Animating Maria
Authors: M.C. Beaton
M. C. Beaton
is the author of the hugely successful Agatha Raisin and Hamish Macbeth series, as well as a quartet of Edwardian murder mysteries featuring heroine Lady Rose Summer, the Travelling Matchmaker and Six Sisters Regency romance series, and a stand-alone murder mystery,
The Skeleton in the Closet
– all published by Constable & Robinson. She left a full-time career in journalism to turn to writing, and now divides her time between the Cotswolds and Paris. Visit
www.agatharaisin.com
for more.
Praise for the School for Manners series:
‘A welcome new series . . . the best of the Regency writers again offers an amusing merry-go-round of a tale.’
Kirkus
‘The Tribbles, with their salty exchanges and impossible schemes, provide delightful entertainment.’
Publishers Weekly
‘[Beaton] displays a fine touch in creating an amusing set of calamities in her latest piece of frivolous fiction.’
Booklist
‘The Tribbles are charmers . . . Very highly recommended.’
Library Journal
Titles by M. C. Beaton
The School for Manners
Refining Felicity
•
Perfecting Fiona
•
Enlightening Delilah
Animating Maria
•
Finessing Clarissa
•
Marrying Harriet
The Six Sisters
Minerva
•
The Taming of Annabelle
•
Deirdre and Desire
Daphne
•
Diana the Huntress
•
Frederica in Fashion
The Edwardian Murder Mystery series
Snobbery with Violence
•
Hasty Death
•
Sick of Shadows
Our Lady of Pain
The Travelling Matchmaker series
Emily Goes to Exeter
•
Belinda Goes to Bath
•
Penelope Goes to Portsmouth
Beatrice Goes to Brighton
•
Deborah Goes to Dover
•
Yvonne Goes to York
The Agatha Raisin series
Agatha Raisin and the Quiche of Death
•
Agatha Raisin and the Vicious Vet
Agatha Raisin and the Potted Gardener
•
Agatha Raisin and the Walkers of Dembley
Agatha Raisin and the Murderous Marriage
•
Agatha Raisin and the Terrible Tourist
Agatha Raisin and the Wellspring of Death
•
Agatha Raisin and the Wizard of Evesham
Agatha Raisin and the Witch of Wyckhadden
Agatha Raisin and the Fairies of Fryfam
•
Agatha Raisin and the Love from Hell
Agatha Raisin and the Day the Floods Came
Agatha Raisin and the Curious Curate
•
Agatha Raisin and the Haunted House
Agatha Raisin and the Deadly Dance
•
Agatha Raisin and the Perfect Paragon
Agatha Raisin and Love, Lies and Liquor
Agatha Raisin and Kissing Christmas Goodbye
Agatha Raisin and a Spoonful of Poison
•
Agatha Raisin: There Goes the Bride
Agatha Raisin and the Busy Body
•
Agatha Raisin: As the Pig Turns
The Hamish Macbeth series
Death of a Gossip
•
Death of a Cad
•
Death of an Outsider
Death of a Perfect Wife
•
Death of a Hussy
•
Death of a Snob
Death of a Prankster
•
Death of a Glutton
•
Death of a Travelling Man
Death of a Charming Man
•
Death of a Nag
•
Death of a Macho Man
Death of a Dentist
•
Death of a Scriptwriter
•
Death of an Addict
A Highland Christmas
•
Death of a Dustman
•
Death of a Celebrity
Death of a Village
•
Death of a Poison Pen
•
Death of a Bore
Death of a Dreamer
•
Death of a Maid
•
Death of a Gentle Lady
Death of a Witch
•
Death of a Valentine
•
Death of a Sweep
Death of a Kingfisher
The Skeleton in the Closet
Constable & Robinson Ltd
55–56 Russell Square
London WC1B 4HP
First published in the US by St Martin’s Press, 1990
This paperback edition published by Canvas,
an imprint of Constable & Robinson Ltd, 2012
Copyright © M. C. Beaton, 1990
The right of M. C. Beaton to be identified as the author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988.
All rights reserved. This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out or otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.
This is a work of fiction. Names, characters, places and incidents are either the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, or to actual events or locales is entirely coincidental.
A copy of the British Library Cataloguing in
Publication Data is available from the British Library
ISBN: 978-1-78033-315-1 (paperback)
ISBN: 978-1-78033-470-7 (ebook)
Typeset by TW Typesetting, Plymouth, Devon
Printed and bound in the UK
1 3 5 7 9 10 8 6 4 2
Father, O Father! what do we here
In this land of unbelief and fear?
The Land of Dreams is better far
Above the light of the morning star.
William Blake
‘Common as a barber’s chair,’ said Miss Amy Tribble.
‘But so exquisitely pretty,’ pointed out her sister, Effy. ‘Quite the prettiest to have engaged our services.’
The Tribble sisters were discussing their latest ‘client’, Maria Kendall. Although they were good
ton
, the sisters were always in need of money, and sponsoring ‘difficult’ girls at the Season had proved a lucrative source of income. The Tribbles were too eccentric to attract the attentions of any match-making mama with a sweet young thing to puff off. But parents of the spoilt, the rowdy, the farouche, or the downright odd turned to the Tribbles. Despite four previous successes, they were lucky to get any clients, because it seemed their tall house in Holles Street in the West End of London attracted murder and mayhem.
They also had a resident French dressmaker, but it had become well known that Yvette had given birth to an illegitimate child, a child the Tribbles had not only let her have in their house but had also announced their intention of looking after.
So the fact that the Kendalls stank of the shop and were incredibly vulgar did not stop the Tribble sisters from thinking they were very lucky to get anyone at all.
Thanks to their previous successes, their home was now well appointed and well run. The drawing room in which the sisters sat, discussing the Kendalls and the imminent arrival of their daughter Maria, was a pretty room with long windows boasting new gold-and-white-striped curtains. The furniture had been upholstered in gold-and-white satin, and a fine Aubusson carpet covered the floor. The furniture was a pleasant mixture of the old and the new. There were books and magazines, vases of flowers and the scent of applewood from a cheerful fire.
Both spinsters were reputed to be in their fifties. Effy Tribble, who had been plain in her youth, had become a pretty, dainty woman with silver-white hair, a sweet face and a trim figure. Her twin, Amy, was less favoured. She had a sad, horselike face, a flat figure, large feet, and was often clumsy.
They were jealous of each other. Amy envied Effy’s looks, and Effy envied the way Amy seemed to get the gentlemen to like her. Until the last Season, they had competed for the attentions of their nabob friend, Mr Haddon. But now Mr Haddon’s friend, Mr Randolph, was on the scene. He had also returned from India rich and still a bachelor.
The sisters had spent many, many Seasons in London, but age had not diminished their hopes of marriage. Despite wrinkles and back pains and sagging skin on the outside, a young and tremulous girl still lived inside each of them, longing for a husband.
But that afternoon, they had for once put all thoughts of their own romantic dreams out of their heads. Maria Kendall meant work, and work meant money. The vulgar Kendalls had already paid out a large sum of money in advance.
‘The parents may be pushy, mushroom sort of people,’ said Effy, ‘but you must admit that Maria Kendall is as graceful and charming as she is beautiful.’
‘When she’s actually
there
,’ said Amy crossly. ‘Her parents say she lives in a dream-world and no amount of whipping will bring her down to earth.’
‘On the other hand, does she need to be brought down to earth?’ asked Effy. ‘She is rich and beautiful.’
‘But think of our reputation,’ pointed out Amy. ‘We have secured titled gentlemen for all our previous charges. Any lord has only to meet Maria’s father and mother to take the whole family in dislike. Do you know that Mr Kendall told me the price of every item in that dreadful drawing room of theirs?’
‘Yes,’ said Effy. ‘And Mrs Kendall had her jewel box brought in and discussed the value of every stone with me. Where does their money come from again?’