Castles, Customs, and Kings: True Tales by English Historical Fiction Authors (17 page)

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Authors: English Historical Fiction Authors

Tags: #Debra Brown, #Madison Street Publishing, #English Historical Fiction, #M.M. Bennetts

Scourge of Europe: The Religious Hysteria Created by the Bla
ck Plague

by Rosanne E. Lortz

D
eath has always been one of the most frightening prospects faced by mankind. The fear of death even has its own word to describe it—thanotophobia.

In a society where a third to a half of the people around you have succumbed to death
within the past year
, the terror of knowing that you might be next can become overwhelming. It can drive a person to bizarre and unthinkable acts as he tries to ward off death’s icy grip from descending on his own shoulder.

This is what happened in the mid-fourteenth century, during the years of the Black Plague. The world went wild with thanotophobia, and the country of England was no exception.

Monty Python to the contrary, the Black Plague was no joking matter. The medieval chronicler Geoffrey le Baker wrote:

Men who had been one day full of life, were often found dead the next. Some were afflicted with abscesses which erupted in various parts of their bodies, and which were so hard and dry, that even when they were cut with a knife, hardly any liquid flowed out…. Others had small black sores which developed all over their bodies. Only a very few who suffered from these survived and recovered their health.

Such was the great plague which reached Bristol on 15 August
[1348]
, and London around 29 September. It raged in England for a year or more, and such were its ravages, that many country towns were almost emptied of human life.

For some, the proximity of the plague created the pernicious attitude of “
eat, drink, and be merry, for tomorrow we die.
” Immorality, excess, and crime became rife in towns and cities, especially in the metropolis of London, as despairing people grasped after every last piece of self-gratification before death should come for them.

Others, however, still nourished the hope that the plague might be avoided. Doctors tried the normal remedies of bleeding and laxatives and prescribed more outlandish cures such as drinking one’s own urine. It soon became obvious, however, that medicine had failed to find the answer. As corpse after corpse was thrown in the common burial pits, the only course left to the living was to repent of their sins, cast themselves on divine mercy, and entreat the angel of death to forbear.

The fourteenth century, like the rest of the medieval period, was quick to consider any sort of disaster (natural or manmade) as a judgment from God. Earthquakes, fires, Viking invasions, Muslim conquests—all these things came about because of the sinful backsliding of God’s people. When the Black Plague, the greatest disaster in human memory, beset Europe, it was not hard for the deeply religious and deeply frightened populace to believe that God was exceptionally wroth with the world. Someone must intercede with the Almighty and prevail upon Him to stay His hand.

The early Church had understood Christ to be the intercessor between His people and God the Father. But somewhere, in between the age of the Church Fathers and the era of the Hundred Years’ War, Christ, the “shepherd of tender youth,” had metamorphosed into Christ, the stern and implacable Judge. With Christ seen as the author of the plague itself, the desperate looked for a mediator in His kinder, gentler mother Mary.

Across Europe, a sect known as the Flagellants began to gain followers. Wearing a uniform of a white robe marked with a red cross—much like the Knights Templar surcoat seen in so many period films—the Flagellants were a society of ascetic laymen determined to atone for the sins of the world. They gathered in groups of anywhere from 50 to 500 men, traveling around the towns of Europe and performing the ritual of publicly scourging themselves.

The
Catholic Encyclopedia
offers this description of the Flagellants’ activities:

Twice a day, proceeding slowly to the public square or to the principal church, they put off their shoes, stripped themselves to the waist and prostrated themselves in a large circle. By their posture they indicated the nature of the sins they intended to expiate, the murderer lying on his back, the adulterer on his face, the perjurer on one side holding up three fingers, etc. First they were beaten by the “Master”, then, bidden solemnly in a prescribed form to rise, they stood in a circle and scourged themselves severely, crying out that their blood was mingled with the Blood of Christ and that their penance was preserving the whole world from perishing.

After the Flagellants had gathered a crowd to watch their bloody performance, the Master would read aloud from a “heavenly letter,” trying to terrify the onlookers with its apocalyptic contents. Matthew of Neuenberg wrote:

In this
[letter],
the angel said that Christ was displeased by the depravities of the world, and named many sins: violation of the Lord’s day, not fasting on Friday, blasphemy, usury, adultery. The letter went on to say that, through the intercession of the Blessed Virgin and the angels, Christ had replied that to obtain mercy, a man should undertake voluntary exile and flagellate himself for thirty-three and a half days….

The number was a symbolic one, standing for the thirty-three and a half years that Christ had dwelt in human form upon the earth. By identifying themselves with Christ, and taking on his sufferings as it were, the Flagellants could redeem the world from the death and destruction that had come in the form of the Black Plague.

At first, the Church did not know what to make of this new sect. The clergy appreciated the Flagellants’ calls for repentance but also feared that this parachurch organization would provide a rival to the Roman Church’s authority. When the Flagellants began to speak out against the Church, blaming it for allowing the corruption that had brought God’s judgment, and also began to embellish their own teachings with flagrant heresy (e.g. denying the sacraments, professing their own ability to grant absolution), the Church reacted violently. Pope Clement VI commanded that the brotherhood be suppressed in whatever country they appeared throughout Europe.

The Church’s antagonism toward the Flagellants, however, did not necessarily reflect the popular perception of them. The fear of death that had overshadowed Europe created a ripe breeding ground for the Flagellants’ fanaticism. The movement grew quickly in Germany and the Netherlands.

Matthew of Neuenberg remarks that after the Flagellants proceeded through the city of Strasbourg, about a thousand men joined their brotherhood. France, also, had many converts to the sect until, in 1349, King Philip VI forbade public self-flagellation on pain of death; this decree effectively nipped the movement in the bud throughout his domains.

Interestingly enough, England was one of the countries where the Flagellants made the fewest inroads. In 1349, a group of fanatical Frisians came across the Channel hoping to gain converts in London. They put on a dramatic public display outside of St. Paul’s Cathedral. But although their bloody flails and eerie chants unnerved the crowd, the chroniclers record that not a single Englishman wished to don their red-cross robes and take up the scourge himself.

In my book,
I Serve: A Novel of the Black Prince
, the hero Sir John Potenhale encounters this group of Flagellants making their demonstration in London. His mother has already been carried off by the plague, his father has been driven insane by it, and Potenhale himself is in a spiritually fragile condition. The Flagellants’ bloody ceremony fills him with horror and makes him wonder whether it is indeed the sins of the world that have brought this punishment upon the land. Although he is not impelled to join the brotherhood, their ceremony does make him question his own calling as a knight, a quandary central to the plot of the novel.

Fortunately for Europe, this movement did not last. The fuel of the Flagellants’ fanaticism had always been the terror created by the Black Plague, and when the pestilence began to abate in the early 1350s, the numbers of the sect diminished significantly.

Although it was not eradicated entirely, the Flagellant brotherhood disappeared from public view and into the void of obscurity. Throughout the next couple centuries, pockets of it would crop up here and there, but the brotherhood never again gained the same following that the Black Plague had brought them. The scourge of Europe had disappeared, and there was no longer any need to scourge oneself in an attempt to avoid it. The thanotophobia had receded, and with it the religious hysteria that had turned the fourteenth century on its head.

How Joan of Kent Became Princess of Wales

by Rosanne E. Lortz

E
dward, the
Black Prince, and Joan of Kent—a pair of star cross’d lovers that eventually came together in one of history’s true love matches. It took three marriages and over thirty years before Joan finally became the Princess of Wales, but if the chroniclers are to be believed, it was worth the wait.

Joan, who later became known as “The Fair Maid of Kent,” was the daughter of Edmund of Woodstock, half-brother to King Edward II of England. Edmund supported the king in the bitter battle against his wife Queen Isabella, pejoratively known as the “she-wolf of France.”

When Isabella and her lover Roger Mortimer triumphed, Edward II was deposed, placed in prison, and later murdered. Edmund Woodstock, for the crime of remaining loyal to his brother, was sentenced to death for treason in 1330. As the story goes, Edmund had to wait nearly half a day for the authorities to find an executioner willing to do the deed since no one wanted to be responsible for his unjust death. Edmund of Woodstock was survived by his wife and four children. Joan, the third of Edmund’s progeny, was a little less than two years old at the time.

Young Edward III had been placed on the throne by Isabella and Mortimer, but he was more filial to his father’s memory than to his mother’s commands. When he came of age, he organized a coup to remove the adulterous pair from power. Mortimer he executed, Isabella he imprisoned, and in a kindly gesture, he took Edmund Woodstock’s widow and her brood into his household to be provided for.

As these events were transpiring, Edward III’s wife Philippa gave birth to their oldest son, another Edward, to whom history would give the appellation, the “Black Prince of Wales.” This Prince Edward and his cousin Joan were raised in close proximity to each other, and later events indicate that they grew to be fast friends. A marriage between the two was never considered, at least not by the one person who mattered.

King Edward III was determined to secure for his eldest son a matrimonial alliance that would benefit the country of England. During the Black Prince’s early years, his father attempted at various times to betroth him to the daughter of the French king, the daughter of the Duke of Brabant, and a Portuguese princess. None of these marriage alliances materialized, however, and the prince was destined to remain a bachelor until the age of thirty, winning great glory on the battlefields of Crecy and Poitiers.

Joan, on the other hand, was in the unenviable position of having too many marriages materialize. When she was twelve years of age (fifteen or sixteen, according to other sources), she contracted a secret marriage with Thomas Holland, a man twice her age and seneschal to the house of Salisbury. Her royal family, it is certain, knew nothing of this marriage to Holland, for a few years later they betrothed her to William Montacute, the Earl of Salisbury.

What happened next is unclear, whether Joan actually did go through with the marriage to Salisbury or whether the news of her earlier marriage came out first and prevented the ceremony. Holland, it is thought, must have been overseas at the time or he would have spoken up to prevent the polyandrous relationship. One fact at least is certain: there were now two Englishmen claiming Joan of Kent as their wife.

Joan’s opinion on the matter was that her first marriage to Thomas Holland was binding and ought to be recognized. But Joan’s opinion was also of little consequence.

One story, perhaps apocryphal, describes the Earl of Salisbury locking the lady up in a tower and refusing to let her go to her first husband. An appeal was sent to the pope asking him to rule on the situation. Even though it had been undertaken without her guardians’ permission, Pope Clement VI decided in favor of the first marriage, and Joan took her place in Holland’s home as his wife.

Joan’s marriage to Thomas Holland produced two sons and two daughters. Her oldest son, Thomas, was privileged to have the Black Prince stand godfather to him at his baptism, a sign of the mutual regard between his mother and her cousin Edward.

Holland, although his first appearance on the scene was as a lowly seneschal, rose swiftly in the world. He became Earl of Kent in right of his wife, and shortly before his death in 1360 was named captain-general of all of England’s holdings on the continent.

At Holland’s death, Joan—fabulously wealthy, still young, and still beautiful—was the most eligible widow in all of England. A French chronicler tells how many of the English lords sought her hand in marriage, asking the Black Prince to be the go-between and make the match. Here is historian Henry Dwight Sedgwick’s delightful summary of the story:

The widow, as I say, was a great catch, and, as in those martial days there was little time for the more delicate hesitations and diffidences of life, suitors very soon gathered round. Many gentlemen, knowing that she and the Prince were not only cousins but good friends, went to him and asked him to say a few words to her in their favor. The most importunate of these was Lord Brocas, a very gallant nobleman of high rank, who had served the Prince well both in war and peace. The Prince, accordingly, accepted the commission and went to see the Countess of Kent several times on the suitor’s behalf.

The chronicler states that he went very willingly; for which, apart from the commission, there were reasons enough. First, she was his cousin; second, he took notice of her very great beauty and of her gracious manner that pleased him wonderfully well; and third, the time passed agreeably.

On one occasion, when the Prince was speaking to her of the said gentleman, she answered that she should never marry again. She was
moult soubtille et sage
and repeated this to the Prince several times. The Prince replied, “Heigh ho! Belle Cousine, in case you do not wish to marry any of my friends, the great beauties, of which you are compact, will be wasted. If you and I were not of common kin, there is no lady under heaven whom I should hold so dear as you.” And the Prince was taken unawares by love for the Countess. And then, like the subtle woman, and skillful in ambush, that she was, the Countess began to cry.

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