'Yes: you told me in your letter. Sunrise from Olympus. It is marvellous. The sense of height. Windy sky. The sun leaping up behind you. The cold shadows on the mountains, and goldy light on them. Silver light of dawn. And that tremendous thrown shadow of Olympus himself and the kind of fringe of red fire along its edges: I've seen that in the Alps.'
'Do you know what that is, there: where you get
a
tiny bit of sea, away on the left, far away over the ranges?'
'What is it?'
'Paphos. Where Aphrodite is supposed to have risen from the sea. I camped up there, above Troodos, for
a
fortnight: go up with my things about four o'clock every morning to catch the sunrise and paint it. I'll tell you something,' he said, very low: 'I actually almost came to believe that story, the whole business, Homeric hymn, Botticelli's picture in the Uffizi, everything: almost, in
a
queer way, when I was looking across there, alone, at daybreak. —But,' he said. The strings burst into the rhythm of an old seguidilla of Andalusia: the Spanish woman took the center of the stage, swept her shawl about her shoulders and stood, statuesque, motionless, in the up-thrown brilliance of the footlights. Lessingham looked up at her for a moment, then back at Mary. Mary's eyes had left picture for stage; but his, through the half-light, fed only upon Mary: the profile of her face, the gleam of the sapphired pendant that in so restful a sweet unrest breathed with her breathing. 'But,' he said, 'it was you.' The dusky sapphire stood still for an instant, then, like a ship from the trough of the sea, rose and, upon the surge, down again.
It would be a foolish myth if it could have been anyone else but you,' he whispered. And the castanets began softly upon a flutter or rumour of sound, scarce heard.
An Andalusian dance, done by a hired woman to please the guests at an English country house in this year of Our Lord 1908. And yet, through some handfasting of music with landscape and portrait painted and their embarking so, under the breath of secular deep memories in the blood, upon that warmed sapphire rocked on so dear a sea, the rhythms of the dance seemed to take to themselves words:
Awful, gold-crowned, beautiful, Aphrodite—
and so to the ending:
Hail, You
of
the flickering eyelids, honey-sweet! and vouchsafe me in this contest to bear victory; and do You attune my song. Surely so will I too yet remember me
of
another song to sing You.
The castanets, on a long-drawn thinness of sound, as of grass-hoppers on a hot hillside in summer, trembled down to silence. Then a burst of clapping: smiles and curtseys of acknowledgement from the platform: talk let loose again in a buzz and chatter, cleft with the tuning of the strings: under cover of which, Mary said softly, with her eye on the Cyprus picture, 'You didn't really believe it?'
'No. Of course I didn't'
'And yet perh
aps, for a moment,' she said: ‘w
ith that burning on the edge of the shadow? for a moment, in the hurry to paint it?'
Lessingham seemed to answer not her but the mystery, in the half-light, of her face that was turned towards his. In mid speech, as if for the sweet smell of her, the living nearness of her, his breath caught and his words stumbled. 'I think there's part of one,''
he said,
‘
believes a lot of queer things, when one is actually painting or writing.'
'Part? And then, afterwards, not believe it any more?'
In a mist, under his eyes the sapphire woke and slept again as, with the slight shifting of her posture, the musk-rose milk-white valley narrowed and deepened.
She said, very softly, 'Is that how it works? with everything?'
'I don't know. Wish I did.'
V
Queen of Hearts and
Queen of Spades
A
half
mile
north-east from the summer palace at Memison, out along the backbone of the hill, a level place, of the bigness of a tennis-court, overhangs like a kestrel's nest the steeps that on that side fall abruptly to the river-mouth of Zeshmarra, its water-meadows and bird-haunted marshlands. Here, years ago, when King Mezentius made an end of the work or raising about the little old spy-fortalice of Memison halls and chambers of audience, and lodging for twenty-score soldiers and for the folk of all degree proper to a princely court besides, and brought to completion the great low-built summer palace, with groves and walks and hanging gardens and herb-gardens and water-gardens and colonnades, so that there should be no season of the year nor no extreme of weather but, for each hour of the day, some corner or nook of these garden pleasances should be found to fit it, and gave it all, with patent of the ducal name and dignity, to Amalie, his best-beloved; here, on this grassy shelf, turning to that use a spring of clear water, he had devised for her her bath, as the divine Huntress's, in a shade of trees. A rib of rock, grown over with rock roses and creeping juniper, shut it from sight from the castle and gardens, and a gate and stairs through the rock led down to it. Upon the other side oaks and walnut-trees and mimosa-trees and great evergreen magnolias made a screen along the parapet with vistas between of Reisma Mere and, away leftwards, of the even valley floor, all cut into fields with hedgerows and rounded shapes of trees, clustering here and there to a billowy mass of coppice or woodland. And there were farmsteads here and there, and here and there wreathings of smoke, and all the long valley blue with the midsummer dusk, the sun being settled to rest, and the mountains east and north-east dark blue against a quiet sky. All winds had fallen to. sleep, and yet no closeness was on the air; for in this gentle climate of the Meszrian highlands, as there is no day of winter but keeps some spice of June in it, so is no summer's day so sun-scorched but some tang of winter sharpens it, from mountain or sea. No leaf moved. Only, from the inner side of that pool, the bubbling up of the well from below sent across the surface ring after widening ring: a motion not to be seen save as a faint stirring, as mirrored in the water, of things which themselves stood motionless: pale roses, and queenly flower-delices of dark and sumptuous hues of purple and rust of gold. In that perfect hour all shadows had left earth and sky, and but form and colour remained: form, as a differing of colour from colour, rather than as a matter of line and edge (which indeed were departed with the shadows); and colour differing from colour not in tone but in colour's self, rich, self-sufficing, undisturbed: the olive hue of the holm-oak, the green-black bosky obscurities of the pine, cool white of the onyx bench above the water, the delicate blues of the Duchess's bathing-mantle of netted silk; incarnadine purities, bared or half-veiled, of arm, shoulder, thigh; her unbound hair full of the red-gold harmonies of beechwoods in strong spring sunshine; and (hard to discern in this uncertain luminosity or gloam of cockshut time) her face. Her old nurse, white-haired, with cheeks wrinkled like a pippin and eyes that seemed to hold some sparkles blown from her mistress's beauty, was busy about drying of the Duchess's feet, while she herself, resting her cheek on her right hand with elbow propped upon cushions of dove-grey velvet, looked southward across the near water to the distant gleam of the mere,
seen beyond the parapet, and to
woods and hills through
which runs the road south to Za
yana.
'The sun is down. Your grace will not feel the cold?'
'Cold to-night?' said the Duchess, and something crossed her face like the dance, tiny feathered bodies upright hovering, wings a-flutter, downward-pointing tails flirting fan-like, of a pair of yellow wagtails that crossed the pool. 'Wait till to-morrow: then, perhaps, cold indeed.'
'His highness but goeth to come again, as ever was.'
'To come again? So does summer. But, as we grow old, we learn the trick to be jealous of each summer departing; as if that were end indeed, and no summer after.'
'In twenty years' time I'll give your beauteous excellence leave to begin such talk, not now: I that had you in cradle in your side-coats, and nor kings nor dukes to trouble us then.'
'In twenty years?' said the Duchess. 'And I to-day with a son of two and twenty.'
‘
Will his grace of Zayana be here to-night? Myrrha said, sitting on the grass
at the Duchess's feet with Vio
lante, ladies of honour.
'Who can foretell the will-o'-the-wisp?'
'Your grace, if any,' said the old woman; 'seeing he is as like your grace as you had spit him.'
'Hath his father in him, too,' said the Duchess: 'for masterfulness, at least, pride, opinion and disdain, and ne'er sit still: turn day in night and night in day. And you, my love-birds, be not too meddling in these matters. I am informed what mad tricks have been played of late in Zayana. Remember, a spaniel puts up many a fowl. Brush my hair,' she said to the nurse: 'so. It is not we, nurse, that grow old. We but sit: look on. And birth, and youth, the full bloom, the fading and the falling, are as pictures borne by to please or tease us; or as seasons to the earth. Earth changes not: no more do we. And death but the leading on to another summer.'
'Sad thoughts for a sweet evening,' the old nurse said, brushing.
'Why not? unless (and I fear 'tis true) shades are coveted in summer, but with me 'tis fall of the leaf. Nay, I am young, surely, if sad thoughts please me. Yet, no; for there's a taint of hope sweetens the biting of this sad sauce of mine; I can no more love it unalloyed, as right youth will do. Grow old is worse than but be old,' she said, after a pause. 'Growing-pains, I think.'
‘I
love your hair in summer,' the nurse said, lifting the shining tresses as it had been something too fair and too fine for common hand to touch. 'The sun fetches out the gold in it, where in winter was left but red-hot fire-colours.'
'Gold is good,' said the Duchess. 'And fire is good. But pluck out the silver.'
'I ne'er found one yet,' said she. 'So the Lady Fiorinda shall have the Countess's place in the bedchamber? I had thought your grace could never abide her?'
The Duchess smiled, reaching for her hand-glass of emerald and gold. 'To-day, just upon the placing of the breakfasting-covers, I took a resolve to choose my women as I choose gowns. And black most takingly becomes me. Myrrha, what scent have you brought me?'
'The rose-flower or Armash.'
'It is too ordinary. Tonight I will have something more strange, something unseasonable; something springlike to confound midsummer. Wood-lilies: that were good: in the golden perfume-sprinkler. But no,' she said, as Myrrha arose to go for these: 'they are earthy. Something heaven-like for to-night. Bring me wood gentians: those that grow many along one stem, so as you would swear it had first been Solomon's seal but, with leaving to hang its pale bells earthward, and with looking skywards instead through a roof of mountain pines, had turned blue at last: colour of the heaven it looked to.'
'Madam, they have no scent.'
'How can you know? What is not possible, to-night?
find me some
. But see: no need', she said. ‘F
iorinda! This is take to your duties as an eagle's child to the wind.'
‘I
am long used to waiting on myself,' said that lady, coming down the steps out of an archway of leafy darknesses, stone pine upon the left and thick-woven traceries of an old gnarled strawberry-tree on the right, her arms full of blue wood gentians, and with two little boys in green coats, one bearing upon a tray hippocras in a flagon and golden globlets, and the other apricots and nectarines on dishes of silver.
'Have they scent indeed?' said the Duchess, taking the gentians.
'Please your grace to smell them.'
The Duchess gathered them to her face. 'This is magic'
'No. It is the night,' said Fiorinda, bidding the boys set down and begone. The shadow of a smile passed across her lips in the meeting of green eye-glances, hers and the Duchess's, over the barrier of sky-blue flowers. 'Your grace ought to kiss them.'
The Duchess did so. Again their glances met. The scent of those woodland flowers, subtle and elusive, spoke a private word as into the inward and secretest ear of her who inhaled that perfume: as to say, privately, 'I have ended the war. Five months sooner than I said, my foot is on their necks. And so, five months before the time appointed,—I will have you, Amalie.' She caught her breath; and that perfume lying so delicate on the air that no sense but hers might savour it, said privately again to Amalie's blood, 'And that was in that room in the tower, high upon Acrozayana, with great windows that take the sunset, facing west over Ambremerine, but the bedchamber looks east over the sea: the rooms where to-day Barganax your son has his private lodging. And that was this very night, of midsummer's day, three-and-twenty years ago.' She dismissed her girls, Myrrha and Violante, with a sign of the hand, and, while the nurse braided, coiled and put up her hair, kissed the flowers again, smoothed her cheek against them as a beautiful cat will do, gathered them to her throat. 'Dear Gods!' she said,
‘
were it not blasphemy, I could suppose myself the Queen of Heaven in Her incense-sweet temple in Cyprus, as in the holy hymm, choosing out there My ornaments of gold and sweet-smelling soft raiment, and so upon the wind to Ida, to that princely herdsman,