45 Master Characters (23 page)

Authors: Victoria Lynn Schmidt

Tags: #epub, #ebook

How Do Other Characters See the Protector?

He's seen as either intense and passionate or thickheaded and bullish. He lives in the moment and reacts without thinking. He doesn't care much about what others think because he is enjoying himself.

He wants others to sense the dark need for battle that lurks behind his eyes. He wants to intimidate.

His clothes are always practical for the situation he's in. He needs to be free to move around and join in so he won't dress in a suit, no matter the event he's attending.

Developing the Character Arc

Look at your character's main goal in the story and then at the fears you've selected to use against him. What does he need to learn to help him overcome his fear? Does he need to learn to use his mind instead of his body? Does he need to learn how to sit still and be alone? Does he need to temper his need to take risks? Does he need to learn how to control his temper? Does he need to get a steady-paying job or career?

Very often the Protector needs to learn self-control. He's always flying off the handle and needs to learn to take a deep breath, step back and assess the situation before reacting. He needs to learn how to defend himself with words instead of fists.

What happened to him at an early age to make this archetype dominate his personality? Was his father abusive? Did his mother dance around the house a lot and play games with him? Was he picked on as a kid and then swear he'd be strong? Did he see his father get hurt? Were his parents activists who taught him about fighting for causes? Was his mother hurt and he couldn't help her?

To grow, this archetype is best paired with one of the following:

The King —
can teach him self-control and discipline of his actions.

The Troubled Teen —
may not want to be rescued, so the Protector will have to learn to let go of someone who doesn't want his help.

The Father's Daughter —
is great at using her logical mind and can teach him how to fight with words. Her influence can calm him down and force him to reflect before he acts out.

Romeo's quick nature leads him to fall in love with Juliet (a Maiden) the first time he sees her. His impetuous nature and bold wooing of Juliet is characteristic of the Protector archetype.

The Overcontrolling Mother —
will teach him to be disciplined with her controlling nature. Her emotions and rage can easily match his own; she's a worthy opponent. He can't lash out at her physically without paying a high price.

THE PROTECTOR

Assets:

Is very physical as opposed to mental.
Forgoes career success for fun and travel.
Will fight to save those he loves, never giving up.
Will fight for a good cause when others are afraid to stand up.
Loves to sing, dance and make love.
Searches for the next big thrill, challenge or risk.

Flaws:

Physically reacts to an attack without thinking.
Acts as if he's fighting for his survival all the time.
Lives on the edge.
Has trouble considering the consequences of his actions.
Is merciless in his actions and believes in an eye for an eye.

The Villainous Side of the Protector: The Gladiator

As a villain the Protector turns into the Gladiator. He's not out to protect or save the ones he loves or to fight for a good cause. Instead he's out for the lust of battle and blood. He fights and destroys for the sheer pleasure and power it brings. He lusts after the roar of the crowd, which he may get from seeing himself in the news.

His lust for risk taking makes him put other people's lives in danger, and he doesn't give it a second thought. He's the man who drives twice the speed limit just to beat his friend home and doesn't think about the safety of other drivers on the road. Life is a game to him.

He has ingrained, maladaptive patterns of behavior with impulsive and unpredictable actions. He has frequent inappropriate temper outbursts and an unstable self-image. He takes no responsibility for his actions and often plays the victim when confronted about his behavior.

Stress-related anxiety plagues him as do feelings of real or imagined abandonment. He always feels empty inside and tries to compensate by taking risks that put himself and others in danger. Danger is all that can make him feel. He can't stand being alone and may drive others crazy needing to always go out and find something to do.

He loves to fight and enjoys challenges and risks; it makes him feel alive. Life is so boring and cruel to him, and he won't be the one to suffer. Why should he care about killing someone else when he so readily accepts his own mortality? At least he'll go out with the roar of the crowd — a hero till the end. He isn't concerned with growing old because he doesn't expect to live long.

THE GLADIATOR