Bone Dance (2 page)

“Past there in the next room.”

“Just cleaning him up, eh? Shouldn't you be with the little woman?”

If this turned out all right, I'd smile, telling my independent April she'd been called my little woman. For now I let it pass, let Carr say, “Well, congratulations on the boy. What's his name?”

The boy. The boy had no name. So far, he was just a blue-faced wiggle of weak complaint who'd panicked the doctor with his feeble breathing. Six pounds, four. Six pounds of person struggling for breath. April waiting for a word. Me standing here stuck in a moment, waiting for the future to show its face.

How had it come to this?

Foolish question. It had come by means of falling in love with April. Small, dark-haired April, fresh as the whole season of spring. Falling into bed more than once. In spite of all precautions, lying beside her one early morning to take in the news that she was pregnant. Thoughts tangling in my mind like coloured electrical wires in a switch box. How had the methods of two well-educated, intelligent people failed? And we weren't married. Or even close to it, as far as I could tell. Did she want it? The black-wire thought that she might have plotted it.

Then the last strand: this would make me a father. I hung on to that one, turning the idea left and right, and found it hot and frightening to hold, but also tingling with current.

What I said to the still, waiting warmth of woman in the bend of my arm was, “Should we get married?”

And though she said no, not because of this, it appeared I'd said the right thing, jumped a host of fears to land where she felt comfortable.

“What's his name?” Carr had asked. It seemed wrong to be so unprepared with an answer. For months we'd played name-the-baby like it was the best game in town.

“Thomas?”

“Too plain.”

“Vladimir?”

“If you're going ethnic, it ought to be Dutch.” Then I'd start rhyming off the names of distant cousins: Wisse, Annemieke, Ysbrandt, Laurens . . .

“Hey, this kid's half Irish. Seamus, Siobhan, Kieran, Aidan . . .”

“What's the last name going to be then?”

“Both,” she'd said, decisively. “O'Connor Aardehuis.”

“It'll end up being Aardehuis every day, just because it comes last,” I told the feminist free thinker but, like always, she surprised me.

“Better that way. Better for a kid to have the father's name. The world hasn't changed that much.” She smiled. “Poor thing'll pay for it by having it mangled all the time.”

Just seven hours ago, we'd still been kicking names around, thinking we had three weeks to get serious. But all along, I thought there was one name she really wanted and just hadn't put on the table.

She'd met me downtown where I was working extra duty at The Armagh Thanksgiving Busker Festival. A brain wave of the Downtown Business Association, the party shut the main street of our little town to cars so pedestrians could saunter around spending money and enjoying an imported selection of street musicians, jugglers and fire eaters.

Watching the crowds mill across King Street, I had to admit it was looking like a success. The weather had cooperated with a crisp-as-apples October day. The hours stretched with that long weekend feeling. Every twenty minutes, the shuttle bus from the parking lot at the high school discharged a new crew of saunterers. They wandered happily between the apple sellers and craft vendors, pausing to watch the buskers perform.

“I've been thinking about Benjamin,” April said as we walked away toward the war memorial square, where the main show took place. Sometimes it seemed that, as the rest of her grew, her face narrowed, got more intense and focussed. Sometimes I missed the other look, the soft, unworried, ready-to-laugh
face I'd fallen in love with.

“I love the way you move like that,” I teased. “Forward and sideways at the same time.”

“Go to hell, Tony,” she said. “How would you like to drive your cruiser with loose wheels?”

But she refused to be derailed. “So how about Benjamin?”

“Ben. Benny. Benjy?”

“Okay, okay, you don't like it.”

“I just think a boy's name should be short. Two syllables max.”

“But girls can be fancy? Okay, then. Isabel, Imogene, Edwina.”

“How about something known to civilized man. Like Emily.” For days, I'd been pushing Emily.

She didn't answer, because that was when Glen Wylie's pickup truck came down the side street, saw the green light but not the
ROAD CLOSED
sign, and bashed into the side of a hot dog stand. By the time I got there, Glen was out of the truck, face to face with Peter Walker, the guy who'd sat beside me in Grade Ten typing, new owner of the greasy spoon on Main Street. Trying to pick up a few extra bucks on the tourists, Pete had brought his business out into the road, and now half his ketchup packets and weiners lay on the pavement.

But it was Wylie cursing. Goddamn road closing. Goddamn clowns from out of town. Goddamn cart blocking the road for a man on his way to his beer and four hours of cribbage like every Saturday night.

Under the tractor cap, Wylie's face reddened with high blood pressure and rage. I knew Pete had a temper and took no crap from anyone, and he glared right back. “What about my stuff?” he demanded. “A hundred bucks of supplies ruined here. Never mind what I could have made.”

“Never would 'a happened if you stayed on the sidewalk where you belong. What about this dent in my truck? Who's paying for that?”

It took ten minutes to convince Wylie that he was looking at a failing-to-stop ticket from me if he didn't settle Pete Walker with a couple of bills. By then he'd insulted pretty well everyone there: me (bloody cops), the parents of the kids who got too close to look at the dented fender (get them brats off there before I whack 'em where it hurts) and the buskers who took a break from their juggling and unicycling to watch the fuss (grow up and get a real job).

“Hippies and sluts, that's what you are,” the last directed at the only woman on the circuit, a skinny redhead who called herself Circus Daisy.

Daisy just stared at Glen like she was collecting eccentric specimens of rural life, then hopped on her unicycle and rode away, flipping the backside of her skimpy skirt at the old crank. The crowd laughed, and finally he handed over the cash, climbed into his truck and drove off toward the Legion.

The buskers had turned out to be an odd bunch, not the tame kids in clown suits I'd expected. A young fire eater with singed eyebrows and the show name of Flame Sucker Bob told me Armagh was the last big busking party before winter drove them south. Young and mostly male, they wore the signs of life on a hard road: burnt skin, tattoos, flamboyant costumes fraying at the seams. A squinting sarcasm lurked under the patter tossed out with multicoloured balls and disappearing scarves of silk, and a cop's instinct said these were people to watch, people who travelled on the edge with nothing to lose.

I could tell by the way she perked up and listened that April's instinct was different.

A juggler with huge plaid pants jumped onto a pair of
stilts. The tall sticks clumped the edge of the crowd with a few fake almost-falls as he grinned fifteen feet above.

“Any Americans with us today?” When someone shyly raised a hand, he formed a mock gun hand aimed straight on, bellowed, “POW!” Grinned again and said, “Just wanted to make you feel at home.”

Then a contrite pout and, “Oops. Don't worry folks, this is family entertainment . . .”

Flame Sucker Bob came next, dipping the head of his sticks into fuel, setting them ablaze, talking all the while about fire and ashes, sounding now like a crazy circuit preacher (fire, the purifying fire of cleansing and retribution . . .) then, between mouthfuls of flame, yapping out of the side of his mouth (have to do this 'cuz I say so many bad words).

Then Circus Daisy jumped onto a six-foot unicycle.

“Oh! I'm showing my knickers,” she said with mock modesty, smoothing her short skirt over matching pink satin panties as she circled the monument to our glorious dead, talking as she went.

“Well, here we are in beautiful Armagh, Ontario, the first annual beautiful Armagh Busker Festival. Beautiful Armagh, home of good solid family folk, a no-skeleton town with a public library, a post office and four traffic lights.” Her tone cycled right down the wire between upbeat and sneering, and her smile never showed her teeth.

“Five traffic lights,” piped up one of the kids.

“Oh my! This is progress,” she teased, “MacNeill's Hardware, the IGA, a cute little diner called Sam's, and the handsome OPP.”

Something odd in that speech. But as she wheeled past, she leaned over and lifted off my Stetson, distracting me and setting April laughing, everyone else watching to see how the
cop would react. Just waited patiently while she lifted a tweed cap, then a few ball caps, juggled the lot and finally returned them neatly to their rightful wearers.

Had I seen her before somewhere? On the streets of Ottawa? Or Montreal? You're a little too old for this, I thought. That red hair came out of a can, and though she was lithe and smooth, wrinkles etched the corners of her eyes.

She was good though, as she cycled around, dropping balloon animals into little laps, juggled balls and eggs and finally knives. An acrobat too. And persuasive. She got two men to squat down and persuaded another onto their backs, making a platform for her to put down a special mounting block, where she placed an upturned pail and balanced herself on one foot on top of the whole mess, twirling flaming sticks above her head.

The third guy, volunteered by his children, was reluctant, but she talked him into position with a relentless barrage of gentle mockery. “Come on my man, not afraid of a little thing like death, are we? I'm not afraid of death. Who here's afraid to die?” she asked the crowd, without pausing for an answer. “If I die, you'll find me up there for sure at heaven's gate, busking away for St. Peter, and how could he refuse an entertaining girl like me?”

Spinning the fire five feet up, she started a Bob Dylan rasp of “Knocking on Heaven's Door” with a special smile for me when she got to the line about a lawman can't ever be free.

That was when I saw the half smile on April's face. I could tell she was thinking hard, and that next thing she'd have some theory about what she was seeing, the patter, the attitude or maybe a metaphor of busking as the performance art of life, because we're all banging for attention at some gate. But I never found out what it was, because the next moment her
hand on my arm turned into a vice, and she said, “My water just broke.”

“He's going to be okay.” I told her. They'd moved her from recovery to a regular room. “His breathing has stabilized; so has his heart rate. But they're keeping him under observation.”

Her hand in mine seemed smaller than ever.

“Intensive Care?”

“Yes.”

“So they've got to still be worried.”

“He said it was just precautionary. If everything stays the same, they'll move him out soon. Maybe even tomorrow.”

After that we just sat quiet for awhile. She looked exhausted but wide awake, like she'd just climbed a mountain and needed to take in the view.

“I hardly got a look at him, Tony. Just that he's got dark hair.”

“Oh, he's handsome,” I assured her. “He'll have your hair, I bet, and dark eyes and from me . . .”

“Don't tell me he's got that nose of yours.”

“ 'Fraid so.”

“Poor thing.” Finally, a smile. “Maybe you should make those phone calls.”

“Okay,” I said, “but they'll be asking his name.”

“I've got an idea about that . . .”

“Thought so.”

“. . . but it can wait till morning.”

It was three a.m. before I got home and fell into bed, where I didn't really sleep. Just tossed from thought to thought in the tangled sheets of a long, eventful day. Baby boy Aardehuis
bumping up against a busker yelling above my head: “Are you afraid of death?” Which changed in the half sleep to birth. Are you afraid of birth? Carr and his “congratulations on the boy.” The boy I'd last seen curled in sleep just like his mother, small red face peeking out from under cover.