“Everything except keep it safe.”
“The only piece missing is the Talisman emerald. It's valuable, sure, but look at what the thief
didn't
get.”
“I knew there was someone working behind the scenes after the police found that body. I
knew,
Morgana. But all I could think about was trapping Nightshade.”
“Which you did.”
“And cost Max the emerald.”
“And saved lives, Alex. We'll never know how many lives you saved. If the price was the emerald, then so be it. You heard Max. He doesn't care.”
“Maybe not, but—”
“He doesn't care.”
After a long moment, the tension seemed to leave Quinn and he pulled her even closer. “Yes. I know.”
Feeling the effects of the previous night without sleep, Morgan yawned and snuggled closer. “Besides, you'll be able to find that other thief and the emerald. Set a thief to catch a thief, remember?”
“I remember. Go to sleep, love.”
Halfway there, Morgan chuckled drowsily. “That's the first time you've ever called me that. I like it.”
“So do I.” He kissed her forehead. “Good night, love.”
When Morgan woke late the next morning, Quinn was gone. She knew it the instant she opened her eyes. She knew he wasn't in the apartment. She doubted he was even in the city.
“Set a thief to catch a thief,” she murmured. “Me and my big mouth.”
He'd gone after the emerald.
Bantam Books by
KAY HOOPER
Once a Thief
Whisper of Evil
Touching Evil
Out of the Shadows
Hiding in the Shadows
Stealing Shadows
Haunting Rachel
Finding Laura
After Caroline
Amanda
On Wings of Magic
The Wizard of Seattle
My Guardian Angel
And coming this summer from Bantam Books
Sense of Evil
PRAISE FOR KAY HOOPER'S
STEALING SHADOWS
“A fast-paced, suspenseful plot . . . The story's complicated and intriguing twists and turns keep the reader guessing until the chilling ending.”
—
Publishers Weekly
“The first book in a ‘thrillogy' which will feature back-to-back suspense novels by the awesome Ms. Hooper. If
Stealing Shadows
is any indication, readers are in for a terrific thrill ride.”
—Romantic Times
“This definitely puts Ms. Hooper in a league with Tami Hoag and Iris Johansen and Sandra Brown. Gold 5-star rating.”
—Heartland Critiques
HAUNTING RACHEL
“A stirring and evocative thriller.”
—Palo Alto Daily News
“The pace flies, the suspense never lets up. It's great reading.”
—The Advocate,
Baton Rouge
“An intriguing book with plenty of strange twists that will please the reader.”
—Rocky Mountain News
“It passed the ‘stay up late to finish it in one night' test.”
—The Denver Post
FINDING LAURA
“You always know you are in for an outstanding read when you pick up a Kay Hooper novel, but in
Finding Laura,
she has created something really special! Simply superb!”
—Romantic Times
(gold medal review)
“Hooper keeps the intrigue pleasurably complicated, with gothic touches of suspense and a satisfying resolution.”
—Publishers Weekly
“A first-class reading experience.”
—Affaire de Coeur
“Ms. Hooper throws in one surprise after
another. . . . Spellbinding.”
—Rendezvous
AFTER CAROLINE
“Harrowing good fun. Readers will shiver and shudder.”
—Publishers Weekly
“Kay Hooper comes through with thrills, chills, and plenty of romance, this time with an energetic murder mystery with a clever twist. The suspense is sustained admirably right up to the very end.”
—Kirkus Reviews
“Peopled with interesting characters and intricately plotted, the novel is both a compelling mystery and a satisfying romance.”
—Milwaukee Journal Sentinel
“Kay Hooper has crafted another solid story to keep readers enthralled until the last page is turned.”
—Booklist
“Joanna Flynn is appealing, plucky and true to her mission as she probes the mystery that was Caroline.”
—Variety
AMANDA
“
Amanda
seethes and sizzles. A fast-paced,
atmospheric tale that vibrates with tension, passion, and mystery. Readers will devour it.”
—Jayne Ann Krentz
“Kay Hooper's dialogue rings true; her characters are more three-dimensional than those usually found in this genre. You may think you've guessed the outcome, unraveled all the lies. Then again, you could be as mistaken as I was.”
—The Atlanta Journal-Constitution
“Will delight fans of Phyllis Whitney and Victoria Holt.”
—Alfred Hitchcock Mystery Magazine
“Kay Hooper knows how to serve up a latter-day gothic that will hold readers in its brooding grip.”
—Publishers Weekly
“I lapped it right up. There aren't enough good books in this genre, so this stands out!”
—
Booknews
from The Poisoned Pen
“Kay Hooper has given you a darn good ride, and there are far too few of those these days.”
—Dayton Daily News
A Featured Alternate Selection of Doubleday Book Club
An Alternate Selection of Mystery Guild, Rhapsody
Book Club, and Venus Book Club
Before
ALWAYS A THIEF,
t
here was
New York Times
bestseller
ONCE A THIEF—
on sale now!
Hungry for more thrills from
Kay Hooper?
Don't miss these chilling tales of paranormal
crime-solving from the proven master of
psychic suspense . . .
TOUCHING EVIL
and
WHISPER OF EVIL
Available now in paperback!
And read on for a sneak peek at the next heartstopper . . .
SENSE OF EVIL
Coming in hardcover from Bantam Books
in Summer 2003.
The voices wouldn't leave him alone.
Neither would the nightmares.
He threw back the covers and stumbled from the bed. A full moon beamed enough light into the house for him to find his way to the sink in the bathroom.
He carefully avoided looking into the mirror, but was highly conscious of his shadowy reflection as he fumbled for a drinking cup and turned on the tap. He drank three cups of water, vaguely surprised that he was so thirsty and yet . . . not.
He was usually thirsty these days.
It was part of the change.
He splashed his face with cold water again and again, not caring about the mess he was making. By the third splash, he realized he was crying.
Wimp. Spineless coward.
“I'm not,” he muttered, sending the next handful of water to wet his aching head.
You're afraid. Pissing in your pants afraid.
Half-consciously, he pressed his thighs together. “I'm not. I can do it. I told you I could do it.”
Then do it now.
He froze, bent over the sink, water dribbling from his cupped hands. “Now?”
Now.
“But . . . it's not ready yet. If I do it now—”
Coward. I should have known you couldn't go through with it. I should have known you'd fail me.
He straightened slowly, this time looking deliberately into the dim mirror. Even with moonlight, all he could make out was the shadowy shape of his head, dark blurs of features, faint gleam of eyes. The murky outline of a stranger.
What choice did he have?
Just look at yourself. Wimp. Spineless coward. You'll never be a real man, will you?
He could feel water dripping off his chin. Or maybe it was the last of the tears. He sucked in air, so deep his chest hurt, then let it out slowly.
Maybe you can buy a backbone—
“I'm ready,” he said. “I'm ready to do it.”
I don't believe you.
He turned off the tap and walked out of the bathroom. Went back to his bedroom, where the moonlight spilled through the big window to spotlight the old steamer trunk set against the wall beneath it. He knelt down and carefully opened it.
The raised lid blocked off some of the moonlight, but he didn't need light for this. He reached inside, let his fingers search gingerly until they felt the cold steel. He lifted the knife and held it in the light, turning it this way and that, fascinated by the gleam of the razor-sharp serrated edge.
“I'm ready,” he murmured. “I'm ready to kill her.”
The voices wouldn't leave her alone.
Neither would the nightmares.
She had drawn the drapes before going to bed in an effort to close out the moonlight, but even though the room was dark, she was very conscious of that huge moon painting everything on the other side of her window with the stark, eerie light that made her feel so uneasy.
She hated full moons.
The clock on her nightstand told her it was nearly three in the morning. The hot, sandpapery feel of her eyelids told her she really needed to try to go back to sleep. But the whisper of the voices in her head told her that even trying would be useless, at least for a while.
She pushed back the covers and slid from her bed. She didn't need light to show her the way to the kitchen, but once there turned on the light over the stove so she wouldn't burn herself. Hot chocolate, that was the ticket.
And if that didn't work, there was an emergency bottle of whiskey in the back of the pantry for just such a night as this. It was probably two-thirds empty by now.
There had been a few nights like this, especially in the last year or so.
She got what she needed and heated the pan of milk slowly, stirring the liquid so it wouldn't stick. Adding in chocolate syrup while the milk heated, because that was the way she liked to make her hot chocolate. In the silence of the house, with no other sounds to distract her, it was difficult to keep her own mind quiet. She didn't want to listen to the whispering there, but it was like catching a word or two of an overheard conversation and
knowing
you needed to listen more closely because they were talking about you.
Of course, some people would call that paranoia. Had called it. And at least part of the time, maybe they weren't wrong.
But only part of the time.
She was tired. It got harder and harder, as time went on, to bounce back. Harder for her body to recover. Harder for her mind to heal.
Given her druthers, she would put off tuning in to the voices until tomorrow. Or the next day, maybe.
The hot chocolate was ready. She turned off the burner and poured the steaming milk into a mug. She put the pan in the sink, then picked up her mug and carried it toward the little round table in the breakfast nook.
Almost there, she was stopped in her tracks by a wave of red-hot pain that washed over her body with the suddenness of a blow. Her mug crashed to the floor, landing unbroken but spattering her bare legs with hot chocolate.
She barely felt that pain.
Eyes closed, sucked into the red and screaming maelstrom of someone else's agony, she tried to keep breathing despite the repeated blows that splintered bones and shredded lungs. She could taste blood, feel it bubbling up in her mouth. She could feel the wet heat of it soaking her blouse and running down her arms as she lifted her hands in a pitiful attempt to ward off the attack.
“I know what you did. I know. I know. You bitch, I know what you did—”
She jerked and cried out as a more powerful thrust than all the rest drove the serrated knife into her chest, penetrating her heart with such force she knew the only thing that stopped it going deeper still was the hilt. Her hands fumbled, touching what felt like blood-wet gloved hands, large and strong, that retreated immediately to leave her weakly holding the handle of the knife impaling her heart. She felt a single agonized throb of her heart that forced more blood to bubble, hot and thick, into her mouth, and then it was over.
Almost over.
She opened her eyes and found herself bending over the table, her hands flat on the pale, polished surface. Both hands were covered with blood, and between them, scrawled in her own handwriting across the table, was a single bloody word.
Hastings
She straightened slowly, her entire body aching, and held her hands out in front of her, watching as the blood slowly faded until it was gone. Her hands were clean and unmarked. When she looked at the table again, there was no sign, now, of a word written there in blood.
“Hastings,” she murmured. “Well, shit.”
Hastings, South Carolina
Monday, June 9
Rafe Sullivan rose from his crouched position, absently stretching muscles that had begun to cramp, and muttered, “Well, shit,” under his breath.
It was already hot and humid even just before noon, the sun burning almost directly overhead in a clear blue sky, and he absently wished he'd had his people put up a tarp to provide some shade. The effort wouldn't be worthwhile now; another half hour, and the coroner's wagon would be here.
The body sprawled at his feet was a bloody mess. She lay on her back, arms wide, legs apart, spread-eagled in a pathetically exposed, vulnerable position that made him want to cover her up—even though she was more or less dressed. Her once-white blouse was dull red, soaked with blood and still mostly wet despite the heat, so that the coppery smell was strong. The thin, springlike floral skirt was eerily undamaged but blood-soaked, spread out around her hips, the hem almost daintily raised to just above her knees.
She had been pretty once. Now, even though her face was virtually untouched, she wasn't pretty anymore. Her delicate features were contorted, eyes wide and staring, mouth open in a scream she had probably never had the chance or the breath to utter. From the corners of her parted lips, trails of blood ran down her cheeks, some of it mixing with the golden strands of her long blond hair and a lot of it soaking into the ground around her.
She had been pretty once.
“Looks like he was really pissed this time, Chief. Bit like the first victim, I'd say.” Detective Mallory Beck made the observation dryly, seemingly unmoved by the bloody scene before them.
Rafe looked at her, reading the truth in her tightened lips and grim eyes. But all he said was, “Am I wrong, or did this one fight him?”
Mallory consulted her notebook. “Doc just did the preliminary, of course, but he says she tried. Defensive injuries on the victim's hands, and one stab wound in her back—which the doc says was probably the first injury.”
Shifting his gaze to the body, Rafe said, “In the back? So she was trying to turn—or run—away from him when he stabbed her the first time. And either he turned her around so he could finish her face to face or she turned herself trying to fight him.”
“Looks like it. And only a few hours ago; we got the call on this one earlier than the others. The doc estimates the time of death as around seven-thirty this morning.”
“Early to be up and out,” Rafe commented. “Caleb opens his office between nine-thirty and ten as a rule. She was still his paralegal, right?”
“Right. Normally went to the office around nine. So she was out early. What I don't get is how he was able to lure her this far away from the road. You can see there are no drag marks, and two sets of footprints—we have good casts, by the way—so she walked out here with him. I'm no Daniel Boone, but I'd say from her tracks that she was walking calm and easy, not struggling or hesitating at all.”
Rafe had to admit that the ground here looked remarkably calm and undisturbed for the most part, especially considering the violence of what had been done to the victim. And after last night's rain all the tracks were easily visible. So this murder scene, like the last one, clearly illustrated what had happened here.
From all appearances, twenty-six-year-old Tricia Kane had gotten out of her own car at an unofficial rest spot off a normally busy two-lane highway, and then walked with a companion—male, according to all likelihood as well as an FBI profile—about fifty yards into the woods to this clearing. And then the companion had killed her.
Brutally.
“Maybe he had a gun,” Rafe suggested, thinking aloud. “Or maybe the knife was enough to keep her docile until they got this far.”
Mallory frowned. “You want my hunch, I say she didn't see that knife until they reached this clearing. The instant she saw it, she tried to run. That's when he got her.”
Rafe didn't know why, but that was his hunch too. “And it's the same way he got the other two. Somehow he persuaded these women to leave their cars and walk calmly into the woods with him. Smart, savvy women who, from all accounts, were way too careful to let any stranger get that close.”
“Which means they probably knew him.”
“Even if, would
you
leave your car and just stroll into the woods with some guy early on a bright June morning? Especially if you knew two other women had recently died under similar circumstances?”
“No. But I'm a suspicious cop.” Mallory shook her head. “Still, it doesn't make sense. And what about the cars? All three women just left their cars in pull-off rest areas beside fairly busy highways and walked away from them. Keys in the ignition, for Christ's sake, and not many do that even in small towns these days. And we don't know whether he was with them when they stopped, or somehow flagged them down and
then
persuaded them to come with him. No tracks out at the rest stop to speak of with all that hard dirt and packed gravel.”
“Maybe he pulled a Bundy and claimed to need their help.”
“Could be. Although I still say that would have worked loads better if they knew who was asking. This guy isn't killing strangers. I think the profilers got that one right, Chief.”
With a sigh, Rafe said, “Yeah, me too. I hate like hell the idea that this bastard is local rather than some insane stranger passing through town, but I don't see any other way to explain how he's getting these women to go with him.”
“Unless he's some kind of authority figure they'd be inclined to trust and obey. Like a cop.”
“Oh, hell, don't even suggest that,” Rafe responded so instantly that Mallory knew the possibility had already been in his mind.
She studied him unobtrusively as he scowled down at the body of Tricia Kane. At thiry-six, he was the youngest chief of police ever in Hastings, but with his solid background in law enforcement in both training and experience, nobody doubted Rafe Sullivan's qualifications for the job.
Except maybe Rafe himself, who was a lot smarter than he realized.
Mallory had wondered more than once if his tendency to doubt himself and his hunches had anything to do with his looks. He wasn't exactly ugly—but she had to admit that his self-described label of “thug” pretty much fit. He had a harsh face, with sleepy, heavy-lidded eyes so dark they tended to make people uncomfortable. His nose had been broken at least twice and he had a sharp jaw with a stubborn jut to it and high cheekbones that marked him indelibly with his Celtic ancestry.