Angels and Absences: Child Deaths in the Nineteenth Century (64 page)

Read Angels and Absences: Child Deaths in the Nineteenth Century Online

Authors: Laurence Lerner

Tags: #History, #Modern, #19th Century, #Social Science, #Death & Dying, #test

 
Page 173
then died! I would not send my child to be educated by the man who could hang up such a picture as that for an object of contemplation.
31
She did not know it, but she had taken a step from the nineteenth century into the twentieth: from a culture that represented death as painless, as being received by God, into one that sees it as departing reluctantly and painfully from the only life we actually know. Looking at the Bishop's picture was like reading of little Phil or Nepomuk, and she did not like it.
 
Page 174
5
Sentimentality: For and Against
Simple and Honest Hearts
If England grieved at the death of Princess Charlotte, it gave even more unrestrained signs of grief at the death of Little Nell.
The Old Curiosity Shop
was perhaps the most rapturously received of all Dickens's novels, and its reception meant a great deal to him:
Some simple and honest hearts in the remote wilds of America, have written me letters on the loss of their children; so numbering my little book, or rather heroine, with their household gods, and so pouring out their trials and sources of comfort in them, before me as a friend, that I have been inexpressibly movedand am, whenever I think of themI do assure you
1
In a speech in Boston a few months later he spoke again of the letters he had received "about that child"
from the dwellers in log-houses among the morasses, and swamps, and densest forests, and deepest solitudes of the Far West. Many a sturdy hand, hard with the axe and spade, and browned by the summer's sun, has taken up the pen, and written to me a little history of domestic joy or sorrow, always coupled, I
 
Page 175
am proud to say, with something of interest in that little tale, or some comfort or happiness derived from it, and my correspondent has always addressed me, not as a writer of books for sale, resident some four or five thousand miles away, but as a friend to whom he might freely impart the joys and sorrows of his own fireside.
2
These letters from the backwoods of America have unfortunately not survived, and the eager rhetoric with which Dickens builds up the setting that gave birth to them suggests that they have lost nothing, and even gained something, in his retelling. We do have Dickens's reply to one, from a John Tomlin of Jackson, Tennessee, to whom he wrote: "to think that I have awakened a fellow-feeling and sympathy with the creatures of many thoughtful hours among the vast solitudes in which you dwell, is a source of the purest delight and pride to me."
3
Bret Harte's poem "Dickens in Camp"a description of cowboys round a camp-fire listening to the story of little Nell, read among "the dim Sierras, far beyond, uplifting / Their minarets of snow"can stand for these lost letters, as it is meant to do, with its hushed awe as "a silence seemed to fall" on the remote scene, and the listeners felt how "their cares dropped from them like the needles shaken / From out the gusty pine.''
4
And we do of course have abundant documentation of the book's reception in England, both by the public and by Dickens's friends. Thomas Hood in
The Athenaeum,
writing before Nell died, was much taken by the
picture of the Child, asleep in her little bed, surrounded, or rather mobbed, by ancient armour and arms, antique furniture, and relics sacred or profane, hideous or grotesque:it is like an Allegory of the peace and innocence of Childhood.
5
And Margaret Oliphant, who later grew critical of Dickens's pathos, spoke, in her first retrospective survey of his fiction, with what was surely the common voice of readers:
Poor little Nell! who has ever been able to read the last chapter of her history with an even voice or a clear eye? Poor little Nell! how we defied augury, and clung to hope for herhow we refused to believe that Kit and the strange gentleman, when they alighted amid the snow at the cottage door, could not do some miracle for her recovery.
6

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