Complete Works of Thomas Hardy (Illustrated) (365 page)

Somerset felt something of a thrill at the sight. He was an infrequent dancer, and particularly unprepared for dancing at present; but to dance once with Paula Power he would give a year of his life. He looked round; but she was nowhere to be seen. The first set began; old and middle-aged people gathered from the different rooms to look on at the gyrations of their children, but Paula did not appear. When another dance or two had progressed, and an increase in the average age of the dancers was making itself perceptible, especially on the masculine side, Somerset was aroused by a whisper at his elbow —

‘You dance, I think? Miss Deverell is disengaged. She has not been asked once this evening.’ The speaker was Paula.

Somerset looked at Miss Deverell — a sallow lady with black twinkling eyes, yellow costume, and gay laugh, who had been there all the afternoon — and said something about having thought of going home.

‘Is that because I asked you to dance?’ she murmured. ‘There — she is appropriated.’ A young gentleman had at that moment approached the uninviting Miss Deverell, claimed her hand and led her off.

‘That’s right,’ said Somerset. ‘I ought to leave room for younger men.’

‘You need not say so. That bald-headed gentleman is forty-five. He does not think of younger men.’

‘Have YOU a dance to spare for me?’

Her face grew stealthily redder in the candle-light. ‘O! — I have no engagement at all — I have refused. I hardly feel at liberty to dance; it would be as well to leave that to my visitors.’

‘Why?’

‘My father, though he allowed me to be taught, never liked the idea of my dancing.’

‘Did he make you promise anything on the point?’

‘He said he was not in favour of such amusements — no more.’

‘I think you are not bound by that, on an informal occasion like the present.’

She was silent.

‘You will just once?’ said he.

Another silence. ‘If you like,’ she venturesomely answered at last.

Somerset closed the hand which was hanging by his side, and somehow hers was in it. The dance was nearly formed, and he led her forward. Several persons looked at them significantly, but he did not notice it then, and plunged into the maze.

Never had Mr. Somerset passed through such an experience before. Had he not felt her actual weight and warmth, he might have fancied the whole episode a figment of the imagination. It seemed as if those musicians had thrown a double sweetness into their notes on seeing the mistress of the castle in the dance, that a perfumed southern atmosphere had begun to pervade the marquee, and that human beings were shaking themselves free of all inconvenient gravitation.

Somerset’s feelings burst from his lips. ‘This is the happiest moment I have ever known,’ he said. ‘Do you know why?’

‘I think I saw a flash of lightning through the opening of the tent,’ said Paula, with roguish abruptness.

He did not press for an answer. Within a few minutes a long growl of thunder was heard. It was as if Jove could not refrain from testifying his jealousy of Somerset for taking this covetable woman so presumptuously in his arms.

The dance was over, and he had retired with Paula to the back of the tent, when another faint flash of lightning was visible through an opening. She lifted the canvas, and looked out, Somerset looking out behind her. Another dance was begun, and being on this account left out of notice, Somerset did not hasten to leave Paula’s side.

‘I think they begin to feel the heat,’ she said.

‘A little ventilation would do no harm.’ He flung back the tent door where he stood, and the light shone out upon the grass.

‘I must go to the drawing-room soon,’ she added. ‘They will begin to leave shortly.’

‘It is not late. The thunder-cloud has made it seem dark — see there; a line of pale yellow stretches along the horizon from west to north. That’s evening — not gone yet. Shall we go into the fresh air for a minute?’

She seemed to signify assent, and he stepped off the tent-floor upon the ground. She stepped off also.

The air out-of-doors had not cooled, and without definitely choosing a direction they found themselves approaching a little wooden tea-house that stood on the lawn a few yards off. Arrived here, they turned, and regarded the tent they had just left, and listened to the strains that came from within it.

‘I feel more at ease now,’ said Paula.

‘So do I,’ said Somerset.

‘I mean,’ she added in an undeceiving tone, ‘because I saw Mrs. Goodman enter the tent again just as we came out here; so I have no further responsibility.’

‘I meant something quite different. Try to guess what.’

She teasingly demurred, finally breaking the silence by saying, ‘The rain is come at last,’ as great drops began to fall upon the ground with a smack, like pellets of clay.

In a moment the storm poured down with sudden violence, and they drew further back into the summer-house. The side of the tent from which they had emerged still remained open, the rain streaming down between their eyes and the lighted interior of the marquee like a tissue of glass threads, the brilliant forms of the dancers passing and repassing behind the watery screen, as if they were people in an enchanted submarine palace.

‘How happy they are!’ said Paula. ‘They don’t even know that it is raining. I am so glad that my aunt had the tent lined; otherwise such a downpour would have gone clean through it.’

The thunder-storm showed no symptoms of abatement, and the music and dancing went on more merrily than ever.

‘We cannot go in,’ said Somerset. ‘And we cannot shout for umbrellas. We will stay till it is over, will we not?’

‘Yes,’ she said, ‘if you care to. Ah!’

‘What is it?’

‘Only a big drop came upon my head.’

‘Let us stand further in.’

Her hand was hanging by her side, and Somerset’s was close by. He took it, and she did not draw it away. Thus they stood a long while, the rain hissing down upon the grass-plot, and not a soul being visible outside the dancing-tent save themselves.

‘May I call you Paula?’ asked he.

There was no answer.

‘May I?’ he repeated.

‘Yes, occasionally,’ she murmured.

‘Dear Paula! — may I call you that?’

‘O no — not yet.’

‘But you know I love you?’

‘Yes,’ she whispered.

‘And shall I love you always?’

‘If you wish to.’

‘And will you love me?’

Paula did not reply.

‘Will you, Paula?’ he repeated.

‘You may love me.’

‘But don’t you love me in return?’

‘I love you to love me.’

‘Won’t you say anything more explicit?’

‘I would rather not.’

Somerset emitted half a sigh: he wished she had been more demonstrative, yet felt that this passive way of assenting was as much as he could hope for. Had there been anything cold in her passivity he might have felt repressed; but her stillness suggested the stillness of motion imperceptible from its intensity.

‘We must go in,’ said she. ‘The rain is almost over, and there is no longer any excuse for this.’

Somerset bent his lips toward hers. ‘No,’ said the fair Puritan decisively.

‘Why not?’ he asked.

‘Nobody ever has.’

‘But! — ’ expostulated Somerset.

‘To everything there is a season, and the season for this is not just now,’ she answered, walking away.

They crossed the wet and glistening lawn, stepped under the tent and parted. She vanished, he did not know whither; and, standing with his gaze fixed on the dancers, the young man waited, till, being in no mood to join them, he went slowly through the artificial passage lined with flowers, and entered the drawing room. Mrs. Goodman was there, bidding good-night to the early goers, and Paula was just behind her, apparently in her usual mood. His parting with her was quite formal, but that he did not mind, for her colour rose decidedly higher as he approached, and the light in her eyes was like the ray of a diamond.

When he reached the door he found that his brougham from the Quantock Arms, which had been waiting more than an hour, could not be heard of. That vagrancy of spirit which love induces would not permit him to wait; and, leaving word that the man was to follow him when he returned, he went past the glare of carriage-lamps ranked in the ward, and under the outer arch. The night was now clear and beautiful, and he strolled along his way full of mysterious elation till the vehicle overtook him, and he got in.

Up to this point Somerset’s progress in his suit had been, though incomplete, so uninterrupted, that he almost feared the good chance he enjoyed. How should it be in a mortal of his calibre to command success with such a sweet woman for long? He might, indeed, turn out to be one of the singular exceptions which are said to prove rules; but when fortune means to men most good, observes the bard, she looks upon them with a threatening eye. Somerset would even have been content that a little disapproval of his course should have occurred in some quarter, so as to make his wooing more like ordinary life. But Paula was not clearly won, and that was drawback sufficient. In these pleasing agonies and painful delights he passed the journey to Markton.

BOOK THE SECOND. DARE AND HAVILL.

CHAPTER I.

Young Dare sat thoughtfully at the window of the studio in which Somerset had left him, till the gay scene beneath became embrowned by the twilight, and the brilliant red stripes of the marquees, the bright sunshades, the many-tinted costumes of the ladies, were indistinguishable from the blacks and greys of the masculine contingent moving among them. He had occasionally glanced away from the outward prospect to study a small old volume that lay before him on the drawing-board. Near scrutiny revealed the book to bear the title ‘Moivre’s Doctrine of Chances.’

The evening had been so still that Dare had heard conversations from below with a clearness unsuspected by the speakers themselves; and among the dialogues which thus reached his ears was that between Somerset and Havill on their professional rivalry. When they parted, and Somerset had mingled with the throng, Havill went to a seat at a distance. Afterwards he rose, and walked away; but on the bench he had quitted there remained a small object resembling a book or leather case.

Dare put away the drawing-board and plotting-scales which he had kept before him during the evening as a reason for his presence at that post of espial, locked up the door, and went downstairs. Notwithstanding his dismissal by Somerset, he was so serene in countenance and easy in gait as to make it a fair conjecture that professional servitude, however profitable, was no necessity with him. The gloom now rendered it practicable for any unbidden guest to join Paula’s assemblage without criticism, and Dare walked boldly out upon the lawn. The crowd on the grass was rapidly diminishing; the tennis-players had relinquished sport; many people had gone in to dinner or supper; and many others, attracted by the cheerful radiance of the candles, were gathering in the large tent that had been lighted up for dancing.

Dare went to the garden-chair on which Havill had been seated, and found the article left behind to be a pocket-book. Whether because it was unclasped and fell open in his hand, or otherwise, he did not hesitate to examine the contents. Among a mass of architect’s customary memoranda occurred a draft of the letter abusing Paula as an iconoclast or Vandal by blood, which had appeared in the newspaper: the draft was so interlined and altered as to bear evidence of being the original conception of that ungentlemanly attack.

The lad read the letter, smiled, and strolled about the grounds, only met by an occasional pair of individuals of opposite sex in deep conversation, the state of whose emotions led them to prefer the evening shade to the publicity and glare of the tents and rooms. At last he observed the white waistcoat of the man he sought.

‘Mr. Havill, the architect, I believe?’ said Dare. ‘The author of most of the noteworthy buildings in this neighbourhood?’

Havill assented blandly.

‘I have long wished for the pleasure of your acquaintance, and now an accident helps me to make it. This pocket-book, I think, is yours?’

Havill clapped his hand to his pocket, examined the book Dare held out to him, and took it with thanks. ‘I see I am speaking to the artist, archaeologist, Gothic photographer — Mr. Dare.’

‘Professor Dare.’

‘Professor? Pardon me, I should not have guessed it — so young as you are.’

‘Well, it is merely ornamental; and in truth, I drop the title in England, particularly under present circumstances.’

‘Ah — they are peculiar, perhaps? Ah, I remember. I have heard that you are assisting a gentleman in preparing a design in opposition to mine — a design — ’

‘“That he is not competent to prepare himself,” you were perhaps going to add?’

‘Not precisely that.’

‘You could hardly be blamed for such words. However, you are mistaken. I did assist him to gain a little further insight into the working of architectural plans; but our views on art are antagonistic, and I assist him no more. Mr. Havill, it must be very provoking to a well-established professional man to have a rival sprung at him in a grand undertaking which he had a right to expect as his own.’