"Well, she does come into half a million life insurance."
"I know." Langton drank his beer, then placed the glass down carefully on the table. "She's also got quite a tidy sum, right? Even though she took out four million quid?"
"Yes."
"I wonder if this is all down to money."
"I don't quite follow. What is?"
"The reason Fitzpatrick is back. What if he's running out of cash? To stay on the run costs; he's lost houses all over the U.S., sold his boat a few years back. If he was the partner who left her all the dough—and it's looking as if this Anthony Collingwood could be Fitzpatrick—he could be putting pressure on Julia to release her cash back to him. Maybe she doesn't want to lose it."
Anna smiled. As always, Langton was putting his finger onto the motive that had not even been brought up by the investigation. She pulled her coat around herself to keep out the chill. "You know, the house in Wimbledon might not reveal any evidence that Fitzpatrick was there. She only moved into it about eight months ago."
"Which would coincide with her hiring Frank Brandon." Langton pulled at his hair. "I need you to get the bloody time frame ironed out. It's important we know the exact dates Frank started to work for her, and we need the date that Donny Petrozzo died. It has to have been after the murder of Frank, right?"
"Yes."
"And Julius D'Anton died after Petrozzo?"
"Maybe. It's not been verified; they're not sure how long he was in the water. All we know is that both of them died from an overdose of Fentanyl."
"Yes, I know that," he said impatiently. He continued trying to coordinate the series of murders. If Donny had died first, then D'Anton, Stanley Leymore was shot when? They had found the Glock pistol used to kill Frank Brandon still in the possession of Delroy Planter! Therefore his statement, along with Silas Roach's, didn't add up.
Anna closed her eyes, sighing. Yet again, Langton was coming up with queries that even she had overlooked.
"Get me the coordination ironed out," he said.
Anna agreed. Both dealers were still being held by the Drug Squad, so it wasn't as if they could do a runner.
Langton stood up, buttoning his jacket. "I'm cold. We should either go back inside or ..."
"I should get moving," Anna said.
They walked in silence to the car park, Langton deep in thought, Anna equally so. She wasn't thinking about the case, but why he had wanted to see her alone. She got to her car and bleeped it open.
"You've moved," he said quietly.
"Yes."
"Where to?"
"Over by Tower Bridge."
Langton held the car door open for her. "Thanks for coming to see me. Sorry if I chose the wrong pub, but I'm sure you'll iron it out with Pete."
"There is nothing to iron out," she said tetchily.
He cocked his head to one side, stared at her, then looked at his watch. "You'd better go. Good luck tomorrow."
She was about to close the door when he leaned in. "This guy Fitzpatrick is a real nasty piece of meat. Christ knows how many people he's used and abused. He'd kill anyone who stands in his way, so I'm warning you, Anna, behave yourself. No going off if you get the scent of him. Work as a team, and make sure you have backup, understand me?"
"Yes, sir!"
"Good night."Then he slammed her door and walked off toward his old brown Volvo.
She started the engine and reversed past him, but he didn't acknowledge her; he was talking on his mobile phone. She felt depressed. Had he really asked to meet her to warn her to behave herself? If that was the only reason, he could have told her in the office. She couldn't suppress her mixed emotions, yet he had not shown her any.
She went over everything they had discussed, first the case, then when he had asked if she had moved. She wondered if he had tried to contact her. If he had wanted to, he could have done so easily. Had he been jealous about her friendship with Pete? Just thinking about it made her feel as if she owed Pete some kind of apology. She had refused to see him that evening, saying she was working late; then he had been confronted by her with Langton.
Anna was close to where Pete lived in Hampstead, so, instead of heading for home, she turned off toward his house. She thought she would just drop by and say she was sorry but, as she turned into his road, she saw Daniella, the attractive blond girl he had introduced her to in the coffee shop paying a taxi driver outside Pete's house. Anna had to pull over, or she would have driven past just as Pete opened his front door. Pete ushered Daniella inside, closing the door.
"Bloody men," Anna muttered, angry that she had even felt bad about bumping into him. She felt angry the entire drive back across London to Tower Bridge. Angry with Pete, angry that Langton had asked to see her for a private drink but had made no reference to their previous time together. Then angry with herself. What was it she wanted? For him to make an approach, and try to rekindle their love affair? As her anger subsided, she felt a strange sadness. She was not going to even contemplate the fact that, deep down, she wanted Langton to give her some indication that he still cared. He had behaved merely as her superior officer. It finally dawned on her that he was never going to be anything other than that.
CHAPTER 17
It was
4:30
A
.M
. when Anna drew up outside Julia Brandons house. The surveillance team, parked some distance away, said that there had been no movement.The two heavies were inside the house. Anna gave instructions for two officers to move around to the back of the house, and two to stay beside her. Armed with search warrants, she waited for radio contact to confirm that the men were in posidon outside the back door. Security lights had come on: the gardens and garage were almost floodlit. Also waiting was a team of three forensic officers, parked directly outside the house. As soon as Anna gained entry, they would follow her inside. Anna pressed the doorbell, then lifted the knocker and let it bang hard five times.
Lights came on in the house; the door was opened by one of Julia's bodyguards. When shown the warrant, he backed into the hallway. Julia, in a satin nightgown, appeared on the landing, looking terrified. The children's au pair started screaming; from the nursery, Emily and Kathy started howling for their mother. Anna asked that everyone remain calm. She showed the warrant to Julia, and told her to bring the children downstairs with the au pair. They were all to stay in the lounge together with the two bodyguards.
Julia screamed at Anna over and over: "Why are you doing this to me? Why are you doing this to me? Why, why? What have I done?" She was like a needle stuck on an old 78 record; it was as if she could not stop repeating herself. Anna insisted that Julia remain with the children.
The officers were to search every drawer and cupboard, taking back to base anything that appeared to connect to the case, including possible bloodstains, fingerprints, unusual fibers. Anna was to supervise the search, on occasions agreeing whether or not to remove items. It was a very large house; the garage was to be searched too, as well as the
garden and small garden shed. It would be a long, painstaking process. Anna was like an army officer watching the progress but, after an hour, she could see nothing that aided their inquiry.She herself worked her way through drawer after drawer of documents in the kitchen: kitchen appliance insurances; household bills, telephone, gas, and electricity; gardener's invoices; invoices for electrical work and carpet laying; a thick wad of invoices from furniture stores; delivery arrangements ... She had to check ever)' single one of them. She was sitting at the kitchen table when Julia barged in, demanding to speak to her.
"My lawyer is coming. I want to know what right you have to do this. Emily and Kathy woken up and taken out of their beds, it's outrageous! I still don't know why you are here."
Anna didn't look at her, but kept on going through papers. "Well, Mrs. Brandon, we don't think you have been totally truthful with us. As a result we need to make sure that—"
"I have told you everything I know! I just don't understand. I mean, my kids are crying in there.""Feel free to heat up some milk or cereal, whatever you need."
Julia banged open the fridge, took out some milk, and filled a jug; she banged open another cupboard to take down cereal packets. Anna had to check them; she got one packet of cornflakes hurled at her head, the contents spilling over the kitchen floor.
In total contrast, Julia's sister. Honour, was sitting in the kitchen with toast and jam; she had brewed up coffee, proffering cups to the officers. She had merely been taken aback when they herded into the farmhouse at four-thirty that morning. Due to the size of the farm, there were double the officers handling the search, with cooperation from the local force. Damien Nolan had appeared more irritated than afraid. He had checked over the search warrants carefully and then, seemingly satisfied, returned them to Phil.
Fingerprints were being taken from obvious areas and the place was being turned over. Phil orchestrated a room-by-room inventory as they sifted through desk drawers, but found only mounds of old receipts.
bank statements, income tax returns, and used checkbooks, all bound casually with rubber bands.
Damien eventually joined his wife to eat breakfast. He asked how long the officers intended to be at the farm, as he was to leave later that morning to give a lecture. He was arrogant and dismissive; laughing when he saw them dismantle an old Hoover, saying it had never worked. He was only tetchy when they removed his computer, saying that he needed it for his work and that he wanted to know exactly why it was being taken. Honour tried to be equally dismissive, but didn't like the way they were searching through all her homemade jams in the pantry.
Phil was in the bedroom, checking over the duvet and the bedclothes, beneath the bed, and behind the headboard under the mattress. He was not finding anything other than the dust that was making his eyes water. They checked every garment in the wardrobe, pocket flaps and trouser turnups. Honours clothes were not fashionable, but hippyish in style: long skirts, embroidered blouses and brightly colored waistcoats. Her husband's suits were equally worn: tweedy, many with leather patches where they were threadbare. Riding jodhpurs, boots; nothing Phil looked at gave any hint that either was involved with their Mr. Big.
The officers searching outside were faring no better. The barns were filthy and falling down; in one, they discovered a small kiln with broken bits of pottery on an old bookshelf. The kiln didn't appear to be in use. In the stable, the horse seemed about the only thing that wasn't crumbling with age. The roof and the stable walls were in need of repair, as were the barns and outhouses. The henhouse had fifteen hens in dire need of a new building; the hut was about to collapse. There was a small ladder leading up to it and a lock to keep out the foxes, just as Honour had described to Anna. The loft of the farm was filled to capacity with junk: old iron bedsteads and chairs, paintings, broken umbrellas, buckets, old kitchen equipment, and, stacked against the walls, broken kitchen cabinets. They had to sift through every item, and they were all filthy.
Phil was very aware of the couple sitting in comfort at their big pine kitchen table. They chatted to each other, buttering their toast and
pouring cup after cup of wonderful-smelling fresh coffee. He couldn't understand why they would want to live in this dump; apart from the kitchen, the whole house smelled of mildew. Damien had lit a fire, and he kept it blazing by throwing on logs. To Phil, the views and the stunning countryside surrounding the farm may have been picturesque, but the lane to the farm was a virtual bog; he reckoned that, in winter, they would be very isolated, and this isolation was abhorrent to him. The longer he searched, the more certain he became they were on the wrong track.
He walked into the library, a small room off the dank hallway, and sighed. It was filled with hundreds of books, some old and worn, others stacked in piles around the threadbare carpet like stalagmites. There were also stacks of newspapers—some brown with age, others quite recent. The thought of having to go through the room, leaving no book unturned, made him feel physically ill.Anna was also not turning up anything she felt was useful. It was frustrating, to say the least. One of the officers asked if they were to search the au pair's bedroom. Anna hesitated, and said she'd like to look through the room. She didn't really know why at first but, as soon as she entered the small clean bedroom, she knew what she was looking for. Recalling that the girl had said how fond of Frank she was, and had gestured to the wedding photographs, Anna hoped there might be one that Julia had not destroyed. She was disappointed; the room was devoid of anything connected to Julia or her family.Clean sweaters were stacked neady in her wardrobe alongside dresses, shoes, and coats. There were some letters from Mai Ling's family, but in Chinese, so Anna put them aside. She opened a bedside drawer; there was a Bible and some beads, but nothing else. She sat on the bed, looking over the room, and then picked up Mai Ling's handbag, which had been left on her bed. She found a wallet with a driving license, some receipts, and three five-pound notes. She then took out a mobile phone and skimmed through the few numbers—home, Julia's mobile, dentist, doctor—and was about to replace it, when she clicked onto the icon for photographs.There were over fifty pictures: many of the two children, some of Mai Ling with her friends, and, lastly, wedding pictures. Anna scrolled through all the photographs: more of the children; one of Frank, cleaning Julia's car; another of Julia; one of Mai Ling holding a bouquet and smiling; more were possibly from the wedding, but showed no bride or groom. One Anna looked at closely was rather blurred: a man, aged around fifty to sixty, with long gray hair in a ponytail, was partly hidden by a large willow tree, but was leaning toward the two children with an ice-cream cornet. It was an innocent, almost sweet photograph; Anna was unsure where it had been taken, possibly at the wedding?Anna scrolled on to the next: it was of the two children, one holding an ice cream. The man was standing beside them. All that was in shot were his jeans and his shoes. Anna stared at the photograph, trying to calculate how tall the man must have been; the eldest child didn't even come up to his hips. The next picture was black, with a hand across the lens, as if someone had not wanted their photograph taken. Anna scrolled on to the end, finding more shots of the children, the Wimbledon house, and Mai Ling's bedroom, but no other shots of the gray-haired man with the ponytail.
She went down the stairs and looked into the drawing room. Julia was sitting, facing the window; the two children sat by a coffee table eating their cereal. She asked for Mai Ling to join her in the kitchen.
Anna explained that she was not in any trouble: all she wanted was for her to say who was in the photographs. She eased the nervous girl into describing where and when the earlier photographs had been taken, lastly showing the tall man with the ponytail handing an ice cream to the children.
"Oh, that was taken long time ago. I never printed any of them."
"Who is he?"
"Mrs. Brandon's partner."
"This is Anthony Collingwood?"
"I did not know him; I did not speak with him."
"But he is handing one of the children an ice cream."
"Yes, he gave it to her, but I did not speak with him."
"Thank you. I will need to retain your phone, but it will be returned to you."
"Thank you."
Anna then asked the dates of the photographs featuring the man with the ponytail. None were recorded on the phone. Mai Ling thought that they had been taken before they had moved to Wimbledon.
"That would be, what, about eight or nine months ago?"
"Yes."
"And this man just came up to the children and offered them an ice cream? Didn't that seem odd?"
"No, Mrs. Brandon was with him."
"Ah, thank you. Again, you have been most helpful."
"He did not like me to take a picture; he told me not to do so."
"And you are sure this man has never been to this house?"
"Not when I have been here."
There was the sound of loud voices in the hallway. Simon Fagan had arrived, and was being very abusive to the officer at the front door. "What the hell is going on? I cannot believe, after what I have discussed with you—"
Anna excused Mai Ling and walked back into the hall. "Mr. Fagan, as I mentioned to you before, we are investigating the murder of Mrs. Brandon's husband—"
"I am aware of that, for Christ's sake, but why all this? What on earth are you looking for?"
"Evidence. If you wish to see the warrant?"
"I don't, but I am going to make a formal complaint. You have persistently harassed Mrs. Brandon without, as far as I can ascertain, a shred of evidence that implicates her in the unfortunate and tragic events surrounding her husband's death." He was so pompous, and his voice so loud, that everyone could hear.
Anna asked him to join her in the kitchen to continue their conversation. Fagan refused to sit, but paced around the room. She quietly informed him that her inquiry not only focused on Brandon's death, but on three others they believed to be connected.
"What? And you think my client has something to do with them?"
"Please sit down, Mr. Fagan."
He leaned against the table and glared at Anna. "My client has requested the release of her husband's body numerous times; this has been refused. She wishes to bury him, and try to forget this horrendous situation. Now, please, what exactly are you suggesting? What other deaths are you trying to implicate my client in, because I am losing my patience?"
"I suggest you try to hold on to it! Or perhaps it is Mrs. Brandon you wish to hold on to? It appears to me that you are being overly protective—"
Anna was interrupted as he banged down a chair. "How dare you! How bloody dare you make insinuations that I have anything but a professional relationship with my client?"
"Please sit down."
Fagan still refused. Eventually Anna stood up and showed him the photograph on Mai Ling's mobile. "Do you know this man?"
Fagan huffed and snorted, leaning forward; he glanced at the picture then shook his head. "No, I do not."
Anna said that she would present him and his client with a list of items they would be removing from the house. If he wished, he could join Mrs. Brandon in the drawing room but, until her officers were satisfied, the family would remain in there. Fagan stormed out, his face red with anger. Anna knew she should not have implied that he had more than a lawyer/client relationship with Julia.Phil could feel the grainy dust clinging to his hands. He had been working through the so-called library for hours, and found nothing. He was sure his allergies would kick in; he had already started sneezing. Having cleared the bookcases, he started sifting through the old newspapers. Caught between two copies of the
Sunday Times
was a torn scrap of paper. It listed times of a flight arriving at Heathrow Airport. It gave a flight number from Miami, British Airways; no date, just arrival time, written as if in haste, with a felt-tipped pen. It was the scrawled writing that interested him: the number seven had a European line midway across it.Phil was certain the writing matched the note found in the Mitsubishi giving directions to the farmhouse. He looked over to a stack of exam papers on a low coffee table. There was a memo on top, the writing very similar. A thin spidery scrawl; Phil presumed it had to be Damien Nolan who had written it. The memo, dated eighteen months ago, had coffee-cup stains over it. Phil removed the page and added it to the note referring to the Heathrow flight times, placing them both in a plastic evidence bag.Anna joined the officers upstairs, still dusting for prints and checking for anything that would give them a clue as to whether or not Alexander Fitzpatrick had ever been present, as she was beginning to doubt that he had. They had run a check on Julia's previous home; it had changed hands twice even in this short period, and was in the process of being converted into flats, so it was doubtful that, if Fitzpatrick had hidden there, at this late stage they would find anything.As Anna made her way down the stairs, she paused, as she could hear raised voices. Julia Brandon was angrily asking Mai Ling about her phone and what photographs she had retained on it. Anna could not hear her reply, but as she got closer to the drawing room, she thought the girl was crying "You have no idea what you have done!"