Authors: Paul Doherty
Tags: #England/Great Britain, #Mystery, #Fiction - Historical, #14th Century
‘Juice of the poppy?’ Cranston asked.
‘Perhaps,’ Athelstan replied. ‘You have some here, Master Thorne?’ Again the only reply was that hard, unblinking glare. You tried to murder me, Athelstan thought. You are quite prepared to watch me burn a horrible death simply to conceal your own dire, wicked acts. I was to be silenced so you could hide your host of mortal sins.
‘Brother?’ Cranston asked.
‘
Quieta non movere, quieta non movere
,’ Athelstan declared, ‘let sleeping dogs lie.’ I recall seeing a bear fast asleep on a corner in Southwark. Its owner claimed the animal had been given a sleeping draught. On other occasions my cat Bonaventure, who drank my ale, lay fast asleep on the hearth and, at the other extreme, Sparwell lurched in that execution barrel bereft of all consciousness. Such images made me recall this tavern’s great pig, the boar Pedro the Cruel, falling fast asleep outside its sty on a freezing winter night. Pedro, I suspect, is a benevolent animal but still a very greedy one, with a snout for any titbit left lying about, including all the drugged ale you poured out of the tankards used by those archers. On reflection, I concluded, that could be the only explanation for a pig who loves its comfort not to return to sleep in its sty on such a night.’ Athelstan sipped from his own goblet. ‘Of course, unlike poison, a sleeping potion leaves no visible effect. Even the rats in the Guildhall dungeon would just creep back into their holes to sleep. So let us return to the Palisade, shrouded in an icy darkness. You leave the archers sleeping and move to the Barbican.’
‘What if Hornsey had returned?’ Thorne, his lower lip trembling, gestured with his hand.
‘Quite understandable: he would have found two guards asleep. He would probably welcome that and go back to his lover, Ronseval. Oh no, that didn’t pose any danger. The only real threat to you, Master Thorne, was someone actually finding you in the Barbican when the murders were taking place, though that would be nigh impossible because you were going to seal yourself in. Even afterwards, if someone had stopped you on the Palisade, it wouldn’t be proof enough. After all, you are the tavern master here.’ Athelstan breathed in deeply. ‘Oh no, what you plotted and planned was very devious. You arrive at the Barbican and the guards in the lower chamber welcome you; after all, you are the genial Mine Host making sure everyone is comfortable. You brought that tun of your special ale. You insist on sharing it out before climbing up into the storey above. Again, Marsen and Mauclerc cordially greet you. They like that, someone dancing attendance on them, eager to please. You are their host, a man who has to report to Master Thibault. You carry a gift and they are certainly deep in their cups. Of course, the exchequer chest lies open as you suspected it would be. Marsen had insisted that Hornsey unclasp the third lock – he and Mauclerc have unfastened the other two. I suspect even if it had been locked, once you had dealt with your victims you would have just forced the locks, but Marsen’s glorying in his greed made your task all the easier. You measure out the ale containing that powerful sleeping draught. You are serving a refreshing drink to men and women who have eaten your highly spiced capon, which would only sharpen their thirst. You tried to claim Marsen wouldn’t want cheap ale – he didn’t, but a tankard of your best is another matter. Toasts are exchanged and, within a very short while, your victims are deep in a drugged sleep. You then move swiftly. You leave the Barbican and bring in the hooked ladder as well as a small crossbow and quiver of bolts you’ve hidden close by. You also move a barrow or cart from that tangle of conveyances beneath the tarpaulin to stand just beneath the window. Once inside, you lock and bolt the main door and carry the ladder to the upper chamber and continue your plan. In both chambers you make it look as if the most violent conflict had occurred. Indeed, you will make people wonder if there was one attacker involved or more. You confuse matters even more by drawing the weapons of your sleeping victims and placing them nearby. You ensure that the blades rasp together in case they are closely scrutinized.’ Athelstan gathered himself as he approached the black heart of this matter. ‘God forgive you,’ he whispered. ‘You then carry out dreadful murder in different ways, inflicting on each victim a mortal wound. Tax collectors, archers and whores, every single soul in that Barbican you slaughter without mercy.’ Athelstan sat staring at the accused. ‘Now you must cover your sin, you make sure the tankards in both chambers are clean. You pour the tainted drink into the great water bucket on the
lavarium
. You swill out those tankards and use the ordinary ale to refill them. Of course, once I’d left, you made sure that the bucket of dirty water was taken and poured into the river. You’ve achieved what you wanted – all traces of any sleeping potion are removed. The taunting verses about being numbered and weighed in the balance, purportedly the words of Beowulf, are pinned to the inside of the window shutter.’
‘And the money?’ Thorne broke in. ‘How was I supposed to—’
‘I wondered about that, Master Thorne, I really did. It was far too dangerous to carry a clinking sack across the Palisade and into the tavern. For a while I suspected you concealed it in the piggery or somewhere along the Palisade, but that would be highly dangerous. You suspected Thibault and others might come hunting for the lost treasure. If it was found outside the Barbican, somewhere in your tavern or the land around it, suspicion would naturally fall on you. So I concluded that the treasure is still in the Barbican.’
‘Nonsense! The fire …’ Thorne fell quiet, almost squirming in the chair.
‘Oh, Master Thorne, what did you just nearly say? That you wouldn’t hide your plunder in a place you tried to burn?’
‘You are tricking me. You trip me up with words.’
‘No, Thorne, you stumble over your own lies. You started that fire. I saw the scorch marks against the wall where it began. I smelt the oil. I asked myself then who could so easily bring oil into the Barbican?’
‘Someone coming in from the river. Many people wander here, trespassers on tavern land. Anyone of these could have brought in the oil.’
‘But you did realize that the fire was deliberately started by oil being poured?’ Athelstan asked.
‘Well, yes.’
‘But on the afternoon when the fire occurred, when I escaped and came here into the Dark Parlour, you claimed it must have been an accident.’
‘Yes, yes, of course.’
‘But even then, as owner of the Barbican, you must have wondered what caused a fire to rage so violently.’ Thorne just glared back. ‘Anyway,’ Athelstan continued serenely, ‘you must have searched the Barbican after the fire and, like me, smelt the oil?’
‘Yes.’
‘And you, the owner, must have realized that there was no oil in the Barbican to begin with. I certainly didn’t see any. It must have been specially brought in, so the fire was no accident but an attempt to murder me.’ Thorne just blinked, wetting his lips.
‘In which case,’ Athelstan spread his hands, ‘why didn’t you inform me, send an urgent message to St Erconwald’s or to Sir John at the Guildhall? After all, you did assure me it was probably an accident, then you discovered that the opposite was the case.’
‘I am sorry, I made a mistake.’ Thorne blinked. ‘I am not too sure whether I really did know it was oil.’
‘Master Thorne, your attempt to murder me was a terrible mistake. You didn’t think it through, or perhaps you did but wagered I would never survive to question you. I will go back to the beginning. You must have gone into the Barbican to satisfy your own curiosity about why your property had been burnt. In fact, you did more than that; a great deal of the wreckage had been removed.’
‘I hired la-labourers,’ Thorne stammered.
‘Which labourers?’ Cranston roared as the realization dawned on the coroner that the accused had almost murdered his beloved Athelstan. ‘Which labourers, Thorne, and I want every detail!’
‘I forget, I forget,’ Thorne mumbled. He sat, head down, and, when he glanced up, Athelstan caught the man’s sheer desperation. ‘Brother Athelstan, Sir John, I am confused. If I, as you allege, stole Marsen’s treasure and hid it in the Barbican, where, according you, it still remains hidden, then why should I deliberately start a fire in the same place?’
‘Oh, for many reasons. Never mind my murder, you deliberately made the Barbican a ruin, derelict, a place of little use to anyone. After the fire, who would go there? Which is why you insisted on clearing the wreckage yourself. You didn’t bring in any labourers, Mooncalf has informed me of that and Mooncalf would dare not lie to me. Oh, before the fire you allowed the likes of Paston and Brother Marcel to climb to the top of the tower to view the river.’ Athelstan pulled a face. ‘To try and stop them would have created suspicion, but of course,’ Athelstan lowered his voice, ‘I was different. You resented my snooping, my prying and, above all, me going anywhere near the Barbican, where the gold and silver you stole, held in a leather sack, has been pushed deep into that latrine, the ancient sewer beneath the garderobe.’
‘But the fire?’
‘The fire did not reach it. The bag is thrust down deep in a pit, sunk amongst the most filthy refuse. No one would think of searching for it there, especially now after the Barbican has been reduced to a ruin. Time would pass and, when all was quiet and memories faded, you would dig deep and remove what you had stolen.’ Athelstan stared at the taverner, who now kept glancing over his shoulder at the door. The friar had wondered if Eleanor Thorne was implicated but he concluded that she was not, which is why Thorne had told her the tale about searching for the intruder in the stables. However, did Eleanor herself secretly suspect her husband?
‘No one will come here, Master Thorne,’ Athelstan declared softly. ‘We have no need, as yet, to question your wife, so let us return to the Barbican the night you committed these murders. All your victims lay dead; both chambers left in chaos, the proclamation has been pinned, the gold and silver hidden away. Now you prepare to leave. You ensure that you have everything with you – you return to the lower chamber to check for the final time. The door is locked and bolted. You take the ladder into the upper storey, you secure the trapdoor and move swiftly. All lights are doused as you prepare to leave through the window.’ Athelstan held up a hand at a knocking at the door. He rose, crossed and opened it. Burley stood there holding a crossbow, three small quarrels and a wristguard. The knight put the quarrels and wristguard on the floor and held up the arbalest.
‘Found in Friar Roger’s chamber,’ he declared. ‘But very clever, look.’ The knight banneret swiftly unpinned the apparatus on the crossbow: the hand-drawn chord and the studs which held everything in place, the metal groove and release clasps could all be taken off. Burley did this swiftly and Athelstan smiled. The hand-held arbalest was no longer a deadly weapon but a Tau, the symbol beloved of the Franciscan order: a T-shaped cross which took its name from the Greek letter ‘Tau’, the symbol used by St Francis Assisi to sign his letters.
‘It can be assembled very swiftly,’ Burley explained, ‘and then just as speedily be stripped of all its war-like paraphernalia.’
‘And the quarrels?’
‘Found in his chamber. Again very cunning. All three can be taken apart, watch.’ Burley picked up one of the quarrels, removed the metal clasp with the miniature stiffened feathers which served as its flight, then the barbed steel tip. ‘All three were kept separate,’ Burley explained, ‘and unless you knew what you were looking for, it would be very difficult to realize that hidden amongst clothing, manuscripts, beads and other items, were these different pieces which, when brought together, would form a deadly hand-held arbalest and crossbow bolts.’ Athelstan took the flight and studied it carefully. He was certain that a similar bolt or quarrel had killed Thibault’s henchman. He recalled leaning over Lascelles to administer the last rites; the crossbow quarrels were the same and, more importantly, that could be proved. Lascelles’ corpse had been removed for burial; the quarrels, as the law laid down, would be stored away as evidence. It would be enough to despatch Brother Roger to the gallows, if he had not been a cleric.
‘Brother?’ Athelstan looked up at Burley’s lean, saturnine face.
‘You told me,’ the knight banneret declared, ‘to search his possessions but to forget that he was a friar and more probably a very skilled assassin. Everything we found we laid out on the floor of the chamber. It was like a puzzle, deciding which pieces would go together. I suspect when he travelled, as he was apparently preparing to do, the weapon would be dismantled. At other times, and it’s only a hand-held one, the arbalest would be readied, primed and hidden away.’
Athelstan thanked Burley, instructed him to keep the evidence safe and returned to the Dark Parlour. Thorne sat staring moodily into the goblet of white wine Cranston had poured for him. The coroner slouched stock-still in his judgement chair, watching the taverner as closely as a terrier would a rat hole.
‘You said I left by a ladder from the window,’ Thorne protested, ‘but that was locked from within and we have no ladder long enough …’
‘Silence, Master Thorne. This is how matters proceeded. You went up into the upper storey, locking the trapdoor from that side. You doused the candles and opened the shutters. Before you entered the Barbican you wheeled a handcart beneath the window. You dropped the ladder down on to the barrow; the hooks at either end of the ladder are secured on the sill which runs beneath the window. In fact, as I shall prove, the way you went down is the same way you later went up – that was an essential part of your plan.’ Athelstan stared down at the notes he had made. ‘You climbed out. You pull the inner shutter back; you slammed it shut to bring the hook down on the other side. Whether it did or not, I admit, is debatable because in the end it’s all pretence. The inner shutter looked sealed. You also closed the horn-covered window by simply loosening the horn and slipping your hand through to bring down the latch. You then repair the horn as well as you can before closing the outer shutters. Again the hooks could have swung down into their clasps just by the force of it being closed. If it did, all to the good. Whatever happened, for someone staring up through the murk with no light within and certainly none without, that window would appear sealed and locked as the main door of the Barbican. More importantly,’ Athelstan stared at the taverner, ‘you only had one person to convince.’