"Not at all."
"You are ill--I'm sure of it."
"Not at all."
"On your word?"
"I'm really quite all right."
"But if you are----" she began; and then, looking at him with a desperate sweetness, as if this were her last resource to rouse him, "What's the matter, little boy?" she said with lisping tenderness. "Tell auntie!"
It was a mistake, for he seemed to flinch, and to lean backward, however, slightly. She turned away instantly, with a flippant lift and drop of both hands. "Oh, my dear!" she laughed. "I won't eat you!"
And as the discomfited young man watched her, seeming able to lift his eyes, now that her back was turned, she went to the front door and pushed open the screen. "Let's go out on the porch," she said. "Where we belong!"
Then, when he had followed her out, and they were seated, "Isn't this better?" she asked. "Don't you feel more like yourself out here?"
He began a murmur: "Not at----"
But she cut him off sharply: "Please don't say 'Not at all' again!"
"I'm sorry."
"You do seem sorry about something," she said. "What is it? Isn't it time you were telling me what's the matter?"
"Nothing. Indeed nothing's the matter. Of course one IS rather affected by such weather as this. It may make one a little quieter than usual, of course."
She sighed, and let the tired muscles of her face rest. Under the hard lights, indoors, they had served her until they ached, and it was a luxury to feel that in the darkness no grimacings need call upon them.
"Of course, if you won't tell me----" she said.
"I can only assure you there's nothing to tell."
"I know what an ugly little house it is," she said. "Maybe it was the furniture--or mama's vases that upset you. Or was it mama herself--or papa?"
"Nothing 'upset' me."
At that she uttered a monosyllable of doubting laughter. "I wonder why you say that."
"Because it's so."
"No. It's because you're too kind, or too conscientious, or too embarrassed--anyhow too something-- to tell me." She leaned forward, elbows on knees and chin in hands, in the reflective attitude she knew how to make graceful. "I have a feeling that you're not going to tell me," she said, slowly. "Yes--even that you're never going to tell me. I wonder--I wonder----"
"Yes? What do you wonder?"
"I was just thinking--I wonder if they haven't done it, after all."
"I don't understand."
"I wonder," she went on, still slowly, and in a voice of reflection, "I wonder who HAS been talking about me to you, after all? Isn't that it?"
"Not at----" he began, but checked himself and substituted another form of denial. "Nothing is 'it.'"
"Are you sure?"
"Why, yes."
"How curious!" she said.
"Why?"
"Because all evening you've been so utterly different."
"But in this weather----"
"No. That wouldn't make you afraid to look at me all evening!"
"But I did look at you. Often."
"No. Not really a LOOK."
"But I'm looking at you now."
"Yes--in the dark!" she said. "No--the weather might make you even quieter than usual, but it wouldn't strike you so nearly dumb. No--and it wouldn't make you seem to be under such a strain-- as if you thought only of escape!"
"But I haven't----"
"You shouldn't," she interrupted, gently. "There's nothing you have to escape from, you know. You aren't committed to--to this friendship."
"I'm sorry you think----" he began, but did not complete the fragment.
She took it up. "You're sorry I think you're so different, you mean to say, don't you? Never mind: that's what you did mean to say, but you couldn't finish it because you're not good at deceiving."
"Oh, no," he protested, feebly. "I'm not deceiving. "I'm----"
"Never mind," she said again. "You're sorry I think you're so different--and all in one day--since last night. Yes, your voice SOUNDS sorry, too. It sounds sorrier than it would just because of my thinking something you could change my mind about in a minute so it means you're sorry you ARE different."
"No--I----"
But disregarding the faint denial, "Never mind," she said. "Do you remember one night when you told me that nothing anybody else could do would ever keep you from coming here? That if you--if you left me it would be because I drove you away myself?"
"Yes," he said, huskily. "It was true."
"Are you sure?"
"Indeed I am," he answered in a low voice, but with conviction.
"Then----" She paused. "Well--but I haven't driven you away."
"No."
"And yet you've gone," she said, quietly.
"Do I seem so stupid as all that?"
"You know what I mean." She leaned back in her chair again, and her hands, inactive for once, lay motionless in her lap. When she spoke it was in a rueful whisper:
"I wonder if I HAVE driven you away?"
"You've done nothing--nothing at all," he said.
"I wonder----" she said once more, but she stopped. In her mind she was going back over their time together since the first meeting--fragments of talk, moments of silence, little things of no importance, little things that might be important; moonshine, sunshine, starlight; and her thoughts zigzagged among the jumbling memories; but, as if she made for herself a picture of all these fragments, throwing them upon the canvas haphazard, she saw them all just touched with the one tainting quality that gave them coherence, the faint, false haze she had put over this friendship by her own pretendings. And, if this terrible dinner, or anything, or everything, had shown that saffron tint in its true colour to the man at her side, last night almost a lover, then she had indeed of herself driven him away, and might well feel that she was lost.
"Do you know?" she said, suddenly, in a clear, loud voice. "I have the strangest feeling. I feel as if I were going to be with you only about five minutes more in all the rest of my life!"
"Why, no," he said. "Of course I'm coming to see you--often. I----"
"No," she interrupted. "I've never had a feeling like this before. It's--it's just SO; that's all! You're GOING--why, you're never coming here again!" She stood up, abruptly, beginning to tremble all over. "Why, it's FINISHED, isn't it?" she said, and her trembling was manifest now in her voice. "Why, it's all OVER, isn't it? Why, yes!"
He had risen as she did. "I'm afraid you're awfully tired and nervous," he said. "I really ought to be going."
"Yes, of COURSE you ought," she cried, despairingly. "There's nothing else for you to do. When anything's spoiled, people CAN'T do anything but run away from it. So good-bye!"
"At least," he returned, huskily, "we'll only--only say good-night."
Then, as moving to go, he stumbled upon the veranda steps, "Your HAT!" she cried. "I'd like to keep it for a souvenir, but I'm afraid you need it!"
She ran into the hall and brought his straw hat from the chair where he had left it. "You poor thing!" she said, with quavering laughter. "Don't you know you can't go without your hat?"
Then, as they faced each other for the short moment which both of them knew would be the last of all their veranda moments, Alice's broken laughter grew louder. "What a thing to say!" she cried. "What a romantic parting--talking about HATS!"
Her laughter continued as he turned away, but other sounds came from within the house, clearly audible with the opening of a door upstairs--a long and wailing cry of lamentation in the voice of Mrs. Adams. Russell paused at the steps, uncertain, but Alice waved to him to go on.
"Oh, don't bother," she said. "We have lots of that in this funny little old house! Good-bye!"
And as he went down the steps, she ran back into the house and closed the door heavily behind her.
CHAPTER XXIII
Her mother's wailing could still be heard from overhead, though more faintly; and old Charley Lohr was coming down the stairs alone.
He looked at Alice compassionately. "I was just comin' to suggest maybe you'd excuse yourself from your company," he said. "Your mother was bound not to disturb you, and tried her best to keep you from hearin' how she's takin' on, but I thought probably you better see to her."
"Yes, I'll come. What's the matter?"
"Well," he said, "
I
only stepped over to offer my sympathy and services, as it were.
I
thought of course you folks knew all about it. Fact is, it was in the evening paper--just a little bit of an item on the back page, of course."
"What is it?"
He coughed. "Well, it ain't anything so terrible," he said. "Fact is, your brother Walter's got in a little trouble--well, I suppose you might call it quite a good deal of trouble. Fact is, he's quite considerable short in his accounts down at Lamb and Company."
Alice ran up the stairs and into her father's room, where Mrs. Adams threw herself into her daughter's arms. "Is he gone?" she sobbed. "He didn't hear me, did he? I tried so hard----"
Alice patted the heaving shoulders her arms enclosed. "No, no," she said. "He didn't hear you-- it wouldn't have mattered--he doesn't matter anyway."
"Oh, POOR Walter!" The mother cried. "Oh, the POOR boy! Poor, poor Walter! Poor, poor, poor, POOR----"
"Hush, dear, hush!" Alice tried to soothe her, but the lament could not be abated, and from the other side of the room a repetition in a different spirit was as continuous. Adams paced furiously there, pounding his fist into his left palm as he strode. "The dang boy!" he said. "Dang little fool! Dang idiot! Dang fool! Whyn't he TELL me, the dang little fool?"
"He DID!" Mrs. Adams sobbed. "He DID tell you, and you wouldn't GIVE it to him."
"He DID, did he?" Adams shouted at her. "What he begged me for was money to run away with! He never dreamed of putting back what he took. What the dangnation you talking about--accusing me!"
"He NEEDED it," she said. "He needed it to run away with! How could he expect to LIVE, after he got away, if he didn't have a little money? Oh, poor, poor, POOR Walter! Poor, poor, poor----"
She went back to this repetition; and Adams went back to his own, then paused, seeing his old friend standing in the hallway outside the open door.
"Ah--I'll just be goin', I guess, Virgil," Lohr said. "I don't see as there's any use my tryin' to say any more. I'll do anything you want me to, you understand."
"Wait a minute," Adams said, and, groaning, came and went down the stairs with him. "You say you didn't see the old man at all?"
"No, I don't know a thing about what he's going to do," Lohr said, as they reached the lower floor. "Not a thing. But look here, Virgil, I don't see as this calls for you and your wife to take on so hard about--anyhow not as hard as the way you've started."
"No," Adams gulped. "It always seems that way to the other party that's only looking on!"
"Oh, well, I know that, of course," old Charley returned, soothingly. "But look here, Virgil: they may not catch the boy; they didn't even seem to be sure what train he made, and if they do get him, why, the ole man might decide not to prosecute if----"
"HIM?" Adams cried, interrupting. "Him not prosecute? Why, that's what he's been waiting for, all along! He thinks my boy and me both cheated him! Why, he was just letting Walter walk into a trap! Didn't you say they'd been suspecting him for some time back? Didn't you say they'd been watching him and were just about fixing to arrest him?"
"Yes, I know," said Lohr; "but you can't tell, especially if you raise the money and pay it back."
"Every cent!" Adams vociferated. "Every last penny! I can raise it--I GOT to raise it! I'm going to put a loan on my factory to-morrow. Oh, I'll get it for him, you tell him! Every last penny!"
"Well, ole feller, you just try and get quieted down some now." Charley held out his hand in parting. "You and your wife just quiet down some. You AIN'T the healthiest man in the world, you know, and you already been under quite some strain before this happened. You want to take care of yourself for the sake of your wife and that sweet little girl upstairs, you know. Now, good-night," he finished, stepping out upon the veranda. "You send for me if there's anything I can do."
"Do?" Adams echoed. "There ain't anything ANYBODY can do!" And then, as his old friend went down the path to the sidewalk, he called after him, "You tell him I'll pay him every last cent! Every last, dang, dirty PENNY!"
He slammed the door and went rapidly up the stairs, talking loudly to himself. "Every dang, last, dirty penny! Thinks EVERYBODY in this family wants to steal from him, does he? Thinks we're ALL yellow, does he? I'll show him!" And he came into his own room vociferating, "Every last, dang, dirty penny!"
Mrs. Adams had collapsed, and Alice had put her upon his bed, where she lay tossing convulsively and sobbing, "Oh, POOR Walter!" over and over, but after a time she varied the sorry tune. "Oh, poor Alice!" she moaned, clinging to her daughter's hand. "Oh, poor, POOR Alice to have THIS come on the night of your dinner--just when everything seemed to be going so well--at last--oh, poor, poor, POOR----"
"Hush!" Alice said, sharply. "Don't say 'poor Alice!' I'm all right."
"You MUST be!" her mother cried, clutching her. "You've just GOT to be! ONE of us has got to be all right--surely God wouldn't mind just ONE of us being all right--that wouldn't hurt Him----"
"Hush, hush, mother! Hush!"
But Mrs. Adams only clutched her the more tightly. "He seemed SUCH a nice young man, dearie! He may not see this in the paper--Mr. Lohr said it was just a little bit of an item--he MAY not see it, dearie----"
Then her anguish went back to Walter again; and to his needs as a fugitive--she had meant to repair his underwear, but had postponed doing so, and her neglect now appeared to be a detail as lamentable as the calamity itself. She could neither be stilled upon it, nor herself exhaust its urgings to self- reproach, though she finally took up another theme temporarily. Upon an unusually violent outbreak of her husband's, in denunciation of the runaway, she cried out faintly that he was cruel; and further wearied her broken voice with details of Walter's beauty as a baby, and of his bedtime pieties throughout his infancy.