Confession of the Lioness (2 page)

Are you going to sleep on the floor?
Genito asked.

She lay on the ground, her head resting on the stony floor. She wanted to listen to the world's insides. The women of Kulumani know secrets. They know, for example, that within their mother's womb, babies, at a given moment, change position. Throughout the world, they turn on themselves, obeying a single voice from deep within the earth. The same happens with the dead: On the same night—and it can only happen on that particular night—they are all ordered to turn over in the earth's belly. This is when lights glow over their graves, a swirling of silvery dust. Whoever sleeps with his (or her) ear to the ground hears this gyration of the dead. It was for this reason, unknown to Genito, that Hanifa refused a bed and a pillow. Flat out on the floor, she was listening to the earth. It wouldn't be long before her daughter made herself felt. Who knows, maybe the twins, Uminha and Igualita, the ones who had died before, would deliver her messages from the other side of the world.

Her husband didn't go to bed: He knew that he was in for a long night. The memory of his daughter's mangled body would keep sleep at bay. The lion's roar would echo within him, lacerating his sleepless hours. He remained for a while on the veranda, peering into the darkness. Maybe the stillness would bring him respite. But silence is an egg in reverse: The shell is someone else's, but it's we who get broken.

One doubt consumed him: How had the tragedy occurred? Had his daughter left the house in the middle of the night? And if that had been the case, was it her intention to end her life? Or, conversely, had the lion broken into the house, more burglar than beast?

Suddenly the whole world was shattered: The peace of the bush was interrupted by the sound of furtive steps. Genito's heart thumped hard against his chest. What was happening was what always happened: The lions were coming back to eat what they'd left behind the previous day.

Then, unexpectedly, like a man possessed, he started yelling, while running this way and that:

I know you're there, creatures of the devil! Show yourselves, I want to see you come out of the bush, you're
vantumi va vanu
!

I watched him in this frenzied state from the window, as he challenged the lion-people, the
vantumi va vanu
. All of a sudden he flopped to the ground as if his knees had been smashed. He raised his head slowly and saw that he was in the embrace of a bat's dark wings. He couldn't hear a sound, not even the rustling of a wing or a leaf above his head. Genito Mpepe was a tracker—he knew all the invisible signs of the savanna. He had often told me: Only humans recognize silence. For all the other creatures, the world is never silent and even the grass growing and the petals opening make a huge noise. In the bush, the animals live by listening. That's what my father envied at that moment: He wished he were an animal. And far from human beings, to be able to return to his lair and fall asleep without pity or guilt.

I know you're there!

This time his words were no longer laden with rage. Hoarseness caused his voice to weaken. Repeating his curses, he returned to the house to seek refuge in his bedroom. His wife was still lying curled up on the floor, just as he had left her. As he was covering her with a blanket, Hanifa Assulua woke with a start, and, clinging furiously to her husband's body, she exclaimed:

Let's make love!

Now?

Yes. Now!

You're out of your mind, Hanifa. You don't know what you're saying.

Are you refusing me, husband? Don't you want a quick one?

You know that we can't. We're in mourning—the whole village will be sullied.

That's what I want: the village, the whole world, to be sullied.

Hanifa, listen to me: Time will pass, folk will forget. People even forget they're alive.

I haven't been alive for a long time. Now I've stopped being a person.

My father looked at her as if she were a stranger. His wife had never spoken like that before. In fact, she almost never spoke. She had always been contained, kept in the shadows. After the twins had died, she never again uttered a word. So much so that her husband would occasionally ask:

Are you alive, Hanifa Assulua?

But it wasn't that she spoke so little. For her, life had become a foreign language. Once again, his wife was preparing herself for this absence, Genito thought, without noticing that Hanifa, in the darkness, was taking off her clothes. Once naked, she hugged him from behind and Genito Mpepe succumbed to her serpent's embrace. He seemed to have surrendered, when he suddenly shook his wife and beat a hurried retreat to the yard. Then he disappeared into the darkness.

In the hidden recess of her room, my mother gave herself over to brazen caresses, as if her man were really with her. And so, in this way, she was in command, galloping on her own croup, dancing over her own fire. She sweated and groaned:

Don't stop, Genito! Don't stop!

That's when she became aware of the smell of sweat. A sour, intense smell like that of wild animals. Afterward, she heard the grunt. Then it occurred to my mother that it wasn't her man who was on top of her, but a creature from the bush, thirsty for her blood. During the act of love, Genito Mpepe had turned into a wild beast that was devouring her. Weakened by his fervor, she was helpless, at the mercy of his feline appetite.

I'm mad, she thought, while she closed her eyes and took a deep breath. But when she felt the claw tear her neck, Hanifa screamed so loudly that, for a moment, she didn't know whether it was out of pain or pleasure. My father came to help her, unaware of what was happening. His wife crossed the threshold in the opposite direction and Genito was unable to stop her, in her frenzied haste, from bursting out into the yard.

If she had been mistress of her will, our mother would have escaped in endless flight. But Kulumani was a closed place, surrounded by geography and atrophied by fear. Hanifa Assulua came to a halt at the entrance to the yard, next to the hedge of thorns that protected us from the bush. Raising her hands to her head, she brought them down over her face as if she were wiping away a cobweb:

I've destroyed this place! I've destroyed Kulumani!

This is what the village would say: that Genito Serafim Mpepe's wife hadn't waited for the ground to grow cold. Sex on a day of mourning, when the village was still fired up: There was no worse contamination. By making love on that day—and even worse by making love to herself—Hanifa Assulua had offended all our ancestors.

Returning to her resting place, my poor mother bore the burden of night, floating between slumber and wakefulness. When early morning came, she heard Genito Mpepe's sleepy steps.

Are you getting up early, husband?

Every morning, our mother would be up before sunrise: She'd collect firewood, light the stove, prepare food, work the allotment, dig over the earth—all this she did by herself. Now, for no apparent reason, was her husband sharing the burden of her reality?

I have some news
,
Genito Mpepe announced solemnly.

News? You know,
ntwangu
: In Kulumani, the only news we get is when an owl hoots.

People are coming. People from outside.

People? Real people?

They're coming from the capital.

My mother remained silent, coming to terms with her astonishment. Her husband was making it up. No news or strangers had turned up there for centuries …

How long have you known this piece of news?

Some days.

You know it's a sin.

What?

It's dangerous to know what's going on, it's a sin to spread news. Do you think God will forgive us?

Without waiting for an answer, Hanifa waved her arms about, as if she were warding off ghosts, entangling herself in the foliage that framed her. She raised her hand to her shoulder, and felt the flow of blood.

What's this,
ntwangu
? Who scratched me?

No one. The thorns, it was the acacia thorns. I've got to cut that tree back.

It wasn't the tree. Someone scratched me. Look at my shoulder: There are fingernail marks, someone clawed me.

And they argued. But both were right. In the village, even the plants have claws. In Kulumani, all living things are trained to bite. Birds devour the sky, branches rip the clouds, rain bites the earth, the dead use their teeth to reap revenge on their fate. Hanifa gazed at the forest aghast. Her face wore the expression of an alarmed gazelle.

There's someone out there in the dark,
ntwangu.

Calm down, woman.

There's someone listening to us. Let's go back inside.

The first light of day was beginning to dawn: It wouldn't be long before one could move around the house without the help of a lamp. On top of the cupboard, the oil lamp was still flickering. Suddenly Hanifa once again had that pleasant feeling that the kitchen had its own moon. As she hadn't been favored by the sun, at least she could enjoy a moonlit ceiling. She gained confidence and thought about challenging her husband, declaring in a loud voice:

I don't want any of your relatives here today. They'll be rushing over here with their commiseration. Tomorrow, when I'm a widow, they'll be in an even greater hurry to steal everything from me.

But she said nothing. She already considered herself a widow. All that was needed was for Genito Mpepe to accept his own absence.

Husband, are the ones who are coming real people?

Yes, they are.

Are you sure?

Certified authentic people, people born and bred. Among them, there's a hunter.

The bucket she was carrying in her left hand fell to the ground, and water flowed all over the yard. The broom in Hanifa's hand now became a sword to fight off demons.

A hunter?
she asked in a whisper.

It's him, it's the one you're thinking of: the mulatto hunter.

At first the woman stood there motionless. Then, suddenly, decisiveness seized her: She slipped into her sandals, covered her head with a scarf, and declared that she was leaving.

Where are you going, woman?

I don't know, but I'm going to do what you never did. I'm going out onto the road, I'm going to ambush him, I'm going to kill that hunter. That man mustn't get to Kulumani.

Don't be crazy, woman. We need him, we need him to kill these damned lions.

Don't you understand,
ntwangu
? That man is going to take Mariamar away from me, he's going to take my last daughter away to the city.

Would you prefer Mariamar to be killed by lions?

His wife didn't answer. “Prefer” was not a verb that had been made for her. How can someone who has never learned to love have preferences?

If you don't let me leave now, husband, I promise I'll run away.

The man seized her by the wrists and pushed her up against the old cupboard, knocking over the lamp. Hanifa saw her little moon dissolving into blue flames across the kitchen floor.

I need to stop that mulatto.
She sighed, vanquished.

At this point, I decided to intervene to defend my mother. When he saw me emerge from the shadows, my father's fury was rekindled: He raised his arm, ready to impose his kingdom's rule.

Are you going to hit me, Father?

He stared at me, perplexed: Whenever anger gets the better of me, my eyes flash intensely. Genito Mpepe looked down, unable to face me.

Do you know who summoned the hunter?
I asked.

Everyone knows: It was the people from the project, the ones from the company
, my father replied.

That's a lie. It was the lions that summoned the hunter. And do you know who summoned the lions?

I'm not going to answer.

It was me. I'm the one who summoned the lions.

I'm going to tell you something, so listen carefully
, my father declared angrily.
Don't look at me while I'm talking. Or have you lost all respect?

I looked down, just as the women of Kulumani do. And I became a daughter again while Genito regained the authority that had escaped him for some moments.

I want you to shut yourself away here when this hunter arrives. Do you hear?

Yes.

While these people are in Kulumani, you're not to stick so much as your nose outside.

Silence descended on the room once more. My mother and I sat down on the floor as if it were the only place left in the world. I patted her shoulder in an attempt to show comfort. She avoided me. In an instant, the order of the universe had been reestablished: we women on the ground; our father pacing up and down, in and out of the kitchen, displaying his mastery of the house. Once more, we were governed by those laws that neither God teaches nor Man explains. Suddenly Genito Mpepe stopped in the middle of the house and, opening his arms, declared:

I know what the solution is: We let the mulatto come, we leave him to kill the lions. But then we won't allow him to leave.

Are you going to kill him?
I asked, alarmed.

Am I the sort of person who kills people? The one who's going to kill him is you.

Me?

It's the lions you summoned who are going to kill him.

 

The Hunter's Diary