A Bitter Veil
Authors: Libby Fischer Hellmann
Tags: #Fiction, #Literary, #Thrillers, #General, #Political
A Bitter Veil
Libby Fischer Hellmann
ALLIUM PRESS OF CHICAGO
Praise for Libby Fischer Hellmann’s previous novel
Set the Night on Fire
“A top-rate standalone thriller that taps into the antiwar protests of the 1960s and 70s…A jazzy fusion of past and present, Hellman’s insightful, politically charged whodunit explores a fascinating period in American history.”
Publishers Weekly
“Superior standalone novel…Hellmann creates a fully-realized world…complete with everyday details, passions and enthusiasms on how they yearned for connection, debated about ideology and came to belief in taking risks to stand up for what they believed.”
Chicago Tribune
“Haunting…Rarely have history, mystery, and political philosophy blended so beautifully…could easily end up on the required reading list in college-level American History classes.”
Mystery Scene
“Politics, suspense, and action all blend seamlessly together to create a fine thriller.”
Deadly Pleasures
“[H]er best novel yet…This wonderfully written roller-coaster ride will make a fan out of anyone who hasn’t read this author before…A beautiful, suspenseful, and altogether amazing novel, this is one that shouldn’t be missed.”
New Mystery Reader
“Libby Fischer Hellmann masterfully combines contemporary suspense and historical elements in equal parts…A terrific read.”
Midwest Book Review
“The author creates the atmosphere of the sixties perfectly…This is a terrific book for those who want to relive those times when we thought we could do anything.”
Murder by Type
“The 1960s-set backstory is compelling…this is an exciting book for readers who enjoy an action-packed thriller mixed with their historical facts.”
Nanette Donohue,
Historical Novels Review
“Hellmann has done a superlative job with the 60s Chicago setting. I felt as though I had entered a time machine and been transported back. She makes the entire time come alive, recreating a historical time in perfect detail.”
Reviewing the Evidence
Also by Libby Fischer Hellmann
Set the Night on Fire
**
THE GEORGIA DAVIS SERIES
ToxiCity
Doubleback
Easy Innocence
**
THE ELLIE FOREMAN SERIES
A Shot to Die For
An Image of Death
A Picture of Guilt
An Eye for Murder
**
Nice Girl Does Noir
(short stories)
**
Chicago Blues
(editor)
Allium Press of Chicago
Forest Park, Illinois
www.alliumpress.com
This is a work of fiction. Descriptions and portrayals of real people, events, organizations, or establishments are intended to provide background for the story and are used fictitiously. Other characters and situations are drawn from the author’s imagination and are not intended to be real.
© 2012 by Libby Fischer Hellmann
All rights reserved
Book and cover design by E. C. Victorson
Front cover images:
Woman by Daniel M. Nagy/Shutterstock.com
Backgrounds by ilolab and pavila, both Shutterstock.com
Tile border by kasia_ka/iStockphoto.com
*****
Publisher’s Cataloging-In-Publication Data
(Prepared by The Donohue Group, Inc.)
Hellmann, Libby Fischer.
A bitter veil / Libby Fischer Hellmann.
p. ; cm.
ISBN: 978-0-9831938-1-4
1. Iran--History--Revolution, 1979--Fiction. 2. Political prisoners--Iran--Tehran--Fiction. 3. Americans--Iran--Tehran--Fiction. 4. Iranians--Illinois--Chicago--Fiction. 5. Intercountry marriage--Fiction. 6. Historical fiction. 7. Love stories. I. Title.
PS3608.E46 B58 2012
813/.6 2012932763
*****
EBOOK ISBN: 978-0-9831938-2-1
For all those who've been brave enough to take
a stand against tyranny…whatever its guise
Out beyond ideas of wrongdoing
and rightdoing there is a field.
I’ll meet you there.
—Rumi
PART ONE
Summer, 1980
Anna was deeply asleep, which was unusual for her. She generally tossed and turned until the desperate hours of the night passed. But tonight she’d succumbed almost immediately.
The first knock seemed like part of a dream, and her brain started constructing a story around it. As she swam up to consciousness there was another knock. The sound left a residual imprint in her ears, and for an instant she tried to figure out its intent. Was it an angry thump? A frightened plea? A perfunctory tap? She checked the clock and grew immediately wary.
She threw the covers aside, grabbed her chador, and draped it over her baby doll pajamas. Nouri was not home. After what had happened earlier she wasn’t surprised, but it meant she had to answer the door. Still, she hesitated. Whoever was there would see her sharp features, pale green eyes, and blonde eyebrows. They would know she wasn’t Iranian. They might even suspect she was from the decadent West, perhaps the Great Satan itself. And if that happened, whatever mission brought them would be tainted with that knowledge.
She carefully pushed the curtain aside and looked out. It was summer in Tehran, a hot, arid time that reminded her of the dog days of August in Chicago. She and Nouri lived on an upscale street in Shemiran with walled-off houses set back from the road. At this hour the street was quiet and dark, save for a black Mercedes parked by the gate. The engine was off, but its headlamps were still on, and two precise beams of light illuminated tree trunks and overgrown bushes.
Three uniformed men, all bearded, crowded the door. One had his hands planted on his hips. The other two stood hunched over, arms folded around machine guns. Somehow they’d been able to break through the gate. Fear pumped through her veins. Revolutionary Guards. She had no choice. She had to open the door. If she didn’t, they would break in, claiming knowledge of crimes she’d committed against Islam and the Republic. They might confiscate her books, her makeup, and Nouri’s stereo, for starters. She didn’t need that. Not now. Not with all the other troubles.
She padded out of the bedroom in her bare feet. Clasping the folds of the chador under her chin, she took the steps down, cursing inwardly at the garment’s awkwardness. How could any woman manipulate the yards of heavy black material without feeling clumsy? When she reached the first floor, she slipped into a pair of black ballet slippers she kept by the door. If the Guards saw her toenail polish, they could report her.
She held the chador with one hand and opened the door with the other. One of the men’s hands was high in the air, as if he was just about to knock again. He stepped back, looking startled.
“
As-Salâmo ‘Alaikom
, Sister,”
he said stiffly, lowering his arm.
She gave him a curt nod.
“You are the wife of Nouri Samedi?” he asked in Farsi.
Her heart caromed around her chest. She and Nouri had argued viciously, and he’d threatened to have her arrested. Is that why they’d come? She nodded again, more uncertainly this time.
The men appraised her. Women were supposed to keep their eyes down in the presence of men, to be submissive and quiet. But men had no such limitations, especially Guards. They were free to ogle. Make demands. And if those demands were not met…she shivered, recalling the stories she had heard.
One of the other men stepped up to the door. His lips curved in a predatory smile. She tightened her grip on the chador, for once thankful it covered her body. If she was back home, she would call the police, report them as intruders. But here these intruders
were
the police. Or what passed as security.
“Your husband…” he said, his voice dripping with scorn. “Do you know where he is?”
She shook her head and looked at the floor. Oh god, were they going to beat her up? She knew people who claimed they were beaten during nighttime visits by the Guards.
“You are certain you do not know his whereabouts, Sister?”
She stole a look at him. His smile had disappeared, replaced now with a scowl. “You have been home all night?”
She nodded. She never went out much, certainly not alone.
His eyes narrowed in disbelief.
“What is it? Has something happened?”
“You already know.”
Always the charades. The brinkmanship. Anger roiled her gut, but she could not show it. “No.”
“Your husband is dead. His body was found in an alley nearby. He was stabbed.”
She gasped. A steel gate plunged down the center of her brain, separating her emotions from her thoughts. She wished she was wearing a burqa to hide her face as well as her body. Her jaw dropped open. Through her fingers she heard herself cry out, “No!”
Despite the Supreme Leader’s admonition to limit eye contact between the sexes, the men stared hard at her. If she were Iranian, she would cry out, collapse, even faint. But she was an American, and Americans were not demonstrative. Odd to be thinking of cultural differences at such a moment.
She drew a ragged breath. “That cannot be,” she lied. “He was with his friend Hassan tonight. Hassan is a Guard,” she added, as if that gave her legitimacy. “He said he would be home late, because—”
“We have notified his family. They are coming to identify the body.”
What game were they playing?
She
was Nouri’s family. But she said nothing. At least they do not call her on her lie.
The man who’d been talking suddenly shoved the door open wider and barged in.
Panic tickled Anna’s spine. “What are—where are you going?”
He and another Guard pushed past her and went into the kitchen. She started to follow them, but the third man aimed his machine gun at her. “Stop,” he barked. “Don’t move.”
She froze.
She heard murmurs from the kitchen. Then a cry of triumph.
The first man returned from the kitchen, brandishing a steak knife. She and Nouri didn’t eat much red meat, except lamb—in kababs and meatballs, but she’d brought the wooden block of knives from the States with her when she came. It reminded her of home.
“There are only five knives,” he said. “Where is the sixth?”
She stiffened. “I don’t know what you’re talking about.”
He nodded and the man with the machine gun shoved her into the kitchen.
“Six slots. Five knives. You see?”
He was right. She turned to him. “It’s been missing for a while. I don’t know where it is.” She bit her lip. A weak excuse. They could tell.
A victorious smile curled his lips, as if he knew he’d won. “Ah, but
we
do. We have it. It was the murder weapon. You murdered your husband. Killed him so you could escape Iran and return to America. Now you will never leave. You will die in Iran, just like your husband.”