Read Cut and Run Online

Authors: Carla Neggers

Cut and Run (39 page)

She had spent her last night in New York with Juliana, and they'd had dinner with Catharina and Adrian and learned more about J.J. Pepper, whom Wilhelmina found quite reassuring. A needed presence in her niece's life, to be sure. At least this J.J. explained all the old clothes.

Juliana had come to her before dawn and awakened her, sitting on the edge of her bed. “Were you and Hendrik de Geer lovers?” she asked directly.

“You're impertinent,” Wilhelmina told her.

“He loved you first, and then my mother started to mature, and he fell in love with her, too. That's what he meant, isn't it?”

“Go back to bed.”

“I can't sleep.” She sighed, her eyes shining even in the dark. “I feel like playing the piano.”

“At three o'clock in the morning?”

She nodded.

“Well, then, let me get my robe. We'll play a duet.”


You
play piano?”

“I used to. Lately it keeps coming back. I don't know why; I sometimes play at the church. During the occupation, when times were particularly difficult or frightening, I would sing sonatas to myself, to occupy my mind so I wouldn't worry so much about what would happen to us all, about failing my responsibilities. Rachel and I would sing all the time. She had such a wonderful, clear voice, Rachel did. We didn't have a piano. I'd pretend to play on the table, and Rachel would pretend to catch my missed notes. Your mother thought we were so crazy! She was always cooking. She could lose herself in her cooking at any time. She never complained about hunger of anything else as long as she had something to cook, if only potatoes and seeds and beets.”

They'd played for hours, and Wilhelmina made no apologies for her missed notes, her awkwardness. Juliana was delighted. “You should get a piano!”

“Bah. The neighbors would complain.”

But now she almost wished she did have a piano. She never fell asleep when she was the one doing the playing!

At the airport in the morning, Wilhelmina had kissed Juliana goodbye and told her, “Yes, Hendrik and I were lovers, but only for a little while. I always suspected what kind of man he was—I just didn't think he could ever hurt us. If I could have seen what he'd do, I'd have slit his throat in the night. After what happened, I tried to find him and kill him, but now…I think he suffered more by living.”

“And you, Aunt Willie? Are you lonely?”

“I've had a good life, Juliana. No, I'm not lonely. But you must come visit me.” She smiled. “Bring your mother.”

“Oh—I almost forgot. Mother sent these.”

It was a box of butter cookies. Inside was a note. “Willie, Adrian and I talked last night. I told him everything. It felt so right! I've been crying ever since, for his goodness, for Mother and Father, and little David, and Mr. and Mrs. Stein, the children, even for Hendrik, for everything…at last. The burden of guilt isn't gone, but it's lessened. I know Mother and Father wanted me to live, as I would do anything—too much?—to protect Juliana. Dear sister, forgive me. You never drove me away. I left because I couldn't stay; that's all. And because of Adrian. He's made me so happy. Enjoy the cookies. C.”

Wilhelmina had enjoyed the cookies tremendously. She'd eaten most of them on the plane; there was only one left.

She went to the wooden box she kept on the hearth and dug out an old black and white photograph. The edges were crinkled and yellowed, the quality of the photograph not terribly good, but she didn't care. She balanced it against a lamp and looked at it a long while.

It was of Rachel and Abraham, Johannes and Ann, Hendrik and herself, and Catharina, a mere child, at a skating party before the war. She'd once considered cutting Hendrik out of the picture, but in so doing she would have cut out a part of herself.

She went into the kitchen and made herself a cheese sandwich and a pot of tea and ate the last butter cookie.

Twenty-Seven

“G
et your butt down here.”

It was four-thirty on Wednesday afternoon, and Juliana had picked up the phone on the first ring, dazed and filled with compulsive energy. She'd had a monumental day of practice. The Chopin had jelled in her mind, and she regretted having to let it go, even for a second, and yet she knew she needed the break. She'd be better off for it, and so would her music. Although she was pleased to hear Len Wetherall's voice, there was another voice she'd have rather heard. She wasn't sure when she would. Or if. But she tried to understand. He'd been through a lot; he needed to be alone.

“Len—what do you mean?”

“I mean you're already thirty minutes late, babe.”

She was surprised. “I'm not fired?”

“Hell, no. You've got an audience, angel. Folks've been reading the papers. World's most beautiful concert pianist rescues mother and Dutch aunt from the clutches of killers.” He laughed. “I like that. You're a curiosity. Now you got to wow them so they keep on coming back.”

Wow them. Juliana smiled: the world of J.J. Pepper wasn't so different from her own. “Who should I come as?”

“Come as yourself, babe. That's all you can ever be.”

She tinted her hair green and put on J.J.'s white organza tea dress, circa 1919, and her own full-length white mink coat and hat, white boots and white gloves, and she took a cab.

Len met her at the door. “Whoa,” he said, grinning.

“I wouldn't show up at Symphony Hall in Boston looking like this, but here, it feels right. I've got a lot to learn about jazz and pop,” she said, “but one day soon I hope to record some of my favorite—” she grinned “—tunes.”

“You going to stick to early evenings and catch-as-catch-can between concerts?”

She nodded. “But I'm cutting back on the number of concerts I do a year. I don't want to do so many any longer—but I can't give this up, Len.”

He let his relief show. “That's great, babe, because I don't want to have to give up J.J. Pepper, either. She's fun and spacey—and talented as all get out. I'd like to keep her around, so long as that's what she wants.”

“It is.”

“What's Shuji say?”

“It's not up to him; he knows that. He doesn't understand, and he'll never like jazz, but he's not going to abandon me because of it.”

“That's okay, then. You don't need him to understand?”

“No, I don't,” she said. “It's okay.”

When she'd finished her first set, she knew she'd wowed the crowd because Len told her when she came to the bar for her Saratoga water. Only then did she notice the applause and whistles and hoots of appreciation—and that she'd kicked off her shoes. She'd let go in a way she never did when playing Carnegie Hall.

Len nodded toward the other end of the bar. “You've got company.”

Sipping her water, Juliana looked down the bar and became very still.

Matthew Stark.

“Say the word, I'll toss him.”

“No, I'll take care of him.”

Len grinned. “Thought you might, babe, thought you might.”

She ambled down and leaned against the bar next to Matthew's stool, feeling the sweat trickling between her breasts. She could almost talk herself into believing it was his fingertips.

“Hey, toots,” he said with that slight, unreadable grin, his dark eyes on her. “Nice hair—same color as your eyes, isn't it? Better watch out nobody comes along and hangs candy canes on your ears.”

“Matthew,” she said, hearing the hope and hollowness in her voice. Did he know? Could he hear how much she wanted to be near him? Almost four days without seeing him and it seemed an eternity. Their night together in Vermont had changed everything. Knowing him had changed everything. “I thought you'd still be working on your story.”

“Feldie's sticking to the facts, which were straightforward enough. She isn't printing a thing about the Minstrel's Rough.” He grinned, loving the way she couldn't keep still, the way she blinked, the way she stood there, gorgeous and green-haired and the only woman he'd ever want again. “So you're safe from the IRS for now. Any plans for the stone—or don't you want to tell me?”

She shrugged. “I think it should fade back into the mist of legend.”

“Back to being a paperweight for jam recipes, is it? Tell me, J.J./Juliana, what are you doing for the holidays?”

“Going to Vermont—finally.”

It was the truth, although she had hoped not to go alone. She'd considered various ways to get Matthew back up there with her, including letting
him
deal with the matter of Shuji's car. “You
lost
my car!” he'd raged. “Is this what happens when Jelly Roll Morton gets in your veins?
Get it back!
” But he'd headed to his house in California, trusting her. Abraham Stein was sending her a package to Vermont via courier. The Minstrel's Rough was being returned to its place with her jam recipes. She'd considered various alternatives. Donating it to a museum, throwing it into the ocean, giving it to her mother or Abraham Stein or even Aunt Willie. But she'd decided to keep it. Only the Peperkamps knew for certain it existed…and Matthew.

That was the tradition, for four hundred years.

“Vermont, huh?” Matthew said. “Well, isn't that a coincidence? I'm heading that way myself.” There was a tiny drop of perspiration on her right temple that he wanted to brush away with his thumb, but he resisted—for now. “There's this little house I know overlooking the Batten Kill, it's the coldest damn place you've ever been, but not when you're under layers of quilts with a beautiful greeneyed blonde. She plays piano—classical, but I think she sneaks off and messes around with jazz once in a while. I don't have any real proof. I haven't known her all that long, but it doesn't seem to matter. I'm in love with her.”

“Matthew, are you serious?”

“Of course.” He smiled. “There's only one little problem: I'm not sure she likes my boots.”

“She loves your boots,” she said, suddenly breathless, “and your black leather jacket. She thinks they're sexy. She thinks their owner's sexy, too, and she's in love with him.”

He laughed, looking at her. “I think some of your weirdness has rubbed off on me. Would Len throw me out if I kissed you?”

She grinned at him. “Do you care?”

“It's worth the risk, but I'll make it quick.”

He kissed her, but it wasn't quick. They both saw to that.

“What about the
Gazette?
” Juliana asked. “Isn't Alice Feldon expecting a story from you?”

“Not anymore.”

“Are you quitting?”

“No, my love,” he said, kissing her again, “I'm starting.”

ISBN: 978-1-5525-4911-7

CUT AND RUN

Copyright © 1989 by Carla Neggers.

All rights reserved. Except for use in any review, the reproduction or utilization of this work in whole or in part in any form by any electronic, mechanical or other means, now known or hereafter invented, including xerography, photocopying and recording, or in any information storage or retrieval system, is forbidden without the written permission of the publisher, MIRA Books, 225 Duncan Mill Road, Don Mills, Ontario, Canada M3B 3K9.

All characters in this book have no existence outside the imagination of the author and have no relation whatsoever to anyone bearing the same name or names. They are not even distantly inspired by any individual known or unknown to the author, and all incidents are pure invention.

MIRA and the Star Colophon are trademarks used under license and registered in Australia, New Zealand, Philippines, United States Patent and Trademark Office and in other countries.

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