Bangkok Haunts (37 page)

Read Bangkok Haunts Online

Authors: John Burdett

Tags: #Fiction, #General

 

 

He seemed to wake up from a dream. “Come on,” I said, and led him back to his hut. “Meditate now.” And I left him. I don’t know if he is alive or dead.

 

 

Time slows in the jungle without TV. The Khmer are used to it—they can put their bodies in almost any position, then stare at nothing for hours on end. They are conditioned to obeying orders, though, and since Gamon is paying, he is the one they look to. But Gamon meditates sometimes for twelve hours at a stretch. I’m quite impressed. Before they shot Baker, I used to check on Gamon in his hut to see if he really was practicing vipassana. I think he was; his body has that combination of suppleness, emptiness, and immobility that is a good clue to what he is doing with his mind. My theory, for what it’s worth, is that this man uses meditation as another might use morphine. Something happened to him when he ordained; he realized there was a way out, that the mind was infinite in its possibilities, so why choose constant pain? It didn’t do much for his grasp of the here and now, though, a criticism that is often leveled against our form of Buddhism. It was never designed to build caring communities or create social welfare programs; it was brought to us in times quite as desperate as our own, when there seemed nothing left to our species but a downward spiral into barbarism. Plus ca change. I ought to visit Smith and Tanakan in their cells, of course, but so far I have not had the courage. Sometimes, despite myself, I spend hours staring at the elephants.

 

 

Knowing the business plan gives a sinister aspect to these animals. One cannot help but be morbidly aware of them. In midadolescence they are already many feet taller than the tallest horse, and possess the independent minds of jungle lords. There seems to be only one mahout, a Khmer man in his sixties, dressed in filthy rags that in color and texture bear a resemblance to the pachyderms themselves. They are not tethered but wander around the compound at will. Yesterday one came up behind me, for they can be quite silent on those padded feet, and swung its trunk gently across the backs of my knees, bringing me to the ground. For a moment I thought I was done for, but the several tons of pure muscle were simply carrying out an experiment of some kind and trundled off with his conclusion, as if to share it with his three companions.

 

 

I know that I have to go see Gamon in his hut again sooner or later but I have no idea what to do or say. The whole of his sister’s careful planning seems to be unraveling. I decide to wait until tomorrow. Finally I summon the strength to see the prisoners. Despite the cultural divide, it is easier to approach Smith than Tanakan, who somehow still towers over me from his great height in the feudal hierarchy. I rouse myself and hitch up my sarong, a frayed, largely gray piece of cloth I found in the washhouse the day I arrived; my shirt and pants were sweaty and already beginning to stink; it was liberating to change into traditional dress.

 

 

Smith is in a bad way. It is a shame to see that big, attractive farang body in a corner of its cell, curled up in a fetal position. His depression may be terminal, and I wonder if it would not be more humane for me to leave him alone. I press my head against the bars, watching. I see movement in his eyelids and the occasional twitch of a hand or leg. “Khun Smith,” I say, “it’s me, Detective Jitpleecheep.” He blinks and looks up at what must be a single intense shaft of light.

 

 

My face disorients him still further. He cannot be sure it is really me, and if it is me, have I come to save or to gloat? We remain like that for perhaps ten minutes, neither of us sure of what kind of communication may be possible. Eventually he shifts his body, like an animal coming out of hibernation, and manages to stand. Like me, he is reduced to wearing an old sarong, which gives him the aspect of White Man Gone Native: an image from tales of the Raj. The bars impose a grid of vertical black shadows, like a giant bar code. “You,” he says, as if I am the source of his misfortune. He approaches the window with the curiosity of a man toward the devil that is tormenting him. “You.”

 

 

“I didn’t do this,” I say. A jerk of his chin points out that I am free and he is not. “Damrong,” I explain. The name triggers a shudder. “It is hard for a farang to understand, perhaps impossible.” I scratch my head exactly because it has struck me just how difficult it must be for a Westerner to comprehend, even a man who has spent time in the East. “She left instructions.” He shakes his head. “She was not afraid of death, in a way had been looking forward to it all her life. Then came the money, you see, Smith, the money.”

 

 

He glares in a vulnerable kind of way: defiance that expects defeat. What is it about Asians that makes us feel apologetic toward the West, as if we always knew in our heart of hearts the catastrophe toward which it was headed? Perhaps we should have done more to prevent it? I, at least, feel compelled to try to explain. “Death,” I say. “Tom, have you ever thought what it might mean? Never mind religion —I’m talking basic observation. Tom, what she knew is what nine-tenths of humanity also knows: Death trumps money. I’m not talking machines for killing people—that’s just Neolithic butchery. I’m talking about Death as an idea, Death as a weapon of the mind, Death as a reality only adults can confront. You were never going to win, Tom. You lost the war the moment you gave her that first lustful stare. While you were thinking about hiring her body, she had a much bigger plan, more holistic.” I pause, trying to find the words. I’m not sure if I really mean what I say next, but it seems inevitable that I say it: “Tom, are there any adults at all where you come from?”

 

 

I have failed to get through to him, of course. Now he’s certain I’m just an unhinged half-caste, a kind of Oriental gargoyle sent by some barbaric power to torment him. I give up, feeling bad.

 

 

Khun Tanakan has heard our conversation and come to his window in the cell next door.

 

 

“How much?” he hisses. “Just tell me how much you want.” Even in such a short sentence, his exalted level in our culture, his familiarity with the highest echelons, his sophistication, and his innate toughness are implied in every syllable. His Thai is so much more elegant than mine I am almost tempted to speak English.

 

 

“It is not up to me,” I say.

 

 

“Vikorn? Is Vikorn behind this?”

 

 

“No,” I say. “It’s the girl herself.”

 

 

“What are you talking about? The girl’s dead.”

 

 

“Only in a manner of speaking. You might say her will is very much alive.” He glares. “It was mostly your money, wasn’t it, that financed the project? You handed over the million-plus for her services, less whatever minor investment Smith made. Of course, you knew you needed an aide-de-camp, a fall guy, a consigliere, for you could not afford to get too close to the scam itself. And of course, there was always going to be a need for enforcement: Khun Kosana, your fatally indiscreet slave-buddy, with his lover Pi-Oon. If not for that, I think you would have had Smith killed just because she used him to make you jealous. He is after all taller, younger, stronger, and Caucasian. Yes, certainly, you would have killed him as a casual reflex of power, so to speak: Nok. How Damrong must have insulted you, how she must have poisoned your days and nights for months on end for you to even think of doing anything so reckless as to invest in that snuff movie. Can you admit that you loved her?”

 

 

“What are you talking about?”

 

 

“Yes, with you I can use that word. Strange, isn’t it? You are so much harder, so much tougher than your accomplice Smith, and yet with you that word comes to mind. She was, after all, your total and complete opposite—dare I suggest your other half? You in the penthouse, she in the gutter. She twisted a knife in your heart by telling you all about Smith, the handsome, phallic farang whose cock was so much bigger than yours. She was an expert at injecting acid into your veins just when you thought you were winning. Am I right?”

 

 

“Go on.”

 

 

“Lust is blind to class. What drove you out of your mind was her total and intimate understanding of that reptilian side of you. She knew where your ambition came from. It came from a kind of hatred of life—exactly the same impulse that drove her. You got rich out of revenge on life. So did she, in the end. And then there was always your mother. At the end of the day, only a whore could really turn you on.”

 

 

His eyes pierce like needles. “Bring on the elephant. Get it over with.”

 

 

He retreats to a corner of his cell where light does not reach.

 

 

“Ah, no one doubts that you are harder than steel, Khun Tanakan. All who know you would agree. But think about this. If she is able to reach you at will, night after night, and rape you dry even while you are in the body, what chance will you have on the other side?” Chinese are even more ferociously superstitious than we are. I observe a twitch in his right hand, then a shudder as he turns to the wall.

 

 

Over in a corner of the compound the Khmer have gone back to work on the first of the bamboo spheres. It’s taking shape but is still very wobbly. After an hour or so they give up. Too hot. There is no hurry. The show won’t begin today, or even tomorrow.

 

 

35

 

 

The first you see of dawn is blood in the eastern treetops and a universal glowering heralding another unbearable day. Twenty minutes later the sky starts to blind while it boils, and you do everything in your power to get out of the way. The sun itself is usually invisible behind a pulsating screen of humidity, so that the whole sky seems to radiate an unhealthy intensity of light and heat. I awaken early, before first light, wash myself down at a stone trough outside my hut, and wrap my sarong around me.

 

 

My body still wet, my sarong soaked, I make up my mind to climb the stairs to Gamon’s hut. I decide not to knock but press the door. It opens, and I step over the threshold. I guess he could not be dead and still be in a semilotus position, but the vital signs are few. I step over to him where he meditates with his back against a wall under a window. I think I am about to shake him, but the Buddha directs differently. I caress his beautiful face and kiss him gently on the forehead. “Phra Titanaka, my brother,” I whisper.

 

 

He opens his eyes in another universe. He smiles with the generosity of one who has dumped ego and accepts eagerly the love in my eyes; then he remembers, and the anguish takes over.

 

 

“Gamon,” I say, “we’re going to have to let them go. Baker is dead because of us, but it was not really our fault. We don’t have a lot of bad karma arising from his death. But if we go through with Damrong’s plan, what will become of us? We’ll be locked in granite for a million years.”

 

 

Horror in his eyes: “And if I don’t obey her? Have you any idea the power she has? She visits me every night. I still have sex with her.”

 

 

“Because you let her. You’re a Buddhist monk—how can you allow yourself to be enslaved?”

 

 

My words startle him. He blinks at me then stares at his robes. “Of course, I’m so used to these, I’ve forgotten I no longer have the right to them.”

 

 

In his disoriented state his childlike response is to stand and disrobe in front of me. This is not the effect I expected, and I want to tell him to put them on again, but as he stands in a pair of boxer shorts with the heap of saffron cloth at his feet, I watch a fascinating transformation. The monklike comportment quite melts away in less than a minute, together with the personality that went with it. That other side of him emerges: harder, more primitive, more built for survival, more criminal. I see clearly now the young man who once smoked and traded yaa baa. His voice is stronger, hoarser. He goes to the single window of his hut to look down on the compound where his elephant assassins graze.

 

 

I say, “Gamon.”

 

 

He sighs. “There is more.”

 

 

“Tell me. It might save someone’s life.”

 

 

Controlling his tone: “Her last e-mail didn’t tell the whole story. It didn’t tell the story at all.”

 

 

I think he wants to turn his face to me but cannot. I have him in profile while light starts to bleach the compound. “Things she didn’t want to remember or think about simply ceased to exist in her mind.”

 

 

He summons the courage to face me. “You saw the reference to incest, but you didn’t pick up on the significance.”

 

 

“Tell me, my friend, while there is still time.”

 

 

A groan comes from the heart. “It started just like she said, two frightened kids in a wet and stinking two-room hut, Mum and Dad drinking, smoking yaa baa, and screwing in the next room —partying, you understand —no food for a day or two because they were too far gone. Then when Mum was unconscious and Dad was out of his head, he would call for her. He liked to mix sex with his voodoo. She would go to him, then come back looking like death. Looking like a seventy-year-old fourteen-year-old. But she stopped him from using me. Even then she was using her body to protect me.” A long sigh. “But she had her needs too.”

 

 

After a pause, he starts again in a stronger voice. “Sure, that’s how it started. She showed me what she wanted and how she wanted it done. When I was a little older, she showed me what I wanted and did it for me. That was after her first tour. My first experience of sex was world-class, you might say.”

 

 

He coughs. “Nothing wrong with that, apart from some primitive taboo designed to keep the tribal genome healthy, which hardly applies in an age of contraception. People who worry about such things should worry more about how Damrong and I would have turned out without incest.”

 

 

Other books

Dangerous Bond (Jamie Bond Mysteries Book 4) by Halliday, Gemma, Fischetto, Jennifer
The Scientist as Rebel by Freeman J. Dyson
Death of a Scriptwriter by Beaton, M.C.
Claimed & Seduced by Shelley Munro
Spelldown by Karon Luddy
Fire on the Water by Joe Dever
Romeo's Tune (1990) by Timlin, Mark
Doomwyte by Brian Jacques