Angelology (40 page)

Read Angelology Online

Authors: Danielle Trussoni

As Gabriella and Vladimir spoke, I could hardly breathe. Given the events of the evening, Gabriella should have been as distressed as I. The loss of four angelologists and the threat of losing our discoveries from the expedition should have been enough to kill all merriment, even if the relationship between Dr. Seraphina and Gabriella had been superficial. But despite everything, the two had been exceptionally close once, and I knew that Gabriella had loved our teacher. Yet in the courtyard Gabriella appeared—I could hardly bear to think of the word—“joyous.” She had an air of triumph, as if she’d won a hard-fought victory.
A burst of light scattered over the courtyard as a car stopped, its headlights streaming through the iron gates and illuminating the great beech tree, whose branches stretched into the watery air like tentacles. A man stepped from the car. Gabriella glanced over her shoulder, her black hair framing her face like a bell. The man was striking, tall, with a beautiful double-breasted jacket and shoes that gleamed from polish. His appearance struck me as extraordinarily refined. Such wealth was an exotic sight during the war, and that evening I had been surrounded by it. As he stepped closer, I saw that it was Percival Grigori, the Nephilim I’d met earlier that evening. Gabriella recognized him at once. She gestured that he wait at the car and, kissing Vladimir quickly on each cheek, she turned and strode over the flagstones to her lover.
I crouched farther into the shadows, hoping that my presence would not be discovered. Gabriella was only meters away, so close I could have whispered to her as she passed. It was at that proximity that I saw it: the case containing our treasure from the mountain. Gabriella was delivering it to Percival Grigori.
This discovery had such an effect upon me that I momentarily lost my composure. I stepped into the plain light of the moon. Gabriella stopped short, taken by surprise to find me there. As our eyes met, I realized that it would not have mattered what the council had voted to do: All along, Gabriella had planned to give the case to her lover. In that moment the years of Gabriella’s strange behavior—her disappearances, her unaccountable rise in the angelological ranks, her falling-out with Dr. Seraphina, the money that seemed to come to her from out of the blue—all of it made sense to me. Dr. Seraphina had been correct. Gabriella was working with our enemies.
“What are you doing?” I said, hearing my own voice as if it belonged to another woman.
“Go back inside,” Gabriella answered, clearly startled by my appearance, her voice very low, as if she were afraid we would be overheard.
“You cannot do this,” I whispered. “Not now, after all we’ve suffered.”
“I am sparing you from further suffering,” Gabriella said, and, breaking free of my gaze, she walked to the car and climbed into the backseat, Percival Grigori following close behind.
The shock of Gabriella’s actions held me momentarily paralyzed, but as the car drove into the tangled obscurity of the narrow streets, I awoke. I ran through the courtyard and into the building, fear pushing me faster and faster through the vast, cold hallway.
Suddenly a voice called out to me from the end of the corridor. “Celestine!” Dr. Raphael said, stepping in my path. “Thank God you haven’t been hurt.”
“No,” I said, struggling to catch my breath. “But Gabriella has left with the case. I have just come from the courtyard. She’s stolen it.”
“Follow me,” Dr. Raphael said. Without further explanation he led me along a neglected hallway back to the Athenaeum, where the council had convened their meeting only half an hour before. Vladimir had also returned. He greeted me tersely, his expression grave. Looking past him, I saw that the windows at the far end of the room had been shattered and a cold, harsh breeze fell over the mutilated bodies of the council members, their corpses lying in pools of blood upon the floor.
The sight struck me with such force that I was unable to muster any response but disbelief. I supported myself upon the table where we had voted away my teacher’s life, unable to tell if the sight before me was real or if an evil fantasy had taken hold of my imagination. The brutality of the killings was horrifying. The nun had been shot point-blank in the head, leaving her habit soaked in blood. Gabriella’s uncle, Dr. Lévi-Franche, lay on the marble floor, equally bloody, his glasses crushed. Two other council members slumped upon the table itself.
I closed my eyes and turned from the awful sight. My only relief came when Dr. Raphael, whose arm encircled my shoulders, held me steady. I leaned against him, the scent of his body giving bittersweet comfort. I imagined that I would open my eyes and everything would be just as it had been years before—the Athenaeum would be filled with crates and papers and busy assistants packing our texts away. The council members would be arrayed about the table, studying Dr. Raphael’s maps of wartime Europe. Our school would be open, the council members would be alive. But upon opening my eyes, I was hit by the horror of the massacre again. There was no way to escape its reality.
“Come, now,” Dr. Raphael said, leading me from the room, steering me forcefully through the hallway and to the front entrance. “Breathe. You are in shock.”
Looking about as if in a dream, I said, “What has happened? I don’t understand. Did Gabriella do this?”
“Gabriella?” Vladimir said, joining us in the corridor. “No, of course not.”
“Gabriella had nothing to do with it,” Dr. Raphael said. “They were spies. We had known for some time that they were monitoring the council. It was part of the plan to kill them this way.”
“You did this?” I said, astonished. “How could you?”
Dr. Raphael looked at me, and I saw the faintest shadow of sadness register in his expression, as if it hurt him to bear witness to my disillusionment.
“It’s my job, Celestine,” he said at last as he took me by the arm and guided me through the hall. “One day you will understand. Come, we must get you out of here.”
As we approached the main entrance of the Athenaeum, the numbness brought on by the scene had begun to wear away, and I was overcome by nausea. Dr. Raphael led me into the cold night air, where the Panhard et Levassor waited to chauffer us away. As we walked down the wide stone steps, he pressed a case into my hand. The case was identical to the one Gabriella had held in the courtyard—the same brown leather, the same gleaming clasps.
“Take this,” Dr. Raphael said. “Everything is ready. You will be driven to the border tonight. Then, I’m afraid, we’ll have to rely upon our friends in Spain and Portugal to get you through.”
“Through to where?”
“To America,” Dr. Raphael said. “You will take this case with you. You—and the treasure from the gorge—will be safe there.”
“But I saw Gabriella leave,” I said, examining the case as if it were an illusion. “She took the instrument. It is gone.”
“It was a replica, dear Celestine, a decoy,” Dr. Raphael said. “Gabriella is diverting the enemy so that you can escape and Seraphina can be freed. You owe her much, including your presence on the expedition. The lyre is now in your care. You and Gabriella have gone your separate ways, but you must always remember that your work is for a single cause. Hers will be here, and yours will be in America.”
THE THIRD SPHERE
And there appeared to me two men very tall, such as I have never seen on earth. And their faces shone like the sun, and their eyes were like burning lamps; and fire came forth from their lips. Their dress had the appearance of feathers: their feet were purple, their wings brighter than gold; their hands whiter than snow.
 
—The Book of Enoch
Sister Evangeline’s cell, St. Rose Convent, Milton, New York
December 24, 1999, 12:01 A.M.
 
E
vangeline went to the window, pushed back the heavy curtains, and gazed into the darkness. From the fourth floor, she could see clear across the river. At scheduled times each night, the passenger train cut through the dark, slicing a bright trail against the landscape. The presence of the night train comforted Evangeline—it was as reliable as the workings of St. Rose Convent. The train passed, the sisters walked to prayer, the heat seeped from steam radiators, the wind rattled the windowpanes. The universe moved in regular cycles. The sun would rise in a few hours, and when it did, Evangeline would begin another day, following the rigid schedule she had followed every other day: prayer, breakfast, Mass, library work, lunch, prayer, chores, library work, Mass, dinner. Her life moved in spheres as regular as the beads on a rosary.
Sometimes Evangeline would watch the train and imagine the shadowy outline of a traveler making his precarious way through the aisle. The train and the man would flash by and then, in a clatter of metal and neon light, move off to some unknown destination. Gazing into the darkness, she longed for the train carrying Verlaine to pass while she watched.
Evangeline’s room was the size of a linen closet and, appropriately, smelled of freshly laundered linens. She had recently waxed the pine floor, cleaned the corners of spiderwebs, and dusted the room from floor to ceiling and wainscoting to sill. The stiff white sheets on her bed seemed to call out to her to take her shoes off and lie down to sleep. Instead she poured water from a pitcher into a glass on the bureau and drank. Then she opened the window and took a deep breath. The air was cold and thick in her lungs, soothing as ice on a wound. She was so tired she could hardly think. The clock’s electric digits gave the hour. It was just after midnight. A new day was beginning.
Sitting upon her bed, Evangeline closed her eyes and let all thoughts of the previous day’s encounter settle. She took the pack of letters Sister Celestine had given her and counted. There were eleven envelopes, one sent each year, the return address—a New York City address she did not recognize—the same on each one. Her grandmother had posted letters with remarkable consistency, the cancellation on the stamp dating the twenty-first of December. A card had arrived annually, from 1988 until 1998. Only the present year’s card was not among them.
Careful, so as not to rip the faces of the envelopes, Evangeline removed the cards and examined them, arranging them in chronological order across the surface of the bed, from the first card to arrive to the last. The cards were covered in pen-and-ink sketches, bold blue lines that did not appear to form any specific image. The designs had been executed by hand, although Evangeline could not understand the purpose or meaning of the images. One of the cards contained a sketch of an angel climbing a ladder, an elegant, modern depiction that had none of the excesses of the angelic images in Maria Angelorum.
Although many sisters did not agree with her, Evangeline much preferred artistic depictions of angels to the biblical descriptions, which she found frightening to imagine. Ezekiel’s wheels, for example, were described in the Bible as beryl-plated and circular, with hundreds of eyes lining their outer rims. The cherubim were said to have four faces—a man, an ox, a lion, and an eagle. This ancient vision of God’s messengers was unnerving, almost grotesque, when compared with the Renaissance painters’ work, which forever changed the visual representation of angels. Angels blowing trumpets, carrying harps, and hiding behind delicate wings—these were the angels Evangeline cherished, no matter how removed from biblical reality they were.
Evangeline examined the cards one by one. On the first card, dated December 1988, there was the image of an angel blowing a golden trumpet, its white robes traced in gold. When she opened it, she found a piece of creamy paper fastened inside. A message, written with crimson ink in her grandmother’s elegant hand, read:
Be forewarned, dear Evangeline: Understanding the significance of Orpheus’s lyre has proved to be a trial. Legend surrounds Orpheus so heavily that we cannot discern the precise outline of his mortal life. We do not know the year of his birth, his true lineage, or the real measure of his talents with the lyre. He was reputed to have been born of the muse Calliope and the river god Oeagrus, but this, of course, is mythology, and it is our work to separate the mythological from the historical, disentangle legend from fact, magic from truth. Did he give humanity poetry? Did he discover the lyre on his legendary journey to the underworld? Was he as influential in his own lifetime as history claims? By the sixth century B.C., he was known through the Greek world as the master of songs and music, but how he came upon the instrument of the angels has been widely debated among historians. Your mother’s work only gave confirmation to long-held theories of the lyre’s importance.
Evangeline turned the paper over in her hand, hoping the red ink would continue. Surely the message was a fragment of a larger communication. But she found nothing.
She glanced about her bedroom—the solid edges of which had gone soft as her exhaustion grew—then turned back to the cards. She opened another card and then another. There were identical creamy pages fastened inside each card, all of which had been filled with lines of writing that began and ended without any discernible logic whatsoever. Of the eleven cards, only the one addressed to her contained a definite starting or ending point. There were no numbers on the pages, and the order could not be discerned from the chronology in which they’d been mailed. In fact, it appeared to Evangeline that the pages had been simply filled up with an endless stream of words. To make matters worse, the words were so small it strained her eyes to read them.

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