Complicated Shadows (67 page)

Read Complicated Shadows Online

Authors: Graham Thomson

Independent On Sunday
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‘Indoor Fireworks’
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Ingham, John
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‘Instant Karma’
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‘Interlude’
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‘Invasion Hit Parade’
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‘Invisible Man’
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Ireland
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Irish Feile Festival
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Irish Republicanism
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Irving Meadows Amphitheatre
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Island/Def Jam Records
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‘It Started To Come To Me’
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,
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‘It Takes A Lot To Laugh, It Takes A Train To Cry’ (Dylan)
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‘It Tears Me Up’ (Sledge)
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Italy
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‘It’s Time’
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It’s Too Late To Stop Now
(Morrison),
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‘I’ve Been Working’ (Morrison)
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‘I’ve Been Wrong Before’ (Newman)
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,
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‘I’ve Got You Under My Skin’ (Sinatra)
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J

J. Geils Band
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‘Jack Of All Parades’
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‘Jackie Wilson Said’ (Morrison)
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Jackson, Jim and Ada (maternal grandparents)
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‘Jacksons, Monk & Rowe’
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Jacobs, Jon
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Jagger, Mick
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,
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Jago, David
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,
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Jakeman, Andrew
see
Riviera, Jake

Jake’s Progress
(Alan Bleasdale TV series)
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James, Wendy
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Japan
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Jazz Passengers, The
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Jerez
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Jersey
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Jo Jo Zep
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Joe Loss Blue Beats, The
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Joe Loss Orchestra, The
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‘Joe Porterhouse’
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Johansen, David
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John, Elton
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John, Little Willie
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Johnnie Walker Black Label
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Johnson, Wilko
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Jones, Allan
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Jones, George
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Jones, Grace
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Jones, Mick
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Jones, Norah
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Jones, Rick
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Jones, Spike
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‘Judgement, The’
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Juliet Letters, The
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‘Jump Up’
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‘Just A Curio’ (Costello/Fleshquartet)
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‘Just A Memory’
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‘Just About Glad’
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KADI, St Louis
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Kelly, R.
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Keltner, Jim
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Kenmare, Co Kerry
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Kenner, Chris
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Kent, Greg
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Kent, Michael ‘Mich’
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Kent, Nick
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Kern, Jerome
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Kernis, Mark
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‘Kid About It’
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Kilburn & The High Roads
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Kilkenny, Nowlan Park at
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Killen, Kevin
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‘Kinder Murder’
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King, Carole
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‘King Heroin’ (Brown)
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‘King Horse’
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King of America
,
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‘King Of The Unknown Sea’ (Costello/Thomas)
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‘King Of Thieves’
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Kingston, Rhode Island
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Kinks, The
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Knetchel, Larry
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‘Knockin’ On Heaven’s Door’ (Dylan)
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‘Knowing Me, Knowing You’ (Abba)
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Kojak Variety
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Korngold, Erich
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Kraftwerk
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Krall, Diana
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Kramer, Billy J.
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Krauss, Alison
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Krauss, Viktor
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KSHE, St Louis
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Ku Klux Klan
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L

La Stampa
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LA Times,
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LA Weekly,
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‘Labelled With Love’ (Squeeze)
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Lahinch, Co Clare
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Lala, Jim
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Lancaster University
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‘Land Of Give And Take’
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Landmine Free World, Concerts For A
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lang, k.d.
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Langer, Clive
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Larry Sanders Show, The
(US TV series)
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‘Last Boat Leaving’
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‘Last Post, The’
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Last Resort, The
(Henley/Frey)
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‘Last Time, The’ (Stones)
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‘Last Time You Were Leaving, The’
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‘Last Town I Painted, The (Jones)
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Lauder, Andrew
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‘Leader Of The Gang’ (Glitter)
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‘Leader Of The Pack
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‘Leave My Kitten Alone’ (John)
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Led Zeppelin
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Lee, Bruce
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Lee, Peggy
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‘Left On Man’ (Wyatt)
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Leicester De Montfort Hall
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Lemper, Ute
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Lennon, John
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Leno, Jay
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Leonard, Sarah
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Leone, Sergio
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Lerwick, Shetland Islands
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‘Less Than Zero’
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‘Less Than Zero (Dallas Version)’
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Let Him Dangle
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‘Let It Be’ (Beatles)
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‘Let Them All Talk’
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‘Let’s Misbehave’ (Porter)
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‘Letter Home, A’
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Letterman, David
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Lewis, Huey
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Lewis, Jerry Lee
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‘Like A Rolling Stone’
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‘Like An Angel Passing Through My Room’ (Costello/Andersson)
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‘Lil’ Darlin’ (Basie)
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‘Lily, Rosemary And The Jack Of Hearts’ (Dylan)
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Lind, Jenny
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Lindersmith, Jim
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‘Lip Service’
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‘Lipstick Vogue’
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‘Little Atoms’
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Little Feat
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‘Little Goody Two Shoes’
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‘Little Palaces’
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Little Richard
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‘Little Triggers’
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Live Aid
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Liverpool
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,
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Cavern Club
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folk scene in
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,
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Medium Theatre, The
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Royal Court Theatre
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SFX School in
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Temple Bar, Dale Street
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Toxteth
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West Derby
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,
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Liverpool FC
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,
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Liverpool Royal Court
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‘Living In Paradise’
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‘Living In The USA’ (Rondstadt album)
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Lizst, Franz
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Los Lobos
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Loder, Kurt,
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London
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Abbey Road Studios
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AIR Studios
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Albany Theatre
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Alexander Street (Stiff Records)
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,
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Am-Pro Studio, Shepherd’s Bush
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Amadeus Centre, Maida Vale
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,
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Archipelago studios, Pimlico
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,
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Beaulieu Close, Twickenham
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,
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Big One at the Apollo, The
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Brown’s Hotel, Kensington
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Canteen, The
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Chelsea Arts Ball
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Church Studios, Crouch End
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,
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Clarendon, The
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Cypress Avenue, Whitton
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,
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,
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Dingwalls
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,
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Diorama, Euston
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,
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DJM Studios, Holborn
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,
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Dominion Theatre
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,
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Duke of York Theatre
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Eden Studios
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,
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Eezihire Studios
ref1

Elephant Studios, Wapping
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folk scene in
ref1
,
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Hammersmith Odeon
ref1
,
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Hammersmith Palais
ref1
,
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Hilton Hotel, Mayfair
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Jam Studios,
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Kensington High Street
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Kneller Hall, Twickenham
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Logan Hall
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Marylebone Town Hall
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Matrix Studios
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Mayfair Studios
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Old Vic Theatre
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Olympia, west London
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Olympic Studios, Barnes
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,
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Orangery, The, Holland Park
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Paddington, St Mary’s Hospital at
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Pathway Studio, Islington
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,
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,
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,
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pub-rock in
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,
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Queen Elizabeth Hall
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,
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Rainbow in
ref1
,
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Rock On Record Shop, Camden Town
ref1
,
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Rocks Off Record Shop
ref1

Roundhouse
ref1

Royal Albert Hall
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,
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,
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Royal College Of Music
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Royal Festival Hall
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Sarm West Studios
ref1

Selfridges department store
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Shepherd’s Bush Empire
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,
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South Bank Centre
ref1
,
ref2
,
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Speaker’s Corner, Hyde Park
ref1

Tally Ho!, Kentish Town
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TW Studios
ref1

Wandsworth Prison
ref1

Wembley Stadium
ref1

Wessex Studios
ref1

Westside Studios
ref1
,
ref2
,
ref3

Wigmore Hall
ref1

Wimbledon Common
ref1

London Brass
ref1

‘London Calling’ (Clash)
ref1

London Palladium
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London Philharmonic Orchestra
ref1

London Records
ref1

London Saxophonic
ref1

London Symphony Orchestra
ref1
,
ref2

‘London’s Brilliant Parade’
ref1
,
ref2

‘Lonesome Town’ (Nelson)
ref1

‘Long Division, The’ (Bacharach/Costello)
ref1
,
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,
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‘Long Honeymoon, The’
ref1
,
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,
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,
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,
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‘Look Of Love, The’ (Bacharach/David)
ref1

‘Looking At The World Through A Windshield’ (Commander Cody)
ref1

Los Angeles
ref1
,
ref2
,
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,
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,
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Beverly Theater
ref1

Cocoanut Grove Club
ref1

Greek Theater
ref1

Long Beach Arena
ref1

Ocean Way Studios, Hollywood
ref1
,
ref2
,
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,
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,
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,
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,
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,
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Palomino Club
ref1

Royce Hall
ref1

Sound Factory
ref1

Sunset Sound
ref1

Troubadour
ref1

UCLA
ref1
,
ref2
,
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,
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,
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Los Angeles Arena
ref1

Lost Highway Records
ref1
,
ref2

‘Lost In The Stars’ (Weill)
ref1
,
ref2
,
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‘Lovable’
ref1
,
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,
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,
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,
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Love, Courtney
ref1

Love, Damien
ref1

‘Love Comes In Spurts’ (Hell)
ref1n

‘Love Field’
ref1
,
ref2
,
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,
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,
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‘Love For Sale’ (Porter)
ref1

‘Love For Tender’
ref1
,
ref2
,
ref3

‘Love That Burns’ (Green)
ref1

‘Love Went Mad’
ref1
,
ref2

‘Loverman’ (Redwing)
ref1

‘Lovers That Never Were, The’ (Costello/McCartney)
ref1

‘Lovers Walk’
ref1
,
ref2

Lovin’ Spoonful, The
ref1n

Low
(Bowie)
ref1

Low Symphony
(Glass)
ref1

Lowe, Nick
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,
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,
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,
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,
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,
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,
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,
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production technique of
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Lunny, Donal
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,
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,
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,
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Lusuardi, Nicola
ref1

‘Luxembourg’
ref1n
,
ref2
,
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Lynch, Kieran
ref1
,
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Lynn, Loretta
ref1
,
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Lynott, Phil
ref1

 

M

McCartney, Linda
ref1

McCartney, Paul
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,
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,
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,
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,
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,
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,
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MacColl, Ewan
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,
ref2

McCormack, John
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McFee, John
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,
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,
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,
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MacGarrigle, Kate and Anna
ref1

MacGowan, Elizabeth
ref1

MacGowan, Shane
ref1
,
ref2
,
ref3
,
ref4

McGuinn, Roger
ref1
,
ref2
,
ref3

MacKenzie, Scott
ref1

McLinton, Delbert
ref1

MacManus, Declan Patrick
ref1

see also
Costello, Elvis

A-levels
ref1

agent provocateur
ref1

aggressive antics
ref1

ambition
ref1

anti-abortion
ref1

athletic physique
ref1

Beatles fan
ref1

becoming Elvis Costello
ref1

Birkenhead, rapport with
ref1

birth
ref1
,
ref2

birth of son Matthew
ref1

brainpower
ref1

broadcast, excitement at
ref1

calling to music, realisation of
ref1

compartmentalising music
ref1

country music interest
ref1

demo tapes
ref1

difference from Elvis Costello
ref1

early compositions
ref1

employment in computers (Elizabeth Arden)
ref1
,
ref2
,
ref3
,
ref4

employment in computers (Midland Bank)
ref1
,
ref2

eyesight problem
ref1

family move to Whitton
ref1

father-son relationship
ref1
,
ref2
,
ref3

first solo public appearance
ref1

football fanatic
ref1
,
ref2

grandmother, rapport with
ref1

guitar work
ref1
,
ref2

immediate family, closeness to
ref1

independence
ref1

jazz as education
ref1

loud and direct
ref1

marriage to Mary
ref1

metamorphosis into Elvis Costello
ref1

mindblowing for John Ciambiotti
ref1

move back to London
ref1

moving on
ref1

musical heritage
ref1
,
ref2

musical self-education
ref1

My Aim Is True
recording
ref1

persona, ready-made
ref1

poet
ref1

pop aficionado
ref1

pub-rock in London
ref1
,
ref2
,
ref3
,
ref4

record collection
ref1

restraint in behaviour
ref1

Rick Danko a hero
ref1n

ridicile, immunity to
ref1
,
ref2

Rusty, background music with
ref1
,
ref2
,
ref3
,
ref4

school experiences
ref1
,
ref2
,
ref3
,
ref4
,
ref5

‘Secret Lemonade Drinker,’ TV ad backing
ref1

self-assurance
ref1

shrewd awareness
ref1

signing for Stiff Records
ref1

social integration
ref1

solo foundations
ref1

songwriting talent
ref1
,
ref2

soulmate, Allan Mayes
ref1

stage name ‘D.P. COS-tello’
ref1

stubborn determination of
ref1

talent, true depths of
ref1

vocal sound
ref1

west London/Middlesex roots
ref1
,
ref2n

working ethos (by father’s example)
ref1

MacManus, Lilian Alda Ablett (mother)
ref1
,
ref2
,
ref3

marriage break-up
ref1
,
ref2

McManus, Mabel (‘Molly’) Josephine Veronica (grandmother)
ref1
,
ref2
,
ref3

MacManus, Mary Martina
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7
,
ref8
,
ref9

see also
Burgoyne, Mary Martina

birth of son Matthew
ref1

reconciliation attempt
ref1

seeking divorce
ref1

MacManus, Matthew (son)
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7

McManus, Patrick Matthew (grandfather)
ref1
,
ref2n
,
ref3

MacManus, Ronald Patrick Ross (father)
ref1n
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7
,
ref8
,
ref9
,
ref10
,
ref11
,
ref12
,
ref13

career in music
ref1
,
ref2
,
ref3
,
ref4
,
ref5

marriage break-up
ref1
,
ref2

musical pioneer
ref1

‘off the radar’
ref1

psychedelic phase
ref1

recording career
ref1

son-father relationship
ref1
,
ref2
,
ref3

McTell, Ralph
ref1
,
ref2

Mad About The Wrong Boy
(Attractions)
ref1

Madness
ref1
,
ref2n
,
ref3

Major, John
ref1

‘Make It Easy On Yourself’ (Bacharach/Costello)
ref1

Malaga
ref1

Malher, Gustav
ref1

‘Malicious Observer’ (Woolrich/Costello)
ref1

Malmo, Sweden
ref1

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