Complete Works of Thomas Hardy (Illustrated) (349 page)
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Authors: Thomas Hardy
One mid-day, before Anne had made any change in her manner of living on account of her unexpected acquisition, Lieutenant Bob came in rather suddenly. He had been to Budmouth, and announced to the arrested senses of the family that the — th Dragoons were ordered to join Sir Arthur Wellesley in the Peninsula.
These tidings produced a great impression on the household. John had been so long in the neighbourhood, either at camp or in barracks, that they had almost forgotten the possibility of his being sent away; and they now began to reflect upon the singular infrequency of his calls since his brother’s return. There was not much time, however, for reflection, if they wished to make the most of John’s farewell visit, which was to be paid the same evening, the departure of the regiment being fixed for next day. A hurried valedictory supper was prepared during the afternoon, and shortly afterwards John arrived.
He seemed to be more thoughtful and a trifle paler than of old, but beyond these traces, which might have been due to the natural wear and tear of time, he showed no signs of gloom. On his way through the town that morning a curious little incident had occurred to him. He was walking past one of the churches when a wedding-party came forth, the bride and bridegroom being Matilda and Festus Derriman. At sight of the trumpet-major the yeoman had glared triumphantly; Matilda, on her part, had winked at him slily, as much as to say — . But what she meant heaven knows: the trumpet-major did not trouble himself to think, and passed on without returning the mark of confidence with which she had favoured him.
Soon after John’s arrival at the mill several of his friends dropped in for the same purpose of bidding adieu. They were mostly the men who had been entertained there on the occasion of the regiment’s advent on the down, when Anne and her mother were coaxed in to grace the party by their superior presence; and their well-trained, gallant manners were such as to make them interesting visitors now as at all times. For it was a period when romance had not so greatly faded out of military life as it has done in these days of short service, heterogeneous mixing, and transient campaigns; when the esprit de corps was strong, and long experience stamped noteworthy professional characteristics even on rank and file; while the miller’s visitors had the additional advantage of being picked men.
They could not stay so long to-night as on that earlier and more cheerful occasion, and the final adieus were spoken at an early hour. It was no mere playing at departure, as when they had gone to Exonbury barracks, and there was a warm and prolonged shaking of hands all round.
‘You’ll wish the poor fellows good-bye?’ said Bob to Anne, who had not come forward for that purpose like the rest. ‘They are going away, and would like to have your good word.’
She then shyly advanced, and every man felt that he must make some pretty speech as he shook her by the hand.
‘Good-bye! May you remember us as long as it makes ye happy, and forget us as soon as it makes ye sad,’ said Sergeant Brett.
‘Good-night! Health, wealth, and long life to ye!’ said Sergeant-major Wills, taking her hand from Brett.
‘I trust to meet ye again as the wife of a worthy man,’ said Trumpeter Buck.
‘We’ll drink your health throughout the campaign, and so good-bye t’ye,’ said Saddler-sergeant Jones, raising her hand to his lips.
Three others followed with similar remarks, to each of which Anne blushingly replied as well as she could, wishing them a prosperous voyage, easy conquest, and a speedy return.
But, alas, for that! Battles and skirmishes, advances and retreats, fevers and fatigues, told hard on Anne’s gallant friends in the coming time. Of the seven upon whom these wishes were bestowed, five, including the trumpet-major, were dead men within the few following years, and their bones left to moulder in the land of their campaigns.
John lingered behind. When the others were outside, expressing a final farewell to his father, Bob, and Mrs. Loveday, he came to Anne, who remained within.
‘But I thought you were going to look in again before leaving?’ she said gently.
‘No; I find I cannot. Good-bye!’
‘John,’ said Anne, holding his right hand in both hers, ‘I must tell you something. You were wise in not taking me at my word that day. I was greatly mistaken about myself. Gratitude is not love, though I wanted to make it so for the time. You don’t call me thoughtless for what I did?’
‘My dear Anne,’ cried John, with more gaiety than truthfulness, ‘don’t let yourself be troubled! What happens is for the best. Soldiers love here to-day and there to-morrow. Who knows that you won’t hear of my attentions to some Spanish maid before a month is gone by? ‘Tis the way of us, you know; a soldier’s heart is not worth a week’s purchase — ha, ha! Goodbye, good-bye!’
Anne felt the expediency of his manner, received the affectation as real, and smiled her reply, not knowing that the adieu was for evermore. Then with a tear in his eye he went out of the door, where he bade farewell to the miller, Mrs. Loveday, and Bob, who said at parting, ‘It’s all right, Jack, my dear fellow. After a coaxing that would have been enough to win three ordinary Englishwomen, five French, and ten Mulotters, she has to-day agreed to bestow her hand upon me at the end of six months. Good-bye, Jack, good-bye!’
The candle held by his father shed its waving light upon John’s face and uniform as with a farewell smile he turned on the doorstone, backed by the black night; and in another moment he had plunged into the darkness, the ring of his smart step dying away upon the bridge as he joined his companions-in-arms, and went off to blow his trumpet till silenced for ever upon one of the bloody battle-fields of Spain.
A LAODICEAN
This novel was first published in 1881 and the plot features uncommon aspects for a Hardy novel, such as falsified telegrams and faked photographs. In the narrative, the heroine Paula Power inherits a medieval castle from her industrialist father, who has purchased it from the aristocratic De Stancy family. She employs two architects, one local and one, George Somerset, newly qualified from London. Somerset represents modernity in the novel. The novel explores themes of modernity versus the traditional. A ‘Laodicean’ is another word for someone that is uncertain or half-hearted, like the heroine of the novel.
Hardy, close to the time of publication of this novel
A LAODICEAN
CONTENTS
BOOK THE FIRST. GEORGE SOMERSET.
BOOK THE SECOND. DARE AND HAVILL.
BOOK THE FOURTH. SOMERSET, DARE AND DE STANCY.
BOOK THE FIFTH. DE STANCY AND PAULA.
PREFACE.
The changing of the old order in country manors and mansions may be slow or sudden, may have many issues romantic or otherwise, its romantic issues being not necessarily restricted to a change back to the original order; though this admissible instance appears to have been the only romance formerly recognized by novelists as possible in the case. Whether the following production be a picture of other possibilities or not, its incidents may be taken to be fairly well supported by evidence every day forthcoming in most counties.
The writing of the tale was rendered memorable to two persons, at least, by a tedious illness of five months that laid hold of the author soon after the story was begun in a well-known magazine; during which period the narrative had to be strenuously continued by dictation to a predetermined cheerful ending.
As some of these novels of Wessex life address themselves more especially to readers into whose souls the iron has entered, and whose years have less pleasure in them now than heretofore, so “A Laodicean” may perhaps help to while away an idle afternoon of the comfortable ones whose lines have fallen to them in pleasant places; above all, of that large and happy section of the reading public which has not yet reached ripeness of years; those to whom marriage is the pilgrim’s Eternal City, and not a milestone on the way. T.H.
January 1896.
BOOK THE FIRST. GEORGE SOMERSET.
CHAPTER I.
The sun blazed down and down, till it was within half-an-hour of its setting; but the sketcher still lingered at his occupation of measuring and copying the chevroned doorway — a bold and quaint example of a transitional style of architecture, which formed the tower entrance to an English village church. The graveyard being quite open on its western side, the tweed-clad figure of the young draughtsman, and the tall mass of antique masonry which rose above him to a battlemented parapet, were fired to a great brightness by the solar rays, that crossed the neighbouring mead like a warp of gold threads, in whose mazes groups of equally lustrous gnats danced and wailed incessantly.
He was so absorbed in his pursuit that he did not mark the brilliant chromatic effect of which he composed the central feature, till it was brought home to his intelligence by the warmth of the moulded stonework under his touch when measuring; which led him at length to turn his head and gaze on its cause.
There are few in whom the sight of a sunset does not beget as much meditative melancholy as contemplative pleasure, the human decline and death that it illustrates being too obvious to escape the notice of the simplest observer. The sketcher, as if he had been brought to this reflection many hundreds of times before by the same spectacle, showed that he did not wish to pursue it just now, by turning away his face after a few moments, to resume his architectural studies.
He took his measurements carefully, and as if he reverenced the old workers whose trick he was endeavouring to acquire six hundred years after the original performance had ceased and the performers passed into the unseen. By means of a strip of lead called a leaden tape, which he pressed around and into the fillets and hollows with his finger and thumb, he transferred the exact contour of each moulding to his drawing, that lay on a sketching-stool a few feet distant; where were also a sketching-block, a small T-square, a bow-pencil, and other mathematical instruments. When he had marked down the line thus fixed, he returned to the doorway to copy another as before.