Authors: David Sutton Stephen Jones
Tags: #Horror Tales; American, #Horror Tales; English
Dark Terrors 3
* * * *
Dark Terrors 3
The Gollancz Book of Horror
Edited By Stephen Jones &
David Sutton
* * * *
The Editors
Ray Bradbury
Poppy Z. Brite
Neil Gaiman
Storm Constantine
Ray Garton
Melanie Tem
Ramsey Campbell
Kathryn Ptacek
Conrad Williams
Steve Rasnic Tem
This Is Your Life (Repressed Memory Remix)
Pat Cadigan
Brian Hodge
Julian Rathbone
Dennis Etchison
Everybody Needs Somebody to Love
Mark Timlin
Jay Russell
Christopher Fowler
Caitlín R. Kiernan
Michael Marshall Smith
Terry Lamsley
* * * *
Although he was never actually our in-house editor (that dubious pleasure belongs to the inimitable Jo Fletcher), through his role as Editorial Director, Richard Evans became our ‘spiritual guide’ when we moved our series of original horror anthologies from Pan Books to Victor Gollancz in 1995.
Born in West Wales in 1950, Richard won a full scholarship to Oxford, where he studied Modern History and where he met his future wife, Ali. They were married in 1979 and had two children, Linnie and Stevie. After earning an MA in Social History at Sussex University, he decided against a career in teaching and entered the publishing industry in 1972 in the copy-writing department at Penguin Books.
Following a short stay at Fontana as a non-fiction editor, he moved to Macdonald/Futura, where he became a fiction editor specializing in science fiction. After moving to Arrow to head up its science fiction line, he returned to Macdonald in 1984 as Editorial Director, where he launched the successful Orbit SF imprint with the help of Senior Editor Toby Roxborough. He quickly became one of Britain’s best-loved and most respected editors, nurturing the careers of such young writers as Paul J. McAuley, Mark Timlin, Mary Gentle, Michael Scott Rohan and many others.
In the late 1980s, Richard moved to Headline for a couple of years, before taking over the prestigious Gollancz science fiction and fantasy list in 1990 when Malcolm Edwards moved to HarperCollins.
A serious illness in 1994 resulted in him taking nearly a year off work, but he made a full recovery and triumphantly returned to Gollancz to launch the Vista mass-market paperback imprint.
During a relaxed lunch the week before he left on a business trip to New York, Richard talked excitedly about our line-up for
Dark Terrors 2
(which we had recently delivered). As always, he was positive about the number of newer writers we had included in the book, alongside such established names as Clive Barker, Peter Straub, Harlan Ellison, Ramsey Campbell and Brian Lumley. He was also particularly thrilled that we were publishing a new story by Thomas Tessier, whose latest novel
Fog Heart
he and Jo had just acquired for Gollancz.
Tragically, Richard didn’t live to see the publication of
Dark Terrors 2.
Upon his return from New York he was hospitalized with pneumonia and died a few days later on May 26th, 1996, at the ridiculously young age of forty-six.
However, his enthusiasm and immaculate taste continue to help shape the series, and we shall endeavour to ensure that it will always live up to his expectations. This latest volume of
Dark Terrors
is therefore respectfully dedicated to the memory of Richard Evans, an outstanding editor and a fine friend . . .
Stephen Jones and David Sutton
May, 1997
* * * *
RAY BRADBURY
The cemetery was in the centre of the city. On four sides, it was bounded by gliding streetcars on glistening blue tracks and cars with exhaust fumes and sound. But, once inside the wall, the world was lost. For half a mile in four directions, the cemetery raised midnight trees and headstones that grew from the earth, like pale mushrooms, moist and cold. A gravel path led back into darkness and within the gate stood a Gothic Victorian house with six gables and a cupola. The front porch light showed an old man there alone, not smoking, not reading, not moving, silent. If you took a deep breath, he smelled of the sea, of urine, of papyrus, of kindling, of ivory, and of teak. His false teeth moved his mouth automatically when it wanted to talk. His tiny yellow seed eyes twitched and his poke-hole nostrils thinned as a stranger crunched up the gravel path and set foot on the porch step.
‘Good evening!’ said the stranger, a young man, perhaps twenty.
The old man nodded, but his hands lay quietly on his knees.
‘I saw that sign out front,’ the stranger went on. ‘“Free Dirt”, it said.’
The old man almost nodded.
The stranger tried a smile. ‘Crazy, but that sign caught my eye.’
There was a glass fan over the front door. A light shone
through this glass fan, coloured blue, red, yellow, and touched the old man’s face. It seemed not to bother him.
‘I wondered, free dirt? Never struck me you’d have much left over. When you dig a hole and put the coffin in and refill the hole, you haven’t much dirt left, have you? I should think...’ “
The old man leaned forward. It was so unexpected that the stranger pulled his foot off the bottom step.
’You
want
some?’ said the old man.
‘Why, no, no, I was just curious. Signs like that make you curious.’
‘Set down,’ said the old man.
’Thanks.’ The young man sat uneasily on the steps. ‘You know how it is, you walk around and never think how it is to own a graveyard.’
‘And?’ said the old man.
’I mean, like how much time it takes to dig graves.’
The old man leaned back in his chair. ‘On a cool day, two hours. Hot day, four. Very hot day, six. Very cold day, not cold so it freezes, but
real
cold, a man can dig a grave in one hour so he can head in for hot chocolate, brandy in the chocolate. Then again you get a good man on a hot day, he’s no better than a bad man in the cold. Might take eight hours to open up, but there’s easy digging soil here. All loam, no rocks.’
‘I’m curious about winter.’
‘In blizzards we got a ice-box mausoleum to stash the dead undelivered mail - until spring and a whole month of shovels and spades.’
’Seeding and planting time, eh?’ The stranger laughed.
‘You might say that.’
‘Don’t you dig in winter anyhow? For special funerals?
Special
dead?’’
’Some yards got a hose-shovel contraption. Pump hot water through the blade; shape a grave quick, like placer mining, even with the ground a ice pond. We don’t cotton to that. Use picks and shovels.’
The young man hesitated. ‘Does it bother you?’