2000 - The Feng-Shui Junkie (32 page)

“It’s so obvious he thought I was a slut.” She laughs weakly.

She just leaves this hanging, like I’m supposed to object.

I don’t.

“I think he’d been drinking again,” she says. “I don’t know, I think he must have been very unhappy.”

“Nicole,” I point out, “some people are simply evil.”

“I suppose my mother’s death must have affected him.”

“Nicole, he was a bad father. Can you say that? On a count to three…one…”

“Okay, he was a bad father, I suppose.”

“What do you mean, you suppose? He made your life a misery. He was a creep. Why can’t you say it?”

Feebly, she laughs.

“Go on, say it!”

“He was a creep, is that better?”

“Nicole are you totally incapable of being angry?”

After a few minutes she resumes her story: “Harry was marvellous, to give him his due. He really helped me through that time. We both moved into a flat and soon after that I got a job as a travel agent. I know it wasn’t exactly the best job in the world. I was just doing basic secretarial stuff…”

She gives me a vulnerable look. “You don’t exactly have to be a genius to do that.”

“Well, I don’t know.”

We’ve just arrived at her yellow Fiat Cinquecento in the car park overlooking the old Dun Laoghaire baths. She invites me to sit in.

Since I have nothing better to do, I sit in.

“Guess how I bought this Fiat?”

“How?”

She removes the steering-wheel lock.

“By giving piano lessons,” she replies.

“You play piano?” says I, reddening.

“I love the piano. It’s one of the things I missed most when I left home. But when Harry and I moved into Cherbury Court we bought an upright, so I could play to my heart’s content. Harry didn’t like it, though. He gave it away to charity a fortnight ago because he said it got on his nerves.”

I thought he told me he sold it?

“He said he hated all the noise. Imagine! He thought Chopin was noise. He was really good in so many ways, but when it came to things like refinement and culture and art he was completely…”

“Sorry, Nicole, did you just say you played Chopin?”

“I try. I only started on Chopin recently.”

Of course she did: she only met Ronan recently.

“Chopin drives me round the bend,” I tell her.

“Really?”

“Yes,” I reply, starting to feel very shitty again. “It’s all the lines and curves and angles and distances.”

She nods slowly, as if trying to figure out what I mean. “Do you play piano, Julianne?”

I hearken back to the Cliff Castle Hotel living-room, where I seem to remember wading my way through Beethoven’s
Pathe-tique
while Sylvana breezed through her vampire book. “I was never much good.”

“I’m sure that’s not true. Can you play by ear?”

“I normally use my hands.”

“Playing piano makes you feel so much at peace. There’s harmony in music. Will I tell you what I think?”

“What?”

“I believe that harmony is the secret to happiness.”

“So do I.”

And I do.

“And yet it’s so hard to find,” she says.

Especially if you’re a tropical marine fish.

Or a cat.

“Our minds are in terrible disarray,” she explains. “You know, we’re being constantly bombarded by information on all sides, distracted by deadlines and plans and timetables. Everything is about control. We control time, we control people, every aspect of our lives is controlled so that we seem to have so little of everything and yet the world is such a huge place with plenty of wonderful things for everyone.”

“You’re right.” I find myself agreeing.

“Constantly we’re being told that you won’t be happy until you achieve your goals in life, some time in the future…”

She seems really keen for me to understand her point of view.

“But that’s ridiculous.” She laughs. “It’s like in this huge effort to get happy we forget how to
be
happy.”

I think of how happy I used to be with Ronan.

“I mean, harmony is really simple,” she goes on. “It’s all about freeing up energy for living. The Buddhists teach us that harmony comes from not constantly striving after things. Have you heard of the doctrine of non-attachment? The Buddhists say you can achieve Nirvana if you stop being so caught up with the things of this world.”

Ronan and Nicole will find Nirvana together. And when they discover that it’s not all it’s made out to be they will, at Ronan’s instigation, hurriedly become non-attached. For me, of course, it will already be over.

She’s gazing through her open side window, across the bay towards Howth, melancholy. “Love,” she says faintly. “That’s the most important thing.”

Love.

I turn my head and start gazing out of my own window at the round tower in the distance where James Joyce once stayed, perched atop the elevated, jutting peninsula at Sandycove.

Time passes and we talk about everything under the sun:

Hollywood stars, the Lotto, facials, a health farm she’s been told about, sex scandals in politics, men, the travel business and whether there are any bargain-basement penthouse apartments going at the moment in Figi.

Max gets a mention too. He has a habit of turning up at awkward moments. She asks after his health. Rather than replying that he hasn’t got any left, I simply tell her that he has been giving no trouble, which is perfectly true: cats cease giving trouble when they’re dead. She offers to pay for the cat food but I won’t have it.

We talk on and on, it seems: her family (again), war, holiday moments, whether low-fat yoghurt makes you fatter than you already are, a TV programme she recently saw about a person who wanted to be neither male nor female nor neutral but all three, the constitutional ban on discrimination on grounds of sex, race, creed, colour – a pet topic of mine.

She soon cops on to the fact that I’m some sort of lawyer.

But she’s discreet and unprying, which I also like about her. So it’s not hard to steer her clear of the topic of myself. When you think about it, all she knows about me is that my name is Julianne and my address is ‘just around the corner from you’. But it doesn’t seem to bother her unduly.

When it’s time for me to go home, Nicole offers me a lift. I decline, saying my car is not far away.

She then hesitates, like there’s something on her mind.

“What is it, Nicole?”

“Oh, nothing.”

“What is it?”

“I was just thinking.”

“Well?”

“Would you like to come back to the B & B for a cup of coffee?”

“Well…it’s nice of you to ask…”

“It’s not very exciting, I know.”

“It’s not that. I just…”

“Oh, do come round, Julianne!” she urges, sensing weakness. “We could even go for a walk on Killiney beach nearby, it’s lovely in the evenings now. A lot of people go there.”

She’s like an old college friend, full of naive gaiety.

“What about Ronan?” I ask her doubtfully.

“We won’t be meeting tonight. Besides, he’d always call first.”

She knows him better than I do.

I feel all grotty again, real squashed like a heap of dung. “I’d better go, Nicole.”

“It’s okay – you’ve probably got other things on.”

“That’s the whole point: I haven’t.”

“Well then, if…”

“Look,” I say, “maybe I’ll drop round later…”

She nods to herself. “Whatever,” she says, unable to hide her disappointment. It’s so obvious she’d like me to come with her and keep her company.

I pull myself out of the car, slam the door and bend down to peer through the window of the Fiat and try to smile at her, but I can’t.

I walk away then.

W
hen I get back to my new apartment I turn on my phone and check it for messages to see who cares about me.

Not one single message. No one cares.

I call Mother.

No reply. Probably out with her bridge toyboys.

I turn it off again.

A fog of silence encloses me as I stand in the middle of my new hall. I can hear nothing except the distant rumble of cars. I walk over to the balcony and peer through the window at the beautiful park below.

Turning again, I notice something new and colourful on the dinner table. From Sylvana’s royal-blue glass vase sprouts a bunch of red, pink and white carnations. She must have been in here this afternoon (she insisted on having a key). She came specially and filled the vase with flowers. She didn’t have to do that.

She bought the two beautiful thick sheepskin rugs for me as well. She spotted them in the shop, and she insisted. She could have got a cheap rug. But no. She had to get the best for me. The potted plants. She organized it all herself. She has turned my roof garden into a botanic paradise. She’s been fantastic. She’s been here for me, she’s listened to me, she’s given me constructive advice. I don’t know how I can ever repay her.

She wants me to make this my home.

But how can I make this my home?

I don’t even know what I’m doing here. Trying to hurt Ronan’s feelings? His response was: ‘congratulations’. The bastard congratulated me.

Bright mid-evening sunset rays are bouncing off the small lake, projecting a shaking tremolo of colour on to the ceiling. Through my hand-shaded eyes I glimpse a darkening panoply of rich green. I open the french windows and you can hear the soft, dense hiss of nature, the occasional lonesome chirp of a bird or quack of a duck.

I take out my phone and input Sylvana’s number. I wait. It starts ringing. Then suddenly for no reason I press ‘off. I collapse on to the sofa, gripped by a panic of emptiness, a tight knot of longing for Ronan.

How can I stay here, a foreign body amid all these pieces of bare, dead furniture? I can’t make them come alive. Not even Sylvana can help to make them come alive. Even her beautiful flowers, the most alive thing here, look artificial. I can’t make anything come alive without Ronan. I can’t make
myself
come alive without Ronan.

It’s dead in here. Empty. Lifeless. Like a museum. I’m looking at articles of furniture once sat in, eaten on, used by former owners or tenants, waiting for me to pour life back into them once again. But what life have I got without Ronan?

How can I sit here in this couch in this room, in those armchairs, at that table and feel that this is
me
, that this
is my
life? That’s what Sylvana wants me to do, but I just can’t. I should be with Ronan this very minute.

He told her our marriage is dead.

A lever snaps inside me and suddenly I find myself lying curled up on the couch with my head in my arms, and the dam has burst now and I can’t stop crying. Ronan is the most important person in the world to me. My eyes are clenched closed but I can’t get him out of my head. We’re dancing, yes, we’re dancing, but close together and he’s holding me tight and I’m leaning on his shoulder kissing his neck, adoring his masculine scent and we’re dancing, dancing away and there’s music and it’s just the two of us, and another bout of tears erupts inside because I’m scared that everything between Ronan and me rests on one thing and one thing alone.

Delusion.

He congratulated me.

I can’t stay here. Why am I here? Moving in here to make a point? To frighten him? It won’t work. It’s ridiculous. It’s a bad joke. It will only push him further away.

I must call him. I don’t know what I’m going to say to him but I must call him. I pick up the mobile off the sofa and switch it on. I input his number. It’s ringing. I am suddenly and strangely filled with hope. People make mistakes. People can forgive. Why be so hard-hearted? His real voice answers.

“Ronan. It’s me. Julie.”

I’m wiping my face, trying desperately not to sob.

“Ronan, do you remember I was telling you about that apartment which I said I was staying in…?”

“Where’s my bloody Porsche?”

It’s the way he just spoke to me.

I was paralysed, unable to answer. I held the phone away from my ear. He ground out my name several times, unsure if I was still on the line, his voice thin and harsh, scraping like a chisel against rock. He demanded his Porsche back. I could have responded, but I was unable, I was afraid. He hung up.

I’m sitting in my MG, parked on the kerb outside the front entrance of Nicole’s B & B, staring down the sloping driveway to the front door.

Her yellow car is in the tarmacadamed front garden. I’ve just turned off the ignition and opened my door, but I haven’t got out yet, although my right foot is on the road. It’s waiting for my left foot to join it but there’s no sign yet of that eventuality. Like a moron, I stay like this for over a minute. Normally I’m a decisive person.

I pull my foot back in again. I pull the door shut.

But I don’t restart the car.

I stare up the road towards Sorrento Park and the Victorian terrace overlooking Killiney Bay, where Mother said she’d love to end up. Only problem is that Dalkey is a hilly place and when you get to her age you have to consider stuff like hills and walking up them, so her idea is not entirely practicable.

I just stare through the open window at the cold purple clouds above, the sun casting a golden-pink light on the faces of passing strollers.

One couple passes by. They seem content. A black Labrador follows behind, poking his nose into the backs of the woman’s knees, melancholy, craving attention. The woman has her arm tucked round her partner’s back and she is smiling. The poor dog is being ignored.

I get out of the car and shut the door without bothering to lock it. I pass through the gateposts. I crunch down the gravel towards the faded white front entrance.

Nicole.

How can a person so let down by life still have such native confidence in people? Such optimism in the face of misfortune? How can she still love beauty as she does, after everything that’s happened to her? I can hear her voice, singing lightly in my head, appealing as a tinkly bell.

She believes in trust.

I can see her, by the window in her room, staring out to sea, longing to leave unhappiness behind and find joy with the man she loves. Alone, surrounded by her luggage.