I searched for the gallery’s stepstool, which was missing. The Bodleian was notoriously short on such items, and it would easily take fifteen minutes to locate one in the library and haul it upstairs so that I could retrieve the volume. I hesitated. Even though I’d held a bewitched book, I’d resisted considerable temptations to work further magic on Friday. Besides, no one would see.
Despite my rationalizations, my skin prickled with anxiety. I didn’t break my rules very often, and I kept mental accounts of the situations that had spurred me to turn to my magic for assistance. This was the fifth time this year, including putting the spell on the malfunctioning washing machine and touching Ashmole 782. Not too bad for the end of September, but not a personal best either.
I took a deep breath, held up my hand, and imagined the book in it.
Volume 19 of
Notes and Queries
slid backward four inches, tipped at an angle as if an invisible hand were pulling it down, and fell into my open palm with a soft thwack. Once there, it flopped open to the page I needed.
It had taken all of three seconds. I let out another breath to exhale some of my guilt. Suddenly two icy patches bloomed between my shoulder blades.
I had been seen, and not by an ordinary human observer.
When one witch studies another, the touch of their eyes tingles. Witches aren’t the only creatures sharing the world with humans, however. There are also daemons—creative, artistic creatures who walk a tightrope between madness and genius. “Rock stars and serial killers” was how my aunt described these strange, perplexing beings. And there are vampires, ancient and beautiful, who feed on blood and will charm you utterly if they don’t kill you first.
When a daemon takes a look, I feel the slight, unnerving pressure of a kiss.
But when a vampire stares, it feels cold, focused, and dangerous.
I mentally shuffled through the readers in Duke Humfrey’s. There had been one vampire, a cherubic monk who pored over medieval missals and prayer books like a lover. But vampires aren’t often found in rare-book rooms. Occasionally one succumbed to vanity and nostalgia and came in to reminisce, but it wasn’t common.
Witches and daemons were far more typical in libraries. Gillian Chamberlain had been in today, studying her papyri with a magnifying glass. And there were definitely two daemons in the music reference room. They’d looked up, dazed, as I walked by on the way to Blackwell’s for tea. One told me to bring him back a latte, which was some indication of how immersed he was in whatever madness gripped him at the moment.
No, it was a vampire who watched me now.
I’d happened upon a few vampires, since I worked in a field that put me in touch with scientists, and there were vampires aplenty in laboratories around the world. Science rewards long study and patience. And thanks to their solitary work habits, scientists were unlikely to be recognized by anyone except their closest co-workers. It made a life that spanned centuries rather than decades much easier to negotiate.
These days vampires gravitated toward particle accelerators, projects to decode the genome, and molecular biology. Once they had flocked to alchemy, anatomy, and electricity. If it went bang, involved blood, or promised to unlock the secrets of the universe, there was sure to be a vampire around.
I clutched my ill-gotten copy of
Notes and Queries
and turned to face the witness. He was in the shadows on the opposite side of the room in front of the paleography reference books, lounging against one of the graceful wooden pillars that held up the gallery. An open copy of Janet Roberts’s
Guide to Scripts Used in English Handwriting Up to 1500
was balanced in his hands.
I had never seen this vampire before—but I was fairly certain he didn’t need pointers on how to decipher old penmanship.
Anyone who has read paperback bestsellers or even watched television knows that vampires are breathtaking, but nothing prepares you to actually see one. Their bone structures are so well honed that they seem chiseled by an expert sculptor. Then they move, or speak, and your mind can’t begin to absorb what you’re seeing. Every movement is graceful; every word is musical. And their eyes are arresting, which is precisely how they catch their prey. One long look, a few quiet words, a touch: once you’re caught in a vampire’s snare you don’t stand a chance.
Staring down at this vampire, I realized with a sinking feeling that my knowledge on the subject was, alas, largely theoretical. Little of it seemed useful now that I was facing one in the Bodleian Library.
The only vampire with whom I had more than a passing acquaintance worked at the nuclear particle accelerator in Switzerland. Jeremy was slight and gorgeous, with bright blond hair, blue eyes, and an infectious laugh. He’d slept with most of the women in the canton of Geneva and was now working his way through the city of Lausanne. What he did after he seduced them I had never wanted to inquire into too closely, and I’d turned down his persistent invitations to go out for a drink. I’d always figured that Jeremy was representative of the breed. But in comparison to the one who stood before me now, he seemed raw-boned, gawky, and very, very young.
This one was tall—well over six feet even accounting for the problems of perspective associated with looking down on him from the gallery. And he definitely was not slight. Broad shoulders narrowed into slender hips, which flowed into lean, muscular legs. His hands were strikingly long and agile, a mark of physiological delicacy that made your eyes drift back to them to figure out how they could belong to such a large man.
As my eyes swept over him, his own were fixed on me. From across the room, they seemed black as night, staring up under thick, equally black eyebrows, one of them lifted in a curve that suggested a question mark. His face was indeed striking—all distinct planes and surfaces, with high-angled cheekbones meeting brows that shielded and shadowed his eyes. Above his chin was one of the few places where there was room for softness—his wide mouth, which, like his long hands, didn’t seem to make sense.
But the most unnerving thing about him was not his physical perfection. It was his feral combination of strength, agility, and keen intelligence that was palpable across the room. In his black trousers and soft gray sweater, with a shock of black hair swept back from his forehead and cropped close to the nape of his neck, he looked like a panther that could strike at any moment but was in no rush to do so.
He smiled. It was a small, polite smile that didn’t reveal his teeth. I was intensely aware of them anyway, sitting in perfectly straight, sharp rows behind his pale lips.
The mere thought of
teeth
sent an instinctive rush of adrenaline through my body, setting my fingers tingling. Suddenly all I could think was,
Get out of this room NOW
.
The staircase seemed farther away than the four steps it took to reach it. I raced down to the floor below, stumbled on the last step, and pitched straight into the vampire’s waiting arms.
Of course he had beaten me to the bottom of the stairs.
His fingers were cool, and his arms felt steelier than flesh and bone. The scent of clove, cinnamon, and something that reminded me of incense filled the air. He set me on my feet, picked
Notes and Queries
off the floor, and handed it to me with a small bow. “Dr. Bishop, I presume?”
Shaking from head to toe, I nodded.
The long, pale fingers of his right hand dipped into a pocket and pulled out a blue-and-white business card. He extended it. “Matthew Clairmont.”
I gripped the edge of the card, careful not to touch his fingers in the process. Oxford University’s familiar logo, with the three crowns and open book, was perched next to Clairmont’s name, followed by a string of initials indicating he had already been made a member of the Royal Society.
Not bad for someone who appeared to be in his mid- to late thirties, though I imagined that his actual age was at least ten times that.
As for his research specialty, it came as no surprise that the vampire was a professor of biochemistry and affiliated with Oxford Neuroscience at the John Radcliffe Hospital. Blood and anatomy—two vampire favorites. The card bore three different laboratory numbers in addition to an office number and an e-mail address. I might not have seen him before, but he was certainly not unreachable.
“Professor Clairmont.” I squeaked it out before the words caught in the back of my throat, and I quieted the urge to run screaming toward the exit.
“We’ve not met,” he continued in an oddly accented voice. It was mostly Oxbridge but had a touch of softness that I couldn’t place. His eyes, which never left my face, were not actually dark at all, I discovered, but dominated by dilated pupils bordered with a gray-green sliver of iris. Their pull was insistent, and I found myself unable to look away.
The vampire’s mouth was moving again. “I’m a great admirer of your work.”
My eyes widened. It was not impossible that a professor of biochemistry would be interested in seventeenth-century alchemy, but it seemed highly unlikely. I picked at the collar of my white shirt and scanned the room. We were the only two in it. There was no one at the old oak card file or at the nearby banks of computers. Whoever was at the collection desk was too far away to come to my aid.
“I found your article on the color symbolism of alchemical transformation fascinating, and your work on Robert Boyle’s approach to the problems of expansion and contraction was quite persuasive,” Clairmont continued smoothly, as if he were used to being the only active participant in a conversation. “I’ve not yet finished your latest book on alchemical apprenticeship and education, but I’m enjoying it a great deal.”
“Thank you,” I whispered. His gaze shifted from my eyes to my throat.
I stopped picking at the buttons around my neck.
His unnatural eyes floated back to mine. “You have a marvelous way of evoking the past for your readers.” I took that as a compliment, since a vampire would know if it was wrong. Clairmont paused for a moment. “Might I buy you dinner?”
My mouth dropped open. Dinner? I might not be able to escape from him in the library, but there was no reason to linger over a meal—especially one he would not be sharing, given his dietary preferences.
“I have plans,” I said abruptly, unable to formulate a reasonable explanation of what those plans might involve. Matthew Clairmont must know I was a witch, and I was clearly not celebrating Mabon.
“That’s too bad,” he murmured, a touch of a smile on his lips. “Another time, perhaps. You are in Oxford for the year, aren’t you?”
Being around a vampire was always unnerving, and Clairmont’s clove scent brought back the strange smell of Ashmole 782. Unable to think straight, I resorted to nodding. It was safer.
“I thought so,” said Clairmont. “I’m sure our paths will cross again. Oxford is such a small town.”
“Very small,” I agreed, wishing I had taken leave in London instead.
“Until then, Dr. Bishop. It has been a pleasure.” Clairmont extended his hand. With the exception of their brief excursion to my collar, his eyes had not drifted once from mine. I didn’t think he had blinked either. I steeled myself not to be the first to look away.
My hand went forward, hesitating for a moment before clasping his. There was a fleeting pressure before he withdrew. He stepped backward, smiled, then disappeared into the darkness of the oldest part of the library.
I stood still until my chilled hands could move freely again, then walked back to my desk and switched off my computer.
Notes and Queries
asked me accusingly why I had bothered to go and get it if I wasn’t even going to look at it; my to-do list was equally full of reproach. I ripped it off the top of the pad, crumpled it up, and tossed it into the wicker basket under the desk.
“‘Sufficient unto the day is the evil thereof,’” I muttered under my breath.
The reading room’s night proctor glanced down at his watch when I returned my manuscripts. “Leaving early, Dr. Bishop?”
I nodded, my lips closed tightly to keep myself from asking whether he knew there had been a vampire in the paleography reference section.
He picked up the stack of gray cardboard boxes that held the manuscripts. “Will you need these tomorrow?”
“Yes,” I whispered. “Tomorrow.”
Having observed the last scholarly propriety of exiting the library, I was free. My feet clattered against the linoleum floors and echoed against the stone walls as I sped through the reading room’s lattice gate, past the books guarded with velvet ropes to keep them from curious fingers, down the worn wooden stairs, and into the enclosed quadrangle on the ground floor. I leaned against the iron railings surrounding the bronze statue of William Herbert and sucked the chilly air into my lungs, struggling to get the vestiges of clove and cinnamon out of my nostrils.
There were always things that went bump in the night in Oxford, I told myself sternly. So there was one more vampire in town.
No matter what I told myself in the quadrangle, my walk home was faster than usual. The gloom of New College Lane was a spooky proposition at the best of times. I ran my card through the reader at New College’s back gate and felt some of the tension leave my body when the gate clicked shut behind me, as if every door and wall I put between me and the library somehow kept me safe. I skirted under the chapel windows and through the narrow passage into the quad that had views of Oxford’s only surviving medieval garden, complete with the traditional mound that had once offered a green prospect for students to look upon and contemplate the mysteries of God and nature. Tonight the college’s spires and archways seemed especially Gothic, and I was eager to get inside.
When the door of my apartment closed behind me, I let out a sigh of relief. I was living at the top of one of the college’s faculty staircases, in lodgings reserved for visiting former members. My rooms, which included a bedroom, a sitting room with a round table for dining, and a decent if small kitchen, were decorated with old prints and warm wainscoting. All the furniture looked as if it had been culled from previous incarnations of the senior common room and the master’s house, with down-at-the-heels late-nineteenth-century design predominant.