Complete Works of Bram Stoker (467 page)

I look through the crystal walls and see at the end of the table, isolated from all others, the figure of a man seated. Are those cords that bind his limbs? How suits that crown of laurel those wide, dim eyes, and that pallid hue? It is passing strange.  This Feast of Beauty holds some dread secrets, and sees some wondrous sights.

I hear a voice of strange, rich sweetness, yet wavering-the voice of one almost a king by nature. He is standing up; I see him through my palace-wall. He calls a name and sits down again.

Again I hear a voice from the platform of scrolls, the Throne of Brows; and again I look and behold a man who stands trembling yet flushed, as though the morning light shone bright upon his soul. He reads in cadenced measure a song in praise of my moon-mother, the Feast of Beauty, and the king. As he speaks, he trembles no more, but seems inspired, and his voice rises to a tone of power and grandeur, and rings back from walls and dome. I hear his words distinctly, though saddened in tone, in the echo from my crystal home. He concludes and sits down, half-fainting, amid a whirlwind of applause, every note, every beat of which is echoed as the words had been.

Again the monarch rises and calls ‘Aurora,’ that she may sing for freedom. The name echoes in the cup with a sweet, sad sound. So sad, so despairing seems the echo, that the hall seems to darken and the scene to grow dim.

‘Can a sun-spirit mourn, or a crystal vessel weep?’

She, the dejected one, rises from her seat on the Throne of Sound, and all eyes turn upon her save those of the pale one, laurel-crowned. Thrice she essays to begin, and thrice nought comes from her lips but a dry, husky sigh, till an old man who has been moving round the hall settling all things, cries out, in fear lest she should fail, ‘Freedom!’

The word is re-echoed from the cup. She hears the sound, turns towards it and begins.

Oh, the melody of that voice! And yet it is not perfect alone; for after the first note comes an echo from the cup that swells in unison with the voice, and the two sounds together, seem as if one strain came ringing sweet from the lips of the All-Father himself. So sweet it is, that all throughout the hall sit spell-bound, and scarcely dare to breathe.

In the pause after the first verses of the song, I hear the voice of the old man speaking to a comrade, but his words are unheard by any other, ‘Look at the king. His spirit seems lost in a trance of melody. Ah! I fear me some evil: the nearer the music approaches to perfection the more rapt he becomes. I dread lest a perfect note shall prove his death-call.’ His voice dies away as the singer commences the last verse.

Sad and plaintive is the song; full of feeling and tender love, but love overshadowed by grief and despair. As it goes on the voice of the singer grows sweeter and more thrilling, more real; and the cup, my crystal time-home, vibrates more and more as it gives back the echo. The monarch looks like one entranced, and no movement is within the hall. . . . The song dies away in a wild wail that seems to tear the heart of the singer in twain; and the cup vibrates still more as it gives back the echo. As the note, long-swelling, reaches its highest, the cup, the Crystal Cup, my wondrous home, the gift of the All-Father, shivers into millions of atoms, and passes away.

Ere I am lost in the great vortex I see the singer throw up her arms and fall, freed at last, and the King sitting, glory-faced, but pallid with the hue of Death.

THE DUALITISTS

 

CHAPTER I. BIS DAT QUI NON CITO DAT.

 

There was joy in the house of Bubb.

For ten long years had Ephraim and Sophonisba Bubb mourned in vain the loneliness of their life. Unavailingly had they gazed into the emporia of baby-linen, and fixed their searching glances on the basket-makers’ warehouses where the cradles hung in tempting rows. In vain had they prayed, and sighed, and groaned, and wished, and waited, and wept, but never had even a ray of hope been held out by the family physician.

 

***

 

But now at last the wished-for moment had arrived. Month after month had flown by on leaden wings, and the destined days had slowly measured their course. The months had become weeks; the weeks had dwindled down to days; the days had been attenuated to hours; the hours had lapsed into minutes, the minutes had slowly died away, and but seconds remained.

Ephraim Bubb sat cowering on the stairs, and tried with high-strung ears to catch the strain of blissful music from the lips of his first-born. There was silence in the house-silence as of the deadly calm before the cyclone. Ah! Ephra Bubb, little thinkest thou that another moment may for ever destroy the peaceful, happy course of thy life, and open to thy too craving eyes the portals of that wondrous land where Childhood reigns supreme, and where the tyrant infant with the wave of his tiny hand and the imperious treble of his tiny voice sentences his parent to the deadly vault beneath the castle moat. As the thought strikes thee thou becomest pale. How thou tremblest as thou findest thyself upon the brink of the abyss! Wouldst that thou could recall the past!

But hark! the die is cast for good or ill. The long years of praying and hoping have found an end at last. From the chamber within comes a sharp cry, which shortly after is repeated. Ah! Ephraim, that cry is the feeble effort of childish lips as yet unused to the rough, worldly form of speech to frame the word Father. In the glow of thy transport all doubts are forgotten; and when the doctor cometh forth as the harbinger of joy he findeth thee radiant with new found delight.

“My dear sir, allow me to congratulate you-to offer twofold felicitations. Mr. Bubb, sir, you are the father of Twins!”

 

 

CHAPTER II.   HALCYON DAYS
.

 

The twins were the finest children that ever were seen-so at least said the cognoscenti, and the parents were not slow to believe. The nurse’s opinion was in itself a proof.

It was not, ma’am, that they was fine for twins, but they was fine for singles, and she had ought to know, for she had nussed a many in her time, both twins and singles. All they wanted was to have their dear little legs cut off and little wings on their dear little shoulders, for to be put one on each side of a white marble tombstone, cut beautiful, sacred to the relic of Ephraim Bubb, that they might, sir, if so be that missus was to survive the father of two such lovely twins-although she would make bold to say, and no offence intended, that a handsome gentleman, though a trifle or two older than his good lady, though for the matter of that she heerd that gentlemen was never too old at all, and for her own part she liked them the better for it: not like bits of boys that didn’t know their own minds-that a gentleman what was the father of two such ‘eavenly twins (God bless them!) couldn’t be called anything but a boy; though for the matter of that she never knowed in her experience-which it was much-of a boy as had such twins, or any twins at all so much for the matter of that.

The twins were the idols of their parents, and at the same time their pleasure and their pain. Did Zerubbabel cough, Ephraim would start from his balmy slumbers with an agonised cry of consternation, for visions of innumerable twins black in the face from croup haunted his nightly pillow. Did Zacariah rail at aethereal expansion, Sophonisba with pallid hue and dishevelled locks would fly to the cradle of her offspring. Did pins torture or strings afflict, or flannel or flies tickle, or light dazzle, or darkness affright, or hunger or thirst assail the synchronous productions, the household of Bubb would be roused from quiet slumbers or the current of its manifold workings changed.

The twins grew apace; were weaned; teethed; and at length arrived at the stage of three years!

“They grew in beauty side by side,   They filled one home,” etc.

 

 

CHAPTER III.  RUMOURS OF WARS.

 

Harry Merford and Tommy Santon lived in the same range of villas as Ephraim Bubb. Harry’s parents had taken up their abode in No. 25, No. 27 was happy in the perpetual sunshine of Tommy’s smiles, and between these two residences Ephraim Bubb reared his blossoms, the number of his mansion being 26. Harry and Tommy had been accustomed from the earliest times to meet each other daily. Their primal method of communication had been by the housetops, till their respective sires had been obliged to pay compensation to Bubb for damages to his roof and dormer windows; and from that time they had been forbidden by the home authorities to meet, whilst their mutual neighbour had taken the precaution of having his garden walls pebble-dashed and topped with broken glass to prevent their incursions. Harry and Tommy, however, being gifted with daring souls, lofty ambitions, impetuous natures, and strong seats to their trousers, defied the rugged walls of Bubb and continued to meet in secret.

Compared with these two youths, Castor and Pollux, Damon and Pythias, Eloisa and Abelard are but tame examples of duality or constancy and friendship. All the poets from Hyginus to Schiller might sing of noble deeds done and desperate dangers held as naught for friendship’s sake, but they would have been mute had they but known of the mutual affection of Harry and Tommy. Day by day, and often night by night, would these two brave the perils of nurse, and father, and mother, of whip and imprisonment, and hunger and thirst, and solitude and darkness to meet together. What they discussed in secret none other knew. What deeds of darkness were perpetrated in their symposia none could tell. Alone they met, alone they remained, and alone they departed to their several abodes. There was in the garden of Bubb a summer house overgrown with trailing plants, and surrounded by young poplars which the fond father had planted on his children’s natal day, and whose rapid growth he had proudly watched. These trees quite obscured the summerhouse, and here Harry and Tommy, knowing after a careful observation that none ever entered the place, held their conclaves. Time after time they met in full security and followed their customary pursuit of pleasure. Let us raise the mysterious veil and see what was the great Unknown at whose shrine they bent the knee.

Harry and Tommy had each been given as a Christmas box a new knife; and for a long time-nearly a year-these knives, similar in size and pattern, were their chief delights. With them they cut and hacked in their respective homes all things which would not be likely to be noticed; for the young gentlemen were wary and had no wish that their moments of pleasure should be atoned for by moments of pain. The insides of drawers, and desks, and boxes, and underparts of tables and chairs, the backs of picture frames, even the floors, where corners of the carpets could surreptitiously be turned up, all bore marks of their craftsmanship; and to compare notes on these artistic triumphs was a source of joy. At length, however, a critical time came, some new field of action should be opened up, for the old appetites were sated, and the old joys had begun to pall. It was absolutely necessary that the existing schemes of destruction should be enlarged; and yet this could hardly be done without a terrible risk of discovery, for the limits of safety had long since been reached and passed. But, be the risk great or small, some new ground should be broken-some new joy found, for the old earth was barren, and the craving for pleasure was growing fiercer with each successive day.

The crisis had come: who could tell the issue?

 

 

Chapter IV. The Tucket Sounds.

 

They met in the arbour, determined to discuss this grave question. The heart of each was big with revolution, the head of each was full of scheme and strategy, and the pocket of each was full of sweet-stuff, the sweeter for being stolen. After having despatched the sweets, the conspirators proceeded to explain their respective views with regard to the enlargement of their artistic operations. Tommy unfolded with much pride a scheme which he had in contemplation of cutting a series of holes in the sounding board of the piano, so as to destroy its musical properties. Harry was in no wise behindhand in his ideas of reform. He had conceived the project of cutting the canvas at the back of his great grandfather’s portrait, which his father held in high regard among his lares and penates, so that in time when the picture should be moved the skin of paint would be broken, the head fall bodily out from the frame.

At this point of the council a brilliant thought occurred to Tommy. “Why should not the enjoyment be doubled, and the musical instruments and family pictures of both establishments be sacrificed on the altar of pleasure?” This was agreed to nem. con.; and then the meeting adjourned for dinner. When they next met it was evident that there was a screw loose somewhere-that there was “something rotten in the state of Denmark.” After a little fencing on both sides, it came out that all the schemes of domestic reform had been foiled by maternal vigilance, and that so sharp had been the reprimand consequent on a partial discovery of the schemes that they would have to be abandoned-till such time, at least, as increased physical strength would allow the reformers to laugh to scorn parental threats and injunctions.

Sadly the two forlorn youths took out their knives and regarded them; sadly, sadly they thought, as erst did Othello, of all the fair chances of honour and triumph and glory gone for ever. They compared knives with almost the fondness of doting parents. There they were-so equal in size and strength and beauty-dimmed by no corrosive rust, tarnished by no stain, and with unbroken edges of the keenness of Saladin’s sword.

So like were the knives that but for the initials scratched in the handles neither boy could have been sure which was his own. After a little while they began mutually to brag of the superior excellence of their respective weapons. Tommy insisted that his was the sharper, Harry asserted that his was the stronger of the two. Hotter and hotter grew the war of words. The tempers of Harry and Tommy got inflamed, and their boyish bosoms glowed with manly thoughts of daring and of hate. But there was abroad in that hour a spirit of a bygone age-one that penetrated even to that dim arbour in the grove of Bubb. The world-old scheme of ordeal was whispered by the spirit in the ear of each, and suddenly the tumult was allayed. With one impulse the boys suggested that they should test the quality of their knives by the ordeal of the Hack.

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