Deadline (67 page)

NOTE
FROM THE AUTHOR

This is a work of fiction. While it contains many factual details which are the product of careful research, it intermingles these with fictitious settings and persons. The newspaper portrayed in the novel is a composite of various newspapers around the country. It is not a depiction of any single paper. While many of the things described at the newspaper have in fact happened, they have involved different people in different places, and have been adapted and interwoven. All of the book’s characters are likewise fictitious.

As to those events and dialogues in the afterlife, it should go without saying that these are fiction! The information, direct and indirect, Scripture provides us about the world to come is substantial, with just enough detail to help us envision it, but not so much to make us think we can fully comprehend it. I believe God expects us to recognize the limits and flaws of our imaginations, but to utilize them nonetheless. To his followers Jesus says heaven, not earth, is our real home. That eternal home, which has always been a source of great encouragement and daily perspective to Gods people, has in the modern western world become so eclipsed by the here and now that many believers virtually never give a thought to the realm where their true citizenship resides. But what could be more natural and healthy than to think about home and the relationships and sustaining values it represents? As C. S. Lewis said, “It is since Christians have largely ceased to think of the other world that they have become so ineffective in this one.”

Secular bookstores are now burgeoning with accounts of afterdeath experiences and interactions with angelic beings, many of them unbiblical and misleading, some fatally so. If those who believe the Scriptures fail to reverently exercise our God-given imaginations where the Bible opens the door for us to do so, we will leave all portrayals of the eternal realm in the hands of those unconcerned with fidelity to Gods Word. This, it seems to me, justifies the inherent risks in attempting to portray the other side of death in a way more consistent with biblical truth.

I have therefore taken biblically revealed truths and developed (hopefully not distorted) them in a speculative (hopefully not reckless) fashion. I have carefully studied the biblical accounts of the afterlife and sought only to include concepts and portrayals which conform to or at least do not violate any biblical teaching. While much herein is extrabiblical, I have sought never to be unbiblical, though people’s different backgrounds and interpretations will naturally result in considerable disagreements.

While the experience that awaits us will inevitably prove many of my after-death depictions inaccurate in the details, and all of them woefully incomplete, I have sought to fuel and govern my imagination by the Scriptures. To the extent I have failed in this task, I ask the reader’s—and more importantly, God’s—understanding and forgiveness.

It is of paramount importance that the reader’s mind and imagination be submitted to the Word of God as its sole and final authority. This novel lays no claim whatsoever to divine revelation. I have received no such revelation, and even if I claimed to have done so, the only proper response would be to skeptically scrutinize it in light of the Scriptures.

Not only do I not claim infallibility, I specifically and emphatically claim fallibility. Any readers who take issue with my portrayals should not be distracted from contemplating the realities of eternity but all the more encouraged to study the Scriptures to determine what is true (Acts 17:11).

The publisher and author would love to hear your
comments about this book.
Please contact us at:
www.mpbooks.com

About the Author

Randy Alcorn is the founder and director of Eternal Perspective Ministries (EPM). Prior to this he served as a pastor for fourteen years. He has spoken around the world and has taught on the adjunct faculties of Multnomah Bible College and Western Seminary in Portland, Oregon.

Randy is the best-selling author of eighteen books (over one million in print), including the novels
Deadline, Dominion, Lord Foulgrin’s Letters
and the 2002 Gold Medallion winner
Safely Home.
His ten nonfiction works include
Money, Posessions and Eternity, Prolife Answers to Prochoice Arguments, In Light of Eternity, The Treasure Principle, The Grace and Truth Paradox, The Purity Principle
and
The Law of Rewards.
His two latest books,
Why Pro Life
? and
Heaven: Resurrected Living on the New Earth
, will be out in the fall of 2004.

Randy has written for many magazines and produces the popular periodical
Eternal Perspectives.
He’s been a guest on over 450 radio and television programs including Focus on the Family, the Bible Answer Man, Family Life Today and Truths that Transform.

The father of two married daughters, Randy lives in Gresham, Oregon, with his wife and best friend, Nanci. He enjoys hanging out with his family, biking, tennis, research and reading.

Feedback on books and inquiries regarding publications and other matters can be directed to Eternal Perspective Ministries (EPM), 39085 Pioneer Blvd., Suite 200, Sandy, Oregon 97055, 503–668–5200. EPM can also be reached at [email protected]. For information on EPM or Randy Alcorn, and for resources on missions, persecuted church, prolife issues, and matters of eternal perspective, see
www.epm.org
.

Chapter one from Randy Alcorn’s forthcoming novel,
Deception,
due in stores September 2006

“
My eyes have been trained to examine faces and not their trimmings. It is the first quality of a criminal investigator that he should see through a disguise.
” — Sherlock Holmes, The Hound of the Baskervilles

The phone rang at 2:59 a.m. I know this because three enormous red digits assaulted my eyes.

I knocked the phone off the cradle, then groped for it in the darkness. My tongue was stuck.

“Hello?” The voice was deep and croaky. “Anyone there?”

Its not enough that I pick up the phone at 2:59 a.m.? I have to say something too?

“Chandler?”

I nodded my head, admitting it.

“Detective Ollie Chandler?”

“Yeah,” I groaned.

“You didn’t answer your cell phone,” he said, sounding like a hacksaw cutting a rain gutter. “You awake?”

“No. But you may as well finish the job.”

“In bed?”

“Nope. Mowin’ the lawn. Who died?”

Welcome to my world.

I’ve been waiting all my life to get good news from a 3:00 a.m. phone call. It’s been a fifty-six-year wait; a wait of Red Sox and White Sox proportions.

Many people imagine middle-of-the-night phone calls mean someone’s been killed. I don’t imagine it. That’s just how it is.

Jake Woods tells me there’s a God who’s in charge of the universe. Tell the truth, I’m not convinced. But if there is, I’d appreciate it if He would schedule murders during day shift.

“The victim’s Jimmy Ross,” said the voice, which only then I realized belonged to Sergeant Jim Seymour. Sarge worked day shift. I pictured him sitting home in his underwear. It was not a pretty picture.

“Drug dealer.”

I didn’t shed a tear. They say cops are cynical. Okay, to me drug dealers are a waste of protoplasm. They should be shot, then injected, then put on the electric chair on a low setting. Does that sound cynical?

“Officer Foley is the patrol,” Sarge said. “2229 Northeast Burnside, apartment 34.” I scratched it down in the dark. I hate subjecting my
eyes
to the daggers of first light, so I postpone it as long as I can.

The moment I put down the phone, I sensed a presence in the dark room. An intelligence was near me, watching, breathing. I knew it. My throat tightened and I reached my hand toward my Smith & Wesson 340 revolver on the night stand. I heard a groan. Then I saw the whites of two eyes, three feet away.

I stared at the intruder, seeing nothing but eyes. My hand rested uneasily on my revolver.

Suddenly the cloud of disorientation lifted. I recognized the sympathetic eyes of Mike Hammer, my bullmastiff, who spends his nights getting in and out of my bed, licking my toes to reassure me he’s back.

I slowly drew my hand back from the gun, not wanting to send the wrong message to my bullie.

What was wrong with me? How could I forget Mike Hammer, my roommate? I shuddered, remembering the time five years ago that I drew the gun on Sharon when she came back to bed.

The problem with morning is that it comes before my first cup of coffee. I stumbled toward the kitchen, stubbing my toe on the exercise bike Sharon gave me. I’ve used it twice in four years. I keep it around to maintain the illusion that it’s making me healthy. This helps me justify the next cheeseburger, which means it’s worth every penny she paid.

As firemen keep their boots at bedside, I keep water in my top-of-the-line Mr. Coffee, poured to the seven-cup mark, with Starbucks French roast always waiting. I load the filter almost to the top, in a quest for maximum blackness. Whether it’s 7:00 a.m. or 3:00 a.m., I can throw the switch and console myself that even if the world’s going to hell in a handbasket, coffee’s brewing … so there’s hope.

I did what I always do: lean against the fridge and pull the pot off the burner every few ounces to get whatever’s there—like a nomad gathering drinking water from leaves in the desert. I’d mainline it if I could. I was trying to remember whether I’d had three hours of sleep or two.

I put Mike Hammer—I call him Mulch for short—out the back door to do his business. Every morning he acts like it’s his first time, and me letting him out is the privilege he’s been waiting for all his life.

After two minutes outside, and six more ounces of coffee for me, Mulch blew open the door to get his biscuit. I walked from Mr. Coffee to the bathroom and put my face two inches from the shower head. I let it pummel me into a paradigm shift: that instead of dreaming I was awake, maybe I really was awake. Maybe this was the real world and I had a job to do.

Presumably I dressed, then poured the last of the coffee into my thirty-ounce mug. After taking a few more gulps, I said good-bye to two of my favorite people—Mulch and Mr. Coffee. Mulch licked my face. I wiped off Mulch slobber with a paper towel and tossed it at the sink, coming up short. I slowly shut the front door, watching Mulch tear apart the paper towel—his reward whenever I miss. I told him, “You’re in charge while I’m gone, okay?” He loves it when I say that.

Legs heavy as sandbags, I negotiated the slick walkway like a polar bear on ice. I made it to my white Ford Taurus and dropped into the driver’s seat.

I kicked aside a Big Gulp cup and a Burger King bag. The smell of fries tempted me, but knowing my habits (a good detective does), I realized the bag had to be empty. I must have been on a stakeout the night before. Or maybe a couple of nights before. Eventually, I’d remember.

You should not assume I was actually conscious while all this was going on. A detective establishes his routine so he can do it in his sleep. You wake up on the way a little more each stoplight. By the time you really need consciousness, it’s usually there. You just hope it doesn’t arrive at the scene very long after you do.

It was dripping cold, so I drew the window half down to double-team with the coffee, fast-tracking my wake-up. Every few blocks I stuck my face out—I learned this from Mulch—gulping a quick fix of wet oxygen. Then I pulled in my frozen face and warmed it with the coffee. It’s sort of a ritual, like those Scandahoovian men who go back and forth from ice baths to saunas.

The December Portland morning, almost uninhabited, smelled of frosty rain on asphalt. It reminded me of the five years I worked night shift on the beat. One year I never saw daylight between November and February. From what I heard, I didn’t miss much.

When you’re homicide, on the “up team”—on call for the next murder—getting yanked from the netherworld in the middle of the night comes with the territory. (It’s the only thing easier now than it was when Sharon was alive; at least now I don’t have to worry about her worrying about me.)

Occasionally other people don’t understand that what I’m doing is more important than what they’re doing. That morning, headed to the Jimmy Ross murder scene, I was driving on Burnside next to the light-rail tracks, where there’s only one lane. The guy in front of me—in only the fourth car I’d seen—just sat there in his low-riding Acura Integra, figuring that since it was 3:23 a.m., he could roll down his window and talk to some moron standing on the curb, even after the light turned green.

I honked the horn. Nothing. My Taurus is a slick-top, unmarked, which is usually handy, but in this case not.

I honked again. Then I reached to my right and typed in the license number on my Mobile Data Computer. I honked the horn a third time.

The guy charged out of his car, yelling and swearing. When he got two feet from my window, I pulled out my Glock 19 and pointed it at his face.

“Get back in your car and move it out of my way. Now.”

For a moment he froze, with the fixated expression of a man wetting his pants. He scuttled back to his car sideways, like a crab, and hopped in, banging his head on the door frame. He turned his key with a garbage-disposal grind, forgetting he’d left the car running. He screeched through the light that by now had turned red.

I flipped on my flashing red and blue grill-mounted strobe lights, giving myself a free pass through the intersection. He pulled over to the right. A name popped up on my computer screen. As I passed the guy, I lowered my passenger window and shouted, “Have a nice day, Nathan Roberts!”

Okay, maybe when he first approached my car I should have identified myself as a cop. But many people assume that if you are a cop, you won’t shoot them. I did not want Nathan to labor under this assumption.

Having been a cop for thirty years, I find that you can get most of what you want with a kind word. But sometimes you can get more of what you want with a kind word and a gun.

“Foley?” I spoke into the car phone. “Chandler. Homicide. On my way. 2229 Burnside, right? Apartment complex?”

“Right. Greenbridge Arms. We’re on third floor, four doors left off elevator. Room 34’s sealed. My partner’s notifying neighbors that we’re here. A lot of them heard the shots. We’ve got one possible witness.”

“Be there in five.”

When I was a street cop, I always told people on my beat that I’d give them the benefit of the doubt. I’ll look the other way if you jaywalk or tear the tag off your mattress. But if you mess with me, you’ll regret it. I’d always say, “Messin’ with me is like wearin cheese underwear down rat alley.”

When I’m on the up team, anybody who kills somebody does it on my watch. That means they’re messin’ with me. And wearing cheese underwear.

I pulled up to the Greenbridge Arms, studying the shadowy outline of the four-story brick building. I pulled up next to one of three patrol cars, in a no parking zone.

A van labeled KAGN was parked illegally—meaning it was doing one of the few things cops can do, but media aren’t supposed to.

Four people approached me like autograph hounds. One was armed with notepad and pen, with a partner alongside carrying a professional still camera. The other team brandished video camera and microphone.

“Detective Chandler?”

They know me by name. With a few exceptions, I make it a point not to know theirs.

“What can you tell us, Detective?” The Oregon Tribune reporter had her notepad out, all ready to scribble.

“Nothing. If you check your notes, you’ll see I just arrived.”

“They’re denying us entrance to the apartments.”

“Good for them.” This was standard procedure, but they can never get over how outrageous it is that they aren’t allowed to trample over a crime scene.

“We’ve been told the victim’s name is Jimmy Ross, in apartment 34. Is that correct?”

“There’s a victim? Really? Is he hurt?” I knew they’d been eavesdropping on police radio. Apparently someone had slipped up and said the victim’s name.

“Just confirm the identity. Is his name Jimmy Ross?”

“No comment.”

“We called two of his neighbors and they said that it was Jimmy Ross. Could you confirm that it’s Jimmy Ross?”

“If I knew his name, why would I tell you?”

“What’s the harm? We heard it on the radio. We just want you to confirm it.”

“Don’t hold your breath.”

“We’re just doing our job.”

“You’re getting in the way of me doing my job. Monitor your own calls.”

“The police don’t own the air waves. Your job is to serve the public interest. That’s what we’re trying to do.”

“Yeah. Right.”

“The public deserves to know what’s going on.”

I turned away just as her cameraman took a photo. He grabbed the sleeve of my trench coat. I yanked it back from him.

I turned toward him, and his camera flash did that dagger thing in my eyes.

“Out of my face, bozo!”

That moment I saw the red light of a television news camera right behind him. In my mind’s eye I saw the images of my anger management class from two years ago, which I swore I would never subject myself to again. Like a dog zapped by a shock collar, I restrained my bark.

I smiled and waved to the camera and said, “I want to thank you newspaper and TV folks for showing your support by coming to our little crime scene. God bless you, every one. I only wish I had time for tea and cookies. But we have a crime to solve, and people’s lives to protect, so if it’s not inconvenient for you, I’ll be going up to the crime scene now. Enjoy.”

The Tribune and TV reporters and their cameramen followed me to the front door of the apartments, where Officer Brandon Gentry opened the door for me. Gently, but firmly, he positioned himself in front of them, backed in and closed the door. He and I nodded at each other, two professionals trying to beat off the vultures. I wondered if he too had been to anger management class. I signed his log sheet and wrote down the time.

The TV photographer opened the front door and did a sweep with his video. As I stepped in the elevator, I said, “Officer Gentry, there’s a van illegally parked out there. I think it has the letters KAGN on it. Would you be so kind as to write a parking violation?”

The door closed and I tried not to ponder how the media, especially the Tribune, had been my judge, jury, and nearly my executioner fifteen years before. I needed to switch gears to the job at hand. At least I was awake now.

The elevator was old, with a bad case of asthma. As I got out on the third floor, I popped a stick of Blackjack gum in my mouth.

I headed up the hall to the left and saw a cop, maybe twenty-five, poised like a jackal guarding the tomb of a pharaoh.

“Foley?”

He nodded, too eagerly. Academy written all over him, Officer Foley exuded a Secret Service alertness. I thought, If he lives long enough, eventually it’ll give way to the fear of dying on duty and leaving behind young kids and the wife he’ll promise to never forsake. Eagerness to jump into the middle of a dangerous situation is inversely proportionate to your age. Twenty years ago I was chasing armed fugitives down back alleys, by myself. Now my first thought is to call for SWAT teams, armored cars, helicopters, guided missiles, or stealth bombers, whatever’s available.

As a Vietnam vet, tome having a guy watch my back means everything. Officer Foley was also protecting my crime scene from intruders. So he was my new best friend. We might never have a drink together, but we were closer already than I am to most of my neighbors and half my family.