Create Dangerously (10 page)

It took the children a while to get used to her new body and the new, deeper voice she had as a result of her tongue having
been cut in half and sewn back together again. The tongue had been hanging by a thread of flesh, but the doctors sewed it back on and, miraculously, it healed.

“It healed,” she said, “so I can tell my story, so people can know what happened to me.”

Her strength and resolve seemed to grow with each word, even as she said she got depressed sometimes because she couldn’t do much for herself or her family. She ached all the time from the wounds we could see and others we could not see. At night she ached even more because of the
seren
, the twilight air, which affected her bones. Her husband had to bathe her and comb the children’s hair. Something a man ought not to have to do, she added.

Her son was sitting quietly in a corner observing the shoot while her daughters played and ate candy in their Sunday dresses. Watching the girls, it occurred to me that when they are grown, they may look exactly the way their mother used to look.

“I think we are done,” Patricia said at the end of the interview.

Alèrte’s body slid down on the couch. She seemed relieved. Her eyes traveled around the room, and then she asked Patricia, “
Kote w soti?
” Where are you from?

Patricia told of her origins in shorthand. Born in Haiti. Mother French. Father Haitian. Raised in Queens.

“Do you like New Jersey?” Patricia asked.

She did not go out much, Alèrte said. People stared. She had just been invited to appear on the
Phil Donahue Show
, though, and had agreed to go and, with a translator, tell her story.

“If it helps Haiti,” she said.

Suddenly, her son edged closer. Patricia asked him if he wanted to say something.

The boy said yes.

On camera?

The boy nodded.

Patricia asked Alèrte and her husband if it was all right to let the boy speak on camera.

They both nodded.

We started filming again, and the shy little boy told of seeing his mother in the hospital for the first time.

“She looked like chopped meat,” he said, echoing his father’s words.

Tears ran down the little boy’s face as he spoke. His body was tense but it seemed as if he was finally releasing a knot in his stomach. He could not stop crying.

We all began to cry along with him, even those who did not speak Creole and could not understand a word he said.

As we drove back though the Lincoln Tunnel, leaving Alèrte and her family behind, we all wondered if there was more we could have said. Was there something else we could have done? I kept asking myself what Alèrte’s life with her husband was now like, what their relationship was like beyond his being helpful to her. A question I could not ask was whether or not they were still attracted to each other, still in love.

A few months later I got my answer.

She became pregnant.

Alèrte Bélance: I remember lying in the hospital bed and trying to imagine how I was going to live in the situation
I’m in now. I don’t have two arms. My left arms sticks to my body but serves no purpose for me. . . . Killing Alèrte Bélance was supposed to mean that Alèrte Bélance couldn’t speak for a better life. Contrary to their stopping me, I’m progressing because I’m still bearing children. They tried to take my life away, but not only couldn’t they do that, I’m producing more life.

The following week was the taping of the
Phil Donahue Show
. The producers of the
Donahue Show
asked our producers to find Haitian audience members, and Patricia and I, along with Jean Dominique and a few other friends, were in the audience.

The point of the show was to encourage the Clinton administration to do something about the junta that was killing or maiming people like Alèrte. The lure was the celebrity supporters of Haiti, including Harry Belafonte, Susan Sarandon, and Danny Glover, as well as the TransAfrica Forum founder Randall Robinson, who went on a hunger strike to press the Clinton administration to act. Alèrte did not get to speak very much on the show because she had to use a translator, which slowed down the process of telling her story. Instead, Phil Donahue held her arm up in the air; her story was told more visually than in her own voice.

After the show aired, however, Alèrte became the face of the junta’s atrocities in Haiti. I ran into her again at several events and rallies where she loudly demanded the return of the democratically elected government. At one rally, she even shared the stage with President Jean-Bertrand Aristide, who had requested to meet her.

Later, she faced off with some paramilitary leaders on Haitian radio in New York and, with the Center for Constitutional Rights, filed a thirty-two-million-dollar lawsuit against FRAPH, the paramilitary organization to which the attachés who’d attacked her belonged. More than a decade later, the case against FRAPH was decided in her favor, but it is unlikely that she will ever recover a dime.

As her visibility grew, she was featured in several U.S. newspapers and magazines and got a small speaking part in the Jonathan Demme–directed film version of Toni Morrison’s
Beloved
. In the film, Alèrte plays Nan, a woman “who used different words.” Jonathan Demme had Alèrte say Nan’s lines (“She threw them all away but you”) to the lead character, Sethe, in Haitian Creole.

When one first saw Alèrte Bélance, what was most visible about her were her “marks,” her scars. But eventually it was also easy to recognize her spirited defiance.

“Do you realize how strong you are?” Patricia had asked her.

“Yes, I realize that I am strong,” she replied. “I am very strong. Some people get a small cut and it gets infected and they die. Look what was done to me and still I survived. Yes, I am very strong.”

In
Courage and Pain
, the undistributed documentary we ended up making, Alèrte and her family are surrounded by nearly a dozen other survivors who, like Alèrte, were nearly executed. They all tell different versions of the same story, of being beaten, macheted, shot, and tortured, and of nearly dying in a country they loved but where they could no longer live.

A few months later, a resolute Alèrte retold her story to Beverly Bell, an American researcher, democracy and women’s advocate, who would later compile the excerpts I have quoted throughout this chapter in an oral history titled
Walking on Fire
.

“Three months after I came back from the dead at Titanyen, I was on my two feet,” Alèrte told Beverly Bell. “I traveled around the United States trying to beat up on the misery of Haiti and the Haitian people. I spoke about women whom the cruel death and terror gangs were raping, little children they were raping, babies in the cradle. I went on television and the radio; I talked to U.S. congressmen, journalists, human rights activists. I spoke at demonstrations, press conferences, churches, congressional hearings . . . to say, “Here. Here is what I suffered.”

She not only suffered, however, but against all odds she also survived and thrived. And her testimony was a great gift to many others who were still trying to stay alive, and to the more than eight thousand others who died under the junta’s rule.

Alèrte Bélance: They killed mother after mother of children. They killed doctor after doctor, student after student. Mothers of children lost their children. . . . The devil has raped the confidence of the people. . . . People of conscience, hear me who is trying to wake you up. Hear my story, what I have experienced . . .

In the summer of 1997, I flew to Port-au-Prince from New York a few days after my cousin Marius had flown in the cargo section of a similar American Airlines jet from Miami. Once I’d slept past the first half hour after takeoff, I’d strapped on the free headphones and chosen from the in-flight radio selection a pop station playing a song by the rock group Midnight Oil.

How can we dance when our earth is turning?
How can we sleep while . . .

Across the aisle from me, a man in a wrinkled brown suit shuffled a few papers in and out of a large manila envelope onto the tray table in front of him. He wiped his brow with a monogrammed blue handkerchief and then rang the flight attendant call button. When a plump blond woman hurried over, he asked her for a glass of water. When she brought it to him, he asked her when we were going to land.

I recognized the man, who had been escorted by immigration officers past the security checkpoint, right through the gate and to his seat on the airplane. He seemed to be in his late forties, was russet brown and thin with a gaunt face, his jaws speckled
with the remnants of a beard that looked as though a shave had been attempted on it but had failed. He was a deportee.

While looking over at him, I thought of my cousin Marius, who in his own way had also been deported. I had foreseen the two of us, Marius and me, traveling on the same day and my New York flight arriving a few hours before his Miami one so that I could be there to greet him at the airport in Port-au-Prince, but the obstacles to Marius’s flight had been abruptly lifted and he’d gone ahead on his own, before me, to be buried.

Originally, Marius’s departure had been delayed because the undertaker could not locate his papers. Before his mother called us in New York—from Haiti—to announce his death to my father and to ask for our help in getting the body sent to her from Miami, I hadn’t seen or spoken to Marius in years. Only two years younger than he was, I had barely interacted with him when I was a girl because his parents had divorced when I was quite young and he lived mostly with his father, who’d rarely mingled with our family. My father could barely remember Marius at all, as he was still a boy when Papa left Haiti for the United States. A decade after I’d moved to the United States, I heard that Marius had taken a boat to Miami. A few days before my flight from New York to Port-au-Prince, his mother had called to tell us that he was dead.

Once he’d offered his condolences to Tante Zi over the phone, my father asked me to pick up the extension and tell her that I would take care of things, would get Marius’s body sent to her in Haiti.

After offering my own condolences to a tearful and hiccupping Tante Zi, I asked her where Marius was living before he died.

She paused as if to breathe past a large lump in her throat, and then whispered, “Miami,” sounding puzzled, as if wondering why I was making her repeat something she’d already repeated many times.

“Do you have the address of the place where he was living in Miami?” I asked.

“No,” she said. But she did have the telephone number of Marius’s roommate of two years. His name was Delens.

I would call Delens, I told her, and get back to her.

I dialed Delens’s number soon after I hung up with Tante Zi and asked in Creole if I could speak with him. The young man who answered replied, “Would you mind speaking English? I grew up here. It’s hard for me to speak Creole.”

It turned out that he was Delens. I told him, in English, that I was Marius’s cousin and was trying to help locate his body to send it back to Port-au-Prince. Could he help me?

He gave me the number of the Freeman Funeral Home, where Marius’s body had already been placed while awaiting expatriation. He didn’t have the amount of money the funeral home charged and Tante Zi didn’t trust him enough to send it to him, accusing him of being responsible—in some way that he could neither comprehend nor explain—for Marius’s death.

At the end of the conversation, I cautiously asked Delens in my most polite voice, “Can you please tell me what Marius died of?”

“Move maladi ya
,” he responded in perfectly enunciated, nonaccented Creole. The bad disease, a euphemism for acquired immune deficiency syndrome, or AIDS.

“When did it happen?” I asked. “When did he get it?”

“I don’t know.” He switched back to hip-hop-toned English. “Maybe he had it even before he left Haiti. I don’t know. But he’s been living wild here, man, made some stupid-ass mistakes.”

“Did he leave anything behind?” I thought Tante Zi might want to know. Maybe he had some assets that could help mitigate the transportation and funeral costs. But I wasn’t thinking only about money. Perhaps there were more personal effects, legal papers, letters, photographs, journals, keepsakes that later on might comfort his mother.

“He had nothing,” Delens replied harshly. “He was living it up and wasted everything. All he had when he died was sixty dollars.”

Rightly or wrongly, I couldn’t accept that a thirty-year-old man had left nothing else behind. When I hung up and summarized the other end of the conversation for my father, he told me that Tante Zi believed that Marius had been poisoned by his roommate, but almost everyone in the family had different theories. There were those who thought he had committed suicide and others who were certain he’d died of a drug overdose. I didn’t know what or whom to believe, but it really didn’t matter. A grieving mother was waiting to be reunited with her son. And since she couldn’t come to him, we had to find some way to bring him to her.

The funeral, if held in Miami, would cost three thousand dollars, Mr. Freeman told me when I called. But for Marius’s body to be shipped back to Haiti, the price would go up to five thousand. He’d already had Marius for a day or two now and would be happy to ship him to the funeral home of our choice anywhere in the Haitian capital, but he needed “papers.”

“What kind of papers?” I asked.

Because Marius had come to Miami by boat and had never received asylum or legalized his status some other way, he was undocumented.

“I have to get him exit papers from the Haitian consulate,” explained Mr. Freeman. “The U.S. authorities will want to see these papers at the airport before he leaves and the Haitian authorities will want to see them when he arrives.”

“He’s a dead man whose cadaver needs to be shipped to the country where he was born. Why is it so complicated?” I asked.

“In part,” he answered calmly, “because he’s an alien.”

Were we still aliens in death, I asked, our corpses unwanted visitors still?