A Fire in the Sun (3 page)

Read A Fire in the Sun Online

Authors: George Alec Effinger

Tags: #Fiction, #Cyberpunk, #Genetic Engineering, #Action & Adventure, #General, #Science Fiction

liberally, but not quite in the right places, so she didn't look so much wantonly sexy as she did feverishly ill. Her lipstick, for reasons best known to Allah and Angel Monroe, was a kind of pulpy purple color; her lips looked like she'd bought them first and forgot to put them in the refrigerator while she shopped for the rest of her face.

Her body led me to believe that she was too old to be dressed in anything but the long white Algerian hai'k, with a veil conservatively and firmly in place. The problem was that this body had never seen the inside of a hai'k. She was clad now in shorts so small that her well-rounded belly was bending the waistband over. Her sagging breasts were not quite clothed in a kind of gauzy vest. I knew for certain that if she sat in a chair, you could safely hide the world's most valuable gem in her navel and it would be completely invisible. Her legs were patterned with broken veins like the dry chebka valleys of the Mzab. On her broad, flat feet she wore tattered slippers with the remains of pink fuzzy bows dangling loose.

To tell the truth, I felt a certain disgust. "Angel Monroe?" I asked. Of course that wasn't her real name. She was at least half Berber, as I am. Her skin was darker than mine, her eyes as black and dull as eroded asphalt.

"Uh huh," she said. "Kind of early, ain't it?" Her voice was sharp and shrill. She was already very drunk. "Who sent you? Did Khalid send you? I told that goddamn bastard I was sick. I ain't supposed to be working today, I told him last night. He said it was all right. And then he sends you. Two of you, yet. Who the hell does he think I am? And it ain't like he don't have no other girls, either. He could have sent you to Efra, that whore, with her plug-in talent. If I ain't feeling good, it don't bother me if he sends you to her. Hell, I don't care. How much you give him, anyway?"

I stood there, looking at her. Saied gave me a jab in the side. "Well, uh, Miss Monroe," I said, but then she started chattering again.

"The hell with it. Come on in. I guess I can use the money. But you tell that son of a bitch Khalid that—" She paused to take a long gulp from the tall glass of whiskey she was holding. "You tell him if he don't care enough about my health, I mean, making me work when I already told him I was sick, then hell, you tell him there are plenty

of others I can go work for. Anytime I want to, you can believe that."

I tried twice to interrupt her, but I didn't have any success. I waited until she stopped to take another drink. While she had her mouth full of the cheap liquor, I said, "Mother?"

She just stared at me for a moment, her filmy eyes wide. "No," she said at last, in a small voice. She looked closer. Then she dropped her whiskey glass to the floor.

 

Chapter 2

Later, after the return trip from Algiers and Mauretania, when I got back home to the city the first place I headed was the Budayeen. L used to live right in the heart of the walled quarter, but events and fate and Friedlander Bey had made that impossible now. I used to have a lot of friends in the Budayeen too, and I was welcome anywhere; but now there were really only two people who were generally glad to see me: Saied the Half-Hajj, and Chiriga, who ran a club on the Street halfway between the big stone arch and the cemetery. Chiri's place had always been my home-away-from-home, where I could sit and have a few drinks in peace, hear the gossip, and not get threatened or hustled by the working girls.

Once upon a time I'd had to kill a few people, mostly in self-defense. More than one club owner had told me never to set foot in his bar again. After that, a lot of my friends decided that they could do without my company, but Chiri had more sense.

She's a hard-working woman, a tall black African with ritual facial scars and sharply filed cannibal teeth. To be honest, I don't really know if those canines of hers are mere decoration, like the patterns on her forehead and cheeks, or a sign that dinner at her house was composed of delicacies implicitly and explicitly forbidden by the noble Qur'n. Chiri's a moddy, but she thinks of herself as a smart moddy. At work, she's always herself. She chips in her fantasies at home, where she won't bother anyone else. I respect that.

When I came through the club's door, I was struck first by a welcome wave of cool air. Her air conditioning, as undependable as all old Russian-made hardware is, was working for a change. I felt better already. Chiri was deep

in conversation with a customer, some bald guy with a bare chest. He was wearing black vinyl pants with the look of real leather, and his left hand was handcuffed behind him to his belt. He had a corymbic implant on the crest of his skull, and a pale green plastic moddy was feeding him somebody else's personality. If Chiri was giving him the time of day, then he couldn't have been dangerous, and probably he wasn't even all that obnoxious.

Chiri doesn't have much patience with the crowd she caters to. Her philosophy is that somebody has to sell them liquor and drugs, but that doesn't mean she has to socialize with them.

I was her old pal, and I knew most of the girls who worked for her. Of course, there were always new faces— and I mean new, carved out of dull, plain faces with surgical skill, turning ordinary looks into enthralling artificial beauty. The old-time employees got fired or quit in a huff on a regular basis; but after working for Frenchy Benoit or Jo-Mama for a while, they circulated back to their former jobs. They left me pretty much alone, because I'd rarely buy them cocktails and I didn't have any use for their professional charms. The new girls could try hustling me, but Chiri usually told them to lay off.

In their unforgiving eyes I'd become the Creature Without A Soul. People like Blanca and Fanya and Yasrnin looked the other way if I caught their eye. Some of the girls didn't know what I'd done or didn't care, and they kept me from feeling like a total outcast. Still, it was a lot quieter and lonelier for me in the Budayeen than it used to be. I tried not to care.

"Jambo, Bwana Marîd!" Chiriga called to me when she noticed that I was sitting nearby. She left the handcuffed moddy and drifted slowly down her bar, plopping a cork coaster in front of me. "You come to share your wealth with this poor savage. In my native land, my people have nothing to eat and wander many miles in search of water. Here I have found peace and plenty. I have learned what friendship is. I have found disgusting men who would touch the hidden parts of my body. You will buy me drinks and leave me a huge tip. You will tell all your new friends about my place, and they will come in and want to touch the hidden parts of my body. I will own many shiny, cheap things. It is all as God wills." •

 

I stared at her for a few seconds. Sometimes it's hard to figure what kind of mood Chiri's in. "Big nigger girl talk dumb," I said at last.

She grinned and dropped her ignorant Dinka act. "Yeah, you right," she said. "What is it today?"

"Gin," I said. I usually have a shot of gin and a shot of bingara over ice, with a little Rose's lime juice. The drink is my own invention, but I've never gotten around to naming it. Other times I have vodka gimlets, because that's what Philip Marlowe drinks in The Long Goodbye. Then on those occasions when I just really want to get loaded fast, I drink from Chiri's private stock of tende, a truly loathsome African liquor from the Sudan or the Congo or someplace, made, I think, from fermented yams and spadefoot toads. If you are ever offered tende, DO NOT TASTE IT. You will be sorry. Allah knows that I am.

The dancer just finishing her last number was an Egyptian girl named Indihar. I'd known her for years. She used to work for Frenchy Benoit, but now she was wiggling her ass in Chiri's club. She came up to me when she got offstage, wrapped now in a pale peach-colored shawl that had little success in concealing her voluptuous body. "Want to tip me for my dancing?" she asked.

"It would give me untold pleasure," I said. I took a kiam bill from my change and stuffed it into her cleavage. If she was going to treat me like a mark, I was going to act like one. "Now," I said, "I won't feel guilty about going home and fantasizing about you all night."

"That'll cost you extra," she said, moving down the bar toward the bare-chested guy in the vinyl pedal pushers.

I watched her walk away. "I like that girl," I said to Chiriga.

"That's our Indihar, one fine package of suntanned fun," said Chiri.

Indihar was a real girl with a real personality, a rarity in that club. Chiri seemed to prefer in her employees the high-velocity prettiness of a sexchange. Chiri told me once that changes take better care of their appearance. Their prefab beauty is their whole life. Allah forbid that a single hair of their eyebrows should be out of place.

By her own standards, Indihar was a good Muslim woman too. She didn't have the head wiring that most

dancers had. The more conservative imams taught that the implants fell under the same prohibition as intoxicants, because some people got their pleasure centers i      wired and spent the remainder of their short lives amp-1      addicted. Even if, as in my case, the pleasure center is left alone, the use of a moddy submerges your own personality, and that is interpreted as insobriety. Needless to say,   while I have nothing but the warmest affection for Allah )      and His Messenger, I stop short of being a fanatic about it. I'm with that twentieth-century King Saud who demanded that the Islamic leaders of his country stop dragging their feet when it came to technological progress. I don't see any essential conflict between modern science and a thoughtful approach to religion.

Chiri looked down the bar. "All right," she called out loudly, "which one of you motherfuckers' turn is it? Ja-nelle? I don't want to have to tell you to get up and dance again. If I got to remind you to play your goddamn music one more time, I'm gonna fine you fifty kiam. Now move your fat ass." She looked at me and sighed. "Life is tough," I said. Indihar came back up the bar after collecting whatever she could pry out of the few glum customers. She sat on the stool beside me. Lake Chiri, she didn't seem to get nightmares from talking with me. "So what's it like," she asked, "working for Friedlander Bey?"

"You tell me." One way or another, everybody in the Budayeen works for Papa. She shrugged. "I wouldn't take his money if I was starving, in prison, and had cancer."

This, I guessed, was a dig, a not-very-veiled reference to the fact that I had sold out to get my implants. I just swallowed some more gin and bingara.

Maybe one of the reasons I went to Chiri's whenever I needed a little cheering up is that I grew up in places just

like it. My mother had been a dancer when I was a baby, after my father ran off. When the situation got real bad,

she started turning tricks. Some girls in the clubs do that, some don't. My mother had to. When things got even

 harder, she sold my little brother. That's something she  won't talk about. I won't talk about it, either.

My mother did the best she knew how. The Arab  world has never put much value on education for women.

Everybody knows how the more traditional—that is to say, more backward and unregenerate—Arab men treat , their wives and daughters. Their camels get more respect.       Now, in the big cities like Damascus and Cairo, you can see modern women wearing Western-style clothing, holding down jobs outside the home, sometimes even smoking cigarettes on the street. In Mauretania, I'd seen that the attitudes there were still rigid. Women wore long white robes and veils, with hoods or kerchiefs covering their hair. Twenty-five years ago, my mother had no place in the legitimate job market.       >' But there is always a small population of lost souls, of course—people who scoff at the dictates of the holy Qur'an, men and women who drink alcohol and gamble and indulge in sex for pleasure. There is always a place for       a young woman whose morals have been ground away by      ' hunger and despair.

When I saw her again in Algiers, my mother's appearance had shocked me. In my imagination, I'd pictured her as a respectable, moderately well-to-do matron living in a comfortable neighborhood. I hadn't seen or spoken to her in years, but I just figured she'd managed to lift herself out of the poverty and degradation. Now I thought maybe she was happy as she was, a haggard, strident old whore. I spent an hour with her, hoping to hear what I'd come to learn, trying to decide how to behave toward her, and being embarrassed by her in front of the Half-Hajj. She didn't want to be troubled by her children. I got the impression that she was sorry she hadn't sold me too, when she'd sold Hussain Abdul-Qahhar, my brother. She didn't like me dropping back into her life after all those years. "Believe me," I told her, "I didn't like hunting you up, either. I only did it because I have to." "Why do you have to?" she wanted to know. She reclined on a musty-smelling, torn old sofa that was covered with cat hair. She'd made herself another drink, but had neglected to offer me or Saied anything.

"It's important to me," I said. I told her about my life in the faraway city, how I'd lived as a subsonic hustler

until Friedlander Bey had chosen me as the instrument of his will. 

"You live in the city now?" She said that with a nostalgic longing. I never knew she'd been to the city.

"I lived in the Budayeen," I said, "but Friedlander Bey moved me into his palace."

"You work for him?"

"I had no choice." I shrugged. She nodded. It surprised me that she knew who Papa was too.

"So what did you come for?"

That was going to be hard to explain. "I wanted to find out everything I could about my father."

She looked at me over the rim of her whiskey glass. "You already heard everything," she said.

"I don't think so. How sure are you that this French sailor was my dad?"

She took a deep breath and let it out slowly. "His name was Bernard Audran. We met in a coffee shop. I was living in Sidi-bel-Abbes then. He took me to dinner, we liked each other. I moved in with him. We came to live in Algiers after that, and we were together for a year and a half. Then after you was born, one day he just left. I never heard from him again. I don't know where he went."

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