“I asked the boy to tell me, if he were given the freedom to choose, what path in life he would follow,” St. Maur went on. “He wrote down four words—’to be a clerk.’ He then explained to me, through signs he made with his hands, that because of his muteness, his longing to be able to communicate with others was his paramount desire.” The master grinned with remembered amusement. “He was very descriptive, even without the use of words. First he pointed to his mouth and shook his head, then he picked up the quill he had been given and pointed it at the paper and, with a wide smile, clapped his hands together. There was no mistaking his intent.”
Bascot could imagine Gianni using the signs that had been their only way of communicating when he had first found the boy. Over time, as Bascot had taught him to be literate, he had used them less, but the motions were still remarkable for their clarity.
“If there were a way, de Marins, to fulfil the boy’s desire and, with it, your own, would you forego the king’s gift to obtain it?” St. Maur asked.
“At once, and with no regret,” Bascot assured him.
“Then, in the name of the Order, my command to you is this. You will stay on in Lincoln castle for the space of one year while the boy is instructed, as you had already arranged, in the art of scribing. At the end of that time, if the lad proves to be as intelligent as he seems, and as diligent as he has promised, Lady Nicolaa has agreed to take him into her household staff and assign him duties in the scriptorium. Once his future is assured, you will rejoin your brethren and once more wield your sword in the battle against the enemies of our sovereign Lord, Jesus Christ.”
As tears swelled in Bascot’s eye, St. Maur added, with a smile, “I see that I need not harbour any concern that, on this occasion, you will honour your vow of obedience.”
Epilogue
T
WO CURIOUS INCIDENTS OCCURRED AFTER THE CAPTURE of Mauger Rivelar. The first took place just a few days later when Ivor Severtsson claimed to have had an accident with a stack of falling wine barrels. The injuries from the mishap were severe—a broken nose and severely lacerated jaw as well as the loss of several of his front teeth. Before his wounds had even begun to heal he announced his intention of leaving Lincoln immediately and returning to his homeland of Norway. Although Helge, his aunt, was rendered disconsolate by his decision, it was remarked by the neighbours that Reinbald did not seem greatly distressed by Ivor’s departure and that the younger Severtsson brother, Harald, had been pleased to speed his sibling on his way. Some of them also noticed that Captain Roget of the sheriff’s town guard was standing outside the merchant’s house on the day that Ivor left and had watched the former bailiff ride towards the southern exit from the town with a satisfied smile on his face.
The second happening was not until many months later, long after Mauger Rivelar had undergone the penalty of being hanged, drawn and quartered for his crimes. After his arrest, all of the buildings within the castle ground were searched in an attempt to locate the poison he had used, but no trace was ever found. It was not until a new priest was appointed to St. Bavon’s Church in Butwerk and ordered some straggling brambles in a corner of the graveyard to be cleared away that a leather bag containing a compound of
Helleborus niger
was discovered. The two gravediggers that were carrying out the task of clearing the undergrowth first discovered the bodies of several dead rats and then, after upending a flat stone that lay over the place where the vermin had been digging, a large scrip. The surface of the bag had been chewed, and the contents had oozed into the cavity where it had been concealed. Underneath the bag were two honey pots, their bright amber colour dulled by being buried in the earth for so long. The wax seals at the necks had melted in the heat of summer, and the contents had run out of the containers and mixed with the substance that had been in the scrip. The cross pattee etched into the bottoms of the jars was nearly obliterated by dirt and neither of the men noticed it.
The gravediggers did not realise the import of their discovery, but they nonetheless called the priest and showed him what they had found. Wrinkling his nose in distaste, he ordered the men to shovel the whole mess, including the bodies of the dead rats, into a hempen sack and dispose of it. The gravediggers did as they were instructed, securing the bag tightly before they took it to the Werkdyke and threw it onto the deep pile of rubbish in the ditch.
Author’s Note
The setting for
A Plague of Poison
is an authentic one. Nicolaa de la Haye was hereditary castellan of Lincoln castle during this period, and her husband, Gerard Camville, was sheriff. The personalities they have been given in the story have been formed by conclusions the author has drawn from events during the reigns of King Richard I and King John.
For details of medieval Lincoln and the Order of the Knights Templar, I am much indebted to the following:
Medieval Lincoln
by J.W.F. Hill (Cambridge University Press) and
Dungeon, Fire and Sword
by John J. Robinson (M. Evans and Company, Inc.).
Maureen Ash
was born in London, England, and has had a lifelong interest in British medieval history. Visits to castle ruins and old churches have provided the inspiration for her novels. She enjoys Celtic music, browsing in bookstores and Belgian chocolate. Maureen now lives on Vancouver Island in British Columbia, Canada.