Authors: James Hadley Chase
The women watched her, too. Cold, envious eyes, hating her. Myra rolled her hips a little. She put on a slight strut, patting her dark curls. Her firm young body, unhampered by any restraining garment, moved rhythmically. Her full, firm breasts jerked under the thin covering of her cheap, flowered dress.
At the end of the street a group of slatternly women stood gossiping, ripping people to pieces in the hot sunlight. They saw her coming and stopped talking, standing there; silent, elderly, bulging women, worn out by childbirth and hard work. Myra stiffened as she approached them. For a moment her step lost its rhythmic swing. The wooden heels trod softer. Her confidence in herself had no solid foundations; she was still very young. In the company of her elders she had to force herself forward.
With an uneasy smile on her full red lips she came on. But the women, as she came nearer, shifted like a brood of vultures, turning their drooping shoulders against her, their eyes sightless, not seeing her. Again the wooden heels began to click Her face flushed, her head held high, she went past.
A buzz of talk broke out behind her. One of the women said loudly: “I'd give her something—the dirty little whore.”
Myra kept on. “The sluts!” she thought, furious with them. “I've got everything, and they hate me.”
The bank stood at the end of the main street. Clem Gibson was standing in the doorway. He saw Myra coming, and he nervously fingered his tie.
Clem Gibson was someone in the town. He ran the bank, he owned a car, and he changed his shirt twice a week.
Myra slowed down a little and flashed him a smile.
“Why, Miss Hogan, you are lookin' swell,” Gibson said.
This line of talk pleased Myra. She said, “Aw, you're kiddin'.”
Gibson beamed behind his horn glasses. “I wouldn't kid you, Miss Hogan, honest.”
Myra made to move on. “Well, it's nice of you to say so,” she said. “I've just got to get goin'. My Pa's waitin' for me.”
Gibson came down the two steps. “I was going to suggest—that is—I wanted to ask you... He paused, embarrassed.
Myra looked up at him, her long black lashes curling above her eyes. “Yes?”
“Look, Miss Hogan, suppose you an' me go places sometime.”
Myra shook her head. She thought he'd got a hell of a nerve. Go out with him and have his horse-faced wife starting a beef. He was crazy. Myra had enough sense to leave the married men alone. They were only after one thing, and she wasn't giving anything away. “Pa just wouldn't stand for it,” she said. “He don't like married men takin' me out. Ain't he soft?”
Gibson stepped back. His face glistened with embarrassment. “Sure,” he said, “your Pa's right. You better not tell him about this. I wasn't thinking.” He was scared of Butch Hogan.
Myra moved on. “I won't tell him,” she said.
He watched her hungrily as she went, her buttocks jerking under the tight dress.
It was quite a walk to her home, and she was glad when she pushed open the low wooden gate that led to the tumbledown shack.
She stood at the gate and looked at the place. She thought, “I hate it! I hate it! I hate it!”
The garden was a patch of baked, cracked mud. The house was a one-storeyed affair, made throughout with wood that wind and rain had warped and sun had bleached. It stood there—an ugly depressing symbol of poverty.
She walked up the path and climbed the two high steps leading to the verandah. In the shadow, away from the sun, Butch Hogan sat, his great hands resting on the top of a heavy stick.
He said, “I've been waiting for you.”
She stood there and looked at him. His broken, tortured face, those two horrible eyes, sightless, with a yellow blob in each pupil, looking like two clots of phlegm, the great square head, the overhanging brows, and the ferocious mouth made her shiver. He startled her by suddenly regurgitating violently into the mud patch a sodden wad of chewing-tobacco.
He said, “Say somethin', can't you? Where in hell've you been?”
She put the bottle of whisky on the table beside him. “There it is,” she said and she put beside it the rest of the money.
With fumbling fingers he checked the money, before slipping it into his pocket. Then he stood up and stretched. Although he was tall, his great shoulders gave him a squat look. He turned his face in her direction. “Go on in I wantta talk with you.”
She went into the living-room, leading off the verandah. It was a large room, untidy and full of aged and decaying furniture. Hogan followed her in. He moved with quick, cat-like steps, avoiding in some extraordinary way any obstacles that lay in his path. Blindness had not anchored him. He had been like that for ten years. At first the darkness had suffocated him, but he had fought it, and, like all his other fights, he had beaten it. Now it was of little hindrance to him. He could do most things he wanted to. His hearing had intensified and served him for his eyes.
Myra stood sulkily by the table. She made patterns with her flimsy shoes on the dusty floor.
Hogan went to a cupboard, found a glass, and poured himself out a stiff shot of whisky. Then he went over to the one overstuffed chair and folded himself down in it. He took a long pull from the glass.
“What's your age now?” he asked abruptly. The two yellow clots fixed on her.
“Seventeen.”
“Come here,” Hogan said, reaching out a great thick arm. She didn't move.
“If I come an' get you, you're goin' to have grief.”
She moved over to him reluctantly, and stood just by his knees. “What is it?” she asked, her face a little scared.
His hand closed on her arm, the big thick fingers pinching her muscle, making her squirm.
“Stand still,” he said. With his free hand he began exploring her body. Letting his hand run over her, like some farmer poking and examining a plump bird. Then he let her go, and sat back with a grunt. “You're growing up,” he said.
Myra stepped back, a little flush of anger on her face. “You keep your paws off me,” she said.
Butch pulled at the coarse hairs growing out of his ears. “Siddown,” he said, “I'm goin' to talk to you.”
“Supper ain't ready,” she said; “I ain't got time to listen to you.”
He left his chair with incredible speed, and before she could dart away from him he struck her shoulder with the flat of his hand. He was aiming at her head, but he misjudged. She went over on hands and knees and stayed there, dazed. He knelt down beside her. “You're getting big ideas, ain't you?” he snarled at her. “You think I can't hold you, but I can. Do you get that? Maybe I've lost my peepers, but that ain't goin' to mean a thing to you. So get wise to yourself, will you?”
She sat up slowly, nervously feeling her shoulder. A smack from Butch meant something.
“I gotta hunch you're goin' to take after your Ma. I've had my eye on you for some time. I hear what's been said. You're after the punks already. Like your Ma. That dirty little whore had the ants okay. You're showing yourself off, an' you're working up a hot spot for yourself. Well, I'm watchin' you, see? I'm goin' to crack down on you, once I catch you at it. You leave punks alone, and make 'em leave you alone.”
She said uneasily, “You're nuts! I don't go around with fellas.”
Butch sneered. “I'm tellin' you before you start. You're ripe. You're ready to go ahead. Well, start somethin' an' see what you get.”
She climbed to her feet. “You gotta catch me at it,” she thought.
“Okay, go an' get somethin' to eat. You get the idea now, huh?”
She turned to the door, but he reached out and jerked her back. “You get it?” “Oh, sure!” she said impatiently.
Butch tapped the broad belt round his waist. “If ever I catch you in a tumble, I'm goin' to lift the hide off your back.”
She snatched her arm away and walked out of the room, her knees trembling a little.
Outside, a ramshackle car drew up, and three men got out. Myra sped to the door, looked out, then ran to her bedroom. Her eyes were bright with excitement, and a little smile flickered on her lips. Gurney was coming in, with his ham boxer. Gurney made Myra's heart flutter. He was some guy, this Gurney.
Sankey the boxer walked up the broken path, his head on his chest, his big hands hanging loosely by his side. Hank, his trainer, watched him anxiously. He caught Gurney's eye, and jerked his head. He looked worried. Gurney was looking for Myra. Sankey gave him a pain.
The three of them paused on the verandah. Butch came out of the room. He said, “You ain't been around here for some time. How're you makin' out?”
Gurney made signs to the other two Sankey took no notice, but Hank nodded briefly.
Butch was glad to have them. He said, “Sit down, for Pete's sake. How's your boy shapin'?”
Under cover of the noise made by the other two dragging their chairs up, Gurney slipped into the house. He knew Myra's room. He opened the door and put his head round. Myra was painting her lips. She had put on a pair of white step-ins. She jerked round, seeing his face in the fly-blown mirror.
“You get out!” she said.
Gurney found his mouth suddenly dry. He stepped in and shut the door, putting his back against the panels. Gurney was big. He had a bent nose and a big slit of a mouth. His eyes were always a little shifty. He dressed in a loud, flashy way, wearing black suits with a yellow or pink stripe. His shirts were mostly red or yellow cotton. He thought he was a swell dresser.
Myra, suddenly anxious, said, “Nick.... blow the old man won't stand for it... please.”
Gurney came round the bed and reached out for her. She skipped away, her eyes suddenly large and scared. “If you don't get out, I'll yell,” she said.
“Aw, honey, that ain't the way to talk.... Gurney was crowding her the whole time. “You're lookin' swell. I ain't goin' to start anythin', honest.” His hand touched her arm, and she suddenly felt weak. She said feebly, “Don't, Nick, the old man'll kill me—”
Gurney said, “Don't worry about him.” He pulled her into his arms, his hands burning on her cool flesh.
White-hot desire for him stabbed her, gripping her inside with iron fingers. She searched for his mouth with hers, gripping him round the neck, half strangling him. Gurney grinned to himself. He said to her, “I'm comin' out to see you one night soon. You're goin' to like that, ain't that right?”
Outside on the verandah, Butch punched and pummeled Sankey. Sankey stood there, with his head on his chest, like a horse on the way to the knacker's.
Butch said, “He's all right, ain't he?” He said it anxiously, looking in Hank's direction.
Hank said, “Sure.” But it wasn't impressive.
“I'm goin' to need a lot of luck with Franks,” Sankey mumbled.
Butch stiffened. “For God's sake, that guy ain't no use. He can't hit you.”
Sankey shifted. “I wish to hell you're right.”
“That punk couldn't hit you with a handful of gravel.”
“He ain't got to hit me with gravel, has he?” Sankey turned to the rail and sat on it. He still kept his head down.
Butch rubbed both his hands over his bald head. “Listen, this is crazy talk. When you get in there, you're goin' to give this punk the works, see? You're going to left-hand him till you've pushed his nut off his neck. Then over with your right, an' lay him among the sweet peas.”
Sankey didn't say anything.
Butch was getting the jitters. “Where's Gurney? Ain't he here?” he asked suddenly.
“Sure,” Hank said quickly. “He's fixin' the auto. She ain't so good as she was. He'll be along.”
Butch said, “I want him now.”
Hank went to the edge of the step and yelled, “Hi, Gurney! Butch wants you.” He put a lot of beef in his voice.
Butch said suspiciously, “Why d'you yell like that?— he ain't deaf.”
Hank began to sweat. He shouted again.
Gurney came round the side of the shack at a run. He'd got a lot of red smears on his face from Myra's paint. That didn't matter. Butch couldn't see them. He was quite cool when he came up the steps.
Butch said, “What the hell've you been doin'?”
Hank put in quickly, “I told you, he's been fixin' the bus.”
Gurney grinned a little. “Yeah that's right. That auto's sure goin' home.”
Butch said. “Where's Myra?”
Gurney was elaborately calm. The old sonofabitch was sharp, he thought. “Just what I was goin' to ask you. I gotta soft spot for that kid.”
Butch chewed his underlip. He sat down in the chair, his great fists clenched. “You leave her alone,” he growled.
Gurney grinned again but he made his voice smooth. “What's biting you, Butch? You know kids ain't my racket. When I have a woman, she's gotta be a tramp ”
Butch said, “Okay, but leave Myra alone.”
There was a little pause, then Hank said: “Will you be there, Butch?”
His mind brought back to Sankey, Butch began to look worried again. “Your boy ain't got no confidence,” he said to Gurney.
Gurney lit a cigarette and tossed the match into the mud patch. “He's okay. He's just nervous. It don't amount to anythin'.”
“Yeah?” Butch levered himself forward. “You crazy? That guy's carrying my dough. That guy's gotta win.”
Sankey shifted. “Forget it,” he said. “Can't you gab about somethin' else?”
Butch turned his head. “Take him away,” he said to Hank. “Lead him round the place. I wantta talk to Gurney.”
Hank got up and jerked his head. “Come on,” he said to Sankey. They went down the path and sat in the car.
Butch leant forward. “What the hell's this?” he snarled. “That palooka's out on his feet already.”
Gurney scratched his chin. “What the hell can I do about it? Franks has scared him, got him jittery. They ran into each other at the boozer the other night. You know Franks, he got on Sankey's nerves.”
Butch got to his feet. He raised his clenched fists above his head. “The yellow punk,” he said, his voice suppressed and strangled. “You gotta do somethin', Gurney. I've got too much dough on that bum to risk. I tell you, you gotta do somethin'.”
“I've got a hundred bucks on him myself,” Gurney said uneasily. “He's a trifle over-trained, I guess.”
“You've got a week to fix things,” Butch said slowly. “Use your head.”
Myra came out on the verandah. Her eyes were fixed on Gurney. Butch jerked his head round. “Where've you been?” he demanded.
“Your supper's ready,” she said.
Gurney got to his feet. “Okay, Butch, I'll see what I can do.”