He opened his brother’s shirt so the chest was revealed. A gentle chest. Not hard and feral like his own. It was the generous chest of a Ganesh. An Asian belly. The chest of someone who in his sarong would stroll into the garden or onto the verandah with his tea and newspaper. Sarath had always sidestepped violence because of his character, as if there had never been a war within him. He drove people around him mad. If Gamini had been the Mouse, his brother was the Bear.
Gamini placed the warmth of his hand against the still face. He had never worried about the fate of his one brother, had always thought he himself would be the fatal one. Perhaps they had each assumed they would crash alone in the darkness they had invented around themselves. Their marriages, their careers on this borderland of civil war among governments and terrorists and insurgents. There had never been a tunnel of light between them. Instead they had searched out and found their own dominions. Sarath in sun-drenched fields looking for astrological stones, Gamini in his medieval world of Emergency Services. Each of them most at ease, most free, when not conscious of the other. They were too similar in essence and therefore incapable of ever giving in to the other. Each refused to show hesitation and fear, it was only strength and anger they revealed when in the other’s company. The woman Anil had said, that night on Galle Face Green, ‘I can never understand someone by his strengths. Nothing is revealed there. I can only understand people by their weaknesses.’
Sarath’s chest said everything. It was what Gamini had fought against. But now this body lay on the bed undefended. It was what it was. No longer a counter of argument, no longer an opinion that Gamini refused to accept. Oh, there seemed to be a mark like that made with a spear. A small wound, not deep in his chest, and Gamini bathed it and taped it up.
He had seen cases where every tooth had been removed, the nose cut apart, the eyes humiliated with liquids, the ears entered. He had been, as he ran down that hospital hallway, most frightened of seeing his brother’s face. It was the face they went for in some cases. They could in their hideous skills sniff out vanity. But they had not touched Sarath’s face.
The shirt they had dressed Sarath in had giant sleeves. Gamini knew why. He ripped the sleeves down to the cuffs. Below the elbows the hands had been broken in several places.
It was dark now. It looked as if the room were full of grey water. He walked to the entrance and touched the switch, and seven central lights came on. He came back and sat with his brother.
He was still there an hour later when the bodies started coming in from a bombing somewhere in the city.
P
resident Katugala was in a white cotton outfit, looking old, not at all like the giant posters of him throughout the city that had celebrated and idealized him for years. When you looked at the real image of the man, the lean face below the thinning white hair, there was a compassion for him, no matter what he had done. He looked weary and scared. He had been tense during the previous days, as if there was some kind of foreshadowing in his mind, as if some mechanism he had no control of had been put in motion. But it was now National Heroes Day. And the one thing the Silver President did every National Heroes Day was to go out and meet the people. He could never give up a political rally.
The week before, there had been warnings from the special forces of the police and army for him
not
to go among the crowds. He had in fact promised he would not do so. But around three-thirty in the afternoon, it was discovered the President was out meeting the people. The head of Katugala’s special unit, with a few other officials, leapt into a jeep and went looking for him. They located him reasonably quickly in the crowded Colombo streets and had just reached him and were standing behind him at the moment the bomb went off.
Katugala was wearing a loose white long-sleeved jacket and sarong. He was wearing sandals. He had a watch on his left wrist. He stopped by Lipton Circus and made a short speech from his bulletproof vehicle.
R—— wore denim shorts and a loose shirt. Underneath these was a layer of explosives and two Duracell batteries and two blue switches. One for the left hand, one for the right, linked by wires to the explosives. The first switch armed the bomb. It would stay on as long as the bomber wished. When the other switch was turned on, the bomb detonated. Both needed to be activated for the explosion to occur. You could wait as long as you wanted before turning on the second switch. Or you could turn the first switch off. R—— had more clothing on above the denim shorts. Four Velcro straps held the explosives pack to his body, and along with the dynamite there was the great weight of thousands of small ball bearings.
After Katugala finished speaking at Lipton Circus, he travelled in the bulletproof Range Rover towards the large rally on Galle Face Green. A year earlier a fortune-teller had said, ‘
He will be destroyed like a plate falling to the ground.
’ Now he made his way along the dual carriageway. But he kept climbing out from his vehicle and greeting the crowd. R—— threaded his way on a bicycle through the chaos of people, or maybe he was walking, wheeling it. In any case, Katugala was now among the people; he had stopped again because he saw a procession of slogan-waving supporters coming onto the street from a side road. He tried to help supervise it. And R——, who would kill him, who had infiltrated the outer circle of Katugala’s residential staff so that he was well known by them, R—— came slowly towards him, riding or walking his bicycle.
There are a few photographs of Katugala taken during the last half-hour of his life that exist only in a file belonging to the army. A couple of pictures were taken by the police from a high building, some by journalists, which were later confiscated and never returned, never published in the newspapers. They show him in his white outfit, looking frail, beginning to appear concerned. Mostly he looks old. Over the years no unflattering pictures of him were published in the newspapers. But in these photographs what you notice first is his age—emphasized by the fact that behind him is his platonic form on a giant cardboard cut-out, where he looks vibrant, with thick white hair. And behind him you can also see the armoured vehicle that he has left for the last time.
Katugala’s plan, in his last minutes, was to get the procession of supporters from
his
constituency to join the crowd on Galle Face Green. He had begun walking back to his vehicle, changed his mind and returned to choreograph the procession once more; this was how he came to be caught with his bodyguards between two very different processions—his supporters and the general populace celebrating National Heroes Day. If someone had said the President was in their midst, most of those in the crowd would have been surprised.
Where is the President?
At street level, in the crowd, the only presidential presence was a giant cardboard cut-out of him carried like a film prop, bobbing up and down.
No one knows really if R—— came with this new procession, as seems most likely, or whether he was at the junction where the group met the larger crowd. Or he could have been waiting near the vehicle. In any case, he had been waiting for this day, when he was sure he would be able to get to Katugala on the street. There was no way R—— could have entered the presidential grounds with explosives and ball bearings strapped to him. The bodyguards were unforgiving. There were never exceptions. Every pen in every pocket was examined. So R—— had to approach him in a public place, with all the paraphernalia of devastation sewn onto himself. He was not just the weapon but the aimer of it. The bomb would destroy whomever he was facing. His own eyes and frame were the cross-hairs. He approached Katugala having already switched on one of the batteries. One blue bulb lighting up deep in his clothing. When he was within five yards of Katugala he turned on the other switch.
At four p.m. on National Heroes Day, more than fifty people were killed instantly, including the President. The cutting action of the explosion shredded Katugala into pieces. The central question after the bombing concerned whether the President had been spirited away, and if so whether by the police and army forces or by terrorists. Because the President could not be found.
Where was the President?
The head of the President’s unit, who half an hour earlier had been told that Katugala was out meeting the crowds, who had leapt into the jeep and made his way towards the Silver President, had just reached him and was insisting that he return to the armoured vehicle and be driven back to his residence. When the bomb went off he was left miraculously untouched. The direct spray of ball bearings entered and were held within the body of Katugala or went through him and fell in a clatter to the tarmac in the few feet behind him. But the sound of the blast drowned out the clatter. And it was the awfulness of the noise that most remember, those who survived.
So he was the only human left standing in the silence that contained the last echoes of the bomb. There was no one within twenty yards of him save the Gulliver-like replica of Katugala, rays of sun coming through the cardboard, which the ball bearings had reached and gone through.
Around him were the dead. Political supporters, an astrologer, three policemen. The armoured Range Rover just a few yards away was undamaged. There was blood on the unbroken windows. The driver sitting inside was unhurt except for damage to his ears from the sound.
Some flesh, probably from the bomber, was found on the wall of the building across the street. The right arm of Katugala rested by itself on the stomach of one of the dead policemen. There were shattered curd pots all over the pavement. Four p.m.
By four-thirty every doctor who could be located had reported for duty in the emergency hospitals in Colombo. There were more than a hundred injured on the periphery of the killing. And soon rumours rose in every ward that Katugala too had been in the crowd when the bomb went off. So each hospital waited for the possibility that his wounded body would be brought in. But it never arrived. The body, what remained of it, was not found for a long time.
The general public first became aware of the assassination when phone calls started coming in from England and Australia, people saying they had heard Katugala was dead. And then the truth slipped across the city within an hour.
Distance
T
he 120-foot-high statue had stood in a field of Buduruvagala for several generations. Half a mile away was the more famous rock wall of Bodhisattvas. In noon heat you walked barefoot and looked up at the figures. This was a region of desperate farming, the nearest village four miles away. So these stone bodies rising out of the earth, their faces high in the sky, often were the only human aspect a farmer would witness in his landscape during the day. They gazed over the stillness, over the buzz-scream of cicadas which were invisible in the parched grass. They brought a permanence to brief lives.
After the long darkness of night the rising sun would first colour the heads of the Bodhisattvas and the solitary Buddha, then move down their rock robes until finally, free of forests, it swathed down onto the sand and dry grass and stone, onto the human forms that walked on bare burning feet towards the sacred statues.
Three men had travelled all night across the fields carrying a thin bamboo ladder. Some quiet talk, a fear of being witnessed. They had made the ladder that afternoon and now they propped it against the statue of the Buddha. One of them lit a beedi and put it in his mouth, then climbed up the ladder. He tucked the roll of dynamite into a stone fold of cloth on the statue and ignited the fuse with the cigarette. Then he jumped down and the three of them ran and turned at the noise and held hands and lowered their heads in a crouch as the statue buckled and the torso leapt towards the earth and the great expressive face of the Buddha fell forward and smashed into the ground.
The thieves pried the stomach open with metal rods but found no treasure, and so they left. Still, this was broken stone. It was not a human life. This was for once not a political act or an act perpetrated by one belief against another. The men were trying to find a solution for hunger or a way to get out of their disintegrating lives. And the ‘neutral’ and ‘innocent’ fields around the statue and the rock carvings were perhaps places of torture and burials. Since it was mostly uninhabited land, with only a few farmers and pilgrims, this was a place where trucks came to burn and hide victims who had been picked up. These were fields where Buddhism and its values met the harsh political events of the twentieth century.
The artisan brought to Buduruvagala to attempt a reconstruction of the Buddha statue was a man from the south. Born in a village of stonecutters, he had been an eye painter. According to the Archaeological Department, which oversaw the project, he was a drinker but would not begin drinking until the afternoons. There was a small overlap of working and drinking but it was only in the evenings that he was unapproachable. He had lost his wife some years earlier. She was one of the thousands who had disappeared.
Ananda Udugama would be on the site by dawn, would peg the blueprints into the earth and assign duties to the seven men who worked with him. The workers had dug out the base, which held the lower legs and thighs of the statue. These had not been damaged. They were pulled out and stored in a field where there were bees and left there until the rest of the body was reconstructed. A quarter of a mile away, and simultaneously with the reconstruction of this large broken Buddha, another statue was being built—to replace the destroyed god.
It was assumed that Ananda would be working under the authority and guidance of foreign specialists but in the end these celebrities never came. There was too much political turmoil, and it was unsafe. They were finding dead bodies daily, not even buried, in the adjoining fields. Victims picked up as far away as Kalutara were brought here, out of family range. Ananda appeared to stare past it all. He gave two of the men on his team the job of dealing with the bodies—tagging them, contacting civil rights authorities. By the time the monsoon came the murders had subsided, or at least this area was no longer being used as a killing field or a burial ground.
Later it came to be seen that the work done by Ananda was complex and innovative. All through the various seasons of heat, the time of monsoons and their storms, he oversaw the work in the mud trench, which resembled a hundred-foot-long coffin. It was a structure in which the found fragments of stone would be dropped. Inside it was a grid divided into one-foot squares, and once the stones were identified as to what likely part of the body they came from, by someone at the head of the triage, as it were, these were placed in the appropriate section. All this was tentative, approximate. They had pieces of stone as big as boulders and shards the size of a knuckle. This distinguishing took place in the worst of the May monsoons, so fragments of rock would be tossed into square pools of water.
Ananda brought in some of the villagers to work, ten more men. It was safer to be seen working for a project like this, otherwise you could be pulled into the army or you might be rounded up as a suspect. He got more of the village involved, women as well as men. If they volunteered, he put them to work. They had to be there by five in the morning and they packed it in by two in the afternoon, when Ananda Udugama had his own plans for the day.
The women distinguished the stones, which slid wet from their hands into the grid. It rained for more than a month. When the rain stopped, the grass steamed around them and they could finally hear one another and began to talk, their clothes dry in fifteen minutes. Then the rain would come again and they were back within its noise, silent, solitary in the crowded field, the wind banging and loosening a corrugated roof, trying to unpeel it from a shed. The distinguishing of the stones took several weeks, and by the time the dry season came most of the limbs had been assembled. There was now one arm, fifty feet long, an ear. The legs still safe in the field of bees. They began to move the sections towards each other in the cicada grass. Engineers came and with a twenty-foot drill burrowed through the soles of the feet and moved up the limbs of the body, till there was a path for metal bones to be poured in, tunnels between the hips and torso, between the shoulders and neck to the head.
During the months of assembly, Ananda had spent most of his time on the head. He and two others used a system of fusing rock. Up close the face looked quilted. They had planned to homogenize the stone, blend the face into a unit, but when he saw it this way Ananda decided to leave it as it was. He worked instead on the composure and the qualities of the face.
On the horizon the other statue of the Buddha rose gradually into the sky, while Ananda’s reconstruction stretched out along a sandy path. The path sloped, the head remaining the lowest part of the body—essential for the final stage of knitting it together.
Five cauldrons of boiling iron hissed under the slight rainfall. The men brought out the prepared corrugated troughs and poured the iron along them and watched it disappear into the feet of the statue, the red metal sliding into the path drilled within the body—giant red veins slipping down the hundred-foot length. When it hardened it would lock all the limbs together. Then it rained again, this time for two days, and the village workers were sent home. Everyone left the site.
Ananda sat in a chair next to the head. He looked up at the sky, into the source of the storm. They had built a walk ledge ten feet off the ground with bamboo. Now this forty-five-year-old man got up and climbed up onto the ledge to look down at the face and torso, which held inside it the cooling red iron.
He was there again the next morning. It was still raining, then it suddenly stopped, and the heat began to draw out steam from the earth and the statue. Ananda kept pulling off and drying his wired-together spectacles. He was on the platform most of the time now, wearing one of the Indian cotton shirts Sarath had given him some years back. His sarong was heavy and dark from the rain.
He stood over what they had been able to re-create of the face. It was a long time since he had believed in the originality of artists. He had known some of them in his youth. You slipped into the old bed of the art, where they had slept. There was comfort there. You saw their days of glory, then their days of banishment. He had always liked them and their art more during their years of banishment. He himself did not create or invent faces anymore. Invention was a sliver. Still, all the work he had done in organizing the rebuilding of the statue was for this. The face. Its one hundred chips and splinters of stone brought together, merged, with the shadow of bamboo lying across its cheek. All its life until now the statue had never felt a human shadow. It had looked over these hot fields towards green terraces in the distant north. It had seen the wars and offered peace or irony to those dying under it. Now sunlight hit the seams of its face, as if it were sewn roughly together. He wouldn’t hide that. He saw the lidded grey eyes someone else had cut in another century, that torn look in its great acceptance; he was close against the eyes now, with no distance, like an animal in a stone garden, some old man in the future. In a few days the face would be in the sky, no longer below him as he walked on this trestle, his shadow moving across the face, the hollows holding rain so he could lean down and drink from it, as if a food, a wealth. He looked at the eyes that had once belonged to a god. This is what he felt. As an artificer now he did not celebrate the greatness of a faith. But he knew if he did not remain an artificer he would become a demon. The war around him was to do with demons, spectres of retaliation.
It was the evening before the N
ē
tra Mangala ceremony of the new Buddha statue and offerings were being brought from the nearby villages. The figure stood upright, high above the fires, as if leaning into the darkness. By three in the morning the chants had altered into the recitation of
sloka
s alongside quiet drums. Ananda could hear the recitations of the
Kosala-bimba-varnan
ā
va,
could also hear the night insects chirping beside the paths of light that radiated from the statue, like spokes into the fields, leading to bonfires where children and mothers slept or sat waiting for morning. The drummers returned from their performance sweating in the cold dark, their feet lit by the oil lamps as they came along the paths.
The work on the statues had ended days apart, so there seemed suddenly to be two figures—one of scarred grey rock, one of white plaster—standing now in the open valley a half-mile away from each other.
Ananda was sitting in a teak chair, being dressed and painted. He was to perform the eye ceremony on the new statue. The darkness around him had removed centuries of history. In the time of the old kings, such as Parakrama Bahu, when only kings performed the ceremony, there would have been temple dancers who danced and sang the Melodies, as if this were heaven.
It was almost four-thirty when the men pulled two long bamboo ladders out of the dark fields and within the ring of bonfires lifted them against the statue. When the sun rose it would be seen that they rested on the giant figure’s shoulders. Ananda Udugama and his nephew were already climbing the ladders up into the night. Both were robed, Ananda with a turban of fine silk on his head. Both carried cloth satchels.
In the coldness of the world, halfway up, it seemed that only the fires below connected him to earth. Then, looking into the dark, he could see the dawn prizing itself up out of the horizon, emerging above the forest. The sun lit the green bamboo of the ladder. He could feel its partial warmth on his arms, saw it light the brocade costume he wore over Sarath’s cotton shirt—the one he had promised himself he would wear for this morning’s ceremony. He and the woman Anil would always carry the ghost of Sarath Diyasena.
He reached the head a few minutes before the precise hour for the eye ceremony. His nephew was there, waiting for him. Ananda had climbed this ladder a day earlier and so knew he would be most comfortable and efficient two rungs from the top. He used a sash to tie himself to the ladder and then his nephew passed him the chisels and brushes. Below them the drumming stopped. The boy held up the metal mirror so that it reflected the blank stare of the statue. The eyes unformed, unable to see. And until he had eyes—always the last thing painted or sculpted—he was not the Buddha.
Ananda began to chisel. He used a coconut husk to clean the grit from the large trough he had cut, which to those below would be only a delicate line of expression. There was no talking between him and the boy. Every now and then he would lean forward into the ladder and put his arms down to let the blood back into them. But the two worked at a fast pace, because soon there would be the harshness of sunlight.
He was working on the second eye, sweating within the brocade costume though it was still just dawn heat. Only the sash held him safe on the ladder. There was plaster dust everywhere—on the cheeks and shoulders of the statue’s head, on Ananda’s clothes, on the boy. Ananda was very tired. As if all his blood had magically entered into this body. Soon, though, there would be the evolving moment when the eyes, reflected in the mirror, would see him, fall into him. The first and last look given to someone so close. After this hour the statue would be able to witness figures only from a great distance.
The boy was watching him. Ananda nodded to acknowledge he was all right. They still did not speak. He had probably about another hour to go.
The noise of his hammering stopped and there was just the wind around them, its tugs and gusts and whistles. He handed the tools to his nephew. Then he drew from a satchel the colours for the eye. He looked past the vertical line of cheek into the landscape. Pale greens, dark greens, bird movement and their nearby sounds. It was the figure of the world the statue would see forever, in rainlight and sunlight, a combustible world of weather even without the human element.
The eyes, like his at this moment, would always look north. As would the great scarred face half a mile away, which he had helped knit together from damaged stone, a statue that was no longer a god, that no longer had its graceful line but only the pure sad glance Ananda had found.