Read Celtika Online

Authors: Robert Holdstock

Celtika

 

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Contents

Title Page

Copyright Notice

Dedication

Acknowledgements

Epigraph 1

Epigraph 2

Prologue

Part One: Resurrection

Chapter One: Niiv

Chapter Two: Urtha of Alba

Chapter Three: Argo

Chapter Four: Jason

Chapter Five: In Makedonia

Part Two: The Spirit of the Ship

Chapter Six: The Spirit of the Ship

Chapter Seven: Recruitment

Chapter Eight: Departure

Part Three: In Ghostland

Chapter Nine: The Hollow Ship

Chapter Ten: Earthworks

Chapter Eleven: Desertion of the Land

Chapter Twelve: Fierce Eyes

Chapter Thirteen: Moongleam

Chapter Fourteen: River Song

Part Four: Hawk Watching

Chapter Fifteen: Hawk Watching

Chapter Sixteen: Out of Time

Chapter Seventeen: Blood Rage

Chapter Eighteen: The Hollow Hill

Chapter Nineteen: Dreams and Memory

Chapter Twenty: The Ghost in the Land

Chapter Twenty-One: King of Killers

Part Five: The Hot Gates

Chapter Twenty-Two: At the Watch Station

Chapter Twenty-Three: Against the Makedonians

Chapter Twenty-Four: The Combat of Urtha and Cunomaglos

Chapter Twenty-Five: The Hot Gates

Chapter Twenty-Six: Sanctuary

Afterword

Teaser

Praise for
Celtika
and Robert Holdstock

Copyright

 

To my brother Celts from Kent: Pete, Chris and James

Acknowledgements

My thanks to Yvonne Aburrow and my Finnish translator, Leena Peltonen, for their conversations on matters of the
Northsong.
Parts of R. Andrew Heidel’s
A Flower,
from his poetry collection
Beyond the Wall of Sleep
(Mortco), and Philip Kane’s
Invocation 1,
from
The Wildwood King
(Capall Bann) are incorporated into the text with their kind permission.

My special thanks to Sarah, Howard, John Jarrold and Mary Bruton for their patience and encouragement.

 

It was so old a ship—who knows, who knows?

—And yet so beautiful, I watched in vain

To see the mast burst open with a rose

And the whole deck put on its leaves again.

 

from
The Old Ships
by James Elroy Flecker

 

Tho’ much is taken, much abides; and tho’

We are not now that strength which in old days

Moved earth and heaven; that which we are, we are;

One equal temper of heroic hearts,

Made weak by time and fate, but strong in will

To strive, to seek, to find, and not to yield.

 

from
Ulysses,
by Alfred Lord Tennyson

Prologue

Iolkos, in Greek Land, 978 Old Era.

Though I wasn’t there to see it at the time, this is what I heard:

Only one of the old crew had stayed in Iolkos, living at the edge of the city, close to the docks at Pagasae. Each day at dusk, Tisaminas walked along the crumbling harbour wall, passing the lines of black-sailed war galleys, bobbing fishing boats and colourful trading vessels to reach a backwater of the port where a rotting ship was moored. An ageing, angry man sat huddled in its stern, wrapped against the evening cool in a heavy sheepskin cloak.

‘Goodnight, old friend!’ Tisaminas called down to the deck. ‘Is there anything I can get for you?’

The gaze that met his own was bright with fury, the voice a growl. ‘My sons! Help me find the bodies of my sons, Tisaminas!’

‘I can’t. It’s the one thing that none of us can do. Antiokus, perhaps, the young enchanter; but he’s long gone. We could never do it. You know that well enough. But is there anything else you want? Ask for anything. I’ll try to walk around the moon for you, if you like.’

The man below huddled deeper in his cloak, staring at the prow, gazing into time. ‘My two sons on the funeral bier, Tisaminas. And a torch in my hand. The chance to say goodbye to them. Nothing more. Save for the head of that witch, their mother, stuck on the end of my spear! That’s all I want.’

The ritual never changed, a ritual of anger and despair; the same words, the same desperation, the same hopelessness, week after week across the years.

Tisaminas answered as he always answered. ‘They’re dead. They’re gone. Medea killed them twenty years ago and we were all helpless to stop her. She has fled to her own country, to an underworld that can only be dreamed about by the likes of you and me. What you ask can
only
be dreamed, my friend. I’ll still walk around the moon for you. Or I can bring you food and drink … a slightly easier task.’

The man on the deck sighed. After a while he said, ‘I don’t want you to walk around the moon. Too far away. And I will eat and drink only what falls from the sky.’

‘Then goodnight, Jason.’

‘Goodnight. Thank you for watching me.’

‘I’ll watch you to the end. You know that.’

‘And I want that end so much, Tisaminas,’ Jason cried. ‘Truly I do. And so does
Argo.
She talks to me in my dreams.’ Again, his eyes were blazing. ‘But not before that witch is feast for crows!’

Tisaminas unpacked bread, cheese and olives from his pack, and tossed this simple food down to the deck of the once great ship where Jason swept it into his cloak, before huddling again in
Argo
’s bosom, in the protecting oak, to brood and dream of his murdered boys.

Why did Tisaminas stay close that night? Some inkling of our old friend’s fate, perhaps, whispered by the goddess whose watchful eyes peered from
Argo
’s prow. He lingered, out of sight of the raging, weeping hero on the cracked, warped planks, intensely sad himself.

‘It’s coming to an end. I shouldn’t have said the words. I’ve willed them true! What will I do without you, Jason? What will any of us do?’

The moon sat full and low between the headlands. It had been there for hours, unmoving, as if caught in time. The only sign of change in the silent harbour was the restless ebb and flow of the dark sea against the harbour wall and the lines of tethered galleys. Tisaminas didn’t understand what was happening.

‘If only Antiokus was here,’ he murmured to the night. ‘He could explain this. Time has slowed…’

He noticed, then, that torches were burning on each headland, men standing on the cliffs, staring back towards the port.

‘This
is
the moment,’ Tisaminas breathed, and tears filled his eyes as he searched the darkness for Jason, below him.

As if his words had broken a charm, a rotten spar cracked away from
Argo
’s mast, crashed down to the deck of the ageing ship, striking the hero who sat there in a dream. The wound was mortal, by the sounds of the cracking bones and the sudden flow of blood and pain from Jason’s mouth.

Tisaminas turned to run, to raise the call, but a voice whispered to him, ‘Stay here. Remember what you see.’

He glanced behind him. A dark-eyed girl stood there, wrapped in a green cloak. She smiled at him, then drew his attention back to
Argo.

The old ship began to shift on the water. It slipped its moorings and turned towards the open sea. It drifted quietly between the dark war galleys of Iolkos, compelled by neither oars nor sail. On each headland more torches burned, twin lines of fire on the very edges of the cliffs, marking the passing of Jason towards the embracing moon.

‘They all knew,’ the man on the harbour wall said aloud. ‘The old crew—and their sons and their daughters—they all knew. She called us all!’

He found his own torch and waved it. The fires on the headlands looped and signalled back. ‘She told us all,’ Tisaminas shouted as the ship passed between the cliffs. ‘She called to us all!’

And he added quietly, ‘Thank you for that at least,
Argo.
Goodbye, old friend!’

From the distant heights the torches were tossed into the sea, falling streams of flame marking the departure of a great man as the proud ship sailed below them. The moon rose suddenly and swiftly into the vault of stars, catching up with time, dropping below the hills of Iolkos in the west. Suddenly, everything was dark again, the funeral ship swallowed by the night and by the ocean.

Tisaminas turned to the girl. He was apprehensive. He knew he was in the presence not of a mortal but of the goddess who had protected Jason for the better part of his life.

‘It’s over, then. Over at last. After all these years of agony.’

‘Yes. It’s over at last. Jason is in safe hands.’

Tisaminas said, ‘
Argo
is frail. But will she take him to a safe place of burial? Out of sight and out of mind?’

‘Yes,’ said the girl, ‘she’ll take him to a safe place of burial.’

Then she laughed, turning away, her cloak swirling. ‘But one among you will always know where to find him!’

The northern country of Pohjola, 700 years later.

Only half remembering this frozen land, he had struggled through the snow for a lifetime, it seemed, sometimes dragging his packhorses by their bridles, always reluctant to charm them and make his life easier. His bones ‘itched’, as if to say, ‘The power is here, you can use magic to stop this misery!’

But he wanted his strength in full for when he reached the ice-bound and mysterious Screaming Lake. So he suffered the winter and the endless night. And the horses suffered with him. And where the snow lay shallow he ran, and where animals had ploughed their own deep tracks through the drifts he followed in their prints, and in this way, moon by moon, he crossed the night-pale snow waste, coming closer to the land of the Pohjola, and the strange place he sought.

Knowing where he was, he was already wearing wolfbone and beartooth around his neck, and had tied the skins of mink and fox to the ragged, stinking furs in which he’d wrapped himself, half a year ago, when he had first left the plains and marshes of Karelia and crossed the ice-bridge to the mountains of the north.

There was no dawn or dusk in the winter in this odd land, only moonlit clouds, patches of stars and the spirit-glow of lights to the north. His body alone, and the brief visits of the moon, suggested when sleep was needed. The horses didn’t like it.

‘My bones itch,’ the young man said through his frosted beard, as he brushed the ice from the flaring nostrils of his two proud companions, holding his torch closer to inspect their eyes and necks for damage. ‘They itch because they are carved and inscribed with all the magic that I have ever needed, and will continue to need in my long life to come. I was born this way, hundreds and hundreds of good horses like you ago! And yes, I suppose I could use a little of that magic to make life more tolerable. And of all the horses I have known, you two are certainly the best. Which is why I haven’t named you. I will grieve for you too much as it is, when you’re gone. Horses improve as the centuries drift by! So I
could
charm up a little warmth … but I
won’t.
I prefer to save it for when we’ll truly need it. Come on, horses … this is not so bad. We’ll soon be at the lake. For the moment, just one more hour of travel? And then we’ll stop for food. I promise!’

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