Read Complete Works of Thomas Hardy (Illustrated) Online
Authors: Thomas Hardy
Complete Works of Thomas Hardy (Illustrated) (975 page)
I
Phantasmal fears,
And the flap of the flame,
And the throb of the clock,
And a loosened slate,
And the blind night’s drone,
Which tiredly the spectral pines intone!
II
And the blood in my ears
Strumming always the same,
And the gable-cock
With its fitful grate,
And myself, alone.
III
The twelfth hour nears
Hand-hid, as in shame;
I undo the lock,
And listen, and wait
For the Young Unknown.
IV
In the dark there careers -
As if Death astride came
To numb all with his knock -
A horse at mad rate
Over rut and stone.
V
No figure appears,
No call of my name,
No sound but “Tic-toc”
Without check. Past the gate
It clatters — is gone.
VI
What rider it bears
There is none to proclaim;
And the Old Year has struck,
And, scarce animate,
The New makes moan.
VII
Maybe that “More Tears! -
More Famine and Flame -
More Severance and Shock!”
Is the order from Fate
That the Rider speeds on
To pale Europe; and tiredly the pines intone.
1915-1916.
I MET A MAN
I met a man when night was nigh,
Who said, with shining face and eye
Like Moses’ after Sinai:-
”I have seen the Moulder of Monarchies,
Realms, peoples, plains and hills,
Sitting upon the sunlit seas! -
And, as He sat, soliloquies
Fell from Him like an antiphonic breeze
That pricks the waves to thrills.
”Meseemed that of the maimed and dead
Mown down upon the globe, -
Their plenteous blooms of promise shed
Ere fruiting-time — His words were said,
Sitting against the western web of red
Wrapt in His crimson robe.
”And I could catch them now and then:
— ’Why let these gambling clans
Of human Cockers, pit liege men
From mart and city, dale and glen,
In death-mains, but to swell and swell again
Their swollen All-Empery plans,
”‘When a mere nod (if my malign
Compeer but passive keep)
Would mend that old mistake of mine
I made with Saul, and ever consign
All Lords of War whose sanctuaries enshrine
Liberticide, to sleep?
”‘With violence the lands are spread
Even as in Israel’s day,
And it repenteth me I bred
Chartered armipotents lust-led
To feuds . . . Yea, grieves my heart, as then I said,
To see their evil way!’
— ”The utterance grew, and flapped like flame,
And further speech I feared;
But no Celestial tongued acclaim,
And no huzzas from earthlings came,
And the heavens mutely masked as ‘twere in shame
Till daylight disappeared.”
Thus ended he as night rode high -
The man of shining face and eye,
Like Moses’ after Sinai.
1916.
I LOOKED UP FROM MY WRITING
I looked up from my writing,
And gave a start to see,
As if rapt in my inditing,
The moon’s full gaze on me.
Her meditative misty head
Was spectral in its air,
And I involuntarily said,
”What are you doing there?”
“Oh, I’ve been scanning pond and hole
And waterway hereabout
For the body of one with a sunken soul
Who has put his life-light out.
“Did you hear his frenzied tattle?
It was sorrow for his son
Who is slain in brutish battle,
Though he has injured none.
“And now I am curious to look
Into the blinkered mind
Of one who wants to write a book
In a world of such a kind.”
Her temper overwrought me,
And I edged to shun her view,
For I felt assured she thought me
One who should drown him too.
THE COMING OF THE END
How it came to an end!
The meeting afar from the crowd,
And the love-looks and laughters unpenned,
The parting when much was avowed,
How it came to an end!
It came to an end;
Yes, the outgazing over the stream,
With the sun on each serpentine bend,
Or, later, the luring moon-gleam;
It came to an end.
It came to an end,
The housebuilding, furnishing, planting,
As if there were ages to spend
In welcoming, feasting, and jaunting;
It came to an end.
It came to an end,
That journey of one day a week:
(“It always goes on,” said a friend,
“Just the same in bright weathers or bleak;”)
But it came to an end.
”HOW will come to an end
This orbit so smoothly begun,
Unless some convulsion attend?”
I often said. “What will be done
When it comes to an end?”
Well, it came to an end
Quite silently — stopped without jerk;
Better close no prevision could lend;
Working out as One planned it should work
Ere it came to an end.
AFTERWARDS
When the Present has latched its postern behind my tremulous stay,
And the May month flaps its glad green leaves like wings,
Delicate-filmed as new-spun silk, will the neighbours say,
”He was a man who used to notice such things”?
If it be in the dusk when, like an eyelid’s soundless blink,
The dewfall-hawk comes crossing the shades to alight
Upon the wind-warped upland thorn, a gazer may think,
”To him this must have been a familiar sight.”
If I pass during some nocturnal blackness, mothy and warm,
When the hedgehog travels furtively over the lawn,
One may say, “He strove that such innocent creatures should come to
no harm,
But he could do little for them; and now he is gone”?
If, when hearing that I have been stilled at last, they stand at the
door,
Watching the full-starred heavens that winter sees,
Will this thought rise on those who will meet my face no more,
”He was one who had an eye for such mysteries”?
And will any say when my bell of quittance is heard in the gloom,
And a crossing breeze cuts a pause in its outrollings,
Till they rise again, as they were a new bell’s boom,
”He hears it not now, but used to notice such things”?
LATE LYRICS AND EARLIER WITH MANY OTHER VERSES
CONTENTS
THE MAID OF KEINTON MANDEVILLE
ACCORDING TO THE MIGHTY WORKING
TO A LADY PLAYING AND SINGING IN THE MORNING
A GENTLEMAN’S EPITAPH ON HIMSELF AND A LADY, WHO WERE BURIED TOGETHER
A PHANTASY IN A MUSEUM OF MUSICAL INSTRUMENTS
THE FALLOW DEER AT THE LONELY HOUSE
AT LULWORTH COVE A CENTURY BACK
THE CHIMES PLAY LIFE’S A BUMPER!
THE COLLECTOR CLEANS HIS PICTURE
ON THE TUNE CALLED THE OLD-HUNDRED-AND-FOURTH
VOICES FROM THINGS GROWING IN A CHURCHYARD
BY HENSTRIDGE CROSS AT THE YEAR’S END
SHE REVISITS ALONE THE CHURCH OF HER MARRIAGE
AT THE ENTERING OF THE NEW YEAR
ON ONE WHO LIVED AND DIED WHERE HE WAS BORN
THE MILESTONE BY THE RABBIT-BURROW
THE LAMENT OF THE LOOKING-GLASS
THE SUN’S LAST LOOK ON THE COUNTRY GIRL
DRAWING DETAILS IN AN OLD CHURCH
APOLOGY
About half the verses that follow were written quite lately. The rest are older, having been held over in MS. when past volumes were published, on considering that these would contain a sufficient number of pages to offer readers at one time, more especially during the distractions of the war. The unusually far back poems to be found here are, however, but some that were overlooked in gathering previous collections. A freshness in them, now unattainable, seemed to make up for their inexperience and to justify their inclusion. A few are dated; the dates of others are not discoverable.
The launching of a volume of this kind in neo-Georgian days by one who began writing in mid-Victorian, and has published nothing to speak of for some years, may seem to call for a few words of excuse or explanation. Whether or no, readers may feel assured that a new book is submitted to them with great hesitation at so belated a date. Insistent practical reasons, however, among which were requests from some illustrious men of letters who are in sympathy with my productions, the accident that several of the poems have already seen the light, and that dozens of them have been lying about for years, compelled the course adopted, in spite of the natural disinclination of a writer whose works have been so frequently regarded askance by a pragmatic section here and there, to draw attention to them once more.