Read Betrayal in Death Online

Authors: J. D. Robb

Tags: #Fiction, #Romance, #General, #Mystery & Detective, #New York (N.Y.), #Women Sleuths, #Detective and mystery stories, #Police, #Suspense, #Mystery, #American, #Policewomen, #Crime & Thriller, #Crime & mystery, #Eve (Fictitious character), #Dallas, #Dallas; Eve (Fictitious Character), #Policewomen - New York (State) - New York - Fiction, #Eve (Fictitious character) - Fiction, #Detective and mystery stories - lcsh

Betrayal in Death (11 page)

"Give me a minute here," Eve murmured to Peabody, then crossed to him.

"I thought you were going to use the limo and driver."

"I was. Have been. I didn't choose to wait for them when I got the call about Jonah."

"Who informed you?"

"I have sources. Are we going into Interview, Lieutenant?" When she said nothing, he swore softly, viciously, under his breath. "Sorry."

"Do yourself a favor and go home for a while. Kick something down in the gym."

He nearly smiled. "That's your way."

"It usually works."

"I need to go into the office. I have a meeting. Will you be informing next of kin?"

"Yes."

He looked away from her, toward the lovely little brownstone. And thought about what had been done inside. "I want to talk to his family myself."

"I'll make sure you're contacted after the official notification."

His eyes shifted back to hers. Feeney had been right, she thought. He was carrying the weight, but he was also finding his mad. She could see both in his eyes.

"Tell me what you know of this, Eve. Don't make me go around you for it."

"I'm going into Central. After notification of next of kin and my prelim report, I will, together with my team, study and analyze all available evidence. Meanwhile, the ME and the lab will do their jobs. Dr. Mira is working up a profile. Other leads, which I'm not prepared to stand here outside a crime scene and talk about, are being actively pursued. While all this is going on, I'm fending off an FBI takeover attempt and will no doubt be ordered to release a statement to the media."

"What leads?"

He would, she thought, latch onto that one statement. "I said I'm not prepared to discuss them at this time. Give me some space here. Give me time to think. I'm not as good as you are at balancing worry over somebody I love and the work."

"Then I'll answer that with something that should sound very familiar to you as it's forever coming out of your mouth. I can take care of myself."

She expected to feel anger, resentment, or at the least, impatience. Instead, there was only concern. He, a man who rarely lost control, was on the edge of rage. And mired in grief.

She did something she had never done in public, never done while on the job with other cops looking on. She put her arms around him, drew him close, and held him with her cheek pressed gently to his.

"I'm sorry." She murmured it, wishing she knew more of the art of comforting. "I'm so damn sorry."

The rage that had been spitting into his throat, the burn scorching the rim of his heart eased. He closed his eyes and let himself lean.

Through all the other miseries in his life there'd been no one to offer him the simple soothing of understanding. It swamped him, washed away the worst edge of grief, and left him steadier for it.

"I can't get a handle on it," he said quietly. "And I can't see through the murk of it to any answers."

"You will." She eased back, skimmed her fingers through his hair. "Try to put it aside for a little while, and you will."

"I need you with me tonight."

"I'll be with you tonight."

He took her hand, pressed his lips to her knuckles. And let her go. "Thanks."

She waited until he'd gotten into his car, until he'd pulled away from the curb. She was tempted to send a black-and-white out to follow him back to midtown. But he'd make a tail, and be just annoyed enough to lose it.

Instead, she let him go as well.

When she turned around, she noted a number of cops get very busy looking in other directions. She refused to waste time being embarrassed. She signaled to Peabody.

"Let's get to work."

In his midtown base, Roarke rode the private elevator to his suite of offices. He could feel the anger building inside of him again. He couldn't permit it, not until he had time alone, time to find an outlet.

He knew how to strap it down. It was a hard-learned skill that had kept him alive during the bad years, and the building years. A skill that had helped him create what he had now, and who he was now.

And what was he now? he wondered as he ordered the elevator to stop so he could have another moment to find a grip on that fine skill. A man who could buy whatever he chose to buy so he could fill his world with all the things he'd once starved for.

Beauty, decency, comfort, style.

A man who could command what he chose to command so that he would never, by God never again, feel helpless. Power. The power to amuse himself, to challenge himself, to indulge himself.

One who reigned over what some called an empire and had countless people dependent on him for their livelihoods. Livelihoods. Lives.

Now two had lost theirs.

There was nothing he could do to change it, to fix it. Nothing he could do but hunt down the one who had done it, and the one who had paid for it to be done. And balance the scales.

Rage, he thought, clouded the mind. He would keep his clear, and see it through.

He ordered the elevator to resume, and when he stepped off his eyes were grim but cool. His receptionist popped up from her console immediately, but still wasn't quite quick enough to ward off Mick, who strolled over from the waiting area.

"Well now, boyo, it's a hell of a place you've got here, isn't it?"

"It does me. Hold my calls for a bit, would you?" Roarke ordered the receptionist. "Unless it's from my wife. Come on back, Mick."

"That I will. I'm hoping for the grand tour, though from the size of this place of yours that might take the next several weeks."

"You'll have to make due with my office for now. I'm between meetings."

"Busy boy." As he followed Roarke down a glass breezeway snaking over Manhattan and through a wide art-filled corridor, he looked around, his eyes bright and scanning. "Jesus, man, is any of this stuff real?"

Roarke paused at the black double doors that led to his personal domain, managed a half-smile. "Not still dealing in art that finds its way into your hands, are you?"

Mick grinned. "I deal with whatever comes, but I'm not looking toward yours. Christ, do you remember that time we hit the National Museum in Dublin?"

"Perfectly. But I'd as soon members of my staff aren't entertained with the story." He opened the door, stepped back so Mick could precede him.

"I'm forgetting you're a law-abiding soul these days. Holy Mother of God." Just over the threshold, Mick stopped.

He had heard, of course, and had seen enough for himself already to know the reports and rumors of just what Roarke had accomplished weren't exaggerated. He'd been dazzled by the home, but unprepared, he realized, for the sleek and rich lushness of the workspace.

It was huge, and the view out the three-sided window was as grand as the art chosen to enhance the atmosphere. The equipment alone, and he knew his electronics, was worth a fortune. And all of it -- from the ocean of carpet, the acres of real wood, the glint of glass new and antique to the streamlined efficiency of the communication and information centers -- belonged to the childhood friend he'd once run with down the stinking alleyways of Dublin.

"Want a drink? Coffee?"

Mick blew out a breath. "Coffee, my ass."

"For me, then, as I'm working. But I'll stand you to a glass of Irish." Roarke moved to a polished cabinet, and opened it to reveal a full bar. He poured Mick a drink before programming the AutoChef for a single cup of coffee, strong and black.

"To larceny." Mick lifted his glass. "It may not be what keeps you here these days, but by Christ, it's what got you here."

"True enough. What've you been up to today?"

"Oh, this and that. Seeing a bit of the town." Mick wandered as he answered, poked his head through a doorway and whistled at the enormous bathroom. "All this is missing is a naked woman. Don't suppose you could be ordering one of those up for an old friend."

"I never dealt in the sex trade." Roarke sat, sipped his coffee. "Even I had my standards."

"That you did. 'Course, you never needed to buy a night of affection either, as us mortals did from time to time." Mick came back, made himself at home in the chair across from Roarke's.

It came to him, fully came, that there was much more than years and miles between them. The man who could command all Roarke commanded was far away from the boy who'd plotted thievery with him.

"You don't mind me dropping in this way, do you?"

"No."

"It occurs to me that it's a bit like having a poor relation land on your threshold. An annoying embarrassment a man hopes to sweep outside and away again at the first opportunity."

Roarke thought he heard a faint edge of bitterness in the tone. "I have no relations, Mick, poor or otherwise. I'm pleased to find an old friend."

Mick nodded. "Good. And I'm sorry for thinking it might be otherwise. I'm dazzled, and in truth, not a little envious of what you've managed here."

"You could say I've had a good run of luck. If you really want a tour, I can arrange one while I'm taking the meeting, give you a lift home after."

"I wouldn't mind, but I have to say you look more like you could use a couple pints in a pub. You've got trouble on you."

"I lost a friend today. He was killed this afternoon."

"I'm sorry to hear that. It's a violent city. A violent world come to that. Why don't you cancel your meeting, and we'll find a pub and wake him proper."

"I can't. But thanks for the thought."

Mick nodded, and sensing it wasn't the time for old stories, drained his glass. "Tell you what, I'll have that tour if you don't mind. Then I've business of me own I've been neglecting. I'm going to try to swing it into a dinner meeting, if that doesn't inconvenience you any."

"Whatever works for you."

"Then I'll plan on that, and likely not be back to your place till late. Will that be a problem with your security?"

"Summerset will see to it."

"The man's a wonder." Mick got to his feet. "I'll stop by St. Pat's in my travels today, and light a candle for your friend."

CHAPTER NINE

Eve sat in the conference room and watched Jonah Talbot die. She watched, and she listened, to every detail again and again.

The concentration of an attractive young man at his desk, reading a story on his screen, making notes with the quick fingers of one hand on a spiffy little PC unit while something classical played on the speakers.

He'd played the music loud. He'd never heard his killer come in the house, walk through it, step into the home office.

She watched yet again, saw yet again the instant Talbot had sensed something, someone. That instinctive brace of the body, that quick whip of the head. His eyes had widened. There had been fear in them. Not full panic, but alarm, shock.

Nothing on Yost's face. His eyes were dead as a doll's, his movements precise as a droid's as he'd set his briefcase aside.

"Who the hell are you? What do you want?"

Knee-jerk, Eve thought as she listened to Talbot's angry demand. People so often asked the name and business of an attacker, when the first hardly mattered and the second was all too obvious.

Yost hadn't bothered to respond. He'd simply started across the room. Graceful for a man with his bulk. As if, she thought, he'd had dancing lessons along the way.

Talbot had come around the desk, and come around fast. Not to flee, but to fight. And there, in that little blip of time, Eve saw those dead eyes light. The dawn of pleasure in the job.

He'd let Talbot strike the first blow, spill first blood. And with the corner of his lip spurting, Yost moved in.

Grunts, the crunch of bone on bone played under the soaring music. But only briefly. Yost was too efficient to toy with his target for long, to indulge himself by taking more time than he'd allowed. He'd let Talbot take him down, knocking over the table, letting him think, just for one heady instant, that he might win.

Then the pressure syringe was out of Yost's pocket, into his hand, and its rounded tip pressed just under Talbot's armpit.

Still Talbot had struggled, even with his eyes rolling back he'd tried to land a disabling blow. The drug would have blurred his vision, clouded his brain, slowed his reflexes until he was limp, helpless, then unconscious.

That's when Yost had beaten him. Slowly, methodically. No wasted motions or energy. His mouth moved a bit as he worked. After the music was cleaned out of the disc, she would know that he'd been humming.

When he finished with the face, he stood and began to kick in the ribs. The sound was vile.

"He's not even winded," Eve murmured. "But he's excited. He enjoyed it. He likes his work."

Now, leaving Talbot broken and bleeding on the floor, he wandered over, ordered a glass of mineral water from the AutoChef. He checked his wrist unit before sitting down and sipping the glass dry. Checked it again when he rose to go to his briefcase. He took the silver wire out of it, tested its strength by snapping it between his hands, once, twice.

When he smiled, as now he smiled, she understood why the clerk in the jewelry store had trembled. He looped the wire around his own throat, crossed the ends to hold it in place, snugly. She could see that while it wasn't tight enough to bring blood, it was secure enough to cut down on the flow of oxygen.

On the floor, Talbot stirred, moaned.

On his feet, Yost removed his suit jacket, folded it neatly on a chair. Removed his shoes, then tucked his socks into them. He stepped out of his trousers, aligning the center pleats precisely before he laid them aside.

He went to Talbot, stripped off the man's shorts, nodded in approval as he squeezed as if checking muscle tone.

He wasn't yet fully aroused. He tightened the wire around his neck slightly, using the auto-erotic method to enhance his mood as he stroked himself hard.

Then he knelt between Talbot's legs, leaned over, tapping the battered cheek lightly.

"Are you in there, Jonah? You don't want to miss this. Come on out now. I've got a lovely parting gift for you."

Talbot's bloody eye fluttered open, blind with confusion and pain.

"That's the way. Do you know the movement that's playing? Mozart, from his Symphony Number 31 in D Major. Allegro assai. It's one of my favorites. I'm so pleased we can share it."

"Take what you want," Talbot managed between broken teeth. "Just take what you want."

"Oh, that's very kind of you. I intend to. Up you go." He lifted Talbot's hips in his big hands.

The rape was long and brutal. Eve made herself watch, as she had made herself watch each time, despite her stomach wanting to heave, despite the whimpered pleas that straggled to rise into her own throat.

She watched, and she saw the moment that Yost lost himself, when he threw his big head back so the wire around his throat glinted in the light. He cried out, a roar of triumph that smothered the music, smothered Talbot's helpless weeping.

The orgasm bucked through him. His face gleamed with it, his eyes shone. He shuddered, shuddered, sucked in air. Then braced himself with a hand between Talbot's shoulder blades until he came back to himself.

His eyes were as bright now as the wire he slid from around his own neck and looped around Talbot's. They stayed bright, dark and bright as a bird's as he crossed the ends and pulled. Talbot's body jerked, his fingers scrabbled at the wire, his feet drummed the floor.

But it was quickly done. At least it was quick.

And when it was done, the killer's eyes were as dead as his victim's. He calmly turned Talbot over, examined the body, then with some delicacy removed the tiny body ornament. With it cupped in his palm, he used his foot to shove the body facedown again.

Naked, gleaming with sweat, he turned away, gathered his clothes and briefcase.

He would walk into the first-floor bath where the house cams didn't reach. In precisely eight minutes, he would come out again, scrubbed, neatly dressed, the briefcase in his hand. He would leave the house without looking back.

"End disc." As Eve gave the order and rose, she heard Peabody's sigh, a broken sound that was relief and pity.

"He checked his wrist unit a number of times," Eve began. "He was on a timetable. Since it appears from his movements he knew the house, either from a previous break-in or through blueprints, I believe he knew about Talbot's usual lunch date. According to the time print on the disc, he entered the premises at thirteen hundred, almost on the dot. He left the scene fifty minutes later. Ten minutes before the lunch date and well before anyone expecting the victim would bother to check on him. He left the door unlatched so Talbot could be found quickly. There's no reason for him to wish to postpone the knowledge of the crime. Whoever hired him wants it out as soon as possible."

She walked over to the board used for the investigation, and where stills of Darlene French and now Jonah Talbot held prominence. "More than forty known or suspected hits in his career, but Talbot gives us the first visual of the act. This break-in pattern indicates Yost was unaware the house cams were activated. Even so, he could and should have checked."

"He's getting sloppy," McNab put in. "Sooner or later, they get sloppy."

"Sloppy maybe, but factor in his profile. Arrogance. He didn't bother to check, didn't put it on his to-do list. He isn't worried about us. He pinches us off like fleas before we ever get the first bite. He bought four lengths of wire. Four potential victims. This is the biggest job, done separately, for a single client we can find in Yost's case history. He's flirting with exposure, almost daring it. I say he feels protected. Maybe invulnerable."

"His take from this job would be, at his suspected minimal fee, ten to twelve million." Feeney scratched his chin. "He's moving through them fast, and at this pace would finish the contract in a week or so. That's a hefty paycheck."

"None of his data indicates a previous with this number at this speed," Eve confirmed.

"Maybe he's planning on retiring after this one, or at least taking himself a long vacation. He can get himself a new face and live the high life somewhere."

"A vacation." Eve considered it as she studied Yost's image posted on the board. "He's never hit four in close geographic proximity before, never spread out connected hits in the same area over different dates and locations."

She let it filter through. "He's been at this twenty-five years or more. Thinks of it as a job. Twenty-five, thirty years, then retirement. Could play. Certainly a vacation after a big important job is something a lot of execs go for. The arrangements would have already been made. He's a planner."

"Where would Roarke go?"

Eve turned her head to frown at Peabody. "What do you mean?"

"Well, the profile indicates he sees himself as a highly successful businessman, one of impeccable taste. He likes fine things, and he can afford the best. The only person I know who falls in that slot is Roarke. So if he were going to take a break after a big job, where would he go?"

"That's good thinking." Eve nodded, tried to focus on her husband's pattern. "He owns places all over hell and back. It would depend on whether he wanted to be alone, solitude and a couple house droids. Not a city, because he wants relaxation at first, not stimulation. From the profile and pattern, Yost is more of a loner than Roarke. He's booked or bought himself an estate somewhere, with a good wine cellar and all the trimmings. Finding that on the data we have would be like looking for a ripple in a pool."

Then her scowl began to turn into a slow smile. "But I think that's a damn good lead to feed the feds. One for us is music. He knew the Mozart thing playing. Called it by name, hummed along with it. Peabody, I want you to start checking out the high-dollar season tickets to the symphony, the ballet, the opera, all the highbrow stuff. Single ticket holders. He'd go alone. McNab, you concentrate on purchases, cash purchases of recorded discs for the same kind of music. He's a collector."

She paced the room as she spoke because the steps and the thoughts were lining up for her now. "We need the lab results. I'll hound Dickhead there. I want to see what the sweepers got out of the bathroom drain. He took a shower, but the guest soap was dry. Our fastidious sociopath probably carries his own soap, shampoo, and so on in his briefcase when he's on a job like this one. It won't be an ordinary brand, so we could have another line to tug there. Feeney, can you go back to following the wire, talk to those cousins, while I kick at Dickhead?"

"Can do." Even as he agreed, his communicator beeped. "Hold on." He rose, pulling it out, and stepped away as he answered.

"Lieutenant?" McNab called for her attention. "I was thinking about the... can't be delicate about this. I was thinking how Yost used the wire to help him get off during the rape. So even if the guy goes for Mozart and fine wine, he's got some experience with porn or licensed companions who'll skirt the sexually deviant line. If he's a loner, it's most likely he gets into it at home with VR or video or holo. You gotta have programs or discs. You can get some through legitimate sources, and the darker versions -- right down to snuff porn, which it strikes me he'd go for -- through the black market."

"You sure seem to know a lot about it," Peabody commented.

"I worked in Vice awhile and stuff." Still he squirmed a little under her stare and gave his attention to Eve. "I could start hunting in that venue. Like you said, he's a collector. They even got some of this stuff that leans toward the art film side. I could start with that."

"McNab, sometimes you surprise me. Do it."

"Want to watch some dirty discs, She-Body?" he whispered, and Eve pretended, mostly for her own sake, she didn't hear.

"Son of a bitch." Feeney pocketed his communicator. "We got a break. I've been running the like crimes, couldn't find any in London or England for the time frame you wanted. I put a man on it to run variations of the pattern, just in case. He got a hit."

"Where?"

"It's a place in Cornwall, along the coast. Cops found some bodies out in the moor. They were in pretty bad shape -- exposure and they've still got, you know, wild life around there. Thing was, they were garroted, but there was no wire, so I didn't get the pop. Plus the locals there hadn't hooked it into the network until two months after the crime."

"Why do you tag it as Yost?"

"Timing fits, once they were able to determine time of death. Kill pattern fits. Both victims, male and female, were beaten badly, especially around the face. Both tranqued. Both raped. My man brought up the dead shots and compared the neck wounds, what could be made of them, and that fits. Hiker who called it in didn't hang around for the cops. Could be he took the wires."

"Did they ID the victims?"

"They did. Couple of badass smugglers who kept a base in a cottage up there. I can follow up on this, get more data, talk to the primary."

"Yeah, and pass it all through to my home unit. I'm going to feed this one to the feds, too. It might get them off my back, and better yet, off my turf for a while. With that in mind, let's pick this up at eight hundred tomorrow, my home office. Anybody gets anything between now and then, contact me."

She hit Dickie, the chief lab tech, and hit him hard. He whined, but it was almost casually. She threatened him, then bribed him with a bottle of Jamaican rum, which completed their relationship dynamic. He agreed to put her bathroom drains on top of his workload.

Next she reported to Whitney, got his go-ahead to feed her selected data to Jacoby and Stowe. And as expected, was told she would be needed at a press conference scheduled for fourteen-thirty the following afternoon.

She brooded about that all the way back down to her office where she settled down and contacted Stowe.

The agent came on screen, her attractive face showing annoyance. "Lieutenant, why did I have to hear on a public news report of a murder that most certainly appears to be perpetrated by Sylvester Yost?"

"Because news travels, Agent Stowe, and I've been busy. I'm contacting you now to bring you up-to-date on this latest incident. But if you'd rather break my balls, you're just wasting my time."

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