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Authors: Michael Innes

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Death at the Chase (21 page)

‘Not in the least. What interests me is the discipline, the bent of mind. Get the tangible and visible universe right, and everything else will shine through. That seems to me the notion. It demands the cultivation of a habit, I take it, of seeing what is really there – the
whole
of what is really there?’

‘Naturally.’

‘Then –
look
.’ Appleby was pointing at the window. ‘Of course, the curtains were nearly drawn, and that makes a difference. But here you are, out in the darkness with these two worthies beside you, and you are looking in. What do you see?’

There was a long silence. Bobby was not, in fact, looking – or not with his organs of bodily sight. His eyes were shut.

‘Clearly an exercise,’ he said, ‘in visual recall. Like Kim’s Game. You remember at children’s parties? A tray covered with small objects. You’re allowed to look at it for thirty seconds–’ He broke off. ‘I’m sorry,’ he said, ‘but I can’t see anything out of the way. Only I
ought
to. I can remember that.’

‘It must be something very unimpressive, Bobby. Something that not many people would notice at all.’

‘And so it is!’ Bobby had swung round, and his eyes were now very wide open indeed. ‘A most tenuous appearance, one might say.’

‘A mere thread of a clue?’

‘Almost that.’

‘Ariadne’s thread, Bobby. It leads to the heart of the labyrinth – and probably to the bottom of that well.’

‘Isn’t it rather a long shot?’

‘Worth one of Tommy’s men getting himself a bit mucky. Let’s–’ Appleby swung round, following Bobby’s gaze. ‘Ah!’ he said. ‘Another of the bad pennies has turned up.’

 

The bad penny was Rupert Ashmore. He had emerged from the house – where it was to be presumed he had already seen the Chief Constable – and was hurrying in Appleby’s direction now.

‘My dear Sir John, this a very terrible thing!’ Rupert had the air of condoling with Appleby on some intimate loss. ‘I am deeply grieved – deeply grieved, indeed. It is a great shock. I have only just got back from town, having had to hurry to my dentist in some pain late yesterday. He has put the matter right, you will be glad to know. But why should I speak of such a trifle? That my poor brother should be so suddenly taken! A seizure, it seems. I have been told that they are often instantly fatal to persons of disordered mind. But we must never speak of poor Martyn’s affliction again. It is too painful. He was a remarkable man. When I take over the Chase, I shall have a small memorial erected in the park.’

‘Before you do that, Mr Ashmore, I have some hope that you will be clapped into jail.’

‘My dear sir!’ Rupert’s features expressed the largest astonishment. ‘Have you taken leave of your senses?’

‘Either I, or your unfortunate brother, very nearly took leave of his brains the other morning, as a consequence of your antics up on that roof. I have every hope that intensive investigation will connect you with several similar exploits. And now your brother has actually met a violent end. Your position is unenviable, Mr Ashmore.’

‘Where is my daughter Virginia? I demand to see her. She has been carried off – and doubtless constrained to make damaging state-ments of a wholly baseless sort. By threats and bullying. I insist that she be released.’

‘Your daughter is entirely her own mistress, sir. And she is walking somewhere in the park.’

‘Where’s Finn?’ Bobby asked suddenly. ‘Finn seems to have wandered off too.’

 

 

21

 

‘Good Lord!’ Finn said, fifteen minutes later. He had strolled into the stable-yard of Ashmore Chase and come upon the group of men round the well. ‘Surely nobody is taking that ploy seriously?’ He watched the head and shoulders of a constable disappear into darkness. ‘Is that sort of champagne really worth it?’

‘You may find it’s a pretty odd sort of champagne.’ Bobby Appleby had swung round. ‘Where on earth have you been? And where is Virginia?’

‘I borrowed your car. The key was in the ignition. I hope you don’t mind?’

‘I’ve put up with worse than that from you, I suppose.’ Bobby sounded resigned. ‘But what did you want the car for, anyway?’

‘I ran Virginia to that AA telephone on the main road. She wanted to make a call.’

‘You had been talking to Miss Ashmore?’ It was Appleby who had turned round now. With a brisk inclination of the head, he drew the two young men aside. ‘You followed her into the park as soon as you left us?’

‘Well, yes. I’d got a glimpse of her, you know, and she seemed rather attractive.’ Finn offered this explanation with an appearance of entire artlessness. ‘And, of course, I thought it might be a time for a chap to rally round. Her family not showing up in too good a light, and so forth.’

‘And did she respond to being rallied round?’

‘Not too well at first, sir. But I chatted her up.’

‘Did you, indeed? May I ask what you judged to be a suitable topic of conversation?’

‘Well, just all this.’ Finn made a gesture. ‘It would have been silly – it would have been quite artificial, wouldn’t it? – to talk about anything else. So I had a go – from a sympathetic viewpoint. Told her the latest, and so on.’

‘Just what do you mean by the latest?’

‘Well, sir, things like your saying that the fire was the key.’

‘Was it at that point that Miss Ashmore said she wanted to make a telephone call?’

‘I don’t quite remember.’ Finn produced his artless look again. Then he caught sight of Appleby’s expression, and it vanished.

‘Finn, I think you knew very well what you were doing?’

Finn hesitated only for a second.

‘Yes, sir. I think she knew where she could contact her brother on the telephone – or leave a message for him.’

‘It’s your belief that the truth – or an outline of it – had just flashed on her? That she can have known nothing whatever about it until that very moment?’

‘That’s how it felt. Anything really grim and dark about her brother, I mean. In fact, I’m certain of it. She had tumbled to something that
I
hadn’t tumbled to, and it was a terrific shock. She did say something queer – something about Giles having been interested in fires. Anyway, I knew what she was doing.’

‘And you knew what
you
were doing? You thought it was right?’

‘She had made an appeal to me.’ Finn looked straight at Appleby. ‘Not explicitly – is that the word? She might just have been wanting to telephone her mama about being home to lunch. But I knew. I knew that she wanted to give her brother a chance. Shall I be put in quod, do you think? There just wasn’t anything else I could do.’

‘Your incarceration is improbable – or the girl’s, for that matter.’ Appleby looked at Finn soberly. ‘You accepted a heavy responsibility, all the same.’

‘Yes, I see that. If it’s as I think it is, I believe I know what Giles will do.’

‘It’s our duty–’

Appleby was interrupted by a shout behind him. They all turned round. The constable, gloriously muddy, had been hauled out of the well. He was clutching a bulky object in his arms.

‘The champagne,’ Bobby said quietly, ‘transformed into something rich and strange.’

‘The champagne?’ Finn echoed in bewilderment. ‘That isn’t–’

‘My dear Finn, there never was any champagne. Look!’ Appleby had pointed. The constable’s burden had been set down in the yard, and a certain amount of mud and weed cleared away from it. It stood revealed as a large electric fire: the kind that masquerades as a heap of flaming logs.

 

‘When Bobby first peered through the window,’ Appleby said to Judith that night, ‘he saw the electric flex – which is something an honest-to-God fire doesn’t have. But it was simply the visual image that registered, followed by no rational inference at all – and apparently no impress upon his memory. However, he recovered it as soon as I shoved him at the window again – and when something like the truth was beginning to dawn on my own mind.’

‘The rather dim-seeming Giles Ashmore is not without resource.’

‘Decidedly not. He smuggled the fire into the Chase beneath a dozen bottles of claret. But that was simply to elude the observation of his two companions. Once in Martyn Ashmore’s presence, he simply produced it boldly. Ashmore must have been put in good humour by the absurdity of the miserable claret, and he was no doubt in high feather over having out-smarted his nephew with Miss Bunker. So he accepted the contraption graciously, and allowed Giles to fix it up at once. A “very original present”, he called it in Bobby’s hearing later. There was nothing else of the kind in the house, apart from a wretched little electric radiator in the hall. Incidentally, I don’t suppose he often lit a fire at this time of year. But the fireplace had the abundant remains of one, left neglected since goodness knows when. The rest of the story pretty well tells itself.’

‘I’m not sure that it tells itself to me.’

‘Giles got Bobby into the hall, simply to glimpse that great big fire through a door. He had the good luck to manage that further glimpse through the window. But Ibell, I think, he was reckoning on; and when Bobby and Finn scattered in alarm he simply slipped back into the house, killed his uncle, arranged his head and shoulders in the cold ashes, and took the electric contraption out and pitched it down the well. All he had to do then was to keep up an alibi over a period of so many hours – you may say while that non-existent wood fire was dying down and going out. Hence the whole business of having Bobby see him off to London – non-stop.’

‘Do you think that Giles knew about his uncle and Robina?’

‘I should judge it extremely probable, and it would add a good deal of extra drive to his plan. Sex and cupidity all mixed up.’

‘What about his father?’

‘I’m sure that his father didn’t know what he was about – any more than his sister did. Rupert, as we know, had been pursuing his own nasty game. But he was a cipher last night. Perhaps the bad news he read in
The Times
really set his teeth on edge. It seems his visit to his dentist was genuine enough.’

‘Ambrose?’

‘Giles had neglected to do anything about the catch on the front door. So Ambrose walked straight into the house in a tearing rage, and came on his brother as dead as a door-nail. He lost his head, and I’m not surprised. This morning, of course, he realized that Finn was a deadly danger to him. One is rather sorry for Ambrose.’

‘I’m not sure that I can find anybody to be sorry for.’ Judith paused. ‘Except, perhaps, the girl.’

‘That’s just as well. Bobby will positively require you to be sorry for her.’

‘John – no!’

‘A passing attraction. I shouldn’t worry… I’ll get that.’

The telephone had rung in another room. Answering it, Appleby was away for some time. When he returned, it was to pour out two glasses of brandy, and hand one of them silently to his wife. He went over to the fire and stirred it – a log fire. Then he turned back into the room.

‘That was Tommy Pride,’ he said. ‘Giles Ashmore shot himself in a London hotel late this afternoon. He’s dead.’

 

 

Endnote

[1]
Jealousy
by Alain Robbe-Grillet, translated from the French by Richard Howard, and published in England by Calder & Boyars Ltd.

 

 

Note on Inspector (later, Sir John) Appleby Series

John Appleby first appears in
Death at the President’s Lodging
, by which time he has risen to the rank of Inspector in the police force. A cerebral detective, with ready wit, charm and good manners, he rose from humble origins to being educated at ‘St Anthony’s College’, Oxford, prior to joining the police as an ordinary constable.

Having decided to take early retirement just after World War II, he nonetheless continued his police career at a later stage and is subsequently appointed an Assistant Commissioner of the Metropolitan Police at Scotland Yard, where his crime solving talents are put to good use, despite the lofty administrative position. Final retirement from the police force (as Commissioner and Sir John Appleby) does not, however, diminish Appleby’s taste for solving crime and he continues to be active,
Appleby and the Ospreys
marking his final appearance in the late 1980’s.

In
Appleby’s End
he meets Judith Raven, whom he marries and who has an involvement in many subsequent cases, as does their son Bobby and other members of his family.

 

 

Appleby Titles in order of first publication

These titles can be read as a series, or randomly as standalone novels

 

1.
 
Death at the President’s Lodging
 
Also as: Seven Suspects
 
1936
2.
 
Hamlet! Revenge
 
 
 
1937
3.
 
Lament for a Maker
 
 
 
1938
4.
 
Stop Press
 
Also as: The Spider Strikes
 
1939
5.
 
The Secret Vanguard
 
 
 
1940
6.
 
Their Came Both Mist and Snow
 
Also as: A Comedy of Terrors
 
1940
7.
 
Appleby on Ararat
 
 
 
1941
8.
 
The Daffodil Affair
 
 
 
1942
9.
 
The Weight of the Evidence
 
 
 
1943
10.
 
Appleby’s End
 
 
 
1945
11.
 
A Night of Errors
 
 
 
1947
12.
 
Operation Pax
 
Also as: The Paper Thunderbolt
 
1951
13.
 
A Private View
 
Also as: One Man Show and Murder is an Art
 
1952
14.
 
Appleby Talking
 
Also as: Dead Man’s Shoes
 
1954
15.
 
Appleby Talks Again
 
 
 
1956
16.
 
Appleby Plays Chicken
 
Also as: Death on a Quiet Day
 
1957
17.
 
The Long Farewell
 
 
 
1958
18.
 
Hare Sitting Up
 
 
 
1959
19.
 
Silence Observed
 
 
 
1961
20.
 
A Connoisseur’s Case
 
Also as: The Crabtree Affair
 
1962
21.
 
The Bloody Wood
 
 
 
1966
22.
 
Appleby at Allington
 
Also as: Death by Water
 
1968
23.
 
A Family Affair
 
Also as: Picture of Guilt
 
1969
24.
 
Death at the Chase
 
 
 
1970
25.
 
An Awkward Lie
 
 
 
1971
26.
 
The Open House
 
 
 
1972
27.
 
Appleby’s Answer
 
 
 
1973
28.
 
Appleby’s Other Story
 
 
 
1974
29.
 
The Appleby File
 
 
 
1975
30.
 
The Gay Phoenix
 
 
 
1976
31.
 
The Ampersand Papers
 
 
 
1978
32.
 
Shieks and Adders
 
 
 
1982
33.
 
Appleby and Honeybath
 
 
 
1983
34.
 
Carson’s Conspiracy
 
 
 
1984
35.
 
Appleby and the Ospreys
 
 
 
1986

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