Blackwood Farm (28 page)

“ ‘Rebecca, come to me, tell me what they did.' I shut my eyes and I was dreaming, my body shapeless and vibrating in its half sleep. Her sobbing came to me clearly, and then before me, in a nighttime place of candles, I saw a leering face and I heard a low, vicious laugh. I tried to focus on the face but I couldn't see it, and then when I looked down I saw that I was a woman, and that someone was stripping away from me a beautiful burgundy dress. My breasts were bare. My whole body suddenly was naked, and I was screaming.

“I had to get away from those who tormented me, and there before me a hand gripped the rusted hook, the hook at the end of the chain. I screamed a woman's scream. I was a woman. I was Rebecca and yet I was Quinn and we two were one.

“Never had I known such pure terror as the hand with the hook approached, and then I felt an unendurable pain beneath my right breast, an agony as something thick yet sharp stabbed me and pushed against me, and then I heard the laughter again, chilling merciless laughter, and a man's voice murmuring—no, arguing, pleading disgustedly—but the laughter covered the argument, it covered the pleading. No one would stop this! I knew I was hanging by the hook, that the hook held me by the rib beneath my breast, and my whole weight now pulled on the chain and its hook!

“I cried out, I screamed. I was a woman and a man screaming, I was Rebecca helpless and in torment and near to fainting yet unable to faint, and I was Quinn, protective and horrified and yet desperately trying to see the evil ones who were doing this, and there were two of them, yes, definitely two of them, and I had to know if it was Manfred. And then I was Rebecca screaming and the pain went on, the unendurable pain that was endured—it went on and on, and then the scene, blessedly, started to shift.

“ ‘Oh, God, Rebecca,' I heard myself whispering. ‘I know what they did—hung you by the hook beneath your rib and left you here to die.'

“Someone shook me awake. I looked up.

“It was Rebecca, and she was smiling, and she said, ‘Quinn, you came. You didn't let me down. You came.'

“I was shocked. She was as real as she had been in the house, only she wore the gorgeous burgundy dress she'd worn in the dream.

“ ‘Oh, thank Heaven, you're all right!' I cried. ‘It couldn't be going on forever.'

“ ‘Don't think about it now, my darling,' she said. ‘Now you know it, and you know what the fifth chain was for. Just be with me, my darling.'

“As I sat up she sat down beside me and I turned to face her, and our lips met. I kissed her clumsily and she put her tongue into my mouth, and I was as aroused as I'd been in the house.

“I was pure male, quite divided from her and quite locked to her, enchanted by the low-cut burgundy dress and the pink nipples that had to be so close, and ah, how precious the cameo on its black ribbon around her naked throat.

“Her breasts were only half covered by the burgundy velvet, and I shoved my hand into her dress awkwardly, and when I felt her nipples I went a little bit mad.

“ ‘Love you, positively love you,' I said with gritted teeth, and then I pushed the cloth down and I kissed her nipples until she drew me back up.

“I looked into her eyes.

“I wanted her too much to talk, and she allowed it, taking my hand and putting it under her skirts. Real, all real, all savory and frenzied, and finally, her little sex gasping for me, closing on me, and then the moment of fulfillment—so sudden, so jarring, so total. So gone.

“I found myself staring down at her—I was actually lying on top of her—and the flush in her cheeks took my breath away. I muttered some obscenity, some crudity. But I was so purely satisfied, so blissful that I could question nothing in these moments. I kissed her in the same open-mouthed passionate way I had kissed her the very first time.

“I lay back, tired to the point of stupor, and she was the one now looking down at me.

“ ‘Be my vengeance, Quinn,' she said softly. ‘Tell the world my story, yes, but be my vengeance, too.'

“ ‘But how, Rebecca? How can I do that when those who hurt you are gone?' I sat up, gently forcing her backwards.

“She looked urgent.

“We sat together. ‘Tell me truly, Rebecca, what can I do to make your spirit rest?'

“The horror of the earlier scene came back to me, the grim picture of her hanging on the hook, naked and helpless, and of those two evil ones who had done it to her.

“ ‘It was Manfred himself, wasn't it?' I asked her. ‘What can I do, Rebecca, to send your soul to peace?'

“She said nothing. She only kissed me again.

“ ‘You know you're gone too, Rebecca,' I said. ‘Along with those who did the deed, however awful it was.' I had to say it. I had to tell her. ‘Rebecca, there is no one alive now who can suffer for what is done.'

“ ‘No, Quinn, I'm here,' she said sweetly, ‘I'm always here, I see you always, I see everything. Be my vengeance, Quinn. Fight for me.'

“I kissed her again. I covered her breasts with kisses. We lay tangled and I felt the velvet of her burgundy dress. Her hair came loose, tumbled disgracefully in our lovemaking, and then I sighed, and, kissing her cheeks, again I passed into a blackness that was cool and enveloping as if I had drifted bodiless into the sex act itself.

“Sleep. How long? Hours upon hours.

“Then suddenly I was awake. I knew the heat, the sweat.

“And the darkness! Good Lord, the darkness!

“Nighttime on Sugar Devil Island. Nighttime in Sugar Devil Swamp. Oh, of all the idiot mistakes to have made, to have fallen into a drunken sleep here one good hour from home, with all the swamp creatures waking and hungry. What good was a pistol? What good a rifle if a snake drops on you from an overhanging tree? I didn't mind poking at the gators to scare them off, but what about everything else, including the bobcats, that came out to feast after dark?

“I rose up, furious with myself. And I had been so sure that I wouldn't be tricked by her, that I knew her for the evil thing that she was.

“Then it all came crashing back to me, what they'd done to her, and I gasped aloud.

“Vengeance? Oh, it had been enough to make a vengeful spirit of a choirboy, what they'd done. And she had died like that, I knew it. She had died and rotted there, but did she mean her vengeance to be on me?

“I saw the sticky semen on the boards, glittering in the light of the moon, and, looking through the windows, I thanked God for that moon. I needed that moon. Maybe I could get the hell out of here with that moon.

“I made the Sign of the Cross. I felt for the rosary under my shirt. (This one's not blessed but it will have to do.) And hastily and shamefully I said a Hail Mary, telling the Blessed Virgin in my own words how sorry I was to call on her only when all seemed lost.

“Then I realized to my horror that my pants were still unzipped. I'd said a Hail Mary to the Virgin Mary while officially exposing myself. I put that to rights immediately and said another three prayers before I groped my way to the stairs and down to the first floor.

“I scooped up the gold plate with its little forest of wax candles, and, taking out my lighter, I quickly lighted every wick. Carrying my little tray of light, I went to the door of the Hermitage and looked out. Yes, the moon was up there all right, I could see it from this vantage point, but the swamp looked dead black, and once I pushed off from this clearing, once I tunneled into that blackness, the moon just might not do me any good.

“Of course, I didn't have a flashlight or a lantern. I hadn't planned on this! In fact, if anybody had said, ‘Will you spend the night on Sugar Devil Island?' I would have answered, ‘That's insane.'

“ ‘Wait till I get finished with this place,' I said aloud. ‘I'll have electricity everywhere. And these windows will have properly fitted glass. Maybe they'll have screens as well. And these plank floors will be covered with marble tiles that the swamp can't consume with its infernal dampness. No, this shall be a small Roman palace, what with even more elaborate Roman furniture, and the stove, I shall get a new stove. And then if I'm trapped out here, I'll have delicious pillows on a couch on which to sleep, and plenty of books to read by fine lights.' It seemed I saw the vision of the place, and Rebecca's fate had no part in what I saw. It was as if her grisly death had been erased.

“But for now? For now I was in the damned jungle in a tree house!

“Okay, what if I stayed here and didn't try to find my way home in this abominable situation? What if I just read some of those old books by candlelight, and kept my pistol on hand for any emergency either man or beast might send my way?

“Well, the worst consequence of my doing that would be that everyone at Blackwood Manor would think something terrible had happened to me. Indeed, they might be looking for me right now. That was more than a good possibility. They might be out there in a pirogue with flashlights and lanterns.

“Didn't that argue for me staying where I was?

“I set the plate of light down on the desk, and I went out the front door, down the steps, and crossed the clearing before the Hermitage so that I stood near to the bank.

“It was quite amazing how the few candles illuminated the windows of the Hermitage. Indeed, nobody coming close in a pirogue could have missed it. Maybe it was best to sit tight.

“But if so, why did it seem such a cowardly decision? Why did I feel I should get back to reassure those who loved me that I was all right?

“I checked in the pirogue. No, I did not have a flashlight or lantern. Big surprise.

“Then I peered into the swamp. I tried to see what lay before me. I tried to make out the small channel by which I had come to this point. I could see nothing in the blackness.

“I walked around the island as best I could. Why precisely I wasn't sure. Maybe I wanted to feel that I was doing something, and I listened, listened very carefully in case anyone out there was calling my name.

“Of course I heard the countless night birds and low gurgling noises coming from the water, but there was no human voice.

“I came back to the point where I'd tied up the pirogue and there stood Goblin, my perfect mirror image, watching me intently, his figure apparently illuminated, just as if it was solid, by the candlelight that came from the house.

“What a marvelous spectacle, it seemed to me, that could create such an illusion, and I racked my brain to remember if he had ever done something so spectacular before.

“I had seen him in shadows, in darkness and in light, of course, but never had I seen light falling on him, outlining his shoulder and his face. He made a sudden gesture with his right hand, beckoning me to come closer to where he stood.

“ ‘What do you want?' I asked. ‘You don't mean to tell me you're going to be useful.' I moved towards him and he reached out with his left arm to guide me in a turn. Then he pointed out into the swamp.

“For a moment I was only aware of a distant pool of moonlight—that is, an opening in the thick growth many yards from where we stood, where the water sparkled with clear radiance. Then I heard the sound of lapping. And Goblin's left hand tightened on my arm, and he made the symbol to me with his right index finger that I should be very quiet.

“Again he pointed to this distant spot of visibility, and into it glided a pirogue apparently helmed by one man. And quite distinctly I made out the figure of that man.

“He wore a jacket and trousers, perhaps jeans for all I could see, and as I watched with Goblin he lifted up a human body from the pirogue and slipped it into the water slowly with hardly a splash!

“I was confounded. Goblin hurt my shoulder he squeezed it so tight.

“The distant figure now appeared to do the same thing again. With inconceivable dexterity and strength he lifted another body and dropped it down into the muck.

“I stood stock-still. I was horrified. The thought of danger to myself didn't even occur to me. What filled my mind was the bitter sense that two dead bodies had just been fed to the swamp's lethal darkness, and no one, no one, would believe me when I returned home with this tale.

“Only gradually did I realize that the figure was now motionless and in all probability facing me, and that he looked on steadily and that Goblin and I were partially illuminated for the figure by the candles in the house.

“Across the black water there came a sound of laughter. It was low, simmering, as the voices of my visions had been simmering, but it was real, this laughter, it wasn't spectral. It came from the figure.

“And as I watched, as Goblin and I watched together, the figure guided his pirogue into the blackness and was gone.

“For some long agonizing moments Goblin and I stood together, and it was more than a comfort to feel Goblin's left arm around me, and to rest my weight against him in an intimacy I would never have shown with a human being.

“But I knew he couldn't keep up the solid shape for very long. I also knew that he could hear this individual, this character, who had just dumped the two bodies. Goblin would know when it was safe to leave.

“For the proverbial eternity we remained there, motionless and cautious, and then Goblin told me telepathically that we should escape the island as best we could.

“ ‘And what if I get lost, hopelessly lost?' I asked aloud in a whisper.

“ ‘I'll lead you,' Goblin answered. And then he disappeared. Within a second the candles in the house were extinguished, and my familiar was pushing at me and tugging me to make me go to the pirogue right now.

“All the way back to Blackwood Farm he guided me, sometimes in total darkness, other times by the light of the moon. In less than an hour I saw the lights of the house shining blessedly through the trees, and I shot straight for the pier.

“People were shouting. I heard someone scream. And then as I hurried up to the kitchen door, Pops came out to embrace me and say: