, please."

"Please, come sit with us," Friedrich said. They busied themselves with taking coats off, pulling other chairs over to their table and waving at the server, who came over to take their orders. In moments, Marla had a cup of steaming coffee and Franz a mug of beer in front of them, and everyone settled in. There was a moment or two of awkward silence, which Master Riebeck broke.

He had been peering very closely at Marla ever since the introductions had begun. Now he sat back with a satisfied smile on his face and said something in German.

"Your pardon," Franz said quickly, "but as a courtesy to Marla, I ask that we all speak English tonight. She is learning German, but it is not easy for her yet."

"Of course," Master Riebeck said, and the others muttered agreement. He continued, "I said, now I understand."

"Understand what, Papa?" Anna asked.

"Ever since the letter from Franz you read to me, I wondered. The letter, it was Franz und it was not Franz. No anger, no bitter, no hurt was in it. We come here, und I see Franz, Franz mit joy in face, Franz with shadow gone from eyes. I wondered. Now I understand. You, young woman," he said, pointing at Marla, "you ist the reason. Compassion I see in your face. By God's grace, you bring healing to our Franz."

Marla blushed, looking down. Franz took her hand, and she smiled up at him, then turned to Master Hans and said, "Actually, sir, we bring healing to each other."

Anna was seated on her other side, and reached over and took her other hand. "Thank you, Mistress Marla."

"Just Marla, please. You make me sound like I'm an old maiden aunt!"

They all laughed, and Anna continued, "Marla, then, to please you. Again, thank you. Franz is very dear to us, and we worried so about him when he left. We were so surprised to receive the letter he sent. It was the first word we had had since he left over a year ago."

"Yes," said Friedrich, leaning over, sandy-colored hair falling into his eyes, "this crazy man took out on his own, leaving us behind to worry. And worry we did! Not a word for months and months, and then like a bolt from heaven comes his letter, sounding almost like a story of one taken under hill to the Erl-king's domain. First he tells of the wonders of Grantville, then he tells of music not known to mortal men, then he hints of a lovely lady." They all laughed again as Marla's blush renewed.

"Indeed," Thomas rumbled with that deep voice that was so surprising from his slender frame, "nothing would do for Anna but that we come immediately and make sure that Franz was safe and hale, that he was not lying in a delirium someplace, or under some kind of enchantment." Now it was Anna's turn to blush as the rest laughed.

"But I did not expect you," said Franz, as the laughter died. "I thought you would write to me a letter of your own. I have been looking for one these past few days, but instead, you are here yourselves. I do not complain, I am glad to see you, but why?"

"Because we care about you," said Master Hans. "We must see for ourselves your wellbeing, see for ourselves the wonders of Grantville, see for ourselves the young woman who has lifted you up."

He raised his mug to Marla, then continued, "Und see for ourselves the music and the instruments you wrote about. Anna would see you, so nothing would do but that Friedrich and Thomas would come und see the other wonders you named. Me," he chuckled, "much have I heard about the new ways and devices of Grantville, of changes good und bad, of people growing rich who grasp change. If new music und new instruments come, then Riebeck will be at the front. Must see them all, especially
piano
that shames the noble clavier."

"So," Thomas said, leaning forward, eyes shining brightly "when can we see these marvels?"

"Thomas!" Anna hissed.

"What? What did I say?"

"Enough," the diminutive woman said sternly, looking around the table. "There is time enough to talk about that tomorrow. Tonight, let us just enjoy old and new friends together." And they proceeded to do so.

****

The next morning was bright and crisp and clear, the sun was shining brightly, and Franz's head was thudding like the tympani in the opening fanfare of Strauss'
Also Sprach Zarathustra
. As he turned onto the sidewalk leading to Marla's aunt's house, a particularly bright beam of sunlight made its way through the naked limbs of the trees and lanced into his eyes. He threw his good hand up to shade his eyes and stopped, swaying a little. Flinching when the front door slammed, he looked up and peered under his hand to see Marla walking toward him, smiling.

"I told you not to drink that wine last night, not after drinking all that beer." Marla's voice held a note of gleeful satisfaction, and pierced Franz's ears much as the light had assaulted his vision. He moaned a little. She took his arm and turned him, walking back out to the street. "Had anything to eat?"

"Please, not so loud. Some bread, some aspirin, a little water."

"You'll start to feel somewhat better soon, then. Next time, listen to me, all right?"

"Yes."

Aunt Susan's house was only a couple of blocks from the Methodist church, which was where their friends from Mainz were supposed to meet them this morning. As they turned the corner, they saw Friedrich helping Anna down from their wagon and Thomas tying the horse to a convenient tree in the parking lot. Master Riebeck was looking around, and he smiled and waved when he saw them. Within moments, they were all together. Franz was somewhat gratified to note that Friedrich and Thomas looked about as bad as he felt. Master Riebeck was apparently none the worse for the evening's experience. Marla began herding them through the main doors of the church.

"You wanted to see a piano, so I thought we'd start here." They could hear ringing tones unlike anything the visitors had ever heard before, which became clearer as Marla opened the doors into the sanctuary. They entered through the rear of the room, and stopped for a moment in awe. The room was not as large as a cathedral, but there was a certain majesty to it nonetheless, with its high ceiling, dark wooden beams and pews, and large stained glass windows. Marla led them down the aisle toward the platform at the front.

There was a large instrument on the platform which was the source of the tones they had heard. By deduction it must be the piano. A gray-haired man seated at it was banging on a key to produce the sounds. He looked up as they approached.

"G'mornin', Marla."

"Hi, Ingram. You going to be long?"

"Nope. Just about done. Reverend Jones called me a couple of days ago and asked me to check the tuning. Near's I can tell, it's right on."

"Great. Ingram, these are some friends of Franz's, from Mainz. This is Master Hans Riebeck, an instrument maker, Anna Riebeckin and Friedrich Braun, his daughter and son-in-law, and Thomas Schwarzberg, their friend. Everyone, this is Ingram Bledsoe, my friend and a good instrument maker in his own right."

There was much shaking of hands and exchanging of pleasantries, then Marla continued. "They came all the way down to see Franz, and to learn as much as they can about the music and instruments he wrote to them about. I brought them in to see the piano. I'm glad you're here, because I was going to call you about bringing them around to see some of your instruments and kits."

"No problem. It's Saturday, so I was going to putter around in the shop anyway. I'll just wait here and we can go on over there when you're done."

He got up from the bench and she sat down, while he raised the lid on the grand piano to its greatest opening. Marla rippled a chord up and down the keyboard, then looked up at the visitors. "How do you want to do this?"

Everyone looked at Master Riebeck, who simply said, "Play music, zings you know."

She looked down at her hands, and began with a short piece in the contrapuntal style. "
Two-Part Invention Number 1
, by Bach." Then came a slow legato piece with a repetitious arpeggio in the bass. She stopped after a minute or so. "Part of the first movement of the
Moonlight Sonata
, by Beethoven." A martial theme
.
"
Onward, Christian Soldiers
."

Master Riebeck raised his hand, and she stopped. "Good. The sound, we know it." He muttered in German to Franz, who said, "He wishes you to demonstrate the power of the piano, what it can do that the clavier cannot."

"I am not very accomplished," Marla began.

Ingram snorted, and said, "Girl, you're the best pianist in town, and one of the best I've heard, period. Just play that thing you were working on before the Ring fell."

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