Cop Killer

She reached the bus stop well ahead of the bus, which would not be along for half an hour yet Thirty minutes of a person's life is not an especially long time. Besides, she was used to waiting and was always early. She thought about what she would make for dinner, and a little about what she looked like - her usual idle thoughts.

By the time the bus came, she would no longer have any thoughts at all. She had only twenty-seven minutes left to live.

It was a pretty day, clear and gusty, with a touch of early autumn chill in the wind, but her hair was too well lacquered to be affected by the weather.

What did she look like?

Standing there by the side of the road this way, she might have been in her forties, a rather tall, sturdy woman with straight legs and broad hips and a little secret fat that she was very much afraid might show. She dressed mostly according to fashion, often at the expense of comfort, and on this blustery autumn day she was wearing a bright green 1930s coat, nylon stockings, and thin brown patent leather boots with platform soles. She was carrying a small square handbag with a large brass clasp slung over her left shoulder. This too was brown, as were her suede gloves, Her blonde hair had been well sprayed, and she was carefully made up.

She didn't notice him until he stopped. He leaned over and threw open the passenger door. ‘Want a lift?' he said.

'Yes,' she said, a little flurried. 'Of course. I didn't think...'

‘What didn't you think?'

'Well, I didn't expect to get a ride. I was going to take the bus.'

'I knew you'd be here,' he said. 'And it's not out of my way, as it happens. Jump in, now, look alive.'

Look alive. How many seconds did it take her to climb in and sit down beside the driver? Look alive. He drove fast, and they were quickly out of town.

She was sitting with her handbag in her lap, slightly tense, flustered perhaps, or at least somewhat surprised. Whether happily or unhappily it was impossible to say. She didn't know herself.

She looked at him from the side, but the man's attention seemed wholly concentrated on the driving.

He swung off the main road to the right, but then turned again almost immediately. The same procedure was repeated, and the road grew steadily worse. It was questionable whether it could be called a road any more or not

'What are you going to do?' she said, with a frightened little giggle.

'You'll find out.'

'Where?'

'Here,' he said and braked to a stop.

Ahead of him he could see his own wheeltracks in the moss. They were not many hours old.

'Over there,' he said with a nod. 'Behind the woodpile. That's a good place.'

'Are you kidding?'

'I never kid about things like that'

He seemed hurt or upset by the question.

'But my coat,' she said.

'Leave it here.'

'But..;

"There's a blanket'

He climbed out, walked around, and held the door for her. She accepted his help and took off the coat Folded it neatly and placed it on the seat beside her handbag. 'There.'

He seemed calm and collected, but he didn't take her hand as he walked slowly towards the woodpile. She followed along behind.

It was warm and sunny behind the woodpile and sheltered from the wind. The air was filled with the buzzing of flies and the fresh smell of greenery. It was still almost summer, and this summer had been the warmest in the meteorological institute's history.

It wasn't actually an ordinary woodpile but rather a stack of beech logs, cut in sections and piled about six feet high.

'Take off your blouse.'

'Yes,' she said shyly.

He waited patiently while she undid the buttons.

Then he helped her off with the blouse, gingerly, without touching her body.

She was left standing with the garment in one hand, not knowing what to do with it

He took it from her and placed it carefully over the edge of the pile of logs. An earwig zigzagged across the fabric.

She stood before him in her skirt, her breasts heavy in the skin-coloured bra, her eyes on the ground, her back against the even surface of sawed timber.

The moment had come to act, and he did so with such speed and suddenness that she never had time to grasp what was happening. Her reactions had never been especially quick.

He grabbed the waistband at her navel with both hands and ripped open her skirt and her tights in a single violent motion. He was strong, and the fabric gave instantly, with a rasping snarl like the sound of old canvas being torn. The skirt fell to her calves, and he jerked her tights and panties down to her knees, then pulled up the left cup of her bra so that her breast flopped down, loose and heavy.

Only then did she raise her head and look into his eyes. Eyes that were filled with disgust, loathing, and savage delight

The idea of screaming never had time to take shape in her mind. For that matter, it would have been pointless. The place had been chosen with care.

He raised his arms straight out and up, closed his powerful suntanned fingers around her throat, and strangled her.

The back of her head was pressed against the pile of logs, and she thought. My hair.

That was her last thought.

He held his grip on her throat a little longer than necessary.

Then he let go with his right hand and, holding her body upright with his left, he struck her as hard as he could in the groin with his right fist.

She fell to the ground and lay among the musk-madder and last year's leaves. She was essentially naked.

A rattling sound came from her throat. He knew this was normal and that she was already dead.

Death is never very pretty. In addition, she had never been pretty during her lifetime, not even when she was young.

Lying there in the forest undergrowth, she was, at best, pathetic.

He waited a minute or so until his breathing had returned to normal and his heart had stopped racing.

And then he was himself again, calm and rational.

Beyond the pile of logs was a tangle of fallen branches from the big autumn storm of 1968, and beyond that, a dense planting of spruce trees about the height of a man.

He lifted her under the arms and was disgusted by the feel of the sticky, damp stubble in her armpits against the palms of his hands.

It took some time to drag her through the almost impassable terrain of sprawling tree trunks and uptorn roots, but he saw no need to hurry. Several yards into the spruce thicket there was a marshy depression filled with muddy yellow water. He shoved her into it and tramped her limp body down into the ooze. But first he looked at her for a moment. She was still tanned from the sunny summer, but the skin on her left breast was pale and flecked with light-brown spots. As pale as death, one might say.

He walked back to get the green coat and wondered for a moment what he should do with her handbag. Then he took the blouse from the timber pile, wrapped it around the handbag, and carried everything back to the muddy pool. The colour of the coat was rather striking, so he picked a suitable stick and pushed the coat, the blouse, and the handbag as deep as he could down into the mud.

He spent the next quarter of an hour collecting spruce branches and chunks of moss. He covered the pool so thoroughly that no casual passerby would ever notice the mudhole existed.

He studied the result for a few minutes and made several corrections before he was satisfied.

Then he shrugged his shoulders and went back to where he was parked. He took a clean cotton rag from the floor and cleaned off his rubber boots. When he was done, he threw the rag on the ground. It lay there wet and muddy and clearly visible, but it didn't matter. A cotton rag can be anywhere. It proves nothing and can't be linked to anything in particular.

Then he turned the car around and drove away.

As he drove, it occurred to him that everything had gone well, and that she had got precisely what she deserved.

A car stood parked outside a block of flats on Råsundavägen in Solna. It was a black Chrysler with white wings and the word POLICE in big, white, block letters on the doors, bonnet, and boot. Someone who had wanted to describe the vehicle's occupants even more exactly had used tape on the black-on-white licence plate to cover the lower loop of the B in the first three letters, BIG.

The headlights and interior lights were turned off, but the glow from the streetlights glistened dully on shiny uniform buttons and white shoulder belts in the front seat

Even though it was only 8.30 on a pretty, starlit, not especially chilly October evening, the long street was from time to time utterly deserted. There were lights in the windows of the blocks of flats on either side, and from some of them came the cold blue glow of a TV screen.

An occasional passerby glanced curiously at the police car but lost interest quickly when its presence did not seem to be connected, with any noticeable activity. The only thing to be seen was two ordinary policemen sitting lazily in their vehicle.

The men inside the car would not have objected to a little activity either. They had been sitting there over an hour, and all that time their attention had been fixed on a doorway across the street and on a lit window on the first floor to the right of the doorway. But they knew how to wait. They had had lots of experience.

It might have occurred to anyone taking a closer look that these two men didn't really look like ordinary police constables. There was nothing wrong with their uniforms, which were entirely regulation and included shoulder belts and truncheons and pistols in holsters. What was wrong was that the driver, a corpulent man with a jovial mien and alert eyes, and his companion, thinner and slouching a bit, with one shoulder against the side window, both looked to be about fifty years old. As a rule, patrol cars are manned by young men in good physical condition, and where exceptions to this rule occur, the older man is usually paired with a younger companion.

A patrol car crew whose combined ages exceeded one hundred years, as in this case, had to be regarded as a unique phenomenon. But there was an explanation.

The men in the black-and-white Chrysler were merely masquerading as patrolmen. And concealed behind this clever disguise were none other than the chief of the National Murder Squad, Martin Beck, and his closest colleague, Lennart Kollberg.

The disguise had been Kollberg's idea, and was based on his knowledge of the man they were out to try and capture. The man's name was Lindberg, known as The Breadman, and he was a thief. Burglary was his speciality, but he also committed an occasional armed robbery and had even tried his hand at fraud, with less fortunate results. He had spent many years of his life behind bars but was a free man at the moment, having completed his most recent sentence. A freedom that would be short-lived if Martin Beck and Kollberg were successful.

Three weeks earlier, The Breadman had stepped into a jeweller's in the centre of Uppsala, drawn a revolver, and forced the owner to hand over gems, watches, and cash to a combined value of nearly 200,000 kronor. Up to this point, that was all comparatively well and good, and The Breadman could have taken his haul and vanished, except for the feet that a sales assistant suddenly appeared from the inner reaches of the shop, and The Breadman panicked and let fly a bullet that struck the woman in the forehead and killed her on the spot. The Breadman managed to make his escape, and two hours later, when the Stockholm police went to look for him at his girlfriend's flat at Midsommarkransen, they found him in bed. His fiancée maintained that he had a cold and had not left the house in twenty-four hours, and a search produced nothing in the form of rings, jewels, watches, or money. The Breadman was taken in for questioning and confronted with the owner of the shop, who was reluctant to make a positive identification because the robber had worn a mask. But the police felt no such reluctance. In the first place, they could assume that The Breadman was broke after his long stay in prison, in addition to which an informer had told them that The Breadman had mentioned a job he was planning 'in another city', and in the second place, there was a witness who, two days before the crime, had seen The Breadman strolling down the street where the jeweller's was located, presumably to reconnoitre. The Breadman denied ever having been in Uppsala and finally had to be released for lack of evidence.

For three weeks now, the police had had The Breadman under constant surveillance, convinced that sooner or later he would visit the place where he had hidden the loot from the holdup. But The Breadman seemed to realize he was being shadowed. On a couple of occasions he had even waved to the plainclothes officers who were watching him, and his single purpose seemed to be to keep them occupied. He clearly had no money. At least he spent none, since his girlfriend had a job and provided him with food and shelter over and above the routine assistance he picked up at the social security office once a week.

In the end, Martin Beck decided to attend to the matter himself, and Kollberg hit on the brilliant idea of dressing themselves up as beat constables. Since The Breadman could spot the most plainly clothed plainclothes officer at a great distance but had always taken a contemptuous and nonchalant attitude towards uniformed personnel, the uniform, in this case, ought to be the best disguise. Such was Kollberg's reasoning, and Martin Beck, with some reservations, agreed with him.