Dark Places (10 page)

Read Dark Places Online

Authors: Gillian Flynn

All he’d done was marry her and ruin it. Poor, disappointed Runner, when his dreams had been so high in the ’70s, when people actually thought they could get rich from farming. (Ha! She snorted out loud, there in her kitchen, at the thought of it, imagine.) She and Runner had taken over the farm from her parents in ’74. It was a big deal, bigger even than her marriage or the birth of her firstborn. Neither of those had thrilled her sweet and quiet parents—Runner stank of trouble even then, but, bless them, they never said a thing against him. When, at age seventeen, she told them that she was knocked up and they were getting married, they just said:
Oh
. Like that. Which said enough.

Patty had a blurry photograph of the day they took on the farm: her parents, stiff and proud, smiling shyly at the camera, and her and Runner, triumphant grins, bountiful hair, incredibly young, holding champagne. Her parents had never had champagne before, but they drove to town and got a bottle for the occasion. They toasted out of old jelly jars.

It went wrong fast, and Patty couldn’t entirely blame Runner. Back then, everyone thought the value of land would keep skyrocketing—
they’re not making any more of it!—
and why not buy more, and better, all the time?
Plant fencepost to fencepost
—it was a rallying cry. Be aggressive, be brave. Runner with his big dreams and no knowledge had marched her down to the bank—he’d worn a tie the color of lime sherbet, thick as a quilt—and hemmed and hawed to get a loan. They ended up with double what they asked for. They shouldn’t have taken it, maybe, but their lender said don’t worry— boom times.

They’re just giving it away!
Runner had howled, and all of a sudden they had a new tractor, and a six-row planter when the four-row was fine. Within the year there was a glinting red Krause Dominator
and a new John Deere combine. Vern Evelee, with his respectable five hundred acres down the way, made a point of mentioning each new thing he spotted on their property, always with a little twitch in his eyebrow. Runner bought more land and a fishing boat, and when Patty had asked
was he sure, was he sure?
he’d sulked and barked about how much it hurt that she didn’t believe in him. Then everything went to hell at once, it was like a joke. Carter and the Russian grain embargo (fight the Commies, forget the farmers), interest rates to 18 percent, price of fuel creeping up and then leaping up, banks going bust, countries she barely heard of—Argentina—suddenly competing in the market. Competing with
her
back in little Kinnakee, Kansas. A few bad years and Runner was done. He never got over Carter—you heard about Carter all the time with him. Runner’d sit with a beer watching the bad news on the TV and he’d see those big, rabbit teeth flash and his eyes would go glassy, he’d get so hateful it seemed like Runner must actually know the guy.

So Runner blamed Carter, and everyone else in the rotten town blamed her. Vern Evelee made a noise with his tongue whenever he saw her, a for-shame noise. Farmers who weren’t going under never had sympathy, they looked at you like you played naked in the snow and then wanted to wipe your snotty nose on them. Just last summer, some farmer down near Ark City had his hopper go screwy. Dumped 4,000 pounds of wheat on him. This six-foot man, he drowned in it. Suffocated before they could get him out, like choking on sand. Everyone in Kinnakee was so mournful—so regretful about this
freak accident
—til they found out the man’s farm was going under. Then all of a sudden, it was:
Well, he should have been more careful
. Lectures on taking proper care of equipment, being safe. They turned on him that fast, this poor dead man with lungs full of his own harvest.

Ding-dong and here was Len, just as she dreaded, handing his wool hunting cap to Michelle, his bulky overcoat to Debby, carefully swiping snow from loafers that were too shiny-new. Ben wouldn’t approve of those, she thought. Ben spent hours grubbing up his new sneakers, letting the girls take turns walking on them, back when he let the girls near him. Libby glowered at Len from the sofa and
turned back to the TV. Libby loved Diane, and this guy wasn’t Diane, this guy had tricked her by walking in the door when he should have been Diane.

Len never said hello as a greeting; he said something like a yodel,
He-a-lo!
and Patty had to brace for it each time, she found the sound so ridiculous. Now he yelled it as she walked down the hall, and she had to duck back into the bathroom and curse for just a second, then put her smile back on. Len always hugged her, which she was pretty sure he didn’t do with any other farmer that needed his services. So she went to his open arms and let him do his hug thing where he held her just a second too long, his hands on both her elbows. She could feel him making a quick sucking noise, like he was smelling her. He reeked of sausage and Velamints. At some point, Len was going to make a real pass at her, forcing her to make a real decision, and the game was so pathetic it made her want to weep. The hunter and the hunted, but it was like a bad nature show: He was a three-legged, runt coyote and she was a tired, limping bunny. It was not magnificent.

“How’s my farm girl?” he said. There was an understanding between them that her running the farm by herself was something of a joke. And, she supposed, it was at this point.

“Oh, hanging in there,” she said. Debby and Michelle retreated to their bedroom. Libby snorted from the couch. The last time Len had come all the way to the house, they’d had an auction a few weeks later—the Days peeking out through the windows as their neighbors underpaid and underpaid some more for the very equipment she needed to run a working farm. Michelle and Debby had squirmed, seeing some of their schoolmates, the Boyler girls, tagging along with their folks as if it were a picnic, skipping around the farm.
Why can’t we go outside?
they whined, twisting themselves into begging-angry outlines, watching those Boyler girls taking turns on their tire swing—might as well have sold them that, too. Patty had just kept saying:
Those aren’t our friends out there
. People who sent her Christmas cards were running their hands over her drills and disc rippers, all those curvy, twisty shapes, grudgingly offering half what anything was worth. Vern Evelee took the planter he once seemed to resent so much, actually driving the auctioneer down from the starting price.
Merciless. She ran into Vern a week later at the feed store. The back of his neck went pink as he turned away from her. She’d followed him and made his
for-shame
noise right in his ear.

“Well, it sure smells good in here,” Len said, almost resentfully. “Smells like someone had a good breakfast.”

“Pancakes.”

She nodded.
Please don’t make me ask you why you’re here. Please, just once, say why you came
.

“Mind if I sit down?” he said, wedging himself on the sofa next to Libby, his arms rigid. “Which one’s this?” he said assessing her. Len had met her girls at least a dozen times, but he could never figure out who was who, or even hazard a name. One time he called Michelle “Susan.”

“That’s Libby.”

“She’s got red hair like her mom.”

Yes, she did. Patty couldn’t bring herself to say the nicety out loud. She was feeling sicker the longer Len delayed, her unease building into dread. The back of her sweater was moist now.

“The red come from Irish? You all Irish?”

“German. My maiden name was Krause.”

“Oh, funny. Because Krause means curly-haired, not red-haired. You all don’t have curly hair, really. Wavy maybe. I’m German too.”

They had had this conversation before, it always went one of two ways. The other way, Len would say that it was funny, her maiden name being Krause, like the farm equipment company, and it was too bad she wasn’t related, huh. Either version made her tense.

“So,” she finally gave in. “Is there something wrong?”

Len seemed disappointed she was bringing a point to the conversation. He frowned at her as if he found her rude.

“Well, now that you mention it, yes. I’m afraid something’s very wrong. I wanted to come out to tell you in person. Do you want to do this somewhere private?” He nodded at Libby, widening his eyes. “You want to go to the bedroom or something?” Len had a paunch. It was perfectly round under his belt, like the start of a pregnancy. She did not want to go into the bedroom with him.

“Libby, would you go see what your sisters are doing? I need to talk to Mr. Werner.” Libby sighed and slid off the couch, slowly: feet,
then legs, then butt, then back, as if she were made of glue. She hit the floor, rolled over elaborately a few times, crawled a bit, then finally got to her feet and slumped down the hall.

Patty and Len looked at each other, and then he tucked his bottom lip under and nodded.

“They’re going to foreclose.”

Patty’s stomach clenched. She would not sit down in front of this man. She would not cry. “What can we do?”

“Weeeee,
I’m afraid, are out of options. I’ve held them off for six months longer than they should’ve been held off. I really put my job on the line. Farm girl.” He smiled at her, his hands clasped on his knees. She wanted to scratch him. The mattresses started screeching in the other room, and Patty knew Debby was jumping on the bed, her favorite game, bouncing from one bed to the next to the next in the girls’ room.

“Patty, the only way to fix this is money. Now. If you want to keep this place. I’m talking borrow, beg, or steal. I’m saying time is over for pride. So: How badly do you want this farm?” The mattress springs bounced harder. The eggs in Patty’s belly turned. Len kept smiling.

Libby Day
NOW

A
fter my mother’s head was blown off, her body axed nearly in two, people in Kinnakee wondered whether she’d been a whore. At first they wondered, then they assumed, then it became a loose jingle of fact. Cars had been seen at the house at strange times of night, people said. She looked at men the way a whore would. In these situations, Vern Evelee always remarked that she should have sold her planter in ’83, as if that was proof she was prostituting herself.

Blame the victim, naturally. But the rumors turned so substantial: everyone had a friend who had a cousin who had another friend who’d fucked my mom. Everyone had some bit of proof: they told of a mole on the inside of her thigh, a scar on her right buttock. I don’t think the stories can be true, but like so much from my childhood, I can’t be sure. How much do you remember from when you were seven? Photos of my mother don’t reveal a wanton woman. As a teenage girl, hair shooting from her ponytail like fireworks, she was the definition of nice looking, the kind of person who reminds you of a neighbor or an old babysitter you always liked. By her twenties, with one or two or four kids clambering up her, the smile was bigger,
but hassled, and she was always leaning away from one of us. I picture her as constantly under siege by her children. The sheer weight of us. By her thirties there weren’t many photos of her at all. In the few that exist, she’s smiling in an obedient fashion, one of those take-the-dang-photo smiles that will disappear with the camera flash. I haven’t looked at the photos in years. I used to paw at them obsessively, studying her clothes, her expression, whatever was in the background. Looking for clues: Whose hand is that on her shoulder? Where is she? What occasion is it? When I was still a teenager, I sealed them away, along with everything else.

Now I stood looking at the boxes as they slouched under my staircase, apologetic. I was gearing up to reacquaint myself with my family. I’d brought Michelle’s note to the Kill Club because I couldn’t bear to actually open those boxes, instead I’d reached into one cardboard corner where the tape was loose, and that’s the first thing I pulled out, a pathetic carnival game. If I was really going to take this on, if I was really going to think about the murders after all these careful years spent doing just the opposite, I needed to be able to look at basic household possessions without panicking: our old metal egg-beater that sounded like sleigh bells when you turned it fast enough, bent knives and forks that had been inside my family’s mouths, a coloring book or two with defined crayoned borders if it was Michelle’s, bored horizontal scrawls if it was mine. Look at them, let them just be objects.

Then decide what to sell.

To the Kill Creeps, the most desired items from the Day home are unavailable. The 10-gauge shotgun that killed my mom—her goose gun—is snug away in some evidence drawer, along with the axe from our toolshed. (That was another reason Ben got convicted: those weapons were from our house. Outside killers don’t arrive at a sleeping home with limp hands, just hoping to find convenient murder weapons.) Sometimes I tried to picture all that stuff—the axe, the gun, the bedsheets Michelle died on. Were all those bloody, smoky, sticky objects all together, conspiring in some big box? Had they been cleaned? If you opened the box, what would the smell be like? I remembered that close, rot-earth smell just hours after the murder—was it worse now, after so many years of decay?

I’d once been to Chicago, seen Lincoln’s death artifacts in a museum: thatches of his hair; bullet fragments; the skinny spindle bed he’d died on, the mattress still slouched in the middle like it knew to preserve his last imprint. I ended up running to the bathroom, pressing my face against the cold stall door to keep from swooning. What would the Day death house look like, if we reunited all its relics, and who would come to see it? How many bundles of my mother’s blood-stuck hair would be in the display cabinet? What happened to the walls, smeared with those hateful words, when our house was torn down? Could we gather a bouquet of frozen reeds where I’d crouched for so many hours? Or exhibit the end of my frostbitten finger? My three gone toes?

I turned away from the boxes—not up to the challenge—and sat down at a desk that served as my dining room table. The mail had brought me a package of random, crazy-person offerings from Barb Eichel. A videotape, circa 1984, titled
Threat to Innocence: Satanism in America;
a paperclipped packet of newspaper stories about the murders; a few Polaroids of Barb standing outside the courthouse where Ben’s trial was being held; a dog-eared manual entitled
Your Prison Family: Get Past the Bars
!

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