Authors: A. D. Scott
“McAllister will be pleased to hear it.”
“Aye, and so he should be. No one knows this place like I do.” He looked around at all the strangers. “Or like I used to. Nearly the end o' another decade, but too many changes too fast for my liking.”
She was quiet. Joanne did not want a discussion on the pros and cons of progress, Don's pet peeve, as she, for one, hoped the new decade would bring changes. And she felt in her bones, in the air, on the television, in the demolition of the old buildings on Bridge Street and along the river, that changes were indeed coming.
“I wanted your advice.”
“The case in Sutherland? The woman some say is a witch? Are you still following it? It's a good story, that.”
“After the disaster in the
Herald
, no.”
Don nodded. McAllister had told him already.
“I'm interested in using the burning of the last witch in Scotland for a short story, maybe even using it for . . .” Her voice trailed off. She was unable to say the word, fearing it was an ambition too far.
“A book,” he said. “Aye, why not? Witches is always interesting, specially if you make it spooky. Mind you, I'll never be persuaded thon poor woman was the last witch hereabouts. If you read some o' the letters to the
Gazette
you'd be convinced the town and county is hooching wi' them.”
“Don!” She laughed, but recalling the trial of Alice Ramsay, “witch hunt” was still an appropriate term.
“So, how are you going to tackle the idea? Historical? Romantic? Base it on the mean-spirited gossip o' those who condemned Miss Ramsay just as they condemned thon poor auld wifie that was burned alive centuries ago?”
“You are completely incorrigible!” The laugh burst out of her, making those around look up, making Don grin, making her cover her mouth with one hand and smile with her eyes.
“Incorrigible but right.”
“Aye. Maybe. And thank you. I needed to be reminded there's lots worse troubles than mine.”
“With writing, it's a good idea to begin at the beginning,” Don continued.
“Starting with the last witch in Scotland?”
“Maybe no that far back. Ask why was the Ramsay woman accused? How come it went as far as a trial? Seems a bit far-fetched that the police would be involved if it's only tea she was making. Naw, there's got to be more. Research, then do what I always told you. When? Who? What? Why?”
“I'll never be able to use it. But yes, the why is what interests me.”
“Write it for no other reason than to put it to rest. Ask questions in a big sense. Why do small communities turn on those who are different? Is it malice? Idleness? And if a person is seen as suspicious, are they? If someone is acting weird, do they have something to hide? Or are they just plain weird? Sometimes somethingâanimal instinct, call it what you willâis behind the gossip and speculation, an' it turns out to be true, or partly true.”
“Alice Ramsay was guilty of being a woman aloneâno man, no children, even her dog is a stray. She is, was, content. That's all.” Joanne knew her voice had risen and sat back to calm herself. “Thank you, o Great Wise One, it's good to talk it over.”
“For that you can fetch the next round.” He looked towards the bar and the barman, who had known Don for at least thirty-five years, nodded. “Ach, no need. But I have to warn you, this is the last time I buy you lemonade. Any self-respecting writer knows it's the hard stuff you need to be a novelist, ladies included.”
As she walked up the hill to home, she felt lighter. Don was right. She was assuming Alice Ramsay had nothing to hide. So what evidence did the police have that made the procurator fiscal decide to go ahead with a trial? What didn't come out? It was then that she realized she knew nothing about the prosecution's case.
She was panting by the time she reached the top of Steven's Brae. Still not completely fit, she could walk for miles on the flat, but the steep brae and the cobblestones were a challenge. By the time she reached home, she was desperate to write. Afraid that the words and ideas might escape, like dandelion seeds in the wind. She fairly flew into the sitting room to her typewriter.
The Sutherland Case.
The woman lived alone. She was content with her life, and said so. Fulfilled in her work, never seeming to need a husband or children or the company of others, at first she attracted the curiosity of her neighbors. Then suspicion.
I
t had been five days since the meeting in the hotel. She enjoyed meeting him again but wondered if she was not being paranoid. Life was now returning to normal, and she was keen to add the final touches to the manuscript.
Then I'll make a decision whether to spend another winter here. I do so miss the sun.
Alice looks around at the bright, late-autumn, gold-red day and resolves to walk, to tramp to the high moors, and take pictures before resuming work. She laces up her stout brown boots, slings her smallest camera around her neck, and calls the dog.
She is about to set off when she hears a vehicle in the distance. So does the dog. His ears prick up, but he is silent.
Shading her eyes with two hands, she scans the moorland. Nothing. She looks down to the dip where the burn runs to meet the river and continue to the firth and the sea. Again, nothing. Along the tree line all seems as deserted as ever. She considers fetching the binoculars.
Don't be so silly
, she chides herself.
“Must be a Forestry vehicle,” she tells the wee dog. He wags his tail, then bounds off. She takes his lack of alarm as a sign that all is well.
No one is out there
, she tells herself.
You are being ridiculous.
“
Gazette
.”
“It's me.”
“I'll be home for lunch.”
“That's not why I'm calling,” she said. “Sorry. It's just such a shock andâ”
“Joanne, what's wrong?”
“I'm fine. Well, not really. But I will be.”
McAllister sighed. “I can't help if I don't know.”
“Mrs. Mackenzie from Sutherland called. She says Alice is dead.”
“Alice Ramsay?”
“And the way she put it . . .” She hesitated. “She says Alice died the day before yesterday and the police think Alice killed herself. The story is in today's Sutherland newspaper.”
“Are you sure?”
“Yes. No. I can't believe it. Not Alice. She is so . . . was so . . . she'd never kill herself.”
“You never know who, you never know why someone takes their own life.”
Joanne flinched. She could say nothing to that. His younger brother had let the river swallow him. McAllister was intimate with suicideâa word never uttered, a word always in the air, a kite of doom floating above her husband. And his mother.
“Why would Mrs. Mackenzie call you?”
“A tip. Thought you and the
Gazette
might be interested, she said, and she implied her local newspaper couldn't function without her input.”
They both knew that with a huge geographical area covered by their local newspapers, informants could be time-wasting but crucial.
“How, exactly, did Miss Ramsay die?” he asked. “Did the newspaper say?” He quickly answered his own question. “No, of course not.” This was Scotland. This was 1959 and a local newspaper. Nothing direct could be printed. But the code words, the conventions of reporting suicide, would make it clear. “Joanne, I am so sorry. I know Alice Ramsay meant a lot to you.” Bloody clichés, he thought, and you, a journalist, you should know better. He too was shakenâpartly by the mention of suicide, partly because he feared for his wife's well-being.
“I only talked to her properly the once.” Joanne's voice trailed off. She couldn't say what she was really thinking, that Alice was a woman with a life she would have liked for herselfâif she hadn't been trapped by an early marriage and children. “I wonder what will happen to her pictures.”
“I'll come home.”
“And her hens. She'd never abandon her hens.”
“See you in about twenty minutes.”
“No. Come back at the usual time. I need to think.”
To mourn, he thought. “Are you sure?”
“I'm fine. See you later.”
Joanne remembered word for word what McAllister had said, and it didn't help.
You never know who, you never know why someone takes their own life
.
Joanne was pacing. Shivering and pacing. She knew it was not her fault. But she also knew she had been complicit.
If I hadn't talked to that beast Forsythe.
The phone rang.
It's McAllister checking up on me.
“What?” she shouted down the line.
“Joanne? Calum Mackenzie here. Sorry to call you at home, but . . .”
“Sorry, Calum. I just found out about Alice. Your mother told me.”
“Aye, she would. She likes to pass on information to the paper.” There was a hint of impatience in his voice, and Joanne sensed that it was something Calum would be teased about. “Joanne, I'm sorry I didn't tell you sooner.” He couldn't tell her he'd been too shocked to talk.
“Well, I know now.”
“Erm, I'm not sure how to tell you this . . .” He sniffed as though he had a cold, and Joanne wanted to tell him to use a hankie, just as she would to her daughters.
She waited. She heard him taking a deep breath.
“Alice Ramsay left a noteâmore a message, really.”
“How do you know that?”
Calum went silent.
“Sorry. I know how it works in small towns.” She guessed someone he had been at school with or a neighbor or a relative working with the police had told him. “What did it say?”
“The police found the page from the
Herald
with Forsythe's article on the kitchen table. Her notebook was on top, open at your name and your home and
Gazette
telephone numbers.”
“I see.” She couldn't process the news. Not yet. Not in a conversation with a twenty-two-year-old who was almost a stranger. After a moment, she gathered herself to ask, “How did Alice die?”
“I heard that she hanged herself.”
“No!” Joanne moaned. “That's horrible.” She always assumed that when women killed themselves, they took tablets of some kind and drifted away in their sleep. A coward's way out, it would be said if the victim was a man. But hanging? That was so brutal, so judicial. And final.
“Joanne, sorry, I have to go now. I just wanted to let you know.”
“Your mother beat you to it.” Joanne didn't mean to sound so bitter but was shocked that a stranger should take it on herself to spread the news.
“I'm sorry.” Whether for his mother or for Alice wasn't clear. “I have to finish ma report. I'll send you a copy if you like.”