Authors: John Fante
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pavement, under the staring stars, my feet on the dashboard, my head full of plans for another book, one night and then another, all of them together spelling dream days I had never known, serene days I feared to question. I prowled the city with my Ford: I found mysterious alleys, lonely trees, rotting old houses out of a vanished past. Day and night I lived in my Ford, pausing only long enough to order a hamburger and a cup of coffee at strange roadside cafes. This was the life for a man, to wander and stop and then go on, ever following the white line along the rambling coast, a time to relax at the wheel, light another cigarette, and grope stupidly for the meanings in that perplexing desert sky.
One night I came upon the place at Santa Monica where Camilla and I had gone swimming in those first days. I stopped and watched the foamy breakers and the mysterious mist. I remembered the girl running through the foaming thunder, revelling in the wild freedom of that night. Oh, that Camilla, that girl!
There was that night in the middle of November, when I was walking down Spring Street, poking around in the secondhand bookstores. The Columbia Buffet was only a block away. Just for the devil of it, I said, for old time's sake, and I walked up to the bar and ordered a beer. I was an old-timer now. I could look around sneeringly and remember when this was really a wonderful place.
But not any more. Nobody knew me, neither the new barmaid with her jaw full of gum, nor the two female musicians still grinding out
Tales from the Vienna
Woods
on a violin and a piano.
And yet the fat bartender did remember me. Steve, or Vince, or Vinnie, or whatever his name. 'Ain't seen you in a long time,' he said.
'Not since Camilla,' I said.
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He clucked his tongue. 'Too bad,' he said. 'Nice kid too.' That was all. I drank another beer, then a third. He gave me the fourth, and then I bought for the two of us on the next round. An hour passed in that fashion. He stood before me, reached into his pocket, and drew out a newspaper clipping. 'I suppose you already seen this,' he said. I picked it up. It was no more than six lines, and a two line headline from the bottom of an inside page: Local police today were on the lookout for Camilla Lopez, 22, of Los Angeles, whose disappearance from the Del Maria institution was discovered by authorities last night.
The clipping was a week old. I left my beer and hurried out of there and up the hill to my room. Something told me she was coming there. I could feel her desire to return to my room. Pulling up a chair, I sat with my feet in the window, the lights on, smoking and waiting. Deeply I felt she would come, convinced there was no one else to whom she could turn. But she did not come. I went to bed, leaving the lights on. Most of the next day and all through the following night I stayed in my room, waiting for the plink of pebbles against my window.
After the third night the conviction that she was coming began to wane. No, she would not come here. She would flee to Sammy, to her true love. The last person of whom she would think would be Arturo Bandini. That suited me just fine. After all, I was a novelist now, and something of a short story writer too, even if I did say
so myself.
The next morning I got the first of her collect telegrams. It was a request for money to be wired to Rita Gomez, care of
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Western Union, San Francisco. She had signed the wire 'Rita' but the identity was obvious. I wired her twenty and told her to come south as far as Santa Barbara, where I would meet her. She wired this answer: 'Would rather go north thanks sorry Rita.'
The second wire came from Fresno. It was another request for money, to be sent to Rita Gomez, care of Postal Telegraph. That was two days after the first wire. I walked downtown and wired her fifteen. For a long time I sat in the telegraph office composing a message to go with the money, but I couldn't make up my mind. I finally gave up and sent the money alone. Nothing I said made any difference to Camilla Lopez. But one thing was certain. I vowed it on the way back to the hotel: she would get no more money out of me. I had to be careful from now on.
Her third wire arrived Sunday night, the same kind of message, this time from Bakersfield. I clung to my resolution for two hours. Then I pictured her wandering around, penniless, probably caught in the rain. I sent her fifty, with a message to buy some clothes and keep out of the rain.
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Three nights later I came home from a ride to find my hotel door locked from the inside. I knew what that meant. I knocked but got no answer. I called her name.
I hurried down the hall to the back door and ran up the hillside to the level of my window. I wanted to catch her redhanded. The window was down and so was the curtain on the inside, but there was an opening in the curtain and I could see into the room. It was lighted by a desk lamp and I could see all of it, but I couldn't see her anywhere. The clothes closet door was locked, and I knew she was in there. I prised the window open. I pushed the glass quietly and slipped inside. The bed rugs were not on the floor. On tiptoe I walked towards the closet door. I could hear her moving inside the closet, as though she were sitting on the floor. Faintly I caught the cubeb-like smell of marijuana.
I reached for the knob of the closet door, and all at once I didn't want to catch her at it. The shock would be as bad for me as for her. Then I remembered something that had happened to me when I was a little boy. It was a closet like that one, and my mother had opened it suddenly. I remembered that terror of being discovered, and I tiptoed from the closet door and sat in the chair at my desk. After five minutes I couldn't stay in the room. I didn't want her to know. I crept out of the window, closed it, and returned to ASK THE DUST
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the back door of the hotel. I took my time. When I thought it must be over, I walked loudly and briskly towards the door of my room and barged in.
She lay on the bed, a thin hand shielding her eyes. 'Camilla!' I said. 'You here!'
She rose and looked at me with delirious black eyes, black and wanton and in a dream, her neck stretched and denning the bulging cords at her throat. She had nothing to say with her lips, but the ghastly cast of her face, the teeth too white and too big now, the frightened smile, these spoke too loudly of the horror shrouding her days and nights. I bit into my jaws to keep from crying. As I walked towards the bed, she pulled up her knees, slipping into a crouched frightened position, as though she expected me to strike her.
'Take it easy,' I said. 'You'll be alright. You look swell.'
'Thanks for the money,' she said, and it was the same voice, deep, yet nasal.
She had bought new clothes. They were cheap and garish: an imitation silk dress of bright yellow with a black velvet belt; blue and yellow shoes and ankle-length stockings with greens and reds forming the tops. Her nails were manicured, polished a blood red, and around her wrists were green and yellow beads. All of this was set against the ash-yellow of her bloodless face and throat. She had always looked at her best in the plain white smock she wore at work. I didn't ask any questions. Everything I wanted to know was written in tortured phrases across the desolation of her face. It didn't look like insanity to me. It looked like fear, the terrible fear screaming from her big hungered eyes, alert now from the drug.
She couldn't stay in Los Angeles. She needed rest, a chance to eat and sleep, drink a lot of milk and take long walks. All at once I was full of plans. Laguna Beach! That was the place
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for her. It was winter now, and we could get a place cheap. I could take care of her and get started on another book. I had an idea for a new book. We didn't have to be married, brother and sister was alright with me. We could go swimming and take long walks along the Balboa shore. We could sit by the fireplace when the fog was heavy. We could sleep under deep blankets when the wind roared off the sea. That was the basic idea: but I elaborated, I poured it into her ears like words from a dream book, and her face brightened, and she cried.
'And a dog!' I said. 'I'll get you a little dog. A little pup. A Scottie. And we'll call him Willie.'
She clapped her hands. 'Oh Willie!' she said. 'Here, Willie!
Here, Willie!'
'And a cat,' I said. 'A Siamese cat. We'll call him Chang.
A big cat with golden eyes.'
She shivered and covered her face with her hands. 'No,' she said. 'I hate cats.'
'Okay. No cats. I hate them too.'
She was dreaming it all, filling in a picture with her own brush, the elation like bright glass in her eyes. 'A horse too,' she said. 'After you make a lot of money we'll both have a horse.'
'I'll make millions,' I said.
I undressed and got into bed. She slept badly, jerking awake suddenly, moaning and mumbling in her sleep. Sometime during the night she sat up, turned on the light, and smoked a cigarette. I lay with my eyes closed, trying to sleep. Soon she got up, pulled my bathrobe around her, and found her purse on the desk. It was a white oil-cloth purse, bulging with stuff. I heard her shuffle down the hall to the lavatory in my slippers. She was gone ten minutes. When she returned a calm had come over her. She believed me asleep, kissed me ASK THE DUST
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on the temple. I caught the smell of the marijuana. The rest of the night she slept heavily, her face bathed in peace.
At eight the next morning we climbed out the hotel window and went down the hillside to the back of the hotel, where my Ford was parked. She was wretched, her face bitter and sleepless. I drove through town and out Crenshaw, and from there to Long Beach Boulevard. She sat scowling, her head down, the cold wind of the morning combing her hair. In Maywood we stopped at a roadside cafe for breakfast. I had sausage and eggs, fruit juice and coffee. She refused everything but black coffee. After the first swallow she lit a cigarette. I wanted to examine her purse, for I knew it contained marijuana, but she clung to it like life itself. We each had another cup of coffee, and then we drove on. She felt better, but her mood was still dark. I didn't talk.
A couple of miles outside of Long Beach we came upon a dog farm. I drove in and we got out. We were in a yard of palm and eucalyptus trees. From all points a dozen dogs charged us, barking joyously. The dogs loved her, sensed her instantly as their friend, and for the first time that morning she smiled. They were collies, police dogs, and terriers. She dropped to her knees to embrace them, and they overwhelmed her with their yelps and their big pink tongues.
She took a terrier in her arms and swayed him like an infant, crooning her affection. Her face was bright again, full of colour, the face of the old Camilla.
The kennel owner emerged from his back porch. He was an old man with a short white beard, and he limped and carried a cane. The dogs paid little attention to me. They came up, sniffed my shoes and legs, and turned away sharply, with considerable contempt. It was not that they disliked me; they preferred Camilla with her lavishing emotion and her 190 JOHN FANTE
strange dog-talk. I told the old man we wanted some kind of a pup, and he asked what kind. It was up to Camilla, but she couldn't make up her mind. We saw several litters. They were all touchingly infantile, furry little balls of irresistible tenderness. Finally we came upon the dog she wanted: he was pure white, a collie. He was not quite six weeks old, and he was so fat he could scarcely walk. Camilla put him down, and he staggered through her legs, walked a few feet, sat down, and promptly fell asleep. More than any other, she wanted that pup.
I swallowed when the old man said, 'Twenty-five dollars,' but we took the pup along, with his papers, with his pure white mother following us to the car, barking as if to tell us to be very careful how we raised him. As we drove away I looked over my shoulder. In the driveway sat the white mother, her beautiful ears perked, her head cocked sideways, watching us as we disappeared into the main highway. 'Willie,' I said. 'His name's Willie.' The dog lay in her lap, whimpering. 'No,' she said. 'It's Snow White.' 'That's a girl's name,' I said. 'I don't care.'
I pulled over to the side of the road. 'I care,' I said. 'Either you change his name to something else, or he goes back.' 'Alright,' she admitted. 'His name's Willie.' I felt better. We had not fought about it. Willie was already helping her. She was almost docile, ready to be reasonable. Her restlessness was gone, and a softness curved her lips. Willie was sound asleep in her lap, but he sucked her little finger. South of Long Beach we stopped at a drugstore and bought a bottle with a nipple, and a bottle of milk. Willie's eyes opened when she put the nipple to his mouth. He fell
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to his task like a fiend. Camilla lifted her arms high, ran her fingers through her hair, and yawned with pleasure. She was very happy.
Ever south, we followed the beautiful white line. I drove slowly. A tender day, a sky like the sea, the sea like the sky. On the left the golden hills, the gold of winter. A day for saying nothing, for admiring lonely trees, sand dunes, and piles of white stones along the road. Camilla's land, Camilla's home, the sea and the desert, the beautiful earth, the immense sky, and far to the north, the moon, still there from the night before.
We reached Laguna before noon. It took me two hours, running in and out of real estate offices and inspecting houses, to find the place we wanted. Anything suited Camilla. Willie now possessed her completely. She didn't care where she lived, so long as she had him. The house I liked was a twin-gabled place, with a white picket fence around it, not fifty yards from the shore. The backyard was a bed of white sand. It was well furnished, full of bright curtains and water-colours.
I liked it best because of that one room upstairs. It faced the sea. I could put my typewriter at the window, and I could work. Ah man, I could do a lot of work at that window. I could just look out beyond that window and it would come, and merely looking at that room I was restless, and I saw sentence after sentence marching across the page.