Black Wings: New Tales of Lovecraftian Horror (38 page)

  Next afternoon, he was in his sunny, cluttered parlor, with its rugged mountain view that had seemed so breathtaking, prior to his glimpse of interstellar gulf. He was finally unpacking the duffel bag in which dirty clothes had accumulated since homecoming weekend. He should have emptied it before stuffing in more to wear in Philly, but if he'd arrived at a greater appreciation of anything lately, it would be that he wasn't perfect.

  From the bottom of upended sack, his digital camera plopped onto a cushion of stale shirts. He couldn't figure out what it was for a second. He started picking it up, then slung it across the table as if it were electrified. In it was documentation, unique in human history, immensely valuable, of alien life, of alien interaction with this unwitting planet. Personally, on the other hand, it was a reminder of near-death experience, a preamble to homicide. If his eyes lingered on the camera for any time, that dizziness from back in the B&B, when he thought he would topple into that viewfinder miniature of a cosmic gateway, overtook him again. Would he always be a fish with immaterial hook in his lip to draw him into that hole?

  He went on with life, as he trusted he would, crisscrossing the world on photo shoots, exhibiting his work, making enough money, and he let the digital camera gather cobwebs where it lay, religiously averting his eyes from it. He never felt or acted particularly crazy, to the best of his knowledge, not even when visitors were apparently looking at his dusty camera on the table, and he startled them by roaring, "There's your murderer, right in there!" Nobody ever dared inquire what he meant, and he always seemed fine after a minute of probing lower lip with upper incisors, as if for a foreign object.

Darrell Schweitzer

Darrell Schweitzer is a prolific fiction writer, critic, and editor. Among his short story collections are 
We Are All Legends
(Doning, 1982),
Tom O'Bedlam's Night Out
(Ganley, 1985),
Transients and Other Disquieting Stories
(Ganley, 1993),
Refugees from an Imaginary Country
(Owlswick/Ganley, 1999),
Necromancies and Netherworlds
(with Jason Van Hollander; Wildside Press, 1999),
Nightscapes
(Wildside Press, 2000), and
The Great World and the Small
(Wildside Press,
2001). He has written the novels
The Shattered Goddess
(Donning, 1982),
The White Isle
(Weird Tales Library/Owlswick, 1989), and
The Mask of the Sorcerer
(New English Library, 1995).
Sekenre: The Book of the Sorcerer
(Wildside Press, 2004) is a volume of linked sequels to
The Mask of the Sorcerer,
and
Living with the Dead
(PS Publishing, 2008) is a story-cycle/novella. He has compiled many anthologies of criticism of horror and fantasy fiction and was the editor of Weird Tales from 1988 to 2007.

 
 
he sits there in the dark, silent, a hard, lean man of truly indeterminate age, like a creature of living stone. If his eyes seem glowing, that is my imagination. No, they are not.
 

  
He wants me to tell this story, so that I may slough it off.

...

I wasn't afraid of the dark as a child. No, in fact, I enjoyed it. Where my older sister Ann used to huddle at the edge of her bed with her face as close to the nightlight as possible until she got to sleep, I would, whenever I could, listen to her breathing and wait until she was clearly asleep, and then reach over and remove the nightlight from the wall.

  The dark contained things that the lighted bedroom did not. I knew that even then. I could feel
presences.
Hard to define more than that. Not ghosts, because they were not remnants of former living people, or human at all. Not guardian angels, because they were not angelic, nor were they in any sense my guardians. But something. There. All around me. Passing to and fro and up and down in the darkness on their own, incomprehensible business, in their own way beckoning me to follow them into spaces far beyond the walls and ceiling of the tiny bedroom.

  Then, inevitably, my sister would wake up screaming.

  When we were old enough to have separate bedrooms, that solved the immediate problem, but it was not enough. My mother would all too often come in and put her arms around me and ask
Why are you sitting here in the dark? What are you afraid of?
and I could not answer her. Not truthfully, anyway. Because I did not know the answer. But I wasn't afraid.

  Sometimes I would drop silently out the window onto the lawn very late at night, into the darkness when the moon was down. I'd stand there in the darkness, under the eaves of the house, as if the roof provided me with a little extra shadow; in my pajamas or just in shorts, barefoot, and if it was cold that was all the better because I wanted the dark to touch me, to embrace me and take me away into the remote reaches of itself, and if I shivered or my toes burned from the cold, that was a good thing. It was an answer. It was the dark acknowledging that I was there.

  I'd look up at the stars and imagine myself swimming among them, into some greater darkness, to the rim of some black whirlpool that would carry me down, down and away from even their faint light.

  "Are you crazy? You'll catch your death of cold!" was what my mother inevitably said when I got caught. There would be a scolding, followed by hot chocolate, being bundled up in an oversized robe, and eventually being led back to bed.

  Yet I could provide no explanation for my behavior. Mom began to talk about doctors and psychiatrists.

 
 
There are no words, the man in the dark tells me, the ageless man
whose eyes are not glowing. No explanations that can be put into
words. Never.

 
 
There was a particularly inexplicable incident when I was thirteen and was discovered early one morning by a ranger in Valley Forge Park, twenty miles from where I lived, in the middle of a low-lying area that was half woods and half swamp. It was November and the half-frozen ground crunched underfoot. Here I was wearing only a particularly ragged pair of denim cut-offs, soaked, muddy, exhausted from hypothermia and covered with bruises.

  I couldn't remember very much. There were a lot of questions, from the police, from doctors; and yet another round of bundling the poor little darling up nice and warm and giving him hot chocolate. What I
did
know was more about how I had
touched
the presences in the darkness and how they had borne me up into the night sky on vast and flapping wings. But they carried me only for a moment, either because I was afraid, or because I was not ready, or because I was not worthy.

  So they let go, and I tumbled into the woods, crashing through the branches, which was how I'd gotten the bruises.

  Nobody wants to hear about that. I refused to tell.

  It was only after a particularly tearful display on my mother's part that I was allowed to go home at all.

  Oh, I knew what my interrogators wanted me to say. Things were not going well at home, it was true. My father and mother screamed at one another. There were fights, violent ones. Things got smashed up. My sister Ann had bloated up into a 300-pound, terminally depressed monstrosity, who was ceaselessly excoriated by the kids at school as a retard, a whore, and a smelly bag of shit. I got a lot of that too, as the kid brother of same. Ann used to sit up long nights in the bright glare of lights cutting herself all over with a razor, carving intricate hieroglyphs into her too, too voluminous flesh, so that the pain would reassure her that she was somehow still alive.

  She had her little ways. I had mine.

  I was beaten regularly too, usually by my father, with fists or a belt or whatever happened to be handy, but no, it wasn't like what the police or the doctors or my teachers were trying to get me to blurt out. No one had the slightest lustful interest in my nubile young body. I was just the weird and silent kid at the back of the class who had a secret he didn't want to share, who would never make it as a poster boy for child abuse.

 
 
Such preconceptions must be cast aside. Humanity must be cast
aside. Sloughed off.

I met the living stone man whose eyes do not really glow on the night my mother and sister both committed suicide. We will not go into details. Those things must be cast aside. Lives end. My mother, who had been a teacher, and my sister, who wanted to be a singer, terminated themselves. My father, who worked as an electrician when he managed to work, would drink himself to death within the year.

  It is the way of things, which are to be sloughed off, discarded and forgotten.

  That night, relishing both the cold and the danger—it was winter; there was snow on the ground—I went out into the back yard, completely naked. I understood by then that if you are to surrender yourself utterly to the darkness, you must achieve total vulnerability, which is why virgin sacrifices are always naked.

  The stone man, whom I had known only in dreams before that night, was waiting for me. He took me by the hand. His touch was indeed as hard and fleshless as living stone, and yet somehow lighter in a way my senses could not define, as if he were only partially made of material substance at all.

  He led me into the further dark, heedless of my nakedness, because the human body is just one more thing to be sloughed off in the darkness, and of no interest to him. If we are to achieve our place in the whirling darkness beyond the stars, he explained to me, inside my head without words, we must become
nihil,
nothing.

  He didn't have a name. Childishly, I made up a whole series of names for him, Mr. Graveshadow, Mr. Midnightman, Mr. Deathwalker, but names, too, are to be sloughed off.

  I remember opening the back gate, but beyond that I do not think we walked through familiar places at all, certainly not across suburban back yards and streets, beneath the widely spaced streetlights, the strange, dark man and the naked, pale boy, who surely would have caused some consternation when caught in the headlights of the occasional passing car.

  I wonder if we even left footprints in the snow. I am certain only that we came to a high, dark place beneath brilliant stars and perched at the edge of a precarious precipice, so that with the slightest tumble, not to mention an intentional leap, we could have hurled ourselves off into the black sea of infinity forever.

  The presences gathered all around us. I could feel their wings brushing against my bare back and shoulders like the wind.

  That was when the man who had waited for me all this time, who had brought me here to this place, first taught me how to speak the speech of the dark spaces. Maybe he began with a series of syllables that went something like
whao-ao-ao—but
it was a howl, high and shrill like nothing I had ever imagined a human throat could produce, a screaming beacon that could reach across interstellar spaces, beyond the universe itself, into the great, black whirlpool at the core of Being. It was so
loud.
It filled everything, obliterated everything. Did my eardrums burst? Was there blood oozing out of my ears? The body is to be discarded, and for a moment it seemed it was, as in a kind of vision my companion bore me up, surrounded by howling, dark angels, and we hurled through infinities without number until we came at last to a flat and frozen plain, beneath two black suns, and we knelt down and abased ourselves, and shrieked that impossible shriek before a miles-high eidolon that might have had the form of a man, but
never was
a man. And this thing opened its stone jaws to join us in our song. It spoke, without words, the secret name of the primal chaos that turns in the heart of the black whirlpool, that unnameable name which no human tongue can ever form, nor can any human ear—with or without broken eardrums—ever hear.

 
 
That was almost thirty years ago, I say, uselessly. A lot of water
under the bridge since then.

  
There no time, the stone man says.

  
Indeed, he has not changed at all. If he is truly alive, he does not
age.

  
You are ready, then?

  
Yes. I have done a terrible thing.

 
 
Somehow I found my way back home. I must have arrived a while after my father came home from work, because I discov ered him sitting amid the ruins of our trashed living room, staring at the heavy-caliber pistol on the floor and at the brains and blood splattered all over the furniture and walls. My sister was sprawled head-first down the front stairs. My mother lay right in front of Dad, curled up as if she were asleep.

  He was weeping uncontrollably.

  He never noticed that I was naked and wet and half frozen, or that I was burned where either the stone man or any of the winged ones had touched me. I stank of sweat the way you do when you've shivered really hard. When I tried to say something it came out as a weird, trailing howl. Lights glared and whirled all around the house, blinding me, and the sounds were all strange and distorted, people talking to me at the wrong speed, all growling and distorted, like the voices of broken machinery. Maybe there was blood running down my cheeks. One of my eardrums had burst. I've been partially deaf in that ear ever since. The house was spinning, shifting, and nothing made a great deal of sense. My feet hurt intensely from where they had touched the stars, as if I had been wading ankle-deep in the burning sky.