Authors: Michael Holroyd
Jacob Epstein to
423
Lady Gregory to
244
Augustus John to
290
,
294
,
298
,
299
,
301
,
304
,
306
,
313
,
314
-I
5
,
325
,
326
,
333–4
,
336
,
337
,
338
,
341–2
,
343
,
353–61
passim,
383
,
389
,
392–408
passim,
413–14
,
418
,
424
,
438–9
,
450
,
505
Rhoda Symons to
292
W. B. Yeats to
1
,
242
,
243–4
,
245–6
,
334
Rainbird, George
585
Raleigh, Professor Walter
99
,
100
‘Rani, the’
see
Dowdall, Mary
Ransome, Arthur:
Bohemia in London
282
Ravenna, Italy, AJ in
312
Read, Sir Herbert
xxxii
,
426
,
564
,
565
,
576
Rebel Art Centre, London
427
Redon, Odilon
488
Reed, Trelawney Dayrell: drops in at Alderney
382
; literary quarrels with AJ
385
; goes to Tenerife with Innes
400
; survives war
450
; on AJ
533
; AJ’s portrait
208
,
450
Reid, B. L.
xviii
The Man from New York
…
300
Reilly, Sir Charles
183
,
361
,
637
(n. 71); AJ’s portrait
641
(n. 49)
Augustus John to
548
Reinhardt, Max
520
Reitlinger, Gerald
521
Réjane (actress)
408
Rembrandt van Rijn: influence on AJ
55
,
67–8
,
69
,
73
,
79
,
108
,
124
,
145
,
158
Renoir, Pierre Auguste
344
Renvyle House, Connemara
509
,
510
Reveille
436
Reynolds, Sir Joshua
54
Richards, Ceri
171
Richards, Grant
653
(n. 58)
Richmond, Sir William: on John Singer Sargent
93
; desecration of St Paul’s Cathedral
74–5
,
603
; finds Post-Impressionist shows ‘unmanly’
328
, and Fry ‘loathesome’
329
Ricketts, Charles
107
,
145
,
328
,
334
,
342
Riddell, Sir George
439
Robert-Fleury, Tony
35
Roberts, Arthur
37
Roberts, William
342
,
407
,
427
,
435
Roberts-Jones, Ivor: statue of Augustus John
xv
Robeson, Paul
546
Robinson, Edward Arlington
58
Rodin, Auguste: as friend of Legros
34
; bust of Shaw
49
,
412
; exhibition at Carfax
75
; affair with Gwen John
159–62
,
196
,
217
; asks Gwen to model nude again
223
; drawings admired by AJ
236
; Gwen John will not leave him
401
; death
436–7
; as link between Gwen John and the Symonses
550
; mentioned
xviii
‘Le Baiser’
293
Rogers, Claude
517
Rosenberg, Harold
336–7
Rossetti, William Michael
66
Rossetti Studios, Flood Street
139
,
200
Rothenstein, Albert
see
Rutherston, Albert
Rothenstein, Alice (
née
Knewstub; stage name ‘Kingsley’): with the Vattetot-sur-Mer painting party
75
,
76
,
77
; reaction to AJ and Gwen’s occupation of their house
81
; at Le Puy with AJ and Rothenstein
86
,
87
; gives wedding party for AJ and Ida
89
; Hudson in love with
121
; friendship with Ida
132
,
140–1
,
168–70
,
see also Ida John to
(
below
);
sits to AJ
170
; disliked by Gwen John
172
; horror at Paris scheme
188
; mistakes Pyramus for Ida’s baby
197
Augustus John to
85–6
,
87
,
96
,
97
,
114
,
236
,
237
,
246
Ida John to
105
,
113
,
114
,
115
,
117
,
126
,
127
,
131–2
,
141–2
,
144
,
146
,
166
,
175
,
181
,
185
,
187–8
,
193
,
194–5
,
216
,
221
,
228
,
230
Lady Prothero to
237
William Rothenstein to
171–2
,
195
Rothenstein, Sir John: on AJ’s reaction to Gwen John’s work
49
; on AJ
581–2
; on his work
125
,
353
; buys ‘Old Lady’ for Tate
637
(n. 74); on Orpen
52
; on William Rothenstein
171
; mentioned
xxi
Augustus John
564
Augustus John to
27
Rothenstein, William: on Legros’s methods
34
; Steer on his painting
39
; and Orpen
51
; on young AJ
27
,
52
,
54
,
58
; introduces AJ to Goya’s work
54–5
; chooses artists for Carfax Gallery
75
; with AJ at Vattetot-sur-Mer
75
,
76
,
77
, and in Paris
78
; offers house to AJ and Gwen
80–1
; portrait of AJ
81
; with AJ at Le Puy
86–7
; helps AJ sell his work
88
,
107
; gives wedding party for AJ and Ida
89–90
; entertains artists and writers at Church Row
121
,
123
; sends AJ on marathon walks
123–4
; on Dorelia
129
; and Ida John
132
; on AJ’s restlessness
133
; AJ’s portrait
137
; lectures at Chelsea Art School
139
; symptoms of burlesque in his friendship with the Johns
170–1
; becomes disillusioned with AJ
171–2
; welcomes Dorelia as inspiration
172–3
; throws Society of Twelve into confusion
173–4
; opposes AJ’s Paris scheme
188
; shocked by AJ’s behaviour with his children
195
; puts Dodgson in touch with AJ
200
; writes AJ ‘Uriah Heep-like’ letters on Ida’s death
234
; AJ recommends as Principal of Chelsea Art School
239
; AJ’s financial interest in
240
; on Arthur Symons
295
; clash with Fry
329
,
349–50
,
351
; on AJ in interwar years
462
,
505
; on Henry John
541
; on AJ’s prose style
568
; ‘pegs out’
590
; AJ pays tribute in the Tate Gallery Memorial Exhibition Catalogue
117
,
174
; mentioned
xxv
,
xxxii
,
68
,
94
,
119
,
120
,
201
,
305
,
321
,
339
‘The Doll’s House’
75
Charles Conder to
82
Jacob Epstein to
171
Augustus John to
22
,
54
,
55
,
56
,
81
,
82
,
83
,
84
,
87
,
88
,
97
,
98
,
100
,
105
,
106–7
,
109
,
110
,
110
,
114
,
116
,
118
,
123
,
133–4
,
135
,
138
,
145
,
164–5
,
204
,
208
,
236
,
238
,
240
,
241–2
,
275
,
277
,
281
,
300
,
356
,
428
,
453
,
479
,
501
,
563
T. E. Lawrence to
402
Neville Lytton to
332
Ramsay MacDonald to
409
John Quinn to
303
Henry Tonks to
133
Rousseau, Henri (‘Le Douanier’)
345
Rowan, Eric
355
Rowse, A. L.
593
Royal Academy of Art, London: all-powerful
33
; Poynter president of
34
; Legros hostile to
34
; and Slade
34
,
39
; NEAC in opposition to
39
,
91–2
,
93
; ‘vast collection of wrong-minded stuff’
95
; academizing process
336–7
; Orpen joins
347
; Wadsworth and AJ drill in courtyard
402
; AJ’s election (1921)
475–6
; AJ’s work exhibited (1922–
62
)
613–14
; Bankhead and Du Maurier portraits exhibited (1930)
470
; AJ’s resignation (1938)
476–7
, and re-election (1940)
477
; Diploma Gallery exhibition (1954)
469
fn
,
585–8
; AJ fails to finish triptych for (1960)
597
; the Matthew Smith Memorial Exhibition
592
; mentioned
30
,
599
Royal Society of Painters in Water Colours
478
‘The Three Graces’
484
Ruskin, John
33
Russell, Bertrand
262
,
576
,
578
,
579
Russell, Irene
612
Russell, Leonard
570
Russell, Vera
589
Russell, Walter
39
Rutherston (Rothenstein), Albert: rather a rake
52
; shares Charlotte St studio with AJ
68
; one of ‘three musketeers’ at Café Royal
70
; with AJ and Orpen in St Paul’s campaign
74
; in Vattetot-sur-Mer painting party
74–7
; at AJ’s wedding party
89–90
; delivers a kitchen table
96
; on Liverpool life
112
; on AJ’s
ménage
133
; on Gwen John
135
; Gwen John’s contempt for
172
; on AJ’s portrait of Fisher
407
; mentioned
119
,
201
,
581
John Folhergill to
353
Paul Nash to
418
William Orpen to
114
Henry Tonks to
39–40
Rutherston, Charles: AJ to
162
,
201
Rutter, Frank
240
,
330–1
,
347
,
348
Ryan, Thomas Fortune
378
Saint-Bernard Restaurant
419
St Catherine’s School, Tenby
20–2
,
29
Saint Gaudens, Homer
492
St George, Mrs Florence Evelyn (Orpen’s mistress)
51
Ste Honorine-sur-Mer, Normandy (1906)
215–20
St Paul’s Cathedral: Sir William Richmond’s desecration of
74–5
,
603
St Rémy-de-Provence: Mas de Galeron
521–2
,
574
; author visits
xix