Complete Fictional Works of Washington Irving (Illustrated) (64 page)

The alchymist, according to the custom of the inquisition, was kept in complete ignorance of his accuser; of the witnesses produced against him; even of the crimes of which he was accused. He was examined generally, whether he knew why he was arrested, and was conscious of any guilt that might deserve the notice of the holy office? He was examined as to his country, his life, his habits, his pursuits, his actions, and opinions. The old man was frank and simple in his replies; he was conscious of no guilt, capable of no art, practised in no dissimulation. After receiving a general admonition to bethink himself whether he had not committed any act deserving of punishment and to prepare, by confession, to secure the well known mercy of the tribunal, he was remanded to his cell.

He was now visited in his dungeon by crafty familiars of the inquisition, who, under pretence of sympathy and kindness, came to beguile the tediousness of his imprisonment with friendly conversation. They casually introduced the subject of alchymy, on which they touched with great caution and pretended indifference. There was no need of such craftiness. The honest enthusiast had no suspicion in his nature: the moment they touched upon his favourite theme, he forgot his misfortunes and imprisonment, and broke forth into rhapsodies about the divine science.

The conversation was artfully turned to the discussion of elementary beings. The alchymist readily avowed his belief in them; and that there had been instances of their attending upon philosophers, and administering to their wishes. He related many miracles said to have been performed by Apollonius Thyaneus, through the aid of spirits or demons; insomuch that he was set up by the heathens in opposition to the Messiah; and was even regarded with reverence by many Christians. The familiars eagerly demanded whether he believed Apollonius to be a true and worthy philosopher. The unaffected piety of the alchymist protected him even in the midst of his simplicity; for he condemned Apollonius as a sorcerer and an impostor. No art could draw from him an admission that he had ever employed or invoked spiritual agencies in the prosecution of his pursuits, though he believed himself to have been frequently impeded by their invisible interference.

The inquisitors were sorely vexed at not being able to inveigle him into a confession of a criminal nature; they attributed their failure to craft, to obstinacy, to every cause but the right one, namely, that the harmless visionary had nothing guilty to confess. They had abundant proof of a secret nature against him; but it was the practice of the inquisition to endeavour to procure confession from the prisoners. An auto da fé was at hand; the worthy fathers were eager for his conviction, for they were always anxious to have a good number of culprits condemned to the stake, to grace these solemn triumphs. He was at length brought to a final examination.

The chamber of trial was spacious and gloomy. At one end was a huge crucifix, the standard of the inquisition. A long table extended through the centre of the room, at which sat the inquisitors and their secretary; at the other end, a stool was placed for the prisoner.

He was brought in, according to custom, bareheaded and bare-legged. He was enfeebled by confinement and affliction; by constantly brooding over the unknown fate of his child, and the disastrous interruption of his experiments. He sat bowed down and listless; his head sunk upon his breast; his whole appearance that of one “past hope, abandoned, and by himself given over.”

The accusation alleged against him was now brought forward in a specific form; he was called upon by name, Felix de Vasquez, formerly of Castile, to answer to the charges of necromancy and demonology. He was told that the charges were amply substantiated; and was asked whether he was ready, by full confession, to throw himself upon the well-known mercy of the holy inquisition.

The philosopher testified some slight surprise at the nature of the accusation, but simply replied, “I am innocent.”

“What proof have you to give of your innocence?”

“It rather remains for you to prove your charges,” said the old man. “I am a stranger and a sojourner in the land, and know no one out of the doors of my dwelling. I can give nothing in my vindication but the word of a nobleman and a Castilian.”

The inquisitor shook his head, and went on to repeat the various inquiries that had before been made as to his mode of life and pursuits. The poor alchymist was too feeble and too weary at heart to make any but brief replies. He requested that some man of science might examine his laboratory, and all his books and papers, by which it would be made abundantly evident that he was merely engaged in the study of alchymy.

To this the inquisitor observed, that alchymy had become a mere covert for secret and deadly sins. That the practisers of it were apt to scruple at no means to satisfy their inordinate greediness of gold. Some had been known to use spells and impious ceremonies; to conjure the aid of evil spirits; nay, even to sell their souls to the enemy of mankind, so that they might riot in boundless wealth while living.

The poor alchymist had heard all patiently, or, at least, passively. He had disdained to vindicate his name otherwise than by his word; he had smiled at the accusations of sorcery, when applied merely to himself; but when the sublime art, which had been the study and passion of his life, was assailed, he could no longer listen in silence. His head gradually rose from his bosom; a hectic colour came in faint streaks to his cheek; played about there, disappeared, returned, and at length kindled into a burning glow. The clammy dampness dried from his forehead; his eyes, which had nearly been extinguished, lighted up again, and burned with their wonted and visionary fires. He entered into a vindication of his favourite art. His voice at first was feeble and broken; but it gathered strength as he proceeded, until it rolled in a deep and sonorous volume. He gradually rose from his seat, as he rose with his subject; he threw back the scanty black mantle which had hitherto wrapped his limbs; the very uncouthness of his form and looks gave an impressive effect to what he uttered; it was as though a corpse had become suddenly animated.

He repelled with scorn the aspersions cast upon alchymy by the ignorant and vulgar. He affirmed it to be the mother of all art and science, citing the opinions of Paracelsus, Sandivogius, Raymond Lully, and others, in support of his assertions. He maintained that it was pure and innocent and honourable both in its purposes and means. What were its objects? The perpetuation of life and youth, and the production of gold. “The elixir vitae,” said he, “is no charmed potion, but merely a concentration of those elements of vitality which nature has scattered through her works. The philosopher’s stone, or tincture, or powder, as it is variously called, is no necromantic talisman, but consists simply of those particles which gold contains within itself for its reproduction; for gold, like other things, has its seed within itself, though bound up with inconceivable firmness, from the vigour of innate fixed salts and sulphurs. In seeking to discover the elixir of life, then,” continued he, “we seek only to apply some of nature’s own specifics against the disease and decay to which our bodies are subjected; and what else does the physician, when he tasks his art, and uses subtle compounds and cunning distillations, to revive our languishing powers, and avert the stroke of death for a season?

“In seeking to multiply the precious metals, also, we seek but to germinate and multiply, by natural means, a particular species of nature’s productions; and what else does the husbandman, who consults times and seasons, and, by what might be deemed a natural magic, from the mere scattering of his hand, covers a whole plain with golden vegetation? The mysteries of our art, it is true, are deeply and darkly hidden; but it requires so much the more innocence and purity of thought, to penetrate unto them. No, father! the true alchymist must be pure in mind and body; he must be temperate, patient, chaste, watchful, meek, humble, devout. ‘My son,’ says Hermes Trismegestes, the great master of our art, ‘my son, I recommend you above all things to fear God.’ And indeed it is only by devout castigation of the senses, and purification of the soul that the alchymist is enabled to enter into the sacred chambers of truth. ‘Labour, pray, and read,’ is the motto of our science. As De Nuysment well observes, ‘These high and singular favours are granted unto none, save only unto the sons of God, (that is to say, the virtuous and devout,) who, under his paternal benediction, have obtained the opening of the same, by the helping hand of the queen of arts, divine Philosophy.’ Indeed, so sacred has the nature of this knowledge been considered, that we are told it has four times been expressly communicated by God to man, having made a part of that cabalistical wisdom which was revealed to Adam to console him for the loss of Paradise; and to Moses in the bush, and to Solomon in a dream, and to Esdras by the angel.

“So far from demons and malign spirits being the friends and abettors of the alchymist, they are the continual foes with which he has to contend. It is their constant endeavour to shut up the avenues to those truths which would enable him to rise above the abject state into which he has fallen, and return to that excellence which was his original birthright. For what would be the effect of this length of days, and this abundant wealth, but to enable the possessor to go on from art to art, from science to science, with energies unimpaired by sickness, uninterrupted by death? For this have sages and philosophers shut themselves up in cells and solitudes; buried themselves in caves and dens of the earth; turning from the joys of life, and the pleasance of the world; enduring scorn, poverty, persecution. For this was Raymond Lully stoned to death in Mauritania. For this did the immortal Pietro D’Abano suffer persecution at Padua, and, when he escaped from his oppressors by death, was despitefully burnt in effigy. For this have illustrious men of all nations intrepidly suffered martyrdom. For this, if unmolested, have they assiduously employed the latest hour of life, the expiring throb of existence; hoping to the last that they might yet seize upon the prize for which they had struggled, and pluck themselves back even from the very jaws of the grave!

“For, when once the alchymist shall have attained the object of his toils; when the sublime secret shall be revealed to his gaze, how glorious will be the change in his condition! How will he emerge from his solitary retreat, like the sun breaking forth from the darksome chamber of the night, and darting his beams throughout the earth! Gifted with perpetual youth and boundless riches, to what heights of wisdom may he attain! How may he carry on, uninterrupted, the thread of knowledge, which has hitherto been snapped at the death of each philosopher! And, as the increase of wisdom is the increase of virtue, how may he become the benefactor of his fellowmen; dispensing, with liberal but cautious and discriminating hand, that inexhaustible wealth which is at his disposal; banishing poverty, which is the cause of so much sorrow and wickedness; encouraging the arts; promoting discoveries, and enlarging all the means of virtuous enjoyment! His life will be the connecting band of generations. History will live in his recollection; distant ages will speak with his tongue. The nations of the earth will look to him as their preceptor, and kings will sit at his feet and learn wisdom. Oh glorious! oh celestial alchymy!”—

Here he was interrupted by the inquisitor, who had suffered him to go on thus far, in hopes of gathering something from his unguarded enthusiasm. “Senor,” said he, “this is all rambling, visionary talk. You are charged with sorcery, and in defence you give us a rhapsody about alchymy. Have you nothing better than this to offer in your defence?”

The old man slowly resumed his seat, but did not deign a reply. The fire that had beamed in his eye gradually expired. His cheek resumed its wonted paleness; but he did not relapse into inanity. He sat with a steady, serene, patient look. Like one prepared not to contend, but to suffer.

His trial continued for a long time, with cruel mockery of justice, for no witnesses were ever in this court confronted with the accused, and the latter had continually to defend himself in the dark. Some unknown and powerful enemy had alleged charges against the unfortunate alchymist, but who he could not imagine. Stranger and sojourner as he was in the land, solitary and harmless in his pursuits, how could he have provoked such hostility? The tide of secret testimony, however, was too strong against him; he was convicted of the crime of magic, and condemned to expiate his sins at the stake, at the approaching auto da fé.

While the unhappy alchymist was undergoing his trial at the inquisition, his daughter was exposed to trials no less severe. Don Ambrosio, into whose hands she had fallen, was, as has before been intimated, one of the most daring and lawless profligates in all Granada. He was a man of hot blood and fiery passions, who stopped at nothing in the gratification of his desires; yet with all this he possessed manners, address, and accomplishments, that had made him eminently successful among the sex. From the palace to the cottage he had extended his amorous enterprises; his serenades harassed the slumbers of half the husbands in Granada; no balcony was too high for his adventurous attempts, nor any cottage too lowly for his perfidious seductions. Yet he was as fickle as he was ardent; success had made him vain and capricious; he had no sentiment to attach him to the victim of his arts; and many a pale cheek and fading eye, languishing amidst the sparkling of jewels, and many a breaking heart, throbbing under the rustic bodice, bore testimony to his triumphs and his faithlessness.

He was sated, however, by easy conquests, and wearied of a life of continual and prompt gratification. There had been a degree of difficulty and enterprise in the pursuit of Inez that he had never before experienced. It had aroused him from the monotony of mere sensual life, and stimulated him with the charm of adventure. He had become an epicure in pleasure; and now that he had this coy beauty in his power, he was determined to protract his enjoyment, by the gradual conquest of her scruples and downfall of her virtue. He was vain of his person and address, which he thought no woman could long withstand; and it was a kind of trial of skill to endeavour to gain, by art and fascination, what he was secure of obtaining at any time by violence.