Authors: Peter May
Tags: #Fiction / Mystery & Detective / General, #Mystery fiction, #Murder, #Murder - Investigation, #Murder/ Investigation/ Fiction, #Enzo (fictitious character), #MacLeod, #Cahors (France), #Cold cases (Criminal investigation), #Enzo (Fictitious character)/ Fiction, #Cold cases (Criminal investigation)/ Fiction
Paris, November 1986
Fontenay-sous-Bois was only three stops out from the Gare de Lyons on the RER red Line A. Richard barely saw the grey Paris suburbs that smeared past the rain-streaked windows of the train. It was all just a blur, like every one of the eighteen years of his life to date. Only the future lay in sharp, clear focus. A decision taken. A determination to carry it out. All he had in the world was contained now in the suitcase he had stolen from his brother. The suitcase he had lived out of for the last six weeks. A procession of cheap hotels in Pigalle, spending his brother’s money, eking it out while he made his plans.
Now he had butterflies colliding in his stomach. This was no short-term commitment. There would be no turning back, no second chance. This was who he was going to be. A man of his own making. A future determined by no one but himself. But, still, it scared him.
It was drizzling when he got off on to the station platform at Fontenay, pushing through huddled crowds to the street outside. It was raw cold here, and he pulled up the collar of his jacket, feeling the chill of it creeping into his bones. He walked the length of the Rue Clos d’Orléans before turning north into the Route de Stalingrad. At Rue Vauban he turned right, and took only a few minutes more to reach the deep stone arch built into the wall of the fort. It was dry in the tunnel, and beyond it he could see another, and the red blaize parade ground beyond that. Below the legend,
Fort de Nogent
, carved in stone around the arch were the letters that spelled his destiny.
Légion Etrangère
.
A soldier on guard duty stopped him at the entrance. ‘What’s your business?’
Richard straightened his shoulders and took courage from his own voice. He spoke boldly in English. ‘I am an Englishman. My name is William Bright, and I have come to join the Legion.’
Paris, November 2008
The café on the Avenue de l’Opéra was full to bursting. Condensation fogged the windows, and waiters squeezed between crowded tables balancing drinks on trays above their heads. It was a popular haunt for students, the breath-filled screech of Raphaël’s
Caravane
, surpassed only by the demented conversation of young people fresh from a day’s study.
Maude had kept them seats in an alcove, well-worn leather bench seats on either side of a beer-stained table. It afforded them at least a little privacy.
‘Darling, you’re late.’ She kissed Enzo twice on each cheek when he slid in beside her, and then with pouting lips planted a wet kiss on his mouth. ‘But I forgive you. For you’ve brought such a pretty young man to see me.’ She turned come-to-bed eyes towards Raffin across the table, and he blushed to the roots of his hair.
Maude laughed uproariously, delighted by her small, mischievous pleasures. She was somewhere in her late sixties. She wore a voluminous cape, and her long silver hair was piled untidily on top of her head. There was too much rouge on her cheeks and too much red on her lips. But you could see that she had once been a very attractive woman. A smouldering sexuality still lurked somewhere not far beneath the surface.
Enzo took pleasure in Raffin’s discomfort. ‘Maude and I go back a long way,’ he said. ‘She taught me the meaning of the word
allumeuse
.’
Raffin seemed puzzled. ‘Prick teaser?’
‘That’s me, darling. As Enzo said, we go back a long way. But we never went quite far enough, where I’m concerned.’ She raised an eyebrow and gave Raffin an appraising look. ‘You’d do, though.’ And she turned to Enzo. ‘Is he free?’
‘He’s dating my daughter.’
‘Ah. The young. Yes.’ She turned her focus back on Raffin. ‘They might look good on your arm in a restaurant, or going to the theatre. But I’ll give you a better time in bed, darling.’ She grinned. ‘I’ll order a bottle, shall I?’ She waved her hand in the air and somehow caught the attention of a waiter. ‘A bottle of Pouilly Fuisse, and three glasses.’ She smiled sweetly at Enzo. ‘And, of course, you’ll be paying.’
‘Of course. Do you have the results?’
‘
Bien sûr, mon cher
.’ The array of silver and gold bracelets dangling from her wrists rattled as she delved into an enormous sack of a bag on the seat beside her. She pulled out a large, beige envelope which she slapped on the table, long red fingernails polished and gleaming. ‘Everything you always wanted to know about blood but were afraid to ask.’
‘Were you able to recover DNA?’
‘Yes, of course. Not very interesting though. There’s so much more you can learn about a person from their blood.’
‘So what other tests did you run?’
‘Blood type, of course. I did a complete cell count. And a blood chemistry profile. Fascinating results.’
‘Like what?’
‘Well, for a start, the person who spilled blood on the little boy’s panda is a hemophiliac.’
Enzo was unaccountably disappointed.
‘You don’t seem very pleased.’
‘I’d rather hoped that it was going to be a woman, Maude.’
She patted him on the arm. ‘Now don’t go jumping to conclusions, Enzo. Contrary to popular opinion not all hemophiliacs are men. I know that woman are normally just carriers. But if a female carrier marries a male sufferer, then any children will be sufferers, too. Male
or
female.’
‘So it
is
a woman?’
‘Yes.’
Raffin leaned his elbows on the table. ‘How can you tell?’
Maude puckered her lips and blew air through them, as if she were dealing with an idiot. ‘Because the sex marker in her DNA was female, dear.’
Enzo took a moment to digest this. ‘So she probably never had a child then, Maude.’
‘Unlikely. The risk of bleeding would make it ve-ery dangerous. In fact, women with bleeding disorders are fortunate just to make it through puberty.’ She turned doe eyes on Enzo. ‘Just having sex could be fatal. Which would be a terrible affliction, don’t you think?’
‘Absolutely.’
‘But what a way to go!’ She winked at Raffin then turned back to Enzo. ‘Tell me, darling. Does this woman live in France?’
‘Almost certainly.’
‘Then you should be able to find her. Hemophiliacs are always well known to their local health authorities. They have to be. Their lives depend on it.’
***
It was dark by the time Enzo and Raffin got off the
métro
at Odéon and walked the short distance up the Rue de Tournon to Raffin’s apartment. The gold-domed Sénat building at the top of the street was floodlit, painted in light against a bruised black sky. Intermittent spots of rain blew down the street on the edge of a blustery wind. Green canvas screening flapped against rattling tubular scaffolding erected by stone-cleaners on the building opposite the apartment.
Raffin punched in his code, and pushed open one half of the heavy green doors to let them into the gloomy passageway that led to the courtyard beyond. Cobbles glistened wet in the rain from the lights of windows rising up all around, and the old chestnut tree above the garage, stripped bare of leaves, creaked and groaned in the wind. As there always seemed to be when Enzo visited Raffin, someone in one of the other apartments was playing a piano. Tonight the piano player was practising scales. Monotonous, repetitive, and hesitant. A child perhaps.
Both Enzo and Raffin were grateful to escape into the dry warmth of the stairwell, and they climbed up through bright yellow electric light to the first floor. ‘I’m going to open a bottle of Gevrey-Chambertin,’ Raffin said. ‘To celebrate.’
‘We haven’t got him yet,’ Enzo warned.
But Raffin just grinned. ‘We can’t be far away now. How many female English hemophiliacs can there be in a single
département
?’
‘Finding the woman who abducted Rickie Bright, won’t necessarily lead us to him.’
‘Oh, for God’s sake, Enzo, stop being such a pessimist! He’s just a breath away. I can feel it.’ He unlocked his door and pushed it open for Enzo to go in ahead of him. The apartment was in darkness, but the doors to the
séjour
, and Raffin’s study beyond, stood open, and the light of the floodlit building opposite reached through the window in a long rectangle across the floor towards them. It was in that light that Enzo saw the folded white sheet of paper lying on the floor where it had been slipped under the door.
As he stooped to pick it up he heard the glass in the window shatter, a sound like someone being punched, and Raffin grunted. In his startled confusion, Enzo looked up to see Raffin stagger back into the landing, slamming into the door of the tiny elevator, before tipping forward to fall heavily on his face in the doorway. Enzo stood up, bewildered, still slow to understand what had happened. The wooden architrave two inches to the right of his head split open. A large splinter of wood speared his cheek. And suddenly he realised they were being shot at. He dropped like a stone, pressing himself into the floor beside Raffin before daring to look up. He felt the rush of wind blowing through the broken window. There was someone up in the scaffolding on the building opposite. A figure obscured by the flapping green canvas.
Enzo became aware that his hands were sticky wet, and he had the iron smell of blood in his nostrils. In a moment of panic he thought he had been hit. Before realisation dawned that it was Raffin’s blood. He wasn’t thinking clearly at all. But he knew he needed to. He rolled onto his side and turned the journalist on to his back. Raffin’s beige crewneck had turned scarlet, the colour of his scarf. Enzo heard the sound of blood gurgling in his chest and throat. His eyes were open wide, filled with the panic of a rabbit caught in headlights. His mouth opened, but there were no words.
The light in the stairwell went out, its sixty seconds expired. Was it really only a minute ago that they had punched the switch at the foot of the stairs? Enzo got to his knees and scrambled out on to the landing. He grabbed Raffin’s legs and pulled him fully out of the apartment, then got to his feet and propped him against the wall, safely out of the line of fire. Raffin coughed and spattered blood all over him. The light was dying in his eyes.
‘Jesus Christ, man, hold on!’ Enzo reached up to hit the light switch, and with bloody, fumbling fingers, dialled the emergency number on his cellphone. When the operator responded it took a great effort of will to stay calm. He gave her their address, then heard his own voice rising in pitch. ‘There’s been a man shot. Critical. We need an ambulance fast!’
By the time he looked back at Raffin, his eyes were closed. And somewhere, in the building above them, the pianist was still practising scales.
Enzo had no idea how much time had passed. He was still in shock. Raffin’s blood had dried rust brown on his hands and clothes. He sat on a dining chair, leaning forward on his knees, head bowed, staring blindly at the pattern on the floor.
His eyes hurt and his head was pounding. The lights erected in the apartment by the police photographer were blinding. Forensics officers were everywhere, dusting for prints, collecting every tiny piece of evidence, bullets and hair and blood. He overheard someone expound the theory that the apartment might have been broken into ahead of the shooting.
The street outside had been sealed off, and yet more officers swarmed over the scaffolding on the building opposite, searching for any traces that might have been left by the shooter.
After Raffin was taken away, a medic had checked Enzo, cleaning the wound on his cheek, disinfecting it and taping it over with a wad of cotton. Then he had given the go-ahead for Enzo to be questioned by the investigating officer.
It had been a long and confused interview. Enzo still wasn’t thinking clearly. But the officer knew who he was. The publicity surrounding his resolution of two of the unsolved cases in Raffin’s book had earned him a certain notoriety with the French police. He was regarded by them with a mixture of suspicion, awe, and downright dislike. When it became clear that Enzo and Raffin had been working on the Lambert case, he’d heard one of the other plain-clothed officers saying, ‘Get Martinot on the phone. See if we can’t get him over here.’
He’d been aware for some time now of a low murmur of voices coming from the entrance hall, then looked up as he heard his name. ‘Monsieur Macleod.’ A familiar voice, speaking softly, an empathy in it that had been lacking in the others. ‘I never expected to be out at another crime scene.’ Jean-Marie Martinot was wearing his dark blue overcoat with the food stains, and Enzo noticed that his socks still didn’t match. His trademark wide-brimmed felt hat was pushed back a little on his head, and he brought in with him the reek of fresh tobacco smoke. He reached out to shake Enzo’s hand, but Enzo just opened his to show him Raffin’s blood and shrugged an apology. Sometime soon, perhaps, they might let him go and shower and change his clothes. Though he doubted that any amount of showering could wash away the horror of Raffin’s shooting. ‘I guess it was you he was after.’
‘I should think so.’
‘So how did he miss? After all, we both figured he was a pro.’
Enzo nodded towards the slip of paper lying on the table. It had his bloody fingerprints on it, but he had not even thought to look at it. ‘Someone must have pushed that under the door. I bent to pick it up just as the shot was fired. Pure goddamn fluke that Raffin got hit and not me. He must have known he missed me first time, so the second shot was probably fired in haste.’ And Enzo remembered Raffin’s almost prophetic words from earlier in the day.
It’s you he’s after, Enzo, not me. I’m probably in more danger when I’m with you than when I’m not
. ‘Do we know how he’s doing?’
Martinot looked grim. ‘Not well, monsieur. One of his lungs collapsed, and he lost a lot of blood.’
‘I know, I have most of it on me.’
The retired
commissaire
regarded him thoughtfully. ‘So why’s our man trying to kill you now? Do you know who he is?’
‘I know who he was.’ And Enzo told him about the trip to London, his meeting with the twin brother, the abduction from Cadaquès in the early seventies. ‘The fact that he has an identical twin means we know exactly what he looks like. If we can get a picture of William Bright, then it’ll pass for a picture of him. You can distribute it to police forces across France, put it out on the media. We also know he’s missing his right earlobe. So that should help.’
Enzo’s presence of mind was returning, and along with it a reticence about telling Martinot too much. He didn’t trust the police to put all the information he had to best use. And so he kept the revelations about Bright’s upbringing in the Roussillon, and his hemophiliac abductress, to himself. After all, none of that was going to help Raffin now. That was in the lap of the gods.
Martinot sighed. ‘I admire your skills, Monsieur Macleod. But, you know, you really should leave this kind of thing to the professionals.’
Enzo looked up at him. ‘The only reason I’m involved is because the professionals failed first time around.’ And he immediately regretted his words. Martinot, in his day, had done what he could. He’d been a good cop, with a good heart. He just hadn’t had the technology at his disposal.
The old man’s face darkened. ‘You’d better get yourself cleaned up,’ he said. ‘It’s going to be a long night.’ And with that he turned and went back out into the hall.
Enzo sat for a moment, shock and depression crushing down on him, a relentless weight. Then he reached for the slip of folded paper on the table. The note that had saved his life. He opened it up with trembling fingers. It was from Raffin’s maid, to say that she wouldn’t be able to come tomorrow.