The unsurprising ‘finding’ of the content analysis of videos as reported by McKee however was that mainstream pornography is not characterised by objectification, violence, or abuse – and that users of pornography are not thereby participating in such practices. The other major part of the research project comprised a survey designed to discern the effects of pornography on those users. 5000 questionnaires were distributed in August, 2003, one placed in every tenth catalogue of 50,000 Axis Entertainment catalogues, together with a prepaid envelope for return. Only 367 ‘valid responses’ were returned, a low rate explained by Alan McKee as “perhaps to be expected in a public context in which users of pornography are sometimes vilified as being dangerous or criminal” (McKee, 2006b, p. 36).
13
An additional online survey was conducted from 2 June to 29 October, 2003,
14
advertised by the authors in the media and through public debates. This online survey garnered 656 ‘valid responses’. Out of this total of 1023 survey responses, 329 respondents provided details of their identity for possible interviews. To reflect a variety of backgrounds and hence a diversity of ‘expertise’, a sample of 46 users was then chosen for face-to-face interviews.
15
The ‘expertise’ gathered from the surveys and interviews covered 3 main
topics: pornography’s aesthetic merits, its effects on users’ attitudes to women, and the opinions of users about the regulation and censorship of pornography. Predictably, on the aesthetic merits of pornography, its users joked about poor production values and gratuitous characters (McKee, 2006a, pp. 528–529). Other responses were also not surprising: pornography consumers believe that pornography is good for them and are opposed to censorship. In terms of attitudes to sexual equality, there was some evidence offered that some men liked to see women in control in pornographic scenarios,
16
and that women more than men respond favourably to rough sex in videos.
17
As I noted above, the survey and interviews were designed to fill a supposed gap in the voicing of expertise by pornography users, enabling those who (allegedly) have been ‘othered’ (McKee’s term) or made to feel like outsiders to finally break their silence and speak for themselves. As the authors admit, the survey relied on self-selected pornography users who were disproportionately well educated.
18
What they do not admit is the possibility of completely different views and practices on the part of several million Australian pornography users who did not complete the research survey. On this score, the authors note, “the ethical constraints imposed by our institutions prevented us from asking people who had not identified themselves as consumers about whether they consumed pornography” (
TPR
, p. 193). Given the emphasis throughout
The Porn Report
on ethical practice, this note about ethical constraints is well-placed. However, one of the authors did ask a person who had publicly identified himself as a non-user of pornography about his use of pornography, in a way that constituted a serious ethical breach even by the understanding of ethics underlying the project and set out in the book.
On 17 January, 2007, Alan McKee wrote, on Queensland University of Technology (QUT) letterhead, to the public intellectual and then Executive Director of the Australia Institute, Clive Hamilton, who is criticised throughout McKee’s articles and opinion pieces as having the nerve to speak about or criticise the use of pornography given his own non-use of it (e.g. McKee, 2006b, p. 35).
In the letter, McKee introduced himself in these terms: “I am writing as Chief Investigator on the ARC-funded research project ‘Understanding Pornography in Australia’. I work in the Creative Industries Faculty at Queensland University of Technology.” McKee continued:
This project aims to provide an overview of the production, content and consumption of pornographic materials in Australian society.
One issue that we are addressing is the extent to which public figures involved in debates about the censorship of pornography have been exposed to pornography themselves.
I am hoping that you can provide me with some information about your own exposure to the genre?
1. How much pornography have you been exposed to?
2. What effects would you say it has had on you?
3. Has this had any effect on your position on the censorship of such materials?
19
The design of the ARC-funded project at no stage involved asking public figures about their use of pornography. Moreover, the project had been completed 2 years before McKee’s letter was sent to Hamilton. After an inquiry and findings by a panel of experts at QUT, McKee wrote to Clive Hamilton on 14 May, 2007, to acknowledge that he should have consulted with the University’s Ethics Committee before writing the original letter, and “to apologise for any concerns that have been raised by the request for information.” The seriousness of this breach of ethics safeguards, and of principles of ethical research casts a shadow on the ethical bearing of the project more broadly.
Conclusion: Let’s do the time warp, again
As noted above, the importance of the survey of pornography users to the research project was based on the claim that “for some reason we [sic] routinely exclude one group of commentators who, one would think, have some expertise on this topic – the people who consume pornography as a part of their everyday lives” (McKee 2006a, p. 523; also McKee, 2005a, p. 72). This exclusion is attributed by McKee and his colleagues to the academic and media framing of pornography only as a problem of addiction. In
The Porn Report
, the authors ask:
Yet when was the last time that you heard anybody admitting in the media that they use porn themselves? While millions of Australians quietly live their lives and use pornography, the only people we hear from in public debates are church leaders, social scientists, politicians
and commentators – people whose claim to expertise on the issue is the very fact that they themselves don’t watch porn, aren’t friendly with anybody who watches porn, and don’t know anything about the everyday use of porn … The only porn users you ever hear from in the media are people who call themselves ‘addicts’ and are trying to stop using it (
TPR
, p. 25).
In contrast, my own reading of accounts in the media, and not only in the newspaper articles to which the authors refer, suggests that greater prominence is given in them to defenders of pornography like Alan McKee than to pornography ‘addicts’ (or to the victims of the pornography industry, or partners of pornography users, for that matter). In a search of Australian newspapers on the database
Factiva
, I found only a handful of feature articles characterising pornography users as ‘addicts’ – and in each of those articles, Alan McKee voices his own view that pornography is good for you.
20
The authors of
The Porn Report
consider the chief obstacles to the wider acceptance of pornography as such public and scholarly ignorance, together with a religious and political repression that perhaps did flourish in their own youth. The book is framed by anecdotes from the 1950s and 1960s about the silencing and repression of sex and sexuality. Lumby recounts that she was in year 5 when she had her “first brush with the stuff,” as schoolboys on her bus read aloud passages of what she calls “pure, delightful filth” from
The Joy of Sex
(
TPR
, p. xi). Kath Albury was seven when she discovered one of her father’s
Playboy
magazines (
TPR
, p. xi). And McKee found “an abandoned magazine in the woods behind his house when he was in his early teens” (
TPR
, p. xi). However, the type of hippy nudity that sometimes passed for pornography in the 1950s and 1960s bears little resemblance to the gonzo porn that pervades the Internet of the 2000s (see Dines, 2010). Nor does the sex of pornography and of its users remain repressed, as the industry and its defenders continue with some fervour to complain is still the case.
Like many academic defences of pornography,
The Porn Report
delights in its supposed unconventionality. In fact, its argument is tired and outdated, with little bearing on the brutal reality of popular pornography today. The fact that pornography users are, like McKee himself, “intellectually competent individuals” (McKee, 2005a, p. 81) does not excuse the project’s studied indifference to the harm enacted in and by the sexual subordination and cruelty that defines modern pornography.
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___________________________
1
The Website for the book is at <
http://www.thepornreportbook.com
>, but it has not been updated since March, 2008.
2
Information drawn from the ARC Website <
http.www.arc.gov.au/pdf/2002_dp_rfcd.pdf
> and supplied by the ARC, together with a copy of the funding application, to the Senate Legislation Committee – Questions on Notice, 2003–2004 Budget Estimates Hearings.
3
See respectively McKee (2006a, p. 523) “Alan McKee likes
Big Brother
, pornography, Kylie Minogue, and
New Weekly
magazine”, and Harford (1998, p. 1) “[Lumby] watches X-rated videos, and believes that, if exposed to them, women can freely choose the images they wish to see.” Katherine Albury has noted that she is “not a huge porn fan” (quoted in Gregg, 2003, p. 14), and her contributions to public debates on pornography are less strident than those of McKee.