Authors: Richard Schickel
1
At 56, Mr. Eastwood:
Vincent Canby, “Charting Stars across the Decades,”
The New York Times
, December 14, 1986.
2
I was catching:
Marsha Mason, “Catching the Light,” in
Clint Eastwood Tribute Book
, ed. Wolf Schneider, p. 10
3
Whip me, beat me:
Quoted in Janet Maslin, “How the Black Panthers Came to Be, Sort Of,”
The New York Times
, May 3, 1995.
4
A jazz movie had never been made:
Quoted in Gary Giddins, “Clint Eastwood Shoots Us the Bird,”
Esquire
, October 1988.
5
these beautiful black-and-white:
Interview with Jack N. Green, June 2, 1993.
6
In one scene:
Quoted in Charles Champlin, “Bird’s Venora Ever on Trail of a Dare,” Los Angeles
Times
, January 12, 1989.
7
operate in the gray areas:
Dave Kehr, “Eastwood’s Skillful Creation ‘Bird’ Is Rare Indeed,” Chicago
Tribune
, October 14, 1988.
8
the gangster hero:
Stanley Crouch, “Birdland: Charlie Parker, Clint Eastwood and America,”
The New Republic
, February 27, 1989.
9
really a black guy:
Quoted in Jack Kroll, “Clint Makes Bird Sing,”
Newsweek
, October 31, 1988.
10
the single most confident:
Eastwood and Schickel, “Director’s Dialogue.”
11
Everyone
… is
the product:
Giddins, “Clint Eastwood Shoots.”
Reading them in sequence:
Eastwood and Schickel, “Director’s Dialogue.”
12
takes his genius away:
Ibid.
13
I just couldn’t have sat there:
Quoted in Goldman,
Hype and Glory
, p. 174
14
No apologizing, no excuses:
Ibid.
15
You can’t have a movie:
Quoted in Crouch, “Birdland.”
16
a rat’s nest:
Pauline Kael, “Bird Thou Never Went,”
The New Yorker
, October 17, 1988 (reprinted in
Movieline
).
17
perfectly atrocious:
Quoted in Christopher Tricarico, “Out-takes: Go Ahead, Make My Lecture,”
Los Angeles Times Calendar
, October 8, 1988.
18
Parker didn’t live:
Helen Knode, “This Is Your Life,”
L.A. Weekly
, November 4, 1988.
19
We just didn’t seem to have:
Quoted in Derek Malcolm, “Huston’s Hexes,”
The Guardian
(London), May 14, 1990.
20
was, you know, ‘tough guy’:
Interview with Frances Fisher, May 30, 1995. All subsequent quotations from her are drawn from the same source.
21
I told him I couldn’t believe:
Quoted in Claudia Puig, “In the Matter of Locke vs. Eastwood,” Los Angeles
Times
, May 8, 1989.
22
Mr. Eastwood has asked:
Quoted in Puig, “Locke vs. Eastwood.”
23
They don’t call him:
Richard Phillips, “Newsmakers: Eastwood Shoots Back,” Chicago
Tribune
, May 9, 1989.
24
because I know him:
Quoted in Puig, “Locke vs. Eastwood.”
25
I adamantly deny:
Ibid.
26
I felt so disappointed:
Quoted in Mary Murphy, “Is TV a Glint in Clint’s Eye,”
TV Guide
, January 27, 1990.
27
It makes us happy:
Quoted in Abromowitz, “Little Girl.”
28
the unfightable one:
Quoted in Ann W. O’Neill and Efrain Hernandez Jr., “Eastwood, Locke, Settle Fraud Suit for Undisclosed Sum,” Los Angeles
Times
, September 25, 1996.
29
Everywhere I went:
Quoted in Murphy, “Clint.”
30
Huston’s persona:
Michael Wilmington, “Clint Eastwood’s Acid Test,” Los Angeles
Times
, September 14, 1990.
1
sheltered by ignorance:
David Webb Peoples, “He’s Going to Shoot You If You Disappoint Him,” in
Clint Eastwood Tribute Book
, ed. Schneider, p. 12
2
We would have been:
Sonia Chernus to Clint Eastwood, memorandum, January 5, 1984.
3
I can’t do what Francis:
Peoples, “He’s Going to Shoot.”
4
one of the most tremendous:
Quoted in D. J. Taylor, “Getting Inside the Outsider,”
The Sunday Times
(London), June 20, 1993.
5
classicism at its most august:
Richard Jameson, “Deserve’s Got Nothin’ to Do with It,”
Film Comment
, September-October 1992.
6
if it works immediately:
Quoted in Ric Gentry, “Clint Eastwood,”
Us
, January 26, 1987.
7
that moving quickly:
Interview with David Valdes, September 17, 1991.
8
You’ll never find a bullhorn:
Interview with Lloyd Nelson, October 9, 1991.
9
Nobody has to shout:
Interview with Richard Harris, September 17, 1991.
10
We’re in bumfuck, Alberta:
Quoted in Biskind, “Any Which Way.”
11
I’d never seen or imagined:
Peoples, “He’s Going to Shoot.”
12
Eastwood’s meditation:
Richard Corliss, “The Last Roundup,”
Time
, August 10, 1992.
13
When I heard:
Quoted in Bernard Weinraub, “3 Films Dominate Nominations in Oscar Contest,”
The New York Times
, February 18, 1993.
14
I’m popular with the public:
Quoted in Siskel, “Long Overdue.”
15
You wear a monocle:
Quoted in Elaine Dutka and Robert Welkos, “A Few Good Words behind Scenes,” Los Angeles
Times
, March 30, 1993.
1
If anybody told me:
Quoted in Roger Ebert, “No Rest for Eastwood; He’s Already on to Next Film,: Sacramento
Bee
, July 9, 1993.
2
That mentality:
Quoted in Matt Spetalnick, “Clint for President,” Toronto
Star
, July 9, 1993.
3
You know, it’s always appealing:
Quoted in Bernard Weinraub, “Clint Eastwood, Back on the Side of the Law,”
The New York Times
, December 7, 1992.
4
The operative mode:
Howard Hampton, “Sympathy for the Devil,”
Film Comment
, November-December 1993.
5
Give it scope:
Interview with Wolfgang Petersen, July 20, 1993. All subsequent quotations from him are drawn from the same source.
6
Why is Wolfgang:
Quoted in Weinraub, “Side of the Law.”
7
I’ve never been against that:
Quoted in Matt Spetalnick, “Dirty Harry in Tears?”
The Reuters Library Report
, July 7, 1993.
8
I’ve been knocking:
Janet Maslin, “Make His Day? Museum Does That for Eastwood,”
The New York Times
, October 27, 1993.
9
There are quite a lot of Americans:
Quoted in Spetalnick, “Clint for President.”
10
very elegant, very handsome:
Quoted in Bernard Weinraub, “An Actor Seeks Variety and Finds Success,”
The New York Times
, September 7, 1993.
11
You evolve, or you don’t evolve:
Interview with Kevin Costner, June 3, 1993.
12
A visitor from another planet:
Thomson,
Dictionary of Film
, p. 220
13
The high point:
Janet Maslin, “When Destiny Is Sad and the Scars Never Heal,”
The New York Times
, November 24, 1993.
14
offers passing condemnations:
Michael Medved, “It’s a PC, PC ‘World,’ ” New York
Post
, November 24, 1993.
15
a startling example:
Richard Grenier, “Clint Eastwood Goes PC,”
Commentary
, March 1994.
16
I guess she hands out my number:
Streep interview. All subsequent quotations from her are drawn from the same source.
17
aimed at the anxious adolescent:
Robert Plunket, “Zing Went the G-Strings of My Heart,”
The New York Times Book Review
, February 5, 1995.
18
Your age and mine:
Quoted in interview with Dina Ruiz, May 6, 1996. All subsequent quotations from her are drawn from the same source.
19
spatial and temporal:
Richard Combs, “Old Ghosts: The Bridges of Madison County,”
Film Comment
, May-June 1996.
20
She’s someone very rare:
Quoted in Dany Jucaud, “Clint Eastwood: L’amour, Ce N’Est Pas’ une Question d’Age,” trans. Robert Lloyd,
Paris-Match
, September 21, 1995.
1
Gary Cooper had seen:
Thomson, “Forgiven.”
The amount of printed material generated by a career as long as Clint Eastwood’s is almost literally staggering. Therefore, this bibliography is, of necessity, selective. In it I have listed items that I have quoted from extensively in the text or which otherwise contributed significandy to my understanding of his life and may help others to do the same. Shorter and more ephemeral journalistic items directly quoted in the text are cited in the Notes and are not included here. All publishers are located in New York unless otherwise indicated.
Adler, Renata.
A Year in the Dark
. Random House, 1969.
Agan, Patrick.
Clint Eastwood
. London: Coronet Books, 1975.
Agee, James.
A Death in the Family
. McDowell-Obolinsky, 1956.
Alloway, Lawrence.
Violent America: The Movies, 1946–1964
. The Museum of Modern Art, 1969.
Bach, Stephen.
Final Cut
. William Morrow, 1985.
Bernardoni, James.
The New Hollywood
. Jefferson, N.C.: McFarland & Company, 1991.
Bingham, Dennis.
Acting Male
. New Brunswick, N.J.: Rutgers University Press, 1994.
Boorman, John, and Walter Donohue, eds.
Projections 4½
. London and Boston: Faber and Faber, 1995.
Bragg, Melvyn.
Richard Burton: A Life
. Boston: Little, Brown, 1988.
Bruck, Connie.
Master of the Game
. Simon & Schuster, 1994.
Chekhov, Michael.
To the Actor
. Harper & Brothers, 1953.
Clinch, Minty.
Clint Eastwood
. London: Coronet Books, 1995.
Cole, Gerold and Peter Williams.
Clint Eastwood
. London: W. H. Allen, 1983.
Cumbow, Robert C.
Once upon a Time: The Films of Sergio Leone
. Metuchen, N.J.: Scarecrow Press, 1987.
Downing, David, and Gary Herman.
Clint Eastwood: All-American Anti-Hero
. London: Omnibus Press, 1977.
Durham, Philip.
Down These Mean Streets a Man Must Go
. Chapel Hill: University of North Carolina Press, 1963.
Ellison, Ralph. “On Bird, Bird-Watching, and Jazz.” In
Shadow and Act
. Vintage Books, 1972. Reprinted from
Saturday Review
, July 28, 1962.
Farber, Manny.
Negative Space
. Praeger Publishers, 1971.
Frayling, Christopher.
Clint Eastwood
. London: Virgin Publishing, 1992.
Frayling, Christopher.
Spaghetti Westerns
. London: Routledge & Kegan Paul, 1981.
Gallafent, Edward.
Clint Eastwood: Actor and Director
. London: Studio Vista Books, 1994.
Gioia, Ted.
West Coast Jazz
. Oxford University Press, 1992.
Goldman, William.
Adventures in the Screenwriting Trade
. Warner Books, 1983.
———.
Hype and Glory
. Villard Books, 1990.
Hirsch, Foster.
A Method to Their Madness
. W. W. Norton, 1984.
Horner, William R.
Bad at the Bijou
. Jefferson, N.C.: McFarland & Company, 1982.
Hyams, Joe, with Jay Hyams.
James Dean: Little Boy Lost
. Warner Books, 1992.
Johnstone, Iain.
Clint Eastwood: The Man with No Name
2nd ed. Quill/Morrow, 1988.
Kael, Pauline.
Deeper into Movies
. Bantam, 1974.
———.
Going Steady
. Boston: AtlanticLittle, Brown, 1970.
———.
I Lost It at the Movies
. Boston: Atlantic-Little, Brown, 1965.
———. Kiss
Kiss Bang Bang
. Boston: Atlantic-Little, Brown, 1968.
———.
Movie Love
. Plume, 1991.
———.
Reeling
. Boston: Atlantic-Little, Brown, 1976.
———.
State of the Art
. E. P. Dutton, 1985.
———.
Taking It All In
. Holt Rinehart Winston, 1980.
———.
When the Lights Go Down
. Holt, Rinehart & Winston, 1980.
Kaminsky, Stuart M.
Clint Eastwood
. New American Library, 1974.
———.
Don Siegel: Director
. Curtis, 1974.
Logan, Joshua.
Movie Stars, Real People, and Me
. Delacorte Press, 1978.
Lyon, Christopher, ed.
The International Dictionary of Film and Filmmakers
. Perigree, 1985.
Mellen, Joan.
Big Bad Wolves: Masculinity in the American Film
. Pantheon Books, 1974.
Mordden, Ethan.
Medium Cool
. Alfred A. Knopf, 1990.
Munn, Michael.
Clint Eastwood: Hollywood’s Loner
. London: Robson Books, 1992.
Nalvin, Nancy.
The Famous Mr. Ed
. Warner Books, 1991.
Parks, Rita.
The Western Hero in Film and Television
. Ann Arbor, Mich., and London: UMI Research Press, 1982.
Plaza, Fuensanta.
Clint Eastwood/Malpaso
. Carmel Valley, Calif: Ex Libris/Publisher, 1991.
Richie, Donald.
The Films of Akira Kurosawa
. Berkeley, Los Angeles, London: University of California Press, 1984.
Roud, Richard, ed.
Cinema: A Critical Dictionary
. 2 vols. Viking Press, 1980.
Sarris, Andrew. “The Spaghetti Westerns.” In
Confessions of a Cultist
. Simon & Schuster, 1970.
Schickel, Richard.
Clint Eastwood Directs
. Minneapolis: Walker Art Center, 1990.
———.
James Cagney: A Celebration
. Boston: Little, Brown, 1985.
Schneider, Wolf, ed.
Clint Eastwood Tribute Book
. Los Angeles: American Film Institute, 1996.
Siegel, Don.
A Siegel Film
. London and Boston: Faber & Faber, 1993.
Slotkin, Richard.
Gunfighter Nation
. Atheneum, 1992.
Smith, Paul.
Clint Eastwood, a Cultural Production
. Minneapolis: University of Minnesota Press, 1993.
Steig, Laurence, and Tony Williams.
Italian Westerns
. London: Lorrimer, 1975.
Thomas, Bob.
Golden Boy, the Untold Story of William Holden
. St. Martin’s Press, 1983.
———.
Joan Crawford
. Simon & Schuster, 1978.
Thompson, Douglas.
Clint Eastwood: Sexual Cowboy
. London: Smith Gryphon, 1992.
Thomson, David.
A Biographical Dictionary of Film
. 3rd ed. Alfred A. Knopf, 1994.
Updike, John.
The Afterlife
. Alfred A. Knopf, 1995.
———.
In the Beauty of the Lillies
. Alfred A. Knopf, 1996.
Wood, Robin.
Hollywood from Vietnam to Reagan
. Columbia University Press, 1986.
Zec, Donald.
Marvin: The Story of Lee Marvin
. St. Martin’s Press, 1980.
Zmijewsky, Boris, and Lee Pfeiffer.
The Films of Clint Eastwood
. Citadel Press, 1993.
Abromowitz, Rachel. “The Best Little Girl in Town.”
Premiere
, July 1995.
Adler, Renata. “The Screen: Zane Grey Meets the Marquis de Sade.”
The New York
Times, January 25, 1968.
Allen, Tom. “Clint: An American Icon.”
Newsweek
, July 22, 1985.
Ansen, David. “Dirty Harry Cleans Up His Act.”
Village Voice
, December 26, 1977.
Armstrong, Lois. “Off the Screen: Sondra Locke’s Stock Rises in Surviving Eastwood’s Mayhem and Hollywood’s Whispers.”
People
, February 13, 1978.
Associated Press. “Dirty Harry Script Is Right on Target.” Los Angeles
Times
, September 3, 1976.
Barra, Allen. “Philip Kaufman: Right Stuff! Wrong Package.” Washington
Post
, August 1, 1993.
Bates, William. “Clint Eastwood: Is Less More?”
The New York Times
, June 17, 1979.
Biskind, Peter. “Any Which Way He Can.”
Premiere
, April 1993.
Blowen, Michael. “Appreciation: Sergio Leone, Outsider’s Insight.” Boston
Globe
, May 2, 1989.
Blumenthal, Bob. “Clint Eastwood.”
Jazz Times
, September 1995.
Bodeen, DeWitt. “Clint Eastwood … a Fistful of Fame.”
Focus on Film
, Spring 1972.
Bogdanovich, Peter. “Two Beeg Green Eyes.”
New York
, November 1973.
Brady, James. “In Step With: Kay Lenz.”
Parade
, May 23, 1993.
Breskin, David. “Clint Eastwood.”
Rolling Stone
, September 17, 1992.
Byrne, Bridget. “Around L.A. the Beguiled.” Los Angeles
Herald-Examiner
, June 7, 1970.
———. “Eastwood’s Round ’em Up, Move ’em Out Film Making Style.” Los Angeles
Herald-Examiner
, June 24, 1973.
———. “For Holden the ’50s Never Died.” Los Angeles
Herald-Examiner
, December 24, 1972.
———. “Outlaw’s Shooting Star.” Los Angeles
Herald-Examiner
, December 7, 1978.
Cahill, Tim. “Clint Eastwood:
The Rolling Stone
Interview.”
Rolling Stone
, July 4, 1985.
Canby, Vincent. “Charting Stars across the Decades.”
The New York Times
, December 14, 1986.
———. “Getting Beyond Myra and the Valley of the Junk.”
The New York Times
, July 5, 1970.
Caracaterra, Lorenzo. “Dirty Harry Comes Clean.”
Video
, May 1985.
———. “In Like Clint.”
New York Daily News Sunday Magazine
, August 12, 1984.
Carroll, Kathleen. “At War with a Movie—or 3 Days on Location.” New York
Daily News
, August 17, 1969.
Carter, Dan T. “The Transformation of
a Klansman.”
The New York Times
, October 4, 1991.
Champlin, Charles. “A Mellow Eastwood Keeps His Edge.” Los Angeles
Times
, June 30, 1984.
Chandler, Raymond. “The Simple Art of Murder.”
The Atlantic Monthly
, December 1944.
“Clint’s Kid.”
People
, November 15, 1993.
Cole, Larry. “Clint’s Not Cute When He’s Angry.”
Village Voice
, May 24, 1976.
Combs, Richard. “Old Ghosts: The Bridges of Madison County.”
Film Comment
, May-June 1996.
Crist, Judith. “Plain Murder All the Way.”
New York World Journal Tribune
, February 2, 1967.
Crouch, Stanley. “Birdland: Charlie Parker, Clint Eastwood and America.”
The New Republic
, February 27, 1989.
Crowther, Bosley. “Back in the Saddle Again.”
The New York Times
, November 2, 1966.
———. “A New Western Anti-Hero.”
The New York Times
, February 5, 1967.
———. “Screen: ‘A Fistful of Dollars.’ ”
The New York Times
, February 2, 1967.
———. “Screen: ‘For a Few Dollars More.’ ”
The New York Times
, July 4, 1967.
Denby, David. “Movies: The Last Angry Men.”
New York
, January 16, 1984.
———. “Beyond Good and Evil.”
New York
, August 27, 1984.
DeVries, Hillary. “His Own Man … Always.” Los Angeles
Times
Calendar, August 2, 1992.
Didion, Joan. “The Golden Land.”
The New York Review of Books
, October 21, 1993.
Disney, Anthea. “Sondra Locke Enjoys Her Life as Clint Eastwood’s Sidekick.” Los Angeles
Herald-Examiner
, April 14, 1978.
“Don Rickles Is So Clean He Could Play the Vatican.”
Parade
press release, December 16, 1993.
Drew, Bernard. “Brian G. Hutton: I’ve Made It, Baby.”
The New York Times
, March 23, 1969.
Dunn, Ashley. “Cowboy Film Villain Lee Van Cleef Dies.” Los Angeles
Times
, December 17, 1989.
Eastwood, Clint. “Happy Transformation.”
The New York Times
, October 16, 1991.
———. “Mail.”
People
, March 6, 1978.
———. “The Padrón.”
Film Comment
, September-October 1991.
Ebert, Roger. “Clint Eastwood—America’s Major Feminist Filmmaker.” San Francisco
Examiner
, July 18, 1984.
———. “No Rest for Eastwood: He’s Already on to Next Film.” Sacramento
Bee
, July 9, 1993.
“El Cigarello, Now Gary Cooper.” Los Angeles
Herald-Examiner
, December 11, 1966.
Epps, Garrett. “Does Popeye Doyle Teach Us How to Be Fascist?”
The New York Times
, May 21, 1972.
Faber, Monty. “Clint Eastwood Outgrew Pasta Westerns, But Is Still in the Big Dough.”
People
, June 2, 1975.
Farber, Stephen. “Star without a Smash.”
Movieline
, October 4–10, 1985.
Fayard, Judy. “Who Can Stand 32,580 Seconds of Clint Eastwood? Just About Everybody.”
Life
, July 23, 1971.
Fischoff, Stuart. “Clint Eastwood & the American Psyche.”
Psychology Today
, January-February 1993.
Flatley, Guy. “At the Movies.”
The New York Times
, December 17, 1976.
Flint, Peter B. “Sergio Leone, 67, Italian Director Who Revitalized Westerns, Dies.”
The New York Times
, May 1, 1989.
Folkart, Burt A. “Charles Marquis Warren, Western Writer.” Los Angeles
Times
, August 13, 1990.
Friedman, Bruce Jay. “Could Dirty Harry Take Rooster Cogburn?”
Esquire
, September 1976.
Friedman, Milton. “Why Socialism Won’t Work.”
The New York Times
, August 13, 1994.
Fuller, Graham. “Liberal Harry.”
Elle
, April 1990.
Gardner, Paul. “Siegel at 59: Director, Rebel, Star.”
The New York Times
, May 31, 1973.
Gates, Henry Louis Jr. “Annals of Race: Thirteen Ways of Looking at a Black Man.”
The New Yorker
, October 23, 1995.
Gentry, Ric. “Clint Eastwood.”
Us
, January 26, 1987.
Giddins, Gary. “Clint Eastwood Shoots Us the Bird.”
Esquire
, October 1988.
Goldstein, Patrick. “Hey, Crime Does Pay.” Los Angeles
Times
Calendar, October 18, 1995.
Grant, Hank. “On the Air.”
The Hollywood Reporter
, July 7, 1961.
Gratz, Roberta Brandes. “Clint Hitches His Wagon to a Song.” New York
Post
, October 26, 1969.
Grenier, Richard. “Clint Eastwood Goes PC.”
Commentary
, March 1994.
———. “The World’s Favorite Movie Star.”
Commentary
, April 1994.
Greenspun, Roger. “Screen: ‘Two Mules for Sister Sara.’ ”
The New York Times
, June 25, 1970.
Guerin, Ann. “Clint Eastwood as Mr. Warmth.”
Show
, February 1970.
Hamill, Pete. “Leone: I’m a Hunter by Nature, Not a Prey.”
American Film
, June 1984.
Hampton, Howard. “Sympathy for the Devil.”
Film Comment
, November–December 1993.
Hano, Arnold. “How to Revive a Dead Horse.”
TV Guide
, October 2, 1965.
Harmetz, Aljean. “The Man with No Name Is a Big Name Now”
The New York Times
, August 10, 1969.
“Hawk,” “Per un Pugno di Dollari.”
Variety
, November 18, 1964.
Higham, Charles. “Suddenly, Don Siegel’s High Camp-us.”
The New York Times, July
25, 1972.
Hobson, Dick. “Who Watches What.”
TV Guide
, July 27, 1968.
Hoover, Mike. “Man against Mountain and Vice Versa during the Filming of ‘The Eiger Sanction.’ ”
American Cinematographer
, August 1975.
Howell, Georgina. “Clint.”
Vogue
, February 1993.
Humphrey, Hal. “If Rawhide Fails, He’s Big in Europe.” Los Angeles
Times
, September 16, 1965.
“Is Forrest Carter Really Asa Carter?”
The New York Times
, July 26, 1976.
Jameson, Richard. “Deserve’s Got Nothin’ to Do with It.”
Film Comment
, September-October 1992.
———. “Pale Rider.”
The Weekly
(Seattle), February 12, 1986.
———. “Something to Do with Death.”
Film Comment
, March-April 1973.
Jucaud, Dany. “Clint Eastwood: L’amour, Ce N’Est Pas’ une Question d’Age.” Trans. Robert Lloyd.
Paris-Match
, September 21, 1995.
Kaufman, Ben. “UA Generating B.O. Excitement with Clint Eastwood Oaters.”
Hollywood Reporter
, January 23, 1967.
Kehr, Dave. “Eastwood’s Skillful Creation ‘Bird’ Is Rare Indeed.” Chicago
Tribune
, October 14, 1988.
Kider, R. Allen. “Dirty Clint.”
Good Times
, December 1977.
Knight, Arthur. “The Interview: Clint Eastwood.”
Playboy
, February 1978.
Knode, Helen. “Clint Eastwood: Always Lighting Out for New Territories.”
L.A. Weekly
, January 11, 1991.
———. “This Is Your Life.”
L.A
.
Weekly
, November 4, 1988.
Kroll, Jack. “Clint Makes
Bird
Sing.”
Newsweek
, October 31, 1985.
———. “Erb-Man.”
Newsweek
, September 13, 1976.
Leaf, Earl. “The Way They Were: Clint
Eastwood.”
Rona Barrett’s Hollywood
[circa 1972].
Love, John. “Clint Eastwood: A Sexy Legend at 50.”
Cosmopolitan
, July 1980.
Lubenow, Gerald. “Rebel in My Soul.”
Newsweek
, July 22, 1985.
McCooey, Meriel. “A Faceful of Dollars.”
Sunday Times Magazine
(London), August 17, 1969.
McGilligan, Pat. “Clint Eastwood.”
Focus on Film
, Summer-Autumn 1976.
McWhorter, Diane. “Little Tree, Big Lies.”
People
, October 28, 1991.
Mailer, Norman. “All the Pirates and People.”
Parade
, October 23, 1983.
Malcolm, Derek. “Giving Good Clint.”
The Guardian
(London), September 1, 1995.
———. “Huston’s Hexes.”
The Guardian
(London), May 14, 1990.
Maslin, Janet. “Film View: Three Big Stars Taking Big Chances.”
The New York Times
, July 6, 1980.
———. “Good and Evil in a More Innocent Age.”
The New York Times
, September 14, 1994.
———. “Make His Day? Museum Does That for Eastwood.”
The New York Times
, October 27, 1993.
Mathews, Jack. “Eastwood.”
USA Today
, August 13–17, 1984.
Mazzocco, Robert. “The Supply-Side Star.”
The New York Review of Books
, April 1, 1982.
Medved, Michael. “It’s a PC, PC ‘World.’ ” New York
Post
, November 24, 1993.
Murphy, Kathleen. “The Good, the Bad & the Ugly: Clint Eastwood as Romantic Hero.”
Film Comment
, May–June 1996.
Murphy, Mary. “Actress Who Grew into Role.” Los Angeles
Times
, February 18, 1974.
Oppenheimer, Peer J. “They Call Her ‘The Beautiful Fake.’ ”
Family Weekly
, November 24, 1968.
Patterson, Eric. “Every Which Way but Lucid: The Critique of Authority in Clint Eastwood’s Police Movies.”
Journal of Popular Film and Television
, Fall 1982.
Plunket, Robert. “Zing Went the G–Strings of My Heart.”
The New York Times Book Review
, February 5, 1995.
“Portrait of a Mean B.O. Winner.”
Variety
, September 15, 1976.
Puig, Claudia. “In the Matter of Locke vs. Eastwood.” Los Angeles
Times
, May 8, 1989.
Reisfeld, Ben. “No One Got Hurt.” Los Angeles
Times
, September 14, 1969.
Rickey, Carrie. “In Like Clint.”
Fame
, November 1988.
Robbe, Terri Lee. “Life Without Clint.”
Us
, February 16, 1982.
Rosen, Marjorie. “Dirty Harry Meets His Better Half.”
Ms.
, March 1977.
Sarris, Andrew. “Films in Focus: Cold Wars and Cold Futures.”
Village Voice
, July 6, 1982.
———. “The Pro.”
Film Comment
, September-October 1991.
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———. “Good Ole Burt; Cool-Eyed Clint.”
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———. “Hype Casting Cowan Knows How to Keep the Stars Shining.” Chicago
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———. “Dirty Harry in Tears?”
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