10. Nick Groom, quoted in Groom, pp. 55–6.
11. Inga Bryden, “The Mythical Image: Chatterton, King Arthur and Heraldry,” in Groom, p. 64.
12. ibid., p. 65.
13. Nick Groom, “Introduction,” in Groom, p. 7.
14. Alexandra Wedgewood, “Architecture,” in
The Romantic Age in Britain
, ed. Boris Ford, p. 208.
15. Georges Lamoine, “The Originality of Chatterton’s Art,” in Groom, p. 38.
16. Quoted Stephen B. Dobranski, “Milton’s Social Life,” in
The Cambridge
Companion to Milton
, ed. Dennis Danielson, p. 21.
17. Arden Reed,
Romanticism and Language
, p. 19.
52. THE ROMANTIC FALLACY
1. Eric Rothstein,
Restoration and Eighteenth-Century Poetry
, p. 145.
2. T. S. R. Boase, English Art 1800–1870, p. 12.
3. David Simpson, “Romanticism, Criticism and Theory,” in
The Cambridge
Companion to British Romanticism
, ed. Stuart Curran, p. 17.
4. ibid.
5. Geoffrey Thurley,
The Romantic Predicament
, p. 113.
6. ibid., p. 139.
7. Terry Castle,
Masquerade and Civilisation
, p. 184.
8. ibid., p. 333.
9. Judith N. Shklar,
After Utopia: The Decline of Political Faith
, pp. 15–16.
10. Geoffrey Hartman,
Beyond Formalism
, pp. 300 and 303.
11. J. O. Hayden (ed.), William Wordsworth: Poems, Volume One.
12. Thurley, p. 138.
13. Thomas McFarland,
Romantic Cruxes: The English Essayists and the Spirit of the
Age, pp. 11 and 13.
53. ENGLISH MUSIC
1. A. L. Bacharach (ed.), British Music of Our Time, p. 52.
2. Fuller Maitland in
The Times
, quoted in Michael Kennedy,
The Works of Ralph
Vaughan Williams
, p. 93.
3. R. Palmer (ed.),
Folk Songs Collected by Ralph Vaughan Williams
, p. ix.
4. John Caldwell (ed.),
The Oxford History of English Music
, Volume 1, p. 63.
5. ibid., p. 131.
6. ibid., p. 135.
7. ibid., p. 191.
8. ibid., p. 484.
9. ibid., p. 178.
10. ibid., Volume 2, p. 15.
11. Kennedy, p. 131.
12. ibid., p. 137.
13. ibid., p. 169.
14. ibid., p. 170.
15. ibid., p. 347.
16. J. Day,
Englishness in Music
, p. 18.
17. ibid., p. 25.
18. Simon Heffer,
Vaughan Williams
, p. 9.
19. Kennedy, p. 5.
20. C. Palmer, Delius: Portrait of a Cosmopolitan, p. 160.
21. ibid., p. 150.
22. Paul Holmes,
Vaughan Williams
, p. 57.
23. Kennedy, p. 370.
24. Palmer, p. 160.
25. ibid., p. 199.
26. ibid., p. 202.
27. Caldwell (ed.), Volume 1, p. 31.
28. ibid., Volume 2, p. 284.
29. Heffer, p. 37.
30. Kennedy, p. 157.
31. ibid.
32. ibid., p. 302.
33. Kennedy, p. 211.
34. Caldwell (ed.), Volume 1, p. 22.
35. ibid., p. 120.
36. Day, pp. 51 and 158.
Acknowledgments
Cover
: music-hall artist (reproduced by courtesy Hulton/Archive); Mr. Monks from
Oliver Twist
by Charles Dickens published by B. Pollock, from Dickens House Museum, London; needlework picture embroidered in silk from the Victoria and Albert Museum, London; Monk from
The Canterbury Tales
by Geoffrey Chaucer from the Huntingdon Library, San Marino, California; child up a tree picking fruit from the Luttrell Psalter, Add 42130 f.196v., from the British Library, London.
Bibliography
Auerbach, Erna,
Tudor Artists
(London: Athlone Press, 1954)
Austen, Jane, Persuasion, ed. D. W. Harding (London: Penguin, 1965)
Axton, Richard, “Church Drama and Popular Drama,” in
Medieval Literature
, ed. Boris Ford, The New Pelican Guide to English Literature I (London: Penguin, 1983)
Ayer, A. J.,
Logical Positivism in Perspective: Essays on Language, Truth and Logic
, ed. Barry Gower (London: Croom Helm, 1987)
Bacharach, A. L. (ed.), British Music of Our Time (London: Penguin, 1946)
Bain, Roly, “Clowns and Augustes,” in
Victorian Britain
, ed. Boris Ford, The Cambridge Cultural History of Britain VII (Cambridge: Cambridge University Press, 1988)
Baines, Paul,
The House of Forgery in Eighteenth-Century Britain
(Aldershot: Ashgate, 1988)
Baldick, Chris (ed.),
The Oxford Book of Gothic Tales
(Oxford: Oxford University Press, 1992)
Barber, Richard,
King Arthur: Hero and Legend
(Woodbridge, Suffolk: Boydell Press, 1986)
Barker, Ernest,
National Character and the Factors in Its Formation
(London: Methuen, 1927)
Barron, W. R. J. (ed.), The Arthur of the English: The Arthurian Legend in English Life (Cardiff: University of Wales, 1999)
Bede,
A History of the English Church and People
, trans. Leo Sherley-Price, R. E. Latham (London: Penguin, 1968)
Beer, Frances,
Women and Mystical Experience in the Middle Ages
(Woodbridge, Suffolk: Boydell Press, 1992)
Beilin, E. V. (ed.), Redeeming Eve: Women Writers of the English Renaissance (Princeton, NJ: Princeton University Press, 1987)
Bennett, Joan,
Sir Thomas Browne: “A Man of Achievement in Literature”
(Cambridge: Cambridge University Press, 1962)
Bennett, J. A. W. (ed.), Selections from John Gower (Oxford: Clarendon Press, 1968) ——, and Douglas Gray (eds.),
Middle English Literature 1100–1400
, The Oxford History of English Literature I (Oxford: Clarendon Press, 1986)
Benson, L. D. (ed.), The Riverside Chaucer (Oxford: Oxford University Press, 1988)
Blamires, Harry,
Twentieth-Century English Literature
(London: Macmillan, 1982)
Bliss, Lee, “Pastiche, Burlesque, Tragicomedy,” in
The Cambridge Companion to
English Renaissance Drama
, ed. A. R. Braunmuller and Michael Hattaway (Cambridge: Cambridge University Press, 1990)
Bloomfield, Morton W., “Chaucerian Realism,” in The Cambridge Chaucer Companion, ed. P. Boitani and Jill Mann (Cambridge: Cambridge University Press, 1986)
Boase, T. S. R., English Art 1800–1870, Oxford History of English Art X (Oxford: Clarendon Press, 1959)
Bobrick, Benson,
The Making of the English Bible
(London: Weidenfeld & Nicolson, 2001)
Boffey, J., “Middle English Lives,” in
The Cambridge History of Medieval English
Literature
, ed. D. Wallace (Cambridge: Cambridge University Press, 1999)
Boitani, P., “Old Books Brought to Life in Dreams,” in The Cambridge Chaucer Companion, ed. P. Boitani and Jill Mann (Cambridge: Cambridge University Press, 1986)
Bolton, W. F., A Short History of Literary English (London: Edward Arnold, 1972)
Bradley, S. A. J. (ed. and trans.), Anglo-Saxon Poetry: An Anthology of Old English
Prose
(London: Dent, 1982)
Braunmuller, A. R., “The Arts of the Dramatist,” in
The Cambridge Companion to
English Renaissance Drama
, ed. A. R. Braunmuller and Michael Hattaway (Cambridge: Cambridge University Press, 1990)
Brewer, Derek, “Medieval European Literature,” in
Pelican Guide to Medieval
Literature
, ed. Boris Ford (London: Pelican Books, 1984)
Brieger, Peter,
English Art, 1216–1307
, Oxford History of English Art IV (Oxford: Clarendon Press, 1957)
Brooks, Chris, and Inga Bryden, “The Arthurian Legacy,” in
The Arthur of the
English, ed. W. R. J. Barron
Brown, Jane,
The Pursuit of Paradise: A Social History of Gardens and Gardening
(London: HarperCollins, 1999)
Brut
, trans. Rosamund Allen (London: Dent, 1992)
Bryden, Inga, “The Mythical Image: Chatterton, King Arthur and Heraldry,” in
Thomas Chatterton and Romantic Culture
, ed. Nick Groom (Basingstoke: Macmillan, 1999)
Bunyan, John,
The Pilgrim’s Progress
, ed. and intr. N. H. Keeble (Oxford: Oxford University Press, 1984)
Burke, S. (ed.), Authorship: From Plato to Postmodern, A Reader (Edinburgh: Edinburgh University Press, 1995)
Burrow, Colin, “The Sixteenth Century,” in
The Cambridge Companion to English
Literature 1500–1600
, ed., A. F. Kinney (Cambridge: Cambridge University Press, 2000)
Caldwell, John (ed.),
The Oxford History of English Music
, 2 vols. (Oxford: Oxford University Press, 1998–9)
Carey, John,
John Donne: His Mind and Art
(London: Faber & Faber, 1981)
Carpenter, Humphrey,
J. R. R. Tolkien: A Biography
(London: Allen & Unwin, 1977)
Carson, J. P., “Enlightenment, Popular Culture and Gothic Fiction,” in The
Cambridge Companion to the Eighteenth-Century Novel
, ed. J. Richetti (Cambridge: Cambridge University Press, 1996)
Castle, Terry,
Masquerade and Civilisation: The Carnivalesque in Eighteenth-Century
English Culture and Fiction
(London: Methuen, 1986)
Chambers, E. K., Malory and Fifteenth-Century Drama, Lyrics and Ballads, The Oxford History of English Literature III (Oxford: Clarendon Press, 1990)
Clark, Kenneth,
On the Painting of English Landscape
(London: British Academy, 1935)
Clifton-Taylor, Alex,
The Cathedrals of England
(London: Thames & Hudson, 1977)
Coldewey, J. C., “The Non-Cycle Plays and the East Anglian Tradition,” in The
Cambridge Companion to Medieval English Theatre
, ed. Richard Beadle (Cambridge: Cambridge University Press, 1994)
Coldstream, Nicola, “Architecture,” in
Medieval Britain
, ed. Boris Ford, The Cambridge Cultural History of Britain II (Cambridge: Cambridge University Press, 1988)
Conrad, Peter,
The Everyman History of English Literature
(London: Dent, 1985)
Cormican, L. A., “Milton’s Religious Verse,” in From Donne to Marvell, ed. Boris Ford, The New Pelican Guide to English Literature III (London: Penguin, 1982)
Coulton, G. G.,
Chaucer and His England
(London: Methuen, 1927)
Craig, P. (ed.), The Oxford Book of English Detective Stories (Oxford: Oxford University Press, 1990)
Crossley-Holland, Kevin (ed. and trans.),
The Anglo-Saxon World: An Anthology
(Oxford: Oxford University Press, 1984)
Cudden, J. A. (ed.),
The Penguin Book of Horror Stories
(London: Penguin, 1984)
Curran, Stuart, “Women Readers, Women Writers,” in
The Cambridge Companion to
British Romanticism
, ed. Stuart Curran (Cambridge: Cambridge University Press, 1993)
Dark, K. R., Civitas to Kingdom: British Political Continuity 300–800 (London: Leicester University Press, 1999)
Davies, Norman,
The Isles: A History
(London: Macmillan, 1999)
Davies, R. T., (ed.),
Medieval English Lyrics: A Critical Anthology
(London: Faber & Faber, 1963)
Davis, Stevie,
Emily Brontë: Heretic
(London: Women’s Press, 1994)
Day, J.,
Englishness in Music: From Elizabethan Times to Elgar, Tippett and Britten
(London: Thames, 1999)
Dobranski, Stephen B., “Milton’s Social Life,” in
The Cambridge Companion to
Milton
, ed. Dennis Danielson (Cambridge: Cambridge University Press, 1999)
Donne, John,
Selected Prose
, ed. Neil Rhodes (London: Penguin, 1987)
Dowling, William C., “Structure and Absence in Boswell’s ‘Life of Johnson,’ ” in Modern Essays on Eighteenth-Century Literature, ed. L. Damrosch Jr. (Oxford: Oxford University Press, 1988)
Drabble, Margaret,
A Writer’s Britain: Landscape in Literature
(London: Thames and Hudson, 1979)
Easthope, Anthony,
Englishness and National Culture
(London: Routledge, 1999)
Eckenstein, Lina,
Women under Monasticism
(New York: Russell & Russell, 1963)
Empson, William,
Seven Types of Ambiguity
(London: Penguin in association with Chatto & Windus, 1995)
Enders, Jody,
Rhetoric and the Origins of Medieval Drama
(Ithaca: Cornell University Press, 1992)
Evans, Joan, English Art 1307–1461, Oxford History of English Art V (Oxford: Clarendon Press, 1949)
Evans, Maurice (ed.),
The Countess of Pembroke’s “Arcadia” by Sir Philip Sidney
(London: Penguin, 1977)
The Exeter Book Riddles
, ed. and trans. Kevin Crossley-Holland (London: Penguin, 1979)
Farmer, D. H., “Introduction” to Bede,
The Ecclesiastical History of the English
People
, ed. Leo Sherley-Price, R. E. Latham and D. H. Farmer (London: Penguin, 1990)
Fell, Christine,
Women in Anglo-Saxon England
(London: British Museum Publications, 1984)
Ferguson, M. W., “A Room Not Their Own,” in Renaissance Poetry, ed. Christina Malcolmson (London: Longman, 1998)
Ferrante, J. M., “Marie de France,” in Medieval Women Writers, ed. K. M. Wilson (Manchester: Manchester University Press, 1984)
Fincke, L. A. (ed.), Women’s Writing in English: Medieval England (London: Longman, 1999)
Fish, Stanley,
Self-Consuming Artefacts
(London: University of California Press, 1972)
Flew, Antony (ed.),
A Dictionary of Philosophy
(London: Pan Books, 1979)
Ford, Boris (ed.),
Eighteenth-Century Britain
, The Cambridge Cultural History of Britain V (Cambridge: Cambridge University Press, 1988)
Frow, Gerald,
Oh Yes It Is—A History of Pantomime
(London: BBC, 1985)
Gardner, Helen,
Religion and Literature
, (Oxford: Oxford University Press, 1983)
Gaskell, Elizabeth,
The Life of Charlotte Brontë
, ed. Alan Shelston (London: Penguin, 1975)
Gaunt, William,
A Concise History of English Painting
(London: Thames & Hudson, 1964)
Gilbert, S. M., and S. Gubar (eds.), Shakespeare’s Sisters: Feminist Essays on Women
Poets
(London: Indiana University Press, 1979) ——,
The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century
Literary Imagination
(London: Yale University Press, 1980)
Glasscoe, Marion,
English Medieval Mystics: Games of Faith
(London: Longman, 1993)
Godden, Malcolm, and Michael Lapidge (eds.),
The Cambridge Companion to Old
English Literature
(Cambridge: Cambridge University Press, 1991)
Gomme, Andor, “Architecture,” in
Seventeenth-Century Britain
, ed. Boris Ford, The Cambridge Cultural History of Britain IV (Cambridge: Cambridge University Press, 1988)
Greenfield, S. B., and D. G. Calder, A New Critical History of Old English Literature (New York: New York University Press, 1986)
Greer, Germaine,
Slip-Shod Sibyls: Recognition, Rejection and the Woman Poet
(London: Viking, 1995)
Griffiths, Paul, “Music,” in
Modern Britain
, ed. Boris Ford, The Cambridge Cultural History of Britain IX (Cambridge: Cambridge University Press, 1988)
Groom, Nick (ed.),
Thomas Chatterton and Romantic Culture
(Basingstoke: Macmillan, 1999)
Gurr, Andrew,
Playgoing in Shakespeare’s London
(Cambridge: Cambridge University Press, 1987)
Hadfield, Miles,
Gardening in Britain: An Historical Outline to 1939
(London: Hutchinson, 1960)
Hageman, E. H., “Women’s Poetry in Early Modern Britain,” in
Women and
Literature in Britain, 1500–1700
, ed. Helen Wilcox (Cambridge: Cambridge University Press, 1996)
Hansen, Melanie, “Identity and Ownership,” in
Writing and the English Renaissance
, ed. William Zunder and Suzanne Trill (London: Longman, 1996)
Happe, Peter,
English Drama before Shakespeare
(London: Longman, 1999)
Harman, Claire, Fanny Burney (London: HarperCollins, 2000)
Hartman, Geoffrey,
Beyond Formalism: Literary Essays 1958–1970
(London: Yale University Press, 1970)
Hastings, Adrian, Alistair Mason and Hugh Pyper (eds.),
The Oxford Companion to
Christian Thought
(Oxford: Oxford University Press, 2000)
Hayden, J. O. (ed.), William Wordsworth: Poems, Volume One (London: Penguin, 1977)
Heffer, Simon,
Vaughan Williams
(London: Weidenfeld & Nicolson, 2000)
Heinemann, Margot, “Political Drama,” in
The Cambridge Companion to English
Renaissance Drama
, ed. A. R. Braunmuller and Michael Hattaway (Cambridge: Cambridge University Press, 1990)