Age of Innocence (Barnes & Noble Classics Series) (23 page)

She glanced over her shoulder, as though fearful of being overheard, and then, drawing her chair nearer, and raising a tiny ivory fan to her lips, breathed behind it: “By the Count himself—my poor, mad, foolish Olenski; who asks only to take her back on her own terms.”

“Good God!” Archer exclaimed, springing up.

“You are horrified? Yes, of course; I understand, I don’t defend poor Stanislas, though he has always called me his best friend. He does not defend himself—he casts himself at her feet: in my person.” She tapped her emaciated bosom. “I have his letter here.”

“A letter?—Has Madame Olenska seen it?” Archer stammered, his brain whirling with the shock of the announcement.

The Marchioness Manson shook her head softly. “Time—time; I must have time. I know my Ellen—haughty, intractable; shall I say, just a shade unforgiving?”

“But, good heavens, to forgive is one thing; to go back into that hell—”

“Ah, yes,” the Marchioness acquiesced. “So she describes it—my sensitive child! But on the material side, Mr. Archer, if one may stoop to consider such things; do you know what she is giving up? Those roses there on the sofa—acres like them, under glass and in the open, in his matchless terraced gardens at Nice! Jewels—historic pearls: the Sobieski emeralds—sables—but she cares nothing for all these! Art and beauty, those she does care for, she lives for, as I always have; and those also surrounded her. Pictures, priceless furniture, music, brilliant conversation—ah, that, my dear young man, if you’ll excuse me, is what you’ve no conception of here! And she had it all; and the homage of the greatest. She tells me she is not thought handsome in New York—good heavens! Her portrait has been painted nine times; the greatest artists in Europe have begged for the privilege. Are these things nothing? And the remorse of an adoring husband?”

As the Marchioness Manson rose to her climax her face assumed an expression of ecstatic retrospection which would have moved Archer’s mirth had he not been numb with amazement.

He would have laughed if anyone had foretold to him that his first sight of poor Medora Manson would have been in the guise of a messenger of Satan; but he was in no mood for laughing now, and she seemed to him to come straight out of the hell from which Ellen Olenska had just escaped.

“She knows nothing yet—of all this?” he asked abruptly.

The Marchioness laid a purple finger on her lips. “Nothing directly—but does she suspect? Who can tell? The truth is, Mr. Archer, I have been waiting to see you. From the moment I heard of the firm stand you had taken, and of your influence over her, I hoped it might be possible to count on your support—to convince you ...”

“That she ought to go back? I would rather see her dead!” cried the young man violently.

“Ah,” the Marchioness murmured, without visible resentment. For a while she sat in her armchair, opening and shutting the absurd ivory fan between her mittened fingers; but suddenly she lifted her head and listened.

“Here she comes,” she said in a rapid whisper; and then, pointing to the bouquet on the sofa: “Am I to understand that you prefer
that,
Mr. Archer? After all, marriage is marriage ... and my niece is still a wife ...”

18

“WHAT ARE YOU TWO plotting together, aunt Medora?” Madame Olenska cried as she came into the room.

She was dressed as if for a ball. Everything about her shimmered and glimmered softly, as if her dress had been woven out of candle-beams ; and she carried her head high, like a pretty woman challenging a roomful of rivals.

“We were saying, my dear, that here was something beautiful to surprise you with,” the Marchioness rejoined, rising to her feet and pointing archly to the flowers.

Madame Olenska stopped short and looked at the bouquet. Her color did not change, but a sort of white radiance of anger ran over her like summer lightning. “Ah,” she exclaimed, in a shrill voice that the young man had never heard, “who is ridiculous enough to send me a bouquet? Why a bouquet? And why tonight of all nights? I am not going to a ball; I am not a girl engaged to be married. But some people are always ridiculous.”

She turned back to the door, opened it, and called out: “Nastasia!”

The ubiquitous handmaiden promptly appeared, and Archer heard Madame Olenska say, in an Italian that she seemed to pronounce with intentional deliberateness in order that he might follow it: “Here—throw this into the dust-bin!” and then, as Nastasia stared protestingly: “But no—it’s not the fault of the poor flowers. Tell the boy to carry them to the house three doors away, the house of Mr. Winsett, the dark gentleman who dined here. His wife is ill—they may give her pleasure... The boy is out, you say? Then, my dear one, run yourself; here, put my cloak over you and fly. I want the thing out of the house immediately! And, as you live, don’t say they come from me!”

She flung her velvet opera-cloak over the maid’s shoulders and turned back into the drawing room, shutting the door sharply. Her bosom was rising high under its lace, and for a moment Archer thought she was about to cry; but she burst into a laugh instead, and looking from the Marchioness to Archer, asked abruptly: “And you two—have made friends!”

“It’s for Mr. Archer to say, darling: he has waited patiently while you were dressing.”

“Yes—I gave you time enough: my hair wouldn’t go,” Madame Olenska said, raising her hand to the heaped-up curls of her
chignon.
“But that reminds me: I see Dr. Carver is gone, and you’ll be late at the Blenkers. Mr. Archer, will you put my aunt in the carriage?”

She followed the Marchioness into the hall, saw her fitted into a miscellaneous heap of overshoes, shawls and tippets, and called from the doorstep: “Mind, the carriage is to be back for me at ten!” Then she turned to the drawing room, where Archer, on reentering it, found her standing by the mantelpiece, examining herself in the mirror. It was not usual, in New York society, for a lady to address her parlor-maid as “my dear one,” and send her out on an errand wrapped in her own opera-cloak; and Archer, through all his deeper feelings, tasted the pleasurable excitement of being in a world where action followed an emotion with such Olympian speed.

Madame Olenska did not move when he came up behind her, and for a second their eyes met in the mirror; then she turned, threw herself into her sofa-corner and sighed out: “There’s time for a cigarette.”

He handed her the box and lit a spill for her; and as the flame flashed up into her face she glanced at him with laughing eyes and said: “What do you think of me in a temper?”

Archer paused a moment; then he answered with sudden resolution: “It makes me understand what your aunt has been saying about you.”

“I knew she’d been talking about me. Well?”

“She said you were used to all kinds of things—splendors and amusements and excitements—that we could never hope to give you here.”

Madame Olenska smiled faintly into the circle of smoke about her lips.

“Medora is incorrigibly romantic. It has made up to her for so many things!”

Archer hesitated again, and again took his risk. “Is your aunt’s romanticism always consistent with accuracy?”

“You mean: does she speak the truth?” Her niece considered. “Well, I’ll tell you: in almost everything she says, there’s something true and something untrue. But why do you ask? What has she been telling you?”

He looked away into the fire, and then back at her shining presence. His heart tightened with the thought that this was their last evening by that fireside, and that in a moment the carriage would come to carry her away.

“She says—she pretends that Count Olenski has asked her to persuade you to go back to him.”

Madame Olenska made no answer. She sat motionless, holding her cigarette in her half-lifted hand. The expression of her face had not changed; and Archer remembered that he had before noticed her apparent incapacity for surprise.

“You knew, then?” he broke out.

She was silent for so long that the ash dropped from her cigarette. She brushed it to the floor. “She has hinted about a letter: poor darling! Medora’s hints—”

“Is it at your husband’s request that she has arrived here suddenly?”

Madame Olenska seemed to consider this question also. “There again: one can’t tell. She told me she had had a ‘spiritual summons,’ whatever that is, from Dr. Carver. I’m afraid she’s going to marry Dr. Carver ... poor Medora, there’s always someone she wants to marry. But perhaps the people in Cuba just got tired of her! I think she was with them as a sort of paid companion. Really, I don’t know why she came.”

“But you do believe she has a letter from your husband?”

Again Madame Olenska brooded silently; then she said: “After all, it was to be expected.”

The young man rose and went to lean against the fireplace. A sudden restlessness possessed him, and he was tongue-tied by the sense that their minutes were numbered, and that at any moment he might hear the wheels of the returning carriage.

“You know that your aunt believes you will go back?”

Madame Olenska raised her head quickly. A deep blush rose to her face and spread over her neck and shoulders. She blushed seldom and painfully, as if it hurt her like a burn.

“Many cruel things have been believed of me,” she said.

“Oh, Ellen—forgive me; I’m a fool and a brute!”

She smiled a little. “You are horribly nervous; you have your own troubles. I know you think the Wellands are unreasonable about your marriage, and of course I agree with you. In Europe people don’t understand our long American engagements; I suppose they are not as calm as we are.” She pronounced the “we” with a faint emphasis that gave it an ironic sound.

Archer felt the irony but did not dare to take it up. After all, she had perhaps purposely deflected the conversation from her own affairs, and after the pain his last words had evidently caused her he felt that all he could do was to follow her lead. But the sense of the waning hour made him desperate: he could not bear the thought that a barrier of words should drop between them again.

“Yes,” he said abruptly; “I went south to ask May to marry me after Easter. There’s no reason why we shouldn’t be married then.”

“And May adores you—and yet you couldn’t convince her? I thought her too intelligent to be the slave of such absurd superstitions.”

“She
is
too intelligent—she’s not their slave.”

Madame Olenska looked at him. “Well, then—I don’t understand.”

Archer reddened, and hurried on with a rush. “We had a frank talk—almost the first. She thinks my impatience a bad sign.”

“Merciful heavens—a bad sign?”

“She thinks it means that I can’t trust myself to go on caring for her. She thinks, in short, I want to marry her at once to get away from someone that I—care for more.”

Madame Olenska examined this curiously. “But if she thinks that—why isn’t she in a hurry too?”

“Because she’s not like that: she’s so much nobler. She insists all the more on the long engagement, to give me time—”

“Time to give her up for the other woman?”

“If I want to.”

Madame Olenska leaned toward the fire and gazed into it with fixed eyes. Down the quiet street Archer heard the approaching trot of her horses.

“That is noble,” she said, with a slight break in her voice.

“Yes. But it’s ridiculous.”

“Ridiculous? Because you don’t care for anyone else.”

“Because I don’t mean to marry anyone else.”

“Ah.” There was another long interval. At length she looked up at him and asked: “This other woman—does she love you?”

“Oh, there’s no other woman; I mean, the person that May was thinking of is—was never—”

“Then, why, after all, are you in such haste?”

“There’s your carriage,” said Archer.

She half-rose and looked about her with absent eyes. Her fan and gloves lay on the sofa beside her and she picked them up mechanically.

“Yes; I suppose I must be going.”

“You’re going to Mrs. Struthers’s?”

“Yes.” She smiled and added: “I must go where I am invited, or I should be too lonely. Why not come with me?”

Archer felt that at any cost he must keep her beside him, must make her give him the rest of her evening. Ignoring her question, he continued to lean against the chimney-piece, his eyes fixed on the hand in which she held her gloves and fan, as if watching to see if he had the power to make her drop them.

“May guessed the truth,” he said. “There is another woman—but not the one she thinks.”

Ellen Olenska made no answer, and did not move. After a moment he sat down beside her, and, taking her hand, softly unclasped it, so that the gloves and fan fell on the sofa between them.

She started up, and freeing herself from him moved away to the other side of the hearth. “Ah, don’t make love to me! Too many people have done that,” she said, frowning.